Inside World Music

CD Review: Kayhan Kalhor & Ali Bahrami Fard's 'I Will Not Stand Alone'

2012-01-27T11:16:00.000-08:00

Kayhan Kalhor & Ali Bahrami Fard
I Will Not Stand Alone
World Village

Theprominent Iranian composer and musician, Kayhan Kalhor, combines meditative andadventurous compositions on a new instrument—the shah kaman—along with AliBahrami Fard’s bass santoor. The earthy sound of the shah kaman resembles adarker version of the kamancheh, though it is similar in appearance. Thefloating melodies of shah kaman and bass santoor elicit dreamy images ofPersian classical music that is reinvented for a new generation. Keep in mind,only shah kaman and bass santoor instruments are included on this album.Technical wizardry and vocals are nowhere to be found. The interplay betweenthe shah kaman and the bass santoor come to a head on “The Laziest SummerAfternoon.” At times, the music is complex and frenzied. However, it isinterspersed with quieter moments that really grab the attention of listeners.The entire album is about one-hour long with tracks ranging in length fromunder two-minutes to fourteen-minutes. At any rate, the Persian music listenerwill find solace in the punchy notes of the bass santoor and the earthy glidingof the shah kaman. ~ Matthew Forss

CD Review: Kelly Carpenter's 'Passage'

2012-01-27T07:35:00.000-08:00

Kelly Carpenter
Passage
Self-Release

Thechilled and relaxing grooves of Kelly Carpenter’s piano playing combineelements of ambient rock with new age instrumental magic on his latest release,Passage. The adventurous “Summer Rain”takes on a life of its own with lush piano melodies and an ambient rock vibethat is wholly instrumental. The quick and short keys resemble falling rain. “ADistant Shore” seems more like an ode to Ireland with a pensive, yet emotiveviolin solo that only lasts thirty-seconds. “Whom Have I But You?” containsplayful piano melodies and a little percussion to add some meat to the track.The fluttering electric sounds merge into an electric guitar medley thatappropriately accompanies the piano. The rain and thunder noises of “Waiting”are accompanied by solo, meditative piano. “Saying Goodbye” contains a rousingand jazzy melody with light percussion and piano accompaniment with theunmistakable sounds of an electric guitar. This is probably the most ambientrock-type song on the album that encompasses a bit of blues and roots musicthrown in. “Ascent” opens with bird sounds and a fast-paced piano with lightpercussion and atmospheric keyboards. “The View From Here” opens with spaceynoises, atmospheric washes, and sparkling piano sounds before a littlepost-ambient rock guitar breaks the serenity. The last few tunes add a littlemore rock guitar, but it does not detract away from the new age nuancesthroughout. In fact, the rock guitar is a perfect addition to the instrumentalmusic. If Passage is a journey, his piano is the vehicle. Fans of solo instrumental piano, new age and ambient rock will love it.Similar artists: Michele de Wilton, Danny Wright, and Al Conti.

CD Review: Seka Gong Taruna Mekar Orchestra feat. Wayne Vitale and I Made Arnawa

2012-01-19T17:30:00.000-08:00

Seka Gong Taruna Mekar Orchestra feat. Wayne Vitale and I Made Arnawa
Makrokosma Bali
Vital Records

Initially a science-focus, Makrokosma Bali eventually centered on Balinese culture and philosophy over the four years of its development. The universal microcosm and macrocosm of human existence and humankind's orientation within the universe is showcased with the different sounds. The gamelan instrumentation is more pronounced and varied than the previously-reviewed album, also from Vital Records. The ensemble consists of twenty-five musicians. "Kerang Kering" is a vocal track with rhythmic chanting, speaking, and nature sounds without instrumental accompaniment. The five other tracks contain traditional tunes that are perfect for the Balinese student or aficionado of Indonesian gamelan music. This is a fine example of gamelan music produced in Bali with an American participating in the music-making process (Wayne Vitale). ~ Matthew Forss

CD Review: I Made Arnawa & I Dewa Putu Berata's 'Returning Minimalism: New Works For Balinese gamelan gong kebyar'

2012-01-19T17:04:00.000-08:00

I Made Arnawa & I Dewa Putu Berata
Returning Minimalism: New Works For Balinese gamelan gong kebyar
Vital Records

I Made Arnawa and I Dewa Putu Berata are two musicians that make up the Seka Gong Taruna Mekar and Cudamani Ensembles from Bali, Indonesia. Returning Minimalism... is an extension of Terry Riley's 1964 work, "In C", a pivotal piece--and arguably the first minimalist composition. Track one, "In Deng," by I Made Arnawa, is a twenty-four minute composition that includes gamelan instruments, such as reong, trompong, gangsa, suling, jublag, jegogan, gong, kempur, and kenong. The metallic overtones are arranged in a fast-paced rhythm with shimmering gamelan sounds that mimic a metal balafon or vibraphone with starkly, higher-pitched sounds. The music is instrumental and it takes on a new approach to performance, since the album accentuates improvisational and creative energies that defy traditional modes. "In Ding" is the second and final track, but it is performed by I Dewa Putu Berata. This track was mostly instrumental, except for vocal accompaniment by Emiko Saraswati Susilo. "In Ding" was more improvisationala range of one tone. The crystal clear tones of the gamelan instruments are iconic, trance-inducing, and meditative. The music is ideal for Balinese musical studies and graduate students with a background in musical notation. Extensive liner notes are included in English. ~ Matthew Forss

CD Review: Buika's 'En Mi Piel' [2 CD]

2012-01-19T14:13:00.000-08:00

Buika
En Mi Piel [2 CD]
Warner Music

Hailing from Spain and born of Equatorial Guinean parents, Buika (pronounced BWEE-kah) is a vocalist with sincerity that seeps through every part of the album. The 2-CD set includes a lively, Spanish-infused concoction of brooding love songs, emotional deliveries, and danceable song structures. En Mi Piel, which means, 'in my skin,' is an evocative title that represents her comfortable and emotive songwriting skills and personal stories. The Spanish-language album contains upbeat tunes on percussion, piano, acoustic guitar, and a variety of strings and horns. The intense vocalizations are more varied than Cape Verde's Lura; not as smooth as Ethiopia's Saba; and almost reminiscent of Uzbekistan's Yulduz Usmanova. At any rate, the writhing percussion and swirling vocals wrap around the listener like the warmth of a Mediterranean sunset. The inviting repertoire is similar to fado or flamenco stylings--both of which are popular music forms in the global music community. The African music links are less than evident on this recording. As a result, fans of European fado and flamenco-type music with a little Andalusian embellishments and jazz will find solace and fun in En Mi Piel. ~ Matthew Forss

CD Review: Trio Bravo's Self-Titled Release From Germany

2012-01-19T13:45:00.000-08:00

Trio Bravo
Trio Bravo
Ozella Music

Though a Trio, there are several musicians on this exciting recording from Germany. The instrumental album contains cross-genre music incorporating North and South American, European, and Asian influences. Some instruments utilized include violin, piano, double bass, drums, marimba, cello, kontrabass, and assorted percussion. The fluid piano playing and spritely strings combine perfectly with the other instruments. Many of the songs are easy to imagine on a soundtrack. The gitty and jazzy "Wiener Wuerstchen" is a downtempo gem with violin work and folkish melodies. The klezmer-esque tunes are appropriately-matched with the upbeat strings and Eurocentric leanings. Nineteen tracks take on many characteristics of the classical and fusion worlds. Keep in mind the music is not amped up with guitars or keyboards, which is fine for a recording of this sort. The entire album can be summed up in one word: ausgezeichnet! ~ Matthew Forss

CD Review: Roger Matura's 'World Gone Wrong'

2012-01-19T13:31:00.000-08:00

Roger Matura
World Gone Wrong
Ozella Music

Nearly an hour of music sets the stage for a wonderful folk album of inner peace and outer joy. World Gone Wrong is a wry, witty, and charismatic recording of folk music with hints of harmonica, piano, sax, flugelhorn, violin, bandoneon, and assorted percussion. Roger's raspy voice is Dylan-esque, but more defined. Roger's German upbringing shines through the tracks, but the music is in English and some of the melodies resemble folk tunes from the streets of Paris or Dublin. The twenty-two songs represent a host of emotions, relationships, and thoughts that culminate into a broad-scoped recording of intelligent writing and evocative delivery. Roger's seemingly reserved vocal range appropriately matches the bluesy, folksy, and jazzy rhythms. Fans of singer/songwriter music will love Roger's new work. ~ Matthew Forss

CD Review: Doctor L's 'The Great Depression'

2012-01-19T12:44:00.000-08:00

Doctor L
The Great Depression
Comet

Doctor L is a fusion fellow with roots in Ireland, France, and Africa. The latter country is of utmost importance for his latest release, The Great Depression. Doctor L incorporates soothing downtempo hooks, a punch bass line, afro-beat funk, and world voicings into the mix. Various artists are captured on the album, including The Nairobi Descendants, Vodoo John, Allonymous, Tony Allen, Asa, Kiala Nzavotunga, Unknown Poets, David Walters, and Antibalas. The remarkable repertoire is heavily influenced by jazz, funk, improvisation, and global beat music with various languages spoken and numerous instruments make rhythms from all corners of the world. The upbeat, modern arrangements contain a variety of vocal samples, rock-driven segments, and funkadelic tunes that are so hot they melt the CD player...figuratively, of course. A plethora of male and female vocals, spoken word, rap, electronic noises, and mesmerizing arrangements put this album to the top of any global music chart with ease. ~ Matthew Forss

CD Review: Randi Tytingvag's 'Let Go'

2012-01-19T12:21:00.000-08:00

Randi Tytingvag
Let Go
Ozella Music

Norway's Randi Tytingvag is joined by Anders Aarum on piano and glockenspiel; Espen Leite on accordion; Jens Fossum on double bass; Ola Kvernberg on violin; and Morten Michelsen on clarinet. The classy, English vocals are performed in a jazzy, pop standard fashion with some folk instrument accompaniment that gives it a North American feel. The sweet melodies, soft piano, and gritty violin make Let Go seem like a sunny recording of utter happiness for any cloudy or rainy day. The sweet vocals by Randi are somewhat reminiscent of the U.K.'s Katie Melua. In any case, the eleven tracks showcase Randi's pleasant voice and simple instrumental repertoire that build upon a folk base with some jazz and improvisational music thrown in the mix. Fans of Norwegian and Scandinavian folk and vocal music will love it. Listeners young and old will love the sincere lyrics and jaunty musical arrangements. An addtional recording by Tytingvag purchased separately contains the exact same songs, but they are instrumentals on Let Go: Instrumentals (Ozella Music, 2011). ~ Matthew Forss

CD Review: Temesgen's 'Traditional Favorites'

2012-01-19T12:06:00.000-08:00

Temesgen
Traditional Favorites
Self-Release

Born in Addis Ababa, Ethiopia, Temesgen has since relocated to Michigan, USA. Temesgen plays a krar--a five-or-six-string bowl-shaped lyre from Ethiopia. The harp-like and meditative quality of the krar is a soothing accompaniment to Temesgen's low, gruff voice. The music is relatively rudimentary with no electric accompaniment. In other words, Traditional Favorites is a traditional romp through the folk music of northeast Africa. The thirteen tracks are calming, memorable, and easy to listen to with some light backup vocals, too. Whatever the occasion--relaxing, studying, dining, cleaning, or reading--Temesgen is a perfect addition to your household. Fans of harps, Ethiopian folk music, and African music in general, will love the vocals and sounds. This is my traditional favorite. ~ Matthew Forss

CD Review: Istiklal Trio's Self-Titled Release From Israel

2012-01-19T11:51:00.000-08:00

Istiklal Trio
Istiklal Trio
High Fidelity

The instrumental music of Istiklal Trio is appealing, energetic, and contemplative--all at the same time. The trio is Yaniv Taichman (oud, guitar), Ariel Qassis (kanun), and Noa Vax (percussion). The modern trio does not incorporate dance-club tunes or electronic compositions notable in the trance world. Instead, the Trio performs renditions of classical pieces with up-to-date song structures perfect for fans of improvisational music, world music, folk music, instrumental music, and percussion. The scintillating rhythms reflect a South Asian, South American, and Central Asian sensibility with the charm of the Middle East thrown in for good measure. The fourteen tracks contain a few taqsims--Arabic maqams--and one rendition of the Godfather movie theme. The Trio makes instrumental music interesting and lively enough without resorting to banal rhythms and mindless melodies. Each instrument is given plenty of air-time throughout. Let Istiklal Trio ignite the musical passion in all of us. ~ Matthew Forss

CD Review: Bekay's "Livin' My Dream"

2012-01-18T13:37:00.000-08:00

Bekay
Livin' My Dream
TSOB Records

Bekay's amped-up rap-infused tracks from Brooklyn, New York are in-your-face and ready to take America by storm. The twelve tracks are actually five different tracks with various remixes (both clean and explicit) of each track. At any rate, Bekay's lyrical delivery is a bit slower than Eminem, but no less fascinating. Interestingly, only three tracks are original: "Grab Someone," "Livin' My Dream," and "Fuk U." The original songs and remixes include hard-hitting lyrics about relationships, partying, urban lifestyles, and celebrating rap/hip hop culture. "Open The Door (Let 'em In)" is a rap cover of Paul McCartney's song. Also, "Where Brooklyn At" is a cover of the late-Old Dirty Bastard's hit song. Bekay incorporates a bit of shout-outs, indiscriminate vocals, and a party-like atmosphere with electronic wizardry, tight percussion sets, and urban dance grooves. Fans of rap and hip hop will love the music of Bekay, even though the album is a little short and if it includes seemingly senseless remixes and edits. Start a party on the streets with Bekay today! ~ Matthew Forss

CD Review: Haikaa's "Work Of Art"

2012-01-18T11:40:00.000-08:00

Haikaa
Work Of Art

Haikaa's Brazilian, Japanese, and American upbringing is multicultural, but the music is pure gold. Haikaa's English lyrics and upbeat, pop/rock beats contain a bit of Celtic, European, and J-pop melodies that are catchy and very high quality. Haikaa's vocal clarity of an angel resembles Orla Fallon, Nina Gordon, and Trish Murphy. The title track includes a pop-focused percussion, heavenly vocals, and light guitar accompaniment. The slower "Everything I Know About Love," contains a little dobro twang with the vocal likeness of The Corrs, amidst a more expansive musical arrangement. The music borders on a bit of Canadian Inuit pop, too. Specifically, the music of Susan Aglukark comes to mind. "Call Me By My Name" features Haikaa's young-sounding vocals in a catchy, vocally-driven track with a march-like percussion set-up. "Happy" is a nice tune with alternative guitar format with the charisma of Michelle Branch or Trish Murphy. The nine tracks contain sweet melodies, catchy rhythms, and guitar-pop foundations that surpass anything previously-released by comparable musicians. In short, Work Of Art is a work of great artistic achievement.

CD Review: Meghan Cary's "Building This House''

2012-01-18T10:17:00.000-08:00

Meghan Cary
Building This House

Philadelphia-based singer/songwriter, Meghan Cary, is a beacon of light in the world of female folk music. Building This House, which may seem like a nod to Shawn Colvin's These Four Walls, is vocally-similar to the likes of Stevie Nicks and Shawn Colvin. Domesticity references aside, Meghan produces an album that results from a culmination of life experiences--notably marriage, children, and home ownership. The Nicks-esque title track contains a peppy, folk melody with reverberating B-3 sounds, vocal interplay, and punchy bass lines. "Lost You In The Light" is a jazzy tune with piano and effervescent vocals resembling a classy, lounge song with pop standard written all over it. "Thursdays" is a folk tune with sparkling acoustic guitar sounds and Meghan's soulful voice from an angelic source. Moreover, the song can be played everyday of the week--not just on Thursdays. "Responsibility" is a bluesy tune that contains piano, percussion, and folksy guitar styles. This is a Colvin-esque tune. "Darker Song" opens with metallic percussion and deep, piano sounds with haunting vocals that are a departure from other tracks. Nevertheless, the song's Nicks-esque vocals are a throwback to classic folk music from the 1970s. The final track, "Live!," is an upbeat, folk tune with B-3 and good 'ol bluegrass/gospel charm. If female music fans add this one to their collections, then their house would be complete. ~ Matthew Forss

CD Review: Dave Cirino's 'Dragon Theory'

2012-01-16T05:31:00.000-08:00

Dave Cirino
Dragon Theory

Based in New Jersey, Dave Cirino incorporates a plethora of hip hop, dance, rap, electronica, and alternative leanings from a host of urban influences. Dave's Jamaican and Puerto Rican background adds another aspect of creative cultural attributes that primarily draws upon a refreshing foundation of ingenuity. The music is not Latin-esque or reggae-based, for that matter. Instead, Dragon Theory is a spacey, electronica, and hip hop-focused album of groovy beats and intelligent lyrics delivered in a smooth vocal style with assorted backup vocals and percussive rhythms. The echoing vocals of "Time Travel" include a female voice and dance-laden arrangements with hard-hitting vocals and electronic embellishments. Dave's rap is faster than on other tracks. At any rate, the song is urban, contemporary, and fresh. "First Kiss" opens with a few shout-outs before the song merges into a sauntering hip hop set of grooves with piano and electronic accompaniment with some percussion. "Phantom" is a scratchy tune with a heavy, dance-beat and fast rapping. "Blue" is a laid-back, soul track with slower raps and sultry grooves. All in all, sixteen tracks round out the album. Some of the tracks contain similar musical elements, but that is not particularly bad here. Each track contains enough rap, hip hop, and alternative elements to make it worthwhile. If you are looking for rock, pop, Latin, or jazz music, then you have to look elsewhere. Dragon Theory is more than a theory...it's a fact. ~ Matthew Forss

CD Review: Vintage Blue's 'Strike The Mics'

2012-01-10T11:25:00.001-08:00

Vintage Blue
Strike The Mics

The Chicago-based band, Vintage Blue, was formerly known as Tanglewood. Now the name is shed, but the tunes are better than ever. The ska-influenced, "Set You Free," is a mix of roots and rock music with luscious vocals and reverberating sax. The more rock-driven "Unchained" is partly influenced by Creed, but on a much lighter, vocal scale. The wailing guitars are not too loud or unnecessary. The folksy, ballad, "California Road," contains a good folk rock beat with reverberating B-3 and the horns give the song a little retro-class. "Sleep On This" is strikingly-similar (at least vocally and structurally) to circa-2000 Ed Kowalczyk from the band, Live. The folksy-rock ballad contains backup vocals, horns, and B-3 charisma. The Southern-rock-style piece, "Here To Stay," is a post-grunge anthem with vocals and guitar arrangements reminiscent of Stroke 9. "Against Time" is another song seemingly inspired by Stroke 9. The opening lines of "Just Breathe" beckons the spirit of the band Filter. The most divergent song is the classical, ballad-esque, "Great Divide." Throughout, Vintage Blue delves into various rock, ska, pop, and ballad-driven hooks with intelligent lyrics and classy grooves. Anyone interested in folk-rock, roots, post-grunge, and classy music with style and swagger, than look no further. ~ Matthew Forss

CD Review: Lila Rose's 'Heart Machine'

2012-01-06T12:26:00.001-08:00

Lila Rose
Heart Machine
RTFM Records

Born in Canada and based in California, Lila Rose's upcoming album, Heart Machine, will set the stage for creative energies in the genres of alternative, electronic, and pop music. Lila's vocal and musical arrangements are very similar to the U.K.'s Katie Melua and The Cranberries lead singer, Dolores O'Riordan. Comparisons aside, Lila's arrangements are built on futuristic palettes of innovation and foresight that does not sound like anything previously-released by any other artist. The somewhat danceable track, "Like Champagne,'' contains melodies and instrumentation typical of Euro-pop with a fluttering flute and noisy percussion with vocals imitating a Finnish dance group. The dreamy, "Unbroken," contains a wash of fine vocals and pensive piano playing with backup vocals and a backdrop of electronic radiance. The quieter, "Give You My All," is an introspective song with guitar and voice. "Get Gone Again" is a vocally-quirky song with luscious keyboards and ballad-esque instrumental arrangements. Throughout the album, Lila presents us with a theatrical production of stellar instrumentation, a wide vocal range, and a diverse lyrical set of music that is nothing short of miraculous. ~ Matthew Forss

CD Review: Gerard Edery's 'Edery Sings Yupanqui'

2012-01-05T14:56:00.000-08:00

Gerard Edery
Edery Sings Yupanqui
Sefarad Records

Gerard Edery's influential work on the Sefarad Record label is unsurpassed in the sephardic music genre. However, on this release, Gerard celebrates the life and music of Argentina's writer, singer, guitarist, and composer, Atahualpa Yupanqui. A worldwide performer, Yupanqui was considered the most influential Argentine folk musician in the 20th century. Gerard knows how to tap into this musical legacy with commanding vocals, light percussion, and airy guitar stylings that are intimate, meditative, and alluring. The folksy rhythms are equally dosed in rays of Latin sunshine without the addition of Argentina's most popular instrument--the accordion. The rumba, flamenco-type melodies ensnare the listener to come closer and relax to the sounds of Argentina's greatest musician. The thirteen tracks are folk melodies that come from the soul and strike the heart with utter tenderness and solace. Gerard should be applauded for this effort, especially since 2012 marks the 20th anniversary of Yupanqui's death. ~ Matthew Forss

CD Review: The Brothers Goldman's 'fOnkOlOgy'

2011-12-30T12:46:00.000-08:00

The Brothers Goldman
fOnkOlOgy
Arkansas Street Records

The funky beats of The Brothers Goldman incorporate a blend of jazzy, avant-garde, and improvisational tunes with a strong, African sound. The nostalgic tracks harken back to the 1970s. Moreover, the acid-jazz elements and instrumental sets are highly-danceable and groove-oriented with loads of funk and fun for the whole family. The line-up includes Bill Philippe on guitar and vocals; Joe O'Loughlin on drums; Tim Wagar on bass; Wil Blades on Hammod B-3; Joe Cohen on sax; Joel Berhman and Will Magid on trumpet. The energetic grooves are dripping with funky elements that go right to the soul upon the first listen. A little funk-rock presence and we have an all-out dance party on our hands. Best enjoyed with fifty friends; but inebriation is optional. ~ Matthew Forss

CD Review: Various Artists 'Oka! Soundtrack'

2011-12-30T11:53:00.000-08:00

Various Artists
Oka! Soundtrack
Oka Productions

The music of the Bayaka Pygmies in the Central African Republic is showcased on this wonderful compilation from the Oka! film to be released later in 2012. The film is about a true story of an American ethnomusicologist, Louis Sarno, that ignores a life-threatening disease for three decades and decides to live among the Bayaka Pygmies. This album contains twenty-six compositions (some from previously-released albums) with a variety of natural instruments, choral singers, lively percussion, and environmental noises and sounds from the forest region. The result is a magnificent look into the music of Bayaka Pygmies and their music. Some of the music is quite lively and contains soukous-type rhythms. Anyone with an interest in Central African music, as well as Bayaka researchers, will love the new recording. The Bayaka Pygmies have been over-looked for far too long. Buy it today! ~ Matthew Forss

CD Review: Parker Ainsworth's 'Leave On The Lights'

2011-12-30T11:20:00.000-08:00

Parker Ainsworth
Leave On The Lights
Self-Release

The second release by Parker Ainsworth, Leave On The Lights, is a stellar seven-track album of personal songs that echo with love and life with each glistening, guitar-note. Parker's vocals seem to be a mix of James Blunt and Five For Fighting. Parker's vocals and guitar are backed by piano, electronic embellishments, bass, cello, accordion, dobro, pedal steel, percussion, and backup vocals by Chaska Potter and Mona Tavokoli. The bluesy, "April Full Moon," is a perfect example of Parker's vocals and instrumentation come together. The more spacious, "Time To Let Go," provides a palette of guitar and electronic splendor that never ceases to amaze the listener. "The Projectionist" is a short, spoken word rambling by Parker about a theater projectionist. The spoken word is supported by some guitar accompaniment. "The Forgiver" is a slightly, western or country-tinged song that echoes back to the old-time music days, but with Parker's iconic vocals. The seemingly silly-titled, "Favorite Jeans," is a sweet song about a pair of jeans with a folk-roots-backed assortment of instruments. Anyone with an interest in contemporary folk-pop or folk-roots music should throw on their 'favorite jeans' before 'april's full moon' and buy his new album and 'leave on the lights' when listening. ~ Matthew Forss

CD Review: Novalima's 'Karimba'

2011-12-30T10:55:00.000-08:00

Novalima
Karimba
ESL Music

The contemporary sounds of Lima, Peru come alive with Novalima's latest release, Karimba. The songs are richly textured with spicy nuances of aural colours that amaze all who listen to it. The upbeat rhythms and melodies are interspersed with electronic beats, dub sounds, and Afro-Peruvian leanings that never seem to fade away into an abyss of boredom. Leave your gourd shakers and pan flutes at home, as these guys rip up the terrain with exploding sounds of rhythmic beauty and passion that can only come from Novalima's repertoire. As a third release, Karimba shows no signs of falling into a pattern of dull beats or useless embellishments. The twelve tracks are dance-friendly and sure to send goosbumps up and down your body. Some of the more trance-like grooves cement its reputation as a catchy and addictive mix of soulful tunes from South America. ~ Matthew Forss

CD Review: Adam Cross' 'Sirens'

2011-12-22T18:44:00.000-08:00

Adam Cross

Sirens
Self-Release

Thepower-ballad is perfected by Adam Cross and his work on Sirens. The slightlygruff vocals border on a lighter version of Creed mixed with a little U2, DavidGray, and The Fray. The power-ballads are driven by spacious guitar solos witha thunderous full sound. The back-up vocals on “Scared To Pieces” breaks up thebooming drum-kit and all-encompassing guitar noise. “Time Of Our Lives” and “BurningCastles” are other songs with a big guitar sound and percussion set-up. Thelighter “Save Me” contains more pop-centered vocals with a little PearlJam-meets-Savage Garden thing going on. The ten songs contain similararrangements with slower ballads and power-ballads with full guitar sounds andbig-time percussion—not to mention—innovative vocals that are difficult tocharacterize and describe. Though, “Tragedy” is the only song with a fast,dub-step beat throughout the song. Normally, the last song on an album tends tobe fairly introspective and uneventful; but this is certainly not the case withSirens. In fact, the best guitar solo on the album occurs in this song.Overall, Adam produces a very solid release of relationship tunes with smartlyrics and excellent backing percussion and vocals. In short, the power-rockballads of the 1990’s are back…which is a very, very good thing.

Reviewby Matthew Forss
Rating: 5 stars (out of 5)

CD Review: Gottfried David Gfrerer's 'Stainless Steel'

2011-12-22T15:42:00.000-08:00

Gottfried David Gfrerer
Stainless Steel
Lindo

Slide guitar music from Austria? As crazy as it sounds; it's the truth. In fact, Gottfried sings in English, too. However, this is not just an instrumentalist's cup of tea, as Gottfried gets into a bluegrass and bluesy groove with accented vocals tricking us into thinking the music is coming straight out of the Appalachians--not the Alps. At any rate, the slower melodies and additional instrumentation from the bass, dobro, sax, keyboards, and drumkit. The nylon string guitar also plays a part. The sweetest and simplest songs are produced on limited instrumentation with killer vocals from Gottfried and guest vocalists. The fancy finger picking and improvisations lead the charge with a memorable result. Gottfried's fiery playing style and intimate vocalizations make Stainless Steel a sure thing for guitar fans. There are no mixed metals--or emotions--here. ~ Matthew Forss

CD Review: V/A - 'Arctic Paradise: Contemporary Music From Finland 2012'

2011-12-22T15:04:00.000-08:00

Various Artists
Arctic Paradise: Contemporary Music From Finland 2012
FIMIC

The Finnish Music Information Centre located in Helsinki releases yet another CD with nearly 90 pages of musical text wholly devoted to the contemporary Finnish music scene. Music articles included by Pirkko Kotirinta, Henna Salo, Merja Hottinen, Riika Hiltunen, and Songlines Magazine editor, Simon Broughton. The articles focus on fusion, indigenous styles, and unconventional musicmaking throughout Finland. Some of the artists included on the compilation are Frigg, Maria Kalaniemi, Suo, Johanna Juhola, Svang, Wimme, Karuna, Nordik Tree, and others. The mix of vocal and instrumental music is refreshing and pleasant for the ears. There is an absence of Varttina on this release, which is somewhat disappointing. Still, the FIMIC puts together a timeless release with loads of informative liner notes and album artwork. ~ Matthew Forss

CD Review: V/A - 'Arctic Paradise: Contemporary Music From Finland 2010'

2011-12-22T14:33:00.000-08:00

Various Artists
Arctic Paradise: Contemporary Music From Finland 2010
FIMIC

The contemporary music of Finland is poignantly captured by researcher, Pirkko Kotirinta. The stylish liner notes weigh in at nearly 80 pages of text. The information contains in-depth analysis of various music genres from Finland, including vocal genres, pelimanni music, accordion/harmonium, kantele, jouhikko, sami, and fusion styles. The music of Tsuumi Sound System, Svang, Sanna Kurki-Suonio, Trepaanit, Lepisto-Lehti, KTU, Frigg, Vilma Timonen Quartet, Alamaailman Vasarat, Ulla, and others are included on the compilation. However, the sounds of Finland's finest performers--Wimme and JPP--are nowhere to be seen. Some of the artists not featured on the tracklist are discussed in the text. The compilation runs the gamut of traditional styles in a contemporary context. However, this is not your pop or rock album. Nevertheless, some rock elements make their way into KTU's "Quiver." Overall, the Finnish Music Information Centre produced a fine example of Finland's music heritage on CD. ~ Matthew Forss

CD Review: TriBeCaStan's 'New Deli'

2011-12-22T13:24:00.000-08:00

TriBeCaStan
New Deli
EverGreene Music

The world fusion tendencies of TriBeCaStan are blatantly evident on all of the tracks. The incorporation of North American guitars, strings, horns, and flutes, are joined with Latin, South American, North African, Central Asian, South Asian, and European sensibilities. The avant-garde and neo-fusion qualities of the mostly instrumental music sound delightful and unique. The funky, fusion, and world-based melodies and instruments create a sound all their own unique to the imagined nation of TriBeCaStan. The rock guitar elements pop up at times, especially on "Freaks For The Festival." Although, the horn-based melodies mimic Gypsy or Balkan influences the most. Furthermore, the music contains a bit of humor, as some of the song titles are called, "Louie's Luau,"Bed Bugs," (One Day) His Axe Fell Into Honey," and "The Brain Surgeon's Wife Serves Lunch." The whimsical album artwork is further evidence supporting the abovementioned fact. Anyone with an interest in world fusion, Gypsy music, avant-garde, and music without borders, the New Deli serves it up really good. ~ Matthew Forss

CD Review: Lampa Ladino's 'En Este Mundo'

2011-12-22T13:08:00.000-08:00

Lampa Ladino
En Este Mundo (In This World)
Sketis Music

Russian-based, Lampa Ladino, was started by Grigory Sandomirsky after listening to several records from Sephardic Jews and Ladino musicians several years ago. Ladino is a Sephardic language of Jews from the Iberian Peninsula. The melodies are typically sweeping, classical, jazzy, and also rock-focused (only on one track). For instance, a bit of rock guitar is found on "La Komida La Manyana." However, Judeo-Spanish rhythms win out with a host of songs incorporating Latin or Spanish elements with sorrowful vocals and plaintive piano. Though, a variety of percussion, horns, and string instruments are included throughout. There are classical and jazz elements that are rather spritely--and heavily influenced by Yiddish, Klezmer, and Gypsy song structures. The addition of the guitar, piano, and percussion provides a laidback lounge feel perfect for relaxing after a hard day's work. Fans of avant-garde, jazz, fusion, Sephardic, and Ladino music will be happy to own Lampa Ladino's latest release. ~ Matthew Forss

CD Review: Sousou & Maher Cissoko's 'Stockholm-Dakar'

2011-12-22T12:38:00.000-08:00

Sousou & Maher Cissoko
Stockholm-Dakar
Ajabu

The link between Sweden and Senegal is not too distant, as Sousou & Maher Cisssoko are evidence of its close association--at least from a musical perspective. Stockholm-Dakar is a thrilling album with loads of mbalax drumming and kora melodies with young, fresh vocals in Mandinka, Swedish, Wolof, and English. The liner notes contain English translations. The fast rhythms of the opener, "Nama Nala," as well as "Bamba," "Badia," and "Sunkotou Njiima," keep up the brisk pace. Sousou, a singer and guitarist, hails from Sweden, while Maher, a kora and calabash artist, hails from Senegal. The music is steeped in the griot traditions of West Africa. Anyone with a passion for kora music should acquire the album. Though, anyone familiar with West African music will eat it up. Add a little kora with ngoni and a dash of sabar, and you will have a delicious mix of Senegalese music on your plate. ~ Matthew Forss

CD Review: Jelena Jakubovitch's 'Burn Burn Gypsy Love'

2011-12-22T11:30:00.000-08:00

Jelena Jakubovitch
Burn Burn Gypsy Love
Ajabu

Russian-born and Stockholm resident, Jelena Jakubovitch, sets the stage with an amazing set of Russian poetry sung in an emotive and seductive style in the vein of Latin and Gypsy rhythms. Jelena's lyrics in Russian speak volumes--even if you may not be able to understand the words. Notably, the song lyrics are printed in the liner notes in English. Nevertheless, Jelena incorporated Gypsy rhythms from beyond Western Europe--with sounds coming from Middle Eastern, Spanish, Mediterranean, and Scandinavian roots. The classical and jazzy compositions contain splendid rhythms and melodies. Jelena's voice is as strong as the Czech Republic's Vera Bila or Cape Verde's late-Cesaria Evora. At any rate, Burn Burn Gypsy Love is burning with fiery passion and rustic vocals that awaken the heart of the human spirit. ~ Matthew Forss

CD Review: Francois & The Atlas Mountains' 'E Volo Love'

2011-12-22T09:50:00.000-08:00

Francois & The Atlas Mountains
E Volo Love (Love and Flight)
Domino

The U.K.-based musician, Francois, is originally from France with musical tendencies spanning the Mediterranean, North Africa, and Europe. The giddiness of "Muddy Heart" combines the melodies of Coldplay, Oasis, and The Devlins into a swirling pop sound with a folk-rock base. The laid-back "Edge Of Town" contains a nostalgic presence with jangly sounds and pensive vocals. The upbeat "City Kiss" is a refreshing tune with a catchy chorus and guitar. The accordion raises its head on the opening of "Azrou Tune." The slow ballad features Francois's tender vocals. The grungy "Buried Treasures" echoes back to the Texas band--Toadies. The quieter "Cherchant Des Ponts" is a classic French song with female vocals, strings, and light percussion in the vein of Francois Hardy, Patricia Kaas, or Carla Bruni. Overall, Francois & The Atlas Mountains creates beautiful music with French, African, and other elements that are great to listen to for any occasion. It is easily one of the best albums to ring in the new year. ~ Matthew Forss

CD Review: Baraka's 'Tribute To Muboraksho'

2011-12-22T09:05:00.000-08:00

Baraka
Tribute To Muboraksho
Sketis Music

The late-Pamiri Tajik musician, Muboraksho Mirzoshoyev (1961-2000), was a pioneer of Tajiki popular music--especially in the 1980's and 90's. His music is reinvented by Baraka in a more traditional, classical, and jazz-centered atmosphere. This is not rock or pop. In fact, the music does not seem to possess any Tajiki similarities. The rousing percussion is slightly Middle Eastern, but equally European. The lilting melodies and outstanding vocals by Devika Evsikova and others make this Tribute... album stand-out from the crowd. The Central Asian, Persian, and North African-like percussion and wandering vocals make it apparent that Muboraksho was a composition master. The talents of Evsikova and a host of others on santoor, bass guitar, piano, sax, oud, guitar, flute, darbuka, congo, trumpet, and other fine instruments, provide a rich foundation for the original compositions. The music is ideal for fusion fans and those interested in traditional and classical Middle Eastern or Central Asian music. ~ Matthew Forss

CD Review: Asketics' Self-Titled Release

2011-12-22T08:42:00.000-08:00

Asketics
Asketics
Sketis Music

The Russian art-fusion group, Asketics, dazzles the world with its fine array of subtle, New Age grooves and electronic percussion. The experimental and avant-garde styles are equally represented and show no signs of weakness or impracticality. The music is wholly instrumental and it features the accordion, flugelhorn, bass, keyboards, loops, guitars, trumpet, and assorted percussion. The upbeat clarity of "Strong" is a very good song for the adventurous film scholar, or evening lounge party. The group is equally talented with slower and more pensive compositions, including "Chess," "The French," and the jazzy "g." The songs are intelligently-produced with a sense of nostalgia and futurism all at the same time. The music would be a perfect backdrop for a Starbucks or Barnes and Noble. Overall, the Asketics are 'asketically' pleasing to say the least. ~ Matthew Forss

CD Review: Te Vaka's 'Havili'

2011-12-22T08:22:00.000-08:00

Te Vaka
Havili
Spirit Of Play Productions

The reknowned South Pacific enclave of Te Vaka continues to musically inspire audiences around the world. This is especially evident on their latest release, Havili. The group's members come from Tokelau, Cook Islands, New Zealand, Tuvalu, and Samoa. The traditional music is blended with upbeat, catchy rhythms that never disappoint. The incredible ocean of sound is extremely captivating. As with "Well...You Lied," on the previous release, Haoloto, Havili features one equally-upbeat, anthemic display of vocal and lyrical prowess on "Lovely World." The songs are in various languages, including Samoan, Tokelauan, Tuvaluan, and English. The traditional log drums and contemporary musical arrangements are a perfect mix. The instrumental percussion segments are very intriguing. Anyone with an interest in South Pacific music and island rhythms should have a lot to sing about with Te Vaka's seventh release. ~ Matthew Forss

CD Review: KG Omulo's 'Ayah Ye! Moving Train'

2011-12-16T17:46:00.000-08:00

KG Omulo
Ayah Ye! Moving Train
Self-Release

Kenyan funk music is recreated in the USA with KG Omulo's cultural roots shining bright above ground. A transplant living in Florida and Rhode Island, KG developed a rock, reggae, and Afro-pop style of music that penetrates the human soul. The eleven socially-charged tracks are back by incredible instrumentation and groovy beats with all the charisma of a 1970's club in Nairobi. The English-language lyrics represent KG's cross-cultural roots without neglecting or paying hommage to his African upbringing. Some of the tracks included a groovy, psyche-down-tempo feel, but soul, jazz, alternative, and pop styles are equally represented. The music is electrified with jazzy horns, punchy guitars, and more lyrical Fela-esque vocals that leave nothing to chance. KG Omulo is moving ahead with Ayah Ye! Moving Train. ~ Matthew Forss

CD Review: Karima Nayt's 'Quoi D'Autre?'

2011-12-16T15:21:00.000-08:00

Karima Nayt
Quoi D'Autre? (What Else?)
Ajabu

Algerian-native, Karima Nayt, is a more traditionally-inclined Kabyle singer than her fellow countrywoman, Iness Mezel. The folkish, fluid melodies are interrupted by nomadic guitars and upbeat percussion spanning North Africa's camel routes, France's guitar music, and the vocal melisma of Ofra Haza. Karima's mature voice floats effortlessly across the tracks with a bit of reservation to allow the instruments some room to expand on the vocal patterns. The sincerity in Karima's voice resembles the same clarity as Souad Massi with the sensuality of France's Carla Bruni. At any rate, Karima's songs are heartfelt, classic, and timeless. The thirteen tracks span Karima's eclectic and linguistic ethnic background. Some of the songs are reminiscent of Spanish, South American, or Portuguese-type music with a strong, classical--almost fado-esque--presence. Nevertheless, the music is not a fusion project, but a wonderful journey through the folk music traditions of Algeria's infamous Mediterranean coastline. ~ Matthew Forss

CD Review: Simangavole from Reunion Island

2011-12-16T12:12:00.000-08:00

Simangavole
Maloya Manier Fanm
Maron Productions

The music of Reunion Island is relatively underrepresented in today's world music industry. Thankfully, Simangavole is here to change all that. Located east of Madagascar in the Indian Ocean, the island boasts a range of highly-percussive and vocal music traditions. Simangavole sing Creole songs and include a host of traditional percussion instruments with lively, upbeat rhythms. The female vocals border on the voice of Benin's Angelique Kidjo, but with a little less intensity and softer vocal range. At any rate, the chorus of singers and percussion set is vibrant, Sufi-like music with Afro-pop vocal patterns, but with a more limited melodic range. The music is quite similar to the music of kirtan in an Afro-Indian sort of way. The songs are rather short in length, and the whole album comes in under 40 minutes. Still, the music of Reunion is unique, refreshing, and worth the listen. Buy it today. ~ Matthew Forss

CD Review: Tanya Tagaq's Live Album 'Anuraaqtug'

2011-12-15T20:22:00.000-08:00

Tanya Tagaq
Anuraaqtug
Les Disques Victo

Originally from Cambridge Bay, Nunavut Canada, Tanya Tagaq, has been throat-singing for several years. Tanya's solo form of throat-singing is traditionally accomplished by a pair of women singers. Anuraaqtug is a live album recorded in May 2010 at the Festival International de Musique Actuelle in Victoriaville, Quebec. Tanya is joined by Jean Martin on percussion and trumophone, along with Jesse Zubot on violin. Tanya's primordial vocal stew contains swirling noises that resemble mystical creatures. The instrumental accompaniment often mimics the vocal sounds, which produces scary tones and avant-garde foundations that border on naturalistic experimentation and hauntingly, beautiful Halloween music. The erratic sounds and vivid--though indiscreet vocalizations--make Anuraaqtug a captivating and emotional release. Nearly one of hour of music and five songs signals Tanya's quirkiest and mesmerizing vocal performances. Tanya's latest release will not be everyone's cup of Inuit tea, but she will still amaze a large majority of faithful followers. ~ Matthew Forss

CD Review: Putumayo's 'Brazilian Beat'

2011-12-15T18:17:00.000-08:00

Various Artists
Brazilian Beat
Putumayo

The Afro-Brazilian rhythms, samba soul, and steamy, South American sensibilities makes Brazilian Beat a sure-fire hit for a holiday season gift. The funky grooves and fluid vocals are percussion-heavy and psychedelic with loads of hip-swaying melodies and lounge elements. The smooth sounds of the 1970's are certainly evident on most of the tracks. A host of not-so-well-known musicians, including Fino Coletivo, Brazuka Fina, Marcello, Roge, Tamy, Bruna Caram, and others, produce infectious sounds with Latin bossa nova and jazzy horns. The result is astounding, pleasing, and ear-friendly. The mix of sounds and artists are diverse enough to keep the seasoned Brazilian music listener very pre-occupied with plenty of music. ~ Matthew Forss

CD Review: Jeremy Schonfeld's 'Iron & Coal'

2011-12-15T16:29:00.000-08:00

Jeremy Schonfeld
Iron & Coal
Self-Release

The talented, NYC-pianist, JeremySchonfeld, explores the music of the Holocaust—inspired by his father—withsoulful vocals, cinematic strings, rock and pop arrangements, and folksy rhythms. The opening track, “The Mourner’s Kaddish,”opens with a chorus of voices singing in the Hebrew language. Jeremy’s voice joins in to make the tracksound rich with a theatrical presence and all the joys of a cinematic piano andslightly folk-centered atmosphere. Thebluesy-rock anthem, “Dead Beat Heart,” is a roots-rock masterpiece. The mix of rock, avant-garde folk, pop,theatrical, filmic, and grunge music styles make Iron & Coal sound like an interesting listening journeynonetheless. In fact, Iron & Coal contains a variety ofstyles and vocal differences that are more pertinent for the urban, folk/rockhipster with a knack for slower, soulful music in the vein of Josh Groban orDavid Foster. The thirteen tracks areunique enough to warrant replay, because many of the songs contain varying songstructures that often sound like two different songs on each track. In a similar manner, some of the songs seemto lack direction and instrumental cohesiveness. Generally, Jeremy’ssongwriting and musicianship are quite genuine, but the result is relativelyaverage.

Review by Matthew Forss
Rating: 3.5 stars (out of 5)

CD Review: Caravane

2011-12-15T16:20:00.000-08:00

Caravane
Caravane
Marrakchi

Nick Wilde's journey from England to Morocco occurred after some floods and a fire took out his recording studio in London. Transplanted and immersed in Morocco's musical genres, Nick produced a refreshing, yet moderately urban release of laidback, trip-hop, and lounge jazz music with all the charisma of a Marrakech bazaar. Some of the female vocals resemble Ofra Haza, while the undulating rhythms of "Salla Lah Alayh," awaken the desert spirit in a cataclysmic manner. The dance-laden tunes, world percussion, and electronic embellishments make Caravane stand out among the crowd of techno-wizards with a passion for world music. The result is a relatively unique, accessible, and expansive journey through North Africa and the Middle East with Nick leading the charge by camel-back. Fans of groovy, North African, French, and Middle Eastern music will love the nomadic delights of Caravane. ~ Matthew Forss

CD Review: Dub Caravan's 'Nomadic Fusions'

2011-12-15T14:42:00.000-08:00

Dub Caravan
Nomadic Fusions
Dubmed

The project originator of Dub Caravan is Felix Russ Abu. Working as a talented artist, multi-instrumentalist, and composer, Felix has created a global journey soundtrack for today's world. The trippy, dub-centric compositions contain rhythms and melodies from the Far East, Middle East, and Mediterranean. The music contains some vocals, but the instrumental melodies are the real winners here. The undulating dub tracks, drifting percussion, and funky, reggae-inspired backdrops provide a serious listening experience. The music is not overly-done. Importantly, Nomadic Fusions combines the past with the future without resorting to washed-out, techno-trance with no soul. Instead, Dub Caravan knows how to seek out the world's cultures and capture their sounds in true form. Anyone interested in contemporary world dub, electronic music, and groovy sounds from around the world in a modern setting, then look no further. ~ Matthew Forss

Original Balinese Gamelan Ensemble For Sale

2011-12-15T07:38:00.000-08:00

This custom Balinese ensemble is made by master instrument makers in Denpasar, Bali Indonesia. The hand-carved mahogany depicting Balinese folklore, include a pair of 10-key bronze gangas and a 10-bowl reyong (trompong). All instruments are tuned and work together as a set to the pelog scale. The trompong is constructed to break down into two halves to facilitate transport. A natural linseed oil was chosen over the more customary red paint and gold leaf, to integrate better with an interior home decor. Shipping crates are included. Asking Price: $15,000.00.

Email for photos: worldmusicman2002@yahoo.com

CD Review: Zulya's 'Tales of Subliming'

2011-12-09T13:57:00.001-08:00

Zulya Kamalova
Tales of Subliming
Westpark Music

The Australian-based, Russian singer, Zulya Kamalova, is a proponent of folk music with Tatar and Russian origins. Her songs are steeped in colorful poetry and fairy-tale ambiance with English, Tatar, and Russian lyrics. The instruments are varied, and include marimba, vibraphone, piano, double bass, jews harp, electric guitar, organ, trumpet, cornet, piano accordion, tuba, strings, guitars, and hurdy-gurdy. The folk music contains a bit of an international appeal with European jazz, gypsy, and classic, pop standard tunes. The songs are as transformative as the title of the album suggests. The music is organic, pure, and sublime. Not one song suffers from a weakness. This is perfect for fans of Russian folk music, as well as other types of folk and vocal music with simplistic, yet impressive instrumentation arrangements. Related artists: Patricia Kaas (France) and Sanda (Romania). ~ Matthew Forss

CD Review: Gor Mkhitarian's 'United Fantasies: Exit Ahead'

2011-12-09T13:07:00.001-08:00

Gor Mkhitarian
United Fantasies: Exit Ahead
GorMusic

Armenian rock and pop music is not as popular as other forms of European music around the world, but Gor Mhitarian and his band are going to change that. The guitar, piano, drums, and percussion-based band has drawn comparison to David Gray and the Dave Matthews Band. With a voice like David Gray, Gor Mkhitarian remains uniquely Armenian, but in a rock and pop sort of light. The catchy melodies and fun lyrics are definitely worth a listen to anyone interested in contemporary music from the Caucasus. The music reflects a bit of Russian folk/rock, too. At any rate, Gor Mkhitarian is a fabulous singer and guitarist with an innate ability to create moving and desirable songs that will live on for years. ~ Matthew Forss

CD Review: Niwel Tsumbu's 'S'All Vibrations'

2011-12-08T20:15:00.001-08:00

Niwel Tsumbu
S'All Vibrations
Self-Release

Congolese-native and Ireland-based, Niwel Tsumbu, creates music with an Afrocentric base that is peppered with rumba, flamenco, and jazz, and seasoned with a dash of soukous. Singing mainly in Lingala, English, and French, Niwel transforms Congolese classics and original compositions on guitar and percussion. The music is generally very energetic and steeped in African musical traditions. Niwel is very accessible to listeners of contemporary African music. Moreover, the rumba elements will excite the Latin and flamenco listeners. As with many soukous songs, the length typically runs 5 or more minutes--and this is exactly the case with Niwel. There are lighter moments that are more reflective, such as "Freezing Cold." Perhaps the fastest song on the album might be "Heartbeat," which is a funky, groove-ladened romp into the Central African abyss. The music is diverse enough to be enjoyed by any African music fan. Niwel is top-notch all the way! ~ Matthew Forss

CD Review: Lawson Rollins' 'Elevation'

2011-12-08T18:24:00.001-08:00

Lawson Rollins
Elevation
Infinita Records

Innovative guitarist and keyboardist, Lawson Rollins, returns with another astounding album of world fusion and avant-garde jazz on Elevation. Rollins reaches new musical heights that are engaging, warm, and cozy. The album was recorded in Nepal, the U.S., and Iran, which represents some of the ethnic elements inherent in Rollins' work. The slightly jazzy "Daybreak," resembles the laid-back and smooth-jazz tunes popular on The Weather Channel's Local-On-The-8s. Though, Rollins is not a vocalist; Elevation still retains a worldly, vocal base with sparse vocals representing the Middle East and South Asia. Nearly two-dozen musicians are featured alongside Rollins. The result is a New Age-tinged musical journey with elements of jazz, Latin American, and Indian connotations. Some of the songs are inspired by Middle Eastern poetry, while others find inspiration in the sounds of the world. Rollins definitely rises to the occasion with Elevation leading the wave of musical change across the global landscape--transforming everything and everyone in its path. ~ Matthew Forss

CD Review: The Taal Tantra Experience's 'Sixth Sense'

2011-12-08T16:11:00.001-08:00

The Taal Tantra Experience
Sixth Sense
Ozella Music

The Germany-based group, The Taal Tantra Experience, is a mesmerizing mix of European and Indian musical worlds coming together to form a dizzying, jazzy core with loads of percussion, improvisation, and fast, vocals. The group includes a plethora of performers--most notably--Debashish Bhattacharya on slide guitar, as well as tabla player and vocalist, Tanmoy Bose; saxophonists, Tilmann Dehnhard and Jan von Klewitz; bassist Max Hughes, and a number of percussions, guitarists, and singers. The result is a fluid mix of swirling incense wafting through the bratwurst-tinged kitchens of European homes. At times, the music is slow, repetitive, and sensually appealing. At other times, the music is tantric, jazzy, lounge-centered, and fusion-focused. The angelic vocals, heady percussion, and various arrangements produce a sound unlike that of the Indian sub-continent. However, the music is chiefly Indian, but created in such a way to evoke the improvisational arm of musical ingenuity. Sixth Sense is a rousing album particularly relevant for the world fusion or jazz listener with a knack for Indo-European sensibilities. ~ Matthew Forss

CD Review: Nadishana Trio's Latest Release 'Far & Near'

2011-12-08T15:37:00.001-08:00

Nadishana Trio
Far & Near
Sound Microsurgery Department

The Germany-based Nadishana Trio is composed of Nadishana from Siberia; Steve Shehan from the U.S.; and Armin Metz from Germany. The album contains far-reaching sounds, melodies, and rhythms from various cultures. The wholly instrumental album contains a wide variety of wind, percussion, and limited string instruments. The only familiar instrument--for the most part--is the piano. The others include bansuri, kendang, duclar, utar, lekembe, handsonic, tambujira, hadgini, knong wang, and other diverse and obscure instruments seldom heard on any world music album. The contemplative tones are interrupted by some energetic percussion steeped in the traditions of Europe, Middle East, and South Asia. The 'far' and 'near' concept is very appropriate, as many of the instruments originate from several world regions--as well as performers themselves. At any rate, the effort is memorable and unlike anything previously released in ANY genre. The Nadishana Trio are perfect for improvisational, percussion, New Age, and instrumental ethnic music fans with a desire for something above par. Far & Near is as close as one gets to perfection. ~ Matthew Forss

CD Review: Shantalla's 'Turas'

2011-12-08T12:36:00.001-08:00

Shantalla
Turas
Appel Records

Belgium is a land of Irish and Scottish music, right? Well, Shantalla is a Belgium-based band composed of mostly Irish band members, and some Scottish representation by vocalist, bodhran, and shakers player, Helen Flaherty. Helen is accompanied by Joe Hennon on guitars; Michael Horgan on uilleann pipes, flute, low and high whistles; Gerry Murray on accordion and low and high whistles; Kieran Fahy on fiddle and viola; and Simon Donnelly on guitars and bouzouki. All tunes are arranged by Shantalla and feature traditional melodies and rhythms. However, most of the songs are instrumental and possess a characteristic Celtic and Scottish tone throughout. The mandolin brightens things up on "The Boy and the Princess." In fact, even Mongolian throat-singing appears on "Johnny Doherty's." Overall, Shantalla amazes the listener with jingly, folk tunes and classic vocals. Perfect for fans of Celtic, Scottish, and folk music. Also, Belgian fans will love it. ~ Matthew Forss

CD Review: Triakel's 'Ulrikas minne Visor fran Frostviken'

2011-12-08T11:20:00.001-08:00

Triakel
Ulrikas minne Visor fran Frostviken
Westpark Music

Sweden's most talented and beautiful vocalist, Emma Hardelin, lends her vocals and fiddle-playing on her latest release. Inspired by the music and folk traditions of Frostviken, Sweden, Ulrikkas minne... is a glorious album of folk fiddling with a dash of harmonium, bass, and guest vocals. The folk traditions are similar in style to Triakel's earlier releases; yet are a far cry from the amped-up, Nordic folk-rock of Emma's earlier Garmarna days. However, a new Garmarna release would be welcome in the near future, but that is a discussion for another day. The Swedish fiddling is happy, free, and spritely. Emma's vocals shine, too. Anyone interested in Scandinavian folk fiddling traditions will find solace in Triakel's new fifteen-track release. ~ Matthew Forss

CD Review: Al Conti's 2011 Grammy Award Nominated 'Northern Seas'

2011-12-08T08:17:00.001-08:00

Al Conti
Northern Seas
Shadowside Music

The powerful mythology of Norse folklore graces the musical foundation of Al Conti's 2011 Grammy Award -nominated release for Best New Age Album. The eleven-track release contains compositions that are mostly instrumental and inspired by various Norse references, including Ragnarok, Valkyria, Baldur, Odin, and Thor. The rather dark connotations of Norse mythology are brightened by Conti's uncanny ability to create spritely rhythms and melodies with the aid of uillean pipes, fiddles, piano, Celtic whistles, acoustic guitars, and assorted percussion. The atmospheric backdrops fill in the melodies and provide an awe-inspiring journey for all who listen. A nice mix of Celtic, New Age, ethnic, and instrumental melodies are more upbeat than anything from Robert Rich or Steve Roach. However, the scintillating music is more in-line with Ireland's Ronan Hardiman. Nevertheless, Conti knows how to create visionary compositions that are entirely unique and refreshing. Conti breathes life into the mythological void of imagination and lore. You can find Al Conti on Facebook, Twitter, Myspace. ~ Matthew Forss

CD Review: The Musical Art Quintet's 'Nuevo Chamber'

2011-11-23T18:03:00.001-08:00

The Musical Art Quintet
Nuevo Chamber
Classical Revolution Records

Formed in San Francisco, California in 2008, The Musical Art Quintet coined a new term for the music they were producing: "nuevo chamber". This music attempts to encompass the various world music influences and styles now infusing classical traditions. For instance, Nuevo Chamber incorporates tunes devoted to, or inspired by, Argentinian tango, the great Fela Kuti, Malagasy guitar, South American percussion, and classical waltzes. The mostly instrumental album contains twelve tracks without the accompaniment of drumkit or electric guitar. In fact, this is primarily a string album with some notable accompaniment on conga, bongo, maraca, guiro, and keyboards. The only vocals are contained on "Life Is Beautiful" and "Ombligao en Argentina," which are a little different in sound than the rest of the album. Still, Nuevo Chamber is a new sound with a new name, and The Musical Art Quintet leads the way! ~ Matthew Forss

CD Review: La Bottine Souriante's 'Appellation D'Origine Controlee'

2011-11-23T17:41:00.001-08:00

La Bottine Souriante
Appellation D'Origine Controlee
Borealis Records

Over thirty years of music-making and numerous albums have not stopped Quebec's La Bottine Souriante from producing great music. The folk music is relatively unique and fresh, since it incorporates alot of European percussion and Irish melodies. The French influences are pervasive throughout. For instance, the song lyrics are in French in the liner notes. Plus, the fiddling traditions of Southern Canada and Ireland for that matter, are effortlessly showcased on vocal and instrumental tracks. Twelve tracks round out the album with a majority falling somewhere in-between folk, Irish, and French folk music traditions. All in all, La Bottine Souriante know how to make lively, dance-ready tunes in a jazzy, folksy, and traditional setting. Quebecois fans should rejoice with this special recording of superb music for any occasion. ~ Matthew Forss

CD Review: Nisos' 'Nisos'

2011-11-23T16:56:00.001-08:00

Nisos
Nisos
Kania Brothers Entertainment

The Czech Republic-based band, Nisos, is a lively, contemplative, and folk-based, world music group that incorporates a plethora of styles from Turkey to Greece. The Greek influences are found in the instruments and rhythms. Furthermore, the band name means "island" in Greek. It appears their musical influences from Turkey, Greece, Bulgaria and Israel reflect the folk traditions inherent in these distinct cultures. However, Nisos attempts to combine them into a sort of fusion that sounds natural and very appealing. A variety of pleasant instruments are utilized, including the lyra, santuri, buzuki, saz, clarinet, kaval, oud, guitar, lute, trombone, trumpet, kanun, and double bass. The music is only around half-an-hour long, but the quality makes up for any time deficiencies. The vocals and instruments are worth their weight in gold....or "Mana" (my favorite track). ~ Matthew Forss

CD Review: Sia Tolno's 'My Life'

2011-11-23T14:47:00.001-08:00

Sia Tolno
My Life
Lusafrica

Sia's Guinean and Sierre Leone roots are eloquently conveyed on her latest release, My Life. Sia combines scintillating rhythms and melodies reflecting the musical cultures of West Africa, Latin America, and European folk/rock. There are elements of dance, funk, and jazz throughout. Sia's voice is very reminiscent of Benin's Angelique Kidjo. In the same manner, fans of Angelique's work should like Sia's commanding voice and creative energy. Twelve tracks reflect a good mix of musical rhythms and instruments, including the iconic balafon pervasive throughout West Africa. My Life is an excellent album showcasing Sia's musical and ethnic heritage without resorting to mindless riffs, dull beats, or unimaginative sound structures. In short, Sia is a musical genius that deserves recognition the world over. ~ Matthew Forss

CD Review: Zdob Si Zdub's 'Basta Mafia!'

2011-11-23T13:38:00.001-08:00

Zdob Si Zdub
Basta Mafia!
Asphalt-Tango Records

Moldova might be one of the poorest European countries, but they are rich in musical productivity from their hottest band, Zdob Si Zdub. Basta Mafia! is a rock, folk, pop, and edgy, punk-driven production steeped in ska, electronica, and in-your-face melodies that shake one's body into submission. The dark melodies contain rock-like vocals, but nothing that is too hard on the ears. The vocals are perfect overall, and generally fit the alternative-punk-rock vein. The lyrics are humorous and pertain to traveling, relationships, and the poetic side of society. Basta Mafia! is a cutting-edge album from a seldom-heard region of Europe--especially to world music fans outside of Europe. The slightly avant-garde elements of the album are somewhat linked to Balkan tunes and the musical atmosphere of Berlin, Germany. A stunning release from a Moldovan Weezer-Blink 182! ~ Matthew Forss

CD Review: Midnite's 'Kings Bell'

2011-11-23T13:19:00.001-08:00

Midnite
Kings Bell
I Grade Records

The reggae infusions of Andrew Bassie Campbell, Vaughn Benjamin, Leroy Wallace, Earl Smith, Squidley Cole, Sticky Thompson, and others, shine through on the St. Croix, Virgin Islands and Jamaica release. The Caribbean reggae sound is very much alive and a pervasive influence in the highly-spirited and intellectually verbose wordplay throughout Kings Bell. Reggae fans will notice the great bass, drum lines, guitar, and keyboard dubs that make any reggae album stand out from other sounds and genres. The sixteen tracks are infectious and soulfully-driven with good lyrics and fun rhythms. The successful career of Midnite spans dozens of albums over the years and shows no signs of quitting or decreasing in quality. Reggae fans unite and party with Midnite all 'nite' long. ~ Matthew Forss

CD Review: Raya Brass Band's 'Dancing On Roses, Dancing On Cinders'

2011-11-23T12:44:00.001-08:00

Raya Brass Band
Dancing On Roses, Dancing On Cinders
Self-Release

NYC-based and Balkan-driven, the Raya Brass Band is anything but boring. The riotous and raucus sounds emanating from the whirling brass stems from Macedonia, Romania, Serbia, Greece, and other regions with Gypsy rhythms and soul. The frenetic brass is clever, inventive, and diverse. Mostly an intrumental effort, Dancing On Roses, Dancing On Cinders also contains some vocals on "Srpski Splet." A variety of instruments are utilized, including the trumpet, tuba, accordion, sax, clarinet, and assorted percussion. The high-energy and party-like musical atmosphere is perfect for any occasion that requires dancing. The upbeat brass and melodies borders on Klezmer music, too. The Raya Brass Band's music is as sweet as a blossoming rose with equal amounts of fiery passion. Anyone with an interest in Balkan brass music will love the edgy and fun sounds of the Raya Brass Band. ~ Matthew Forss

CD Review: Baloji's 'Kinshasha Succursale'

2011-11-23T12:26:00.001-08:00

Baloji
Kinshasha Succursale
Crammed

Baloji is a hip hop and rap talent hailing from the Democratic Republic of Congo and Belgium. However, Baloji's rap influences are not as strong as the soukous, afro-pop, and funky dance rhythms that permeate the album from top to bottom. Additionally, Baloji employs collaborations with guest musicians, including Konono No. 1, Monik Tenday, Larousse Marciano, Moise Ilunga, Bebson De La Rue, Zaiko Langa-Langa, and others. The contemporary album contains a hint of rock, Latin, European, and electronica with equal amounts of hip hop, rap, and funky wordplay with drumkit, guitars, and percussion from Africa. Baloji sings in Swahili. The opening cha-cha track, "Le Jour D'Apres," represents a solid, influential genre of music throughout Central Africa. The diverse melodies, rhythms, and genres represented make Kinshasha Succursale a definitive recording for the Congolese music collector and afro-pop aficionado alike. ~ Matthew Forss

CD Review: Einar Olav Larsen Trio's 'Lysblain'

2011-11-18T15:02:00.001-08:00

Einar Olav Larsen Trio
Lysblain
Etnisk Musikklubb

The fiddling traditions of Norway are unparalleled. Einar Olav Larsen's playing ability is no exception. The music of Lysblain is wholly instrumental and features the works of Hilmar Alexandersen and Sturle Hallas on fiddle and piano, respectively. The moving tunes are spritely and steeped in tradition, but very contemporary in feel without all the showy effects of electronic or dance wizardry so common in modern pop or rock. These tunes are traditional waltzes, marches, polka, and vaudeville-type songs that echo an era from long ago. The piano accompaniment is somber, yet entirely necessary for the varied fiddle accompaniment. Einar might best be known from his work with the Finnish group, Frigg. Anyone interested in traditional fiddle music from Norway should look no further. ~ Matthew Forss

CD Review: Julaba Kunda feat. Juldeh Camara & Griselda Sanderson on 'Traders'

2011-11-18T14:36:00.001-08:00

Julaba Kunda (feat. Juldeh Camara & Griselda Sanderson)
Traders
Waulk Records

Traders is a more African-focused recording than Griselda's previous release, Harpahonics. Nevertheless, the nyckelharpa is still a mainstay, though the riti, kologo, water calabash, thumb piano, and talking drum make an appearance and represent the music of Gambia and other parts of West Africa. In a similar manner, the music of Africa gels perfectly with the organ, piano, fiddle, viola, and other instruments from the "North". The rousing melodies and introspective vocals make Traders a lively album to kick-back and relax with. The energetic percussion and string arrangements create a super-fluid feel throughout. Not one weak track exists on this album. Anyone interested in European, Scandinavian, and African music will love Julaba Kunda's latest release. Not to be missed! ~ Matthew Forss

CD Review: Griselda Sanderson's 'Harpaphonics'

2011-11-18T14:13:00.000-08:00

Griselda Sanderson

Harpaphonics

Waulk Music

Though issued a few years ago, the wholly instrumental Harpaphonics should gain some newfound exposure with Griselda's creative, mesmerizing, and diverse playing abilities on the nyckelharpa (keyed fiddle). The nyckelharpa is common throughout Sweden, but Griselda hails from Scotland. Consequently, some of the nyckelharpa tunes possess a Nordic, Celtic, and Scottish flavor. Keep in mind, Griselda is not shy about fusing West African percussion and instrumentation to the mix. In fact, water calabashes, djembe, and riti fiddle (played by Gambian musician, Juldeh Camara) are added to the nyckelharpa repertoire. Additionally, the bodhran, guitar, violin, double bass, zarb, organ, accordion, and viola make an appearance to lighten the mood and spirit of all those within earshot of its pleasantries. In short, Harpaphonics spans the Balkans, African continent, Scandinavia, the Mediterranean, and the Middle East with its melodies, modes, and magic. A bonus video of "Irimi" is included on the enhanced CD. ~ Matthew Forss

CD Review: Joseph Sullinger's 'Earth Voyage'

2011-10-27T15:02:00.000-07:00

Joseph Sullinger
Earth Voyage
Soundship Music

Based in Mexico, Joseph Sullinger explores the world of smooth, Latin fusion with a touch of flamenco, new age, and classical elements with lively percussion. The fusion sounds of guitar and percussion resemble the music of Ottmar Liebert or Strunz and Farah. The ten tracks are named after various elemental terms, including "New Shores," "The Ocean," and "Sands of Time." The instrumental compositions are perfect for any earthly voyage at any time. Matthew Montfort and Ancient Future are two other musicians with a knack for latin fusion and classical guitar. Joseph is accompanied by the members of the Mexico City Philharmonic Orchestra. In addition to classical guitar, the violin, tuba, melodion, electric bass, keyboards, synth, and drums round out the instrumental repertoire. Start your earthly voyage with Joseph Sullinger's 'Earth Voyage'. ~ Matthew Forss

CD Review: Cas Haley's 'Gifts To Give'

2011-10-27T14:14:00.000-07:00

Cas Haley
Gifts To Give
Easy Star Records

Probably best-known for his America's Got Talent performances, Cas Haley has lit up the stage across the country with his own brew of Texan-blues-reggae music over the past few years. On this release, Cas starts out with an original Christmas tune, "Gifts To Give," which sets the bar high for the remainder of the album. Cas' unique vocal tricks and vocal swagger is welcoming and never obtuse or harsh. Also, Cas adds his own trumpet embellishments with his voice. In addition, a variety of scat lyrics and finger-snapping sets the acoustic and family-friendly tone of his music. Iconic Christmas classics, such as "Have Yourself A Merry Little Christmas," Rudolph, The Red-Nosed Reindeer," and "The Christmas Song" are made personal by Cas' inherent singing abilities and warm guitar strumming. The music is charming, sweet, and carefree without straying too far from the original compositions. Give the gift of joy this season with Cas Haley at your side. ~ Matthew Forss

CD Review: Navarra's 'Nya Fonster'

2011-10-27T13:51:00.000-07:00

Navarra
Nya Fonster
Kakafon Records

Hailing from Sweden, Navarra tempts the soul into dancing, humming, and dreaming of happy times as the percussion, fiddles, and vocals beckon the listener to lean in closer and participate. The twelve tracks are in Swedish in the liner notes. The piano rhythms and assorted percussion provide a cheery atmosphere and nostalgic examination of Scandinavia's folk-roots phenomenon. The tender and sweet vocals and varied playing styles throughout provide the listener with a quality recording of music from the land of Triakel, Garmarna, and Gjallarhorn. In this case, Navarra contains more experimental folk rhythms with a hint of jazz and lounge music that is not really prevalent from other comparable groups in Scandinavia. Nya Fonster, or New Windows, is a very delightful recording to be enjoyed by everyone seeking good music. ~ Matthew Forss

CD Review: Kali Mutsa's 'Ambrolina'

2011-10-27T13:16:00.000-07:00

Kali Mutsa
Ambrolina
Shock Music

Kali Mutsa, also known as Celine Reymond, is a Chilean actress and singer. Now, Kali is releasing her latest recording of seven relatively short songs. Her influences stem from Andean popular music, to Gypsy, Bollywood, Spanish, and electronic experimentation. The sounds are rather mixed with different melodies, punchy percussion, and expressive vocals that fall somewhere between Shakira, Lady Gaga, and Cibelle. The urban and not-so-urban lyrical wordplay is certainly steeped in South American sensibilities without the typical pan pipes and accordions indicative of folk or roots music from the region. The swirling melodies and alternative percussion makes Ambrolina rise above the average fanfare and solidify her mark in the world of Chilean trance-pop. The songs are diverse enough to keep one interested. If you are interested in popular Chilean music, then add Ambrolina to the list of must-haves! ~ Matthew Forss

CD Review: Daphna Sadeh & The Voyagers' 'Reconciliation'

2011-10-27T12:57:00.000-07:00

Daphna Sadeh & The Voyagers
Reconciliation
Tzadik

Daphna Sadeh is a double-bass player based in the U.K. Daphna creates a mix of Klezmer, classical, Middle Eastern, and Jazz-focused compositions that incorporate the clarinet, flute, recorder, 12-string guitar, acoustic/electric guitar, drums, darbuka, riq, frame drum, mandolin, and trombone. Ivor Goldberg adds vocals, but most of the eight tracks are instrumental. The sauntering rhythms and quirky horns, strings, and percussion create a mesmerizing mix of classic music for young and old. The upbeat rhythms are sometimes interrupted by slower, more somber tones indicative of Ladino or Sephardic music. At any rate, Daphna and her Voyagers play the instruments with such a fine command that each instrument has time to shine to its fullest potential without tiring. If you are seeking the sounds of the Middle East and Jewish Diaspora, then look no further. ~ Matthew Forss

CD Review: Atongo Zimba's 'Sankune Sounds'

2011-10-27T12:40:00.000-07:00

Atongo Zimba
Sankune Sounds
Sankune Sounds

Atongo Zimba is from Ghana, but based in the U.K. Sankune Sounds highlights Atongo's talented vocal and instrumental skills. For instance, Atongo is a master of the molo--a two-stringed lute common throughout the Sahara. Though Ghana is known for highlife music, Atongo creates a music that is rhythmic, powerful, and sweet that does possess funk, jazz, and highlife qualities. On "Sela woo san boma tanna bia" the vocals sound similar to Zimbabwe's Oliver Mtukudzi. Atongo is joined by rhythmic guitar, flute, gombe bass drum, backing vocals, and assorted percussion that livens the Ghanaian musical spirit immensely. The lo-frill recording is perfect for those palm wine parties and relaxing by the beach. It is equally enjoyable in front of a fireplace or a den. Atongo is a talented singer and performer that creates music as easily as one breathes. ~ Matthew Forss

CD Review: Caci Vorba's 'Tajno Biav (Secret Marraige)'

2011-10-27T12:07:00.000-07:00

Caci Vorba
Tajno Biav (Secret Marriage)
Oriente Musik

The Polish-Ukrainian band, Caci Vorba, releases their newest album that does not depart from previous influences and elements. For instance, Tajno Biav contains the same driving rhythms and melodies from the Balkan region and Gypsy traditions of Eastern Europe. There are songs from Hungarian, Russian, Romanian, and Bulgarian dance, fiddle, and waltz traditions with all the fixings (i.e. musical elements) for a good time on Friday night, or any other night for that matter. The music is never dull and it changes from contemplative, playful, fast-paced, to slow, relaxing, and thought-provoking. The female lead vocals and male backing vocals follow the music closely without overtaking the instruments. The violin, spoons, accordion, guitars, tambourine, darbuka, bouzouki, mandolin, baglama, and dumbek provide a nice blend of European and Middle Eastern elements. Still, the music is firmly rooted in the Gypsy traditions of Eastern Europe. Caci Vorba succeeds again with an album that will not remain secretive for long! ~ Matthew Forss

CD Review: John Matarazzo of Logical Drift

2011-10-27T11:46:00.000-07:00

Logical Drift
Logical Drift
CineVu

Famous music writer, producer, composer, and performer, John Matarazzo, creates an aural atmosphere gleaming with ambiance, contemplative melodies, and cinematic percussion. With the help of Logan Strand, an accomplished producer and engineer for acts like the late-Nusrat Fateh Ali Khan, Herbie Hancock, and Bill Laswell, adds a touch of engineering and electronic sampling to the musical mix with fine results. The instrumental compositions are inspired by the Middle East and Mediterranean regions. The electronic washes, blurbs, and blips add a contemporary feel to the music. Track titles such as "Judean Desert," "Rain Queen of the Negev," and "Dead Sea Dawn" reflect the fascination with this particular region. However, the music is not folk, traditional, or rock. Instead, the music is light, new age, and electronic with wonderful sounds indicative of Tangerine Dream's earlier work. Nevertheless, Logical Drift is a logical choice for fans of new age, atmospheric, and instrumental works. ~ Matthew Forss

CD Review: Valravn's 'Re-Cod3d'

2011-10-27T11:28:00.000-07:00

Valravn
Re-cod3d
Westpark Music

Hailing from the Faroe Islands, Valravn is an experimental, roots, and electronica group that is in the same vein as Garmarna, Sorten Muld, and Gjallarhorn. Coming from a Scandinavian-like musical background, Valravn's music has been remixed, or in this case--'re-coded'--as songs from previous albums are reinvented on this current release. Remixes are provided by the famous Carmen Rizzo, as well as Omnia, ORKA, Transglobal Underground, Euzen, Faun, Soren Bendixen, The Kenneth Bager Experience, Midi Lidi, and Pawel Rychert. The songs are a bit quirky, dark, and uptempo in an alternative way without resorting to flashy dance tracks or light and airy elevator music. There are male and female vocals. Valravn's remix masters came from all over the world to work on this project, including Poland, Norway, U.K., Netherlands, USA, Denmark, Germany, and Czech Republic. Re-cod3d is a solid release for fans of previous material. However, the contemporary setting may attract a new crowd. At any rate, the music of the Faroe Islands is on the map for world music fans! ~ Matthew Forss

CD Review: Damjan Krajacic's 'Glide'

2011-10-27T10:26:00.000-07:00

Damjan Krajacic
Glide
RoundTone Records

Zagreb-born and L.A.-based, Damjan Krajacic knows how to play the flute and create wonderful Afro-Cuban rumba, Latin-jazz, and nostalgic, downtempo lounge music. Damjan's vocals and flute are accompanied by piano, fender rhodes, congas, bass, drums, and assorted percussion. However, a majority of the music is instrumental. The fluttering flute melodies, spicy percussion, and punchy piano sounds make Glide stand out from the crowd. You will hear sounds from Cuba, Brazil, Caribbean, and America. If you are interested in jazz, samba, Latin music, and rumba styles thrown into an experimental mix of aural colors, then Glide is right for you. Perhaps the only musical element indicative of Damjan's Croatian past is the piano. The jazzy nuances and tender melodies are ideal for fans of jazz and world music. Let Damjan take you on a journey where you glide effortlessly through the musical styles created by his mind and body. ~ Matthew Forss

CD Review: Annlaug's 'November'

2011-10-27T09:43:00.000-07:00

Annlaug
November
Fivreld

Annlaug's Norwegain roots shine through on her latest release from Scandinavia's fiddle country. However, the songs feature not only strings, but guitars, shruti box, accordion, banjo, ukulele, and percussion. Recorded in Scotland, Annlaug explores the music of not only Norway, but the British Isles as well. The guitars and percussion add a lively touch to the music. This is not simple violin or fiddle music with a solo voice. Instead, Annlaug's rich, musical arrangements retain a sense of roots and tradition, while concomitantly surging forward into the modern world with a slightly experimental and pop feel thrown in (though, not haphazardly). Annlaug's Norwegian song titles are translated into English in the liner notes. Also, English song lyrics are provided in the liner notes. November retains the sound quality of Faroe Islands' Valravn and the quirkiness of Denmark's Sorten Muld wrapped up in the arrangements of Heidi Talbot or Karine Polwart. Clearly, Annlaug knows how to create catchy, engaging, and vivid pieces of musical magic. ~ Matthew Forss

CD Review: The Cambodian Space Project's '2011: A Space Odyssey'

2011-10-26T20:43:00.000-07:00

The Cambodian Space Project
2011: A Space Odyssey
Metal Postcard

The Cambodian-based band, The Cambodian Space Project, is made up of a Cambodian singer, Srey Thy, and a cohort of French and Australian ex-pat musicians. The result is a candid, folk-rock, and surfedelica that explores the Golden Age of Cambodia's hit-makers--Pan Ron and Ros Sereysothea. The Klezmer-like sound of the opener, "Snaeha Doc Toek Kmom (Love Like Honey)," is a catchy tune with accordion, clarinet, and all the familiar bass, keyboards, and guitars that made the nostalgic music so popular. The traditional tune, "Tek Tum (Big Water)," is great work with harmonica drones, accordion sounds, and a solid beat that is as magical as it is creative. The 60s pop sound of "Pros Kangaroo" is a perfect little tune with a California-sound that is uniquely Cambodian. The words of Ros Sereysothea's "Kolos Srey Chaom (Love God)" features the melody of the Dutch band Shocking Blue's 1969 hit, "Venus." All in all, The Cambodian Space Project is the rock-child of America's Dengue Fever. ~ Matthew Forss

CD Review: Gabriel Palatchi Band's 'Diario de Viaje'

2011-10-26T20:10:00.000-07:00

Gabriel Palatchi Band
Diario de Viaje
Self-Release

Argentinian-born and Canadian-based, Gabriel Palatchi and his band of Latin-jazz connoisseurs create engaging and fresh songs on trumpet, flute, keyboard, piano, drums, assorted percussion, bass, and even vocals. Gabriel incorporates lively tones and rhythms that are well-suited for the Afro-Cuban, Latin-jazz, and South American aficionado. The classical melodies echo back to the spy-thriller soundtracks of the 1970s or 80s throughout South America, USA, and even Bollywood. The slightly funkadelic tunes--notably, "Electroshock," "Raices," and "Chilangotango"--transcend musical boundaries and eras with catchy, musical numbers fun for the whole family. The mostly instrumental tunes are great for relaxing, dancing, and contemplating the meaning of Latin-jazz in a modern context. Importantly, a sense of musical realism and creative authenticism cuts across genres, generations, and geographic locales. The creative spirit of Gabriel's band makes Diario de Viaje (Travel Diary) well worth the journey down to your locale music store or online retailer. ~ Matthew Forss

CD Review: Afrolicious' 'A Dub For Mali'

2011-10-26T18:14:00.000-07:00

Afrolicious
A Dub For Mali
ESL Music

Afrolicious is the result of Pleasuremaker (a.k.a Joe McGuire's) love of DJing and the sounds of North Africa. "Thursday Night Kinda" features some scat vocals by Baba Duru and a host of jazzy-electronica in the vein of Action Figure Party. It's not too hard nor too soft--it's just right. The electronic backbone and kora-melodies with miscellaneous sounds and cool grooves are featured on the title track, "A Dub For Mali." The Issa Bagayogo-esque vocals are provided by Burkina Faso's Yacouba Diara. "Foolin'" features the Trinidadian presence of Fresh Is Life with a funky, Caribbean element. The final track, "Vampires," sought the talents of Thievery Corporation's Rob Garza and the famous singer, Femi Kuti. The electronica, funk mix is loaded with nostalgia and futuristic embellishments that carry the track into an otherworldly realm. Femi's vocals are perfect, as well as the arrangements. The album is rich with sound and head-bobbing rhythms. The album length is only 23 minutes, but don't let that be a deterrent for sampling the electrified sounds of North Africa's roots music. A modern marvel and urban delight. ~ Matthew Forss

CD Review: Tarana's 'After The Disquiet (EP)'

2011-10-26T17:37:00.001-07:00

Tarana
After The Disquiet (EP)
Self-Release

Tarana's live release of four songs recorded at The Bop Shop in Rochester, New York on March 8, 2011, borders on Indian, classical, downtempo, and electronic genres. The amalgamation of sounds from drums, electronics, and Trina Basu's violin, provides a solid, improvisational-like quality to the music. The four songs are: "Disposable," "Night Song," "Black Teeth of Trees," and "Hava." Actually, "Have" and "Disposable" are the only two songs directly influenced by India, while "Black Teeth of Trees" is a stirring ode of electronica delight without all the showy trance or dance beats of the hottest night-club. Instead, the song weaves its way through a dark world of odd sounds and the drone of a violin. "Night Song" is jazz-influenced and a musical nod to jazz-bassist, Wilber Morris. The wholly instrumental album is a modern romp in the world of spacey, urban, and ethnic electronica. Despite its short length, Tarana creates memorable tracks that seem to last a lot longer than time would allow. Still, adventurous electronica fans with an Indian twist would relish this release the most. ~ Matthew Forss

CD Review: Simon Thacker & Nava Rasa Ensemble's 'Nada Ananda'

2011-10-05T13:24:00.000-07:00

Simon Thacker & Nava Rasa Ensemble
Nada Ananda
Slap The Moon Records

Classical guitarist, Simon Thacker, is a stunning, Scottish performer of Western, European, and South Asian musical styles. Together with the Nava Rasa Ensemble, Simon creates wonderful musical pieces with musicians as diverse as Brazil's Mario Caribe on bass; Sarvar Sabri on tabla; Jyotsna Sriknath on violin; and Nigel Osborne and Shirish Korde as composers. The album is divided into two segments: a three-part concerto for guitar and chamber ensemble and a six-track portion composed by Nigel Osborne, featuring the classical guitar and various strings. The Nava Rasa Ensemble features not only Simon Thacker on guitar and Mario Caribe on bass, but also contributions from the Edinburgh Quartet, Tristan Gurney, Philip Burrin, Michael Beeston, Mark Bailey, and Iain Sandilands. The entire album only runs about forty-minutes. However, the music is quite dramatic, brooding, and contemplative. The mix of classical and Indian music is brilliant, moving, and creative. The instrumental--and slight avant-garde album--is ideal for fans of L. Subramaniam or Matthew Montfort. ~ Matthew Forss

CD Review: Hariharan's 'Lahore Ke Rang, Hari Ke Sang'

2011-09-29T13:27:00.000-07:00

Hariharan
Lahore Ke Rang, Hari Ke Sang
Sachal Music

Hariharanis a playback singer and composer of contemporary Hindi music who has wonnumerous awards for singing and songwriting. Born in Mumbai, Hariharan studiedCarnatic music and later on, ghazals (love poems). On this release, Hariharancelebrates the music of Lahore, Pakistan. A few of the composers are included,such as Wazir Afzal, Nazar Hussain, and Qadir Shaggan. Lyricists include AmirKhusro, Bulleh Shah, Majeed Amjad, Hasrat Mohani, Mushtaq Soofi, Tajjamul,Adeen Taji, and Nasir Kazmi. The instrumentation is characteristically filmic;with symphonic strings, tabla, sitar, and floating vocals that coalesce into awonderful musical medium. The contemporary arrangements should intrigue youngand old alike. The ten tracks run almost one-hour in length. Buy it today! ~Matthew Forss

CD Review: Jack Harrison's 'The Enchanted Island'

2011-09-29T12:53:00.000-07:00

Jack Harrison
The Enchanted Island
Nutone Music

Jack's three-decade history devotedto Irish folklore is a major influence for TheEnchanted Island. In this case, Irish folk melodies combine with Sanskritand Indian melodies and mantras to create a unique blend of musical bliss. Twocultural areas meld together; forming a blend of music that is meditational,devotional, and inspirational. The seven tracks run nearly fifty-minutes long.Each track contains a few notes describing the history and meaning behind thesongs in English. Jack sings in Sanskrit and English. A variety of strings,wind instruments, guitar, bass, and backing vocals round out the package.Highly-recommended. ~ Matthew Forss

CD Review: Ustad Fateh Ali Khan's 'Bandish: Classical Compositions Re-Interpreted'

2011-09-29T12:17:00.000-07:00

Ustad Fateh Ali Khan
Bandish: Classical Compositions Re-Interpreted
Sachal Music

Bornin Pakistan, Ustad Fateh Ali Khan showcases his classical voice for eightdifferent ragas that are re-interpreted with The Orchestra of the GreatMusicians of Lahore. The raga compositions are similar in tone to Indian ragas.The instrumentation is similar, notably the sitar, table, dholak, mrdang,violin, santur, shehnai, mandolin, sarangi, sarod, viola, assorted percussion,and more contemporary instruments, including the Spanish guitar, keyboards, andbass guitar. The rich instrumentation and Ustad Fateh’s classic voice gives themusic very high marks with limited outside influence. Specifically, the musicmay be re-interpreted, but it still retains its Punjabi charm. Every track isgreat. If you are into classical Punjabi or Indian music, then Bandish… is right for you! ~ MatthewForss

CD Review: The Nordic Fiddlers Bloc's Self-Titled Release

2011-09-29T11:52:00.000-07:00

The Nordic Fiddlers Bloc
The Nordic Fiddlers Bloc
Etnisk Musikklubb

TheNordic Fiddlers Bloc is a group of three talented fiddlers from Norway,Shetland, and Sweden. The twelve tunes are entirely instrumental and containonly fiddles and a viola. The traditional tunes come from the Shetland Islands,Norway, Sweden, Scotland, and the USA. However, the music is primarily steepedin traditions of Scandinavia, which satisfy the Nordic music fans immensely.The North Fiddlers Bloc is Olav Luksengard Mjelva (Norway), Anders Hall(Sweden), and Kevin Henderson (Shetland). All in all, the music is engaging,danceable, and nostalgic. Anyone with at least a passing interest in fiddlemusic should find The Nordic Fiddlers Bloc to be very entertaining. ~ MatthewForss

CD Review: Various Artists - 'Sachal Jazz: Interpretations of Jazz Standards & Bossa Nova'

2011-09-29T11:37:00.000-07:00

Various Artists
Sachal Jazz: Interpretations of Jazz Standards & Bossa Nova
Sachal Music

The Pakistani and Indian contexts are mixed with jazz standards and South American bossa nova to create a rousing mix of mostly instrumental pieces. Dave Brubeck and Paul Desmond's "Take Five" is a great, instrumental medley of South Asian proportions without losing any of its initial charm. "Desafinado" originally composed by Antonio Carlos Jobim and Newton Mendonca is brought to life in a laid-back, Bollywood sort of way. There is a fine sense of Braziliancharisma and ambiance throughout. Dave Grusin’s “Mountain Dance” is perfectly suited forthe table and sitar. “Garota de Ipanema,” or “Girl From Ipanema,” is anotherAntonio Carlos Jobim track familiar to bossa nova fans everywhere. This is thefirst time it has been adapted for Indian music and the result is a winner.Producer Izzat Majeed does a fine job bringing together these original andjazzy standards for a new audience and culture. Fans of bossa nova and Indian music with a jazz undertone will love Sachal Music's latest addition. ~ Matthew Forss

CD Review: Godsruta 'Traditional Music From Hallingdal & Hemsedal'

2011-09-29T10:07:00.000-07:00

Godsruta
Traditional Music From Hallingdal & Hemsedal
Etnisk Musikklubb

Named for a fiddler on the goods route between Hemsedal and Gol, Godsruta, headed by Arne Anderdal, brings traditional hardanger fiddle music to the forefront. Arne, a fiddler for over thirty years, searches out lost music from his homeland of southern Norway. The fiddling tradition goes back to the 1700s in southern Norway and Arne attempts to resurrect the tunes from the peaks and valleys of the region. Eighteen songs played mainly on fiddle are also joined by button accordion, bass, guitar, viola, and banjo. Vocals are even featured on "Brurevise." The folk melodies and historical elements are well worth listening to. As a professional musician, Arne knows how to keep it interesting. Fiddle fans will love its nostalgic presence. While fans of Scandinavian, Canadian, and American fiddling and folk traditions will find this recording a heavenly delight. ~ Matthew Forss

CD Review: Mehdi Rezania's 'Salute To Sun'

2011-09-29T09:33:00.000-07:00

Mehdi Rezania
Salute To Sun
Self Release

Born in Iran and based in Canada, Mehdi Rezania is a talented santur (hammered dulcimer) master highly influenced by another santur master, Ardavan Kamkar. The music is rich with sparkling tones and traditional melodies. Each song contains detailed notes on its inspiration in the liner notes in English. One such track, "A Child In A Garden," is about Mehdi sleeping in too late on Saturdays. The four, brighter musical notes mimic the phrase: "Time to get up....Time to get up..." repeatedly, even though there are no vocals. Vocals are present on "Drinking to Toos," by Hassan Kasayi. Mehdi accompanies Hassan on santur. The track is an ideal example of Persian classical music. Other vocals are on "Salute to Sun." Notably, ten tracks are listed in the liner notes, but only nine are included. Still, nine tracks contain plenty of music for the Persian classical and santur fan. ~ Matthew Forss

CD Review: Will Blunderfield's 'Hallelujah'

2011-09-29T09:13:00.000-07:00

Will Blunderfield
Hallelujah
Nutone

Canada's Will Blunderfield is not your typical yogi master. Dressed in rock-star garb and resembling a contemmporary magician or illusionist, Will satisfies the soul with uplifting yoga music in a modern context without resorting to trance-inducing chants. Will sings in English and Sanskrit. The opening track, "Guest House," is a spoken word poem by Rumi narrated by Danielle Mika Nagel. Leonard Cohen's "Hallelujah" features vocalist Reema Datta and The Shake Your Asana Choir, along with Will's passionate vocals. The modern arrangements with keyboards, piano, guitar, bass, percussion, and harmonium, and various vocals represent a relatively New Age album with a slight pop or rock edge. "Will & Willa," features Will and a child, Willa, rehearsing the mantra "Lokah Samastha Sukhino Bhavantu" without any additional vocal or instrumental accompaniment. The bonus track, "Ave Maria," is rather operatic and steeped in yogic charm with guests Aliqua. Will Blunderfield is 'blunder'-less. ~ Matthew Forss

CD Review: Wole Alade's 'Olodumare'

2011-09-29T08:35:00.000-07:00

Wole Alade
Olodumare (The Creator)
AAA-Ro-Meta Records

The groovy infections of Afro-beat master, Wole Alade, can be described as pure joy. The Nigerian-native infuses a wide variety of jazzy percussion and gospel elements with a host of vocalists adding their talents. The tracks are distinctly African with American jazz and roots elements. The long instrumental sections flow evenly throughout without any rest for the weary. Wole plays the sax, algaita, bata drum, udu drum, sakara drum, djembe, fender rhodes piano, piano, and acoustic guitar. Wole's wide-ranging repertoire joins some electric guitar, strings, and other horns to create a fascinating listening journey Fela Kuti and other Yoruban Afro-beat stars would be proud of. The Nigerian and Yoruban traditions are well-represented in Wole's music, but they are perfect for people of all ages, cultures, and places. The guitar and percussion-driven "Wanderer" is a nice Afro-pop melody in the vein of Zimbabwe's Oliver Mtukudzi. At any rate, Wole's musical creations are diverse enough with various vocals, percussion, and rhythms that keep it all interesting. The sounds of Lagos are not that far away from any of us now. ~ Matthew Forss

CD Review: Sevara Nazarkhan's 'Tortadur'

2011-09-28T17:59:00.000-07:00

Sevara Nazarkhan
Tortadur
Sevara Music

Sevara leaves the flashy, pop-oriented flavor of earlier works behind--the original tone of Ne Kechar and Sen. On Tortadur, Sevara returns to the traditional form, incorporating all of the characteristic instruments, including the doira, nay flute, and dutar. There are no drum kits, bass, guitars, or showy electronic adornments. Instead, the music is stripped-down and incredibly inviting. Sevara’svocals are rather pensive and restrained compared to other artists. The folkmusic of Munadjat Yulchieva is the most representative Uzbek musician in asimilar style. However, Sevara’s music is quieter from a vocal perspective.Nevertheless, Sevara excels in a traditional form without sacrificing integrityor quality. Sevara has matured as a musician and is now in a league all herown. ~ Matthew Forss

CD Review: Fareeha Anwar's 'Sayooeni'

2011-09-28T16:10:00.000-07:00

FareehaAnwar

Sayooeni
Sachal Music

Pakistan’sFareeha Anwar is a hip, young, fresh vocalist coming out of Pakistan. Sayooeniis a two-song release of two different remixes of the song originally composedby Salim Iqbal. The original singer was Zubaida Khannum. It is characteristicallyBollywood in all regards—from the tabla, sitar, Spanish guitar, sarod, bass,violin, viola, cello, and assorted percussion, to the catchy, clear Hindivocals. The eight-minute album includes the Hindi lyrics. For a greatinvitation to Fareeha’s music, Sayooeniis a gem. ~ Matthew Forss

CD Review: Fely Tchaco's 'Maturite'

2011-09-28T15:57:00.000-07:00

FelyTchaco

Maturite
FelyProductions

Anative of Ivory Coast, Fely Tchaco creates catchy, pop-driven songs in English,French, and Gouro languages. The relatively contemporary approach still retainsa sense of traditionalism, especially on “Goba.” The piano comes out on “Wouile m’En fe,” and a danceable tune, “En Louh,” stands out. Global and localissues surround the content of the songs. The Afro-pop focused “Si J’avais desAiles” is golden. The dance track, “America Land of Hope” is a nod at thesocial and political accomplishments of American history. The lyrically andrhythmically-centered songs are especially uplifting and relevant. Fely’sFrench influence is prevalent, yet distinctly African at the same time. Fely’svoice is superb and a beacon of light for the people of Ivory Coast and all ofAfrica. French and English song summaries are included in the liner notes. ~Matthew Forss

CD Review: April Verch's 'That's How We Run'

2011-09-28T15:36:00.000-07:00

April Verch

That’s How We Run
SlabTown Records

Alreadyknown amongst Canadians, April Verch is Ottawa Valley’s shining star on thefiddle. Now, a regular fixture on the U.S. touring circuit, April has made aname for her fiddling away and proclaiming the historical and original tunes ofCanada for most of her life. The last few recordings touched on U.S. folk tunesand traditions, which are relatively connected with their northern kin ofCanada. Nevertheless, April presents us with seventeen delicious tracks oforiginal and traditional tunes. Some are completely instrumental, incorporatingthe fiddle, banjo, bass, guitar, accordion, and pedal steel, while otherspossess April’s sweet and tender vocal abilities. Though, Riley Baugus addsvocals to “Lazy John.” Each track is upbeat and spritely. Anyone with aninterest in fiddle tunes, bluegrass, Americana, and folk music should add AprilVerch to their collection. ~ Matthew Forss

CD Review: Jai Uttal's 'Queen of Hearts'

2011-09-28T15:09:00.000-07:00

Jai Uttal

Queen of Hearts
NutoneMusic

Worldmusic and kirtan pioneer, Jai Uttal, produces yet another highly-rated album ina long line of albums over the years. Though, this release, number eleven,brings reggae, ska, and Latin rhythms to the mix—all rarely heard in the worldof kirtan. As an innovator, Jai brings together an amazing selection ofmelodies, rhythms, and tones that do not fail. The Sanskrit lyrics, back-upvocals, and guitar solos are very interesting. All eight tracks were writtenand produced by Jai and his long-time collaborator, Ben Leinbach. Thecharacteristic call-and-responses are still here, which are a major focus ofmany recordings in the kirtan genre. The somewhat jazzy or funk overtones arealso evident on “He Natha Narayana.” Anyone with an interest in kirtan, yogamusic, new age music, and Jai Uttal should find Queen of Hearts endearing, timeless, and a mainstay on any kirtanmusic charts. ~ Matthew Forss

CD Review: Deva Premal's 'Password'

2011-09-28T14:49:00.000-07:00

Deva Premal
Password
Sounds True

Deva is an incredible kirtan vocalist with a pop-music side that is stillsteeped in the yogic traditions that made her popular years ago. Together withManose, a Nepalese bansuri flute master and her partner, Miten, who is avocalist and guitarist, Deva knows how to create inspirational and meditativemusic that is quite pleasing. The music contains a variety of instruments,including slide guitar, bass, piano, cello, keyboards, drums, congas, bata, andvarious guitars. The backing vocals on “Sri Nanda-Nandanastakam” are especiallyinviting. At any rate, fans of Deva’s previous work on Dakshina in 2005 may notice a bit of a departure. Still, the musicmay not be completely traditional kirtan, but its contemporary feel is whatmakes Password shine. ~ Matthew Forss

CD Review: Gary Stroutsos' 'Oasis'

2011-09-28T14:12:00.000-07:00

Gary Stroutsos
Oasis
White Swan Records

The third recording, Oasis, showcases the meditative and New Age qualities of the bass flute and desert rim flutes. Nine tracks spanning nearly an hour in length display the musical journey through ocean water and the American Desert Southwest. The solo recording features the eerie drone of a sitar-like instrument with ocean waves on "Forgotten Seas," to the contemplative stylings of "Empty Sky." The Oasis title is a good indication for the purpose of the music--as it reflects the meditative and serene melodies of a heavenly existence free from distraction and noise. The quietly-fluid sounds are not particularly ear-catching or pop-laden, but rather, portray a blissful beauty of sweet, instrumental sounds. Fans of flute music, Native American, and New Age music should pick up a copy of Gary's latest work. ~ Matthew Forss

CD Review: El Rego's Self-Titled Release

2011-09-28T13:54:00.000-07:00

El Rego
El Rego
Daptone Records

El Rego, known as Theophile Do Rego, was an African music legend in his native land of Benin. DJ Frank Gossner put together this incredible collection of music from 45's released in the 1960's and 70's. Twelve tracks, a twenty-page booklet, and a bonus, limited edition 45 of "Se Na Min" and "E Ma Non Tin Me." The music is largely funk, soul, afro-beat, and jazz-driven in the vein of Fela Kuti, James Brown, and John Lee Hooker. "Djobime" is a rousing tune and a sure-fire dance track. "Dis-Moi Oui" is an almost-Ethiopian influenced track with good percussion and fiery vocals. El Rego's instrumental repertoire is limited to drums, guitars, horns, keyboards, and bass, but that does not mean the music is lacking anything. In fact, each track moves with a high degree of aural fluidity unsurpassed by other musicians. If you love the afro-beat and funk styles of West Africa's coast from the 1960's and 70's, then El Rego is a must-have. ~ Matthew Forss

CD Review: Parne Gadje 'Kefi Kefi'

2011-09-28T13:36:00.000-07:00

Parne Gadje
Kefi Kefi
Smoked Recordings

The whirling, folk melodies of the Netherlands-based Parne Gadje captures the essence of Balkan, Gypsy, hora, klezmer, and Mediterranean musical roots. Thirteen tracks of vocal and instrumental gold showcases the wide-ranging abilities of the musicians. The emotional tone, vocal calisthenics, and magical playing abilities are characteristic qualities of Parne Gadje's repertoire. A mix of traditional and original tunes provide a nice palette of musical color. Fans of gypsy, Balkan, klezmer, Mediterranean, North African, European, and instrumental music will appreciate Parne Gadje's unique blend of music the most. Recommended tracks: "Afghan," "Sa tele zhav," "Merzifon," and "Mercedes." ~ Matthew Forss

CD Review: Pezhham Akhavass 'Percussions'

2011-09-28T12:48:00.000-07:00

Pezhham Akhavass
Percussions
Self Release

The San Francisco-based percussionist extraordinaire, Pezhham Akhavass, is a whiz at the tombak and daf. Primarily focused on Central Asian/Middle Eastern percussion, Pezhham presents us with a solo set of thirteen songs on various instruments without electronica accompaniment or vocals. In effect, the sounds of the percussion instruments are the voices of the songs. Pezhham plays the tombak, daf, damam, dosar kotan, frame drum, tamtam, finger bells, and udu. The songs are noted in rhythmic time signatures of 2/4--on up to 10/8. The Iranian dosar kotan instrument reflects Pezhham's ancestral background. The lack of vocals or additional instrumentation does not affect the musical project. Fans of Hossam Ramzy may be interested in the percussive sounds of Percussions. Pezhham does not miss a beat. ~ Matthew Forss

CD Review: Various Artists - 'Omega Ecstatic Chant' [2 CD]

2011-09-28T12:28:00.000-07:00

Various Artists
Omega Ecstatic Chant [2 CD]
White Swan Records

The 2-CD live set of contemporary kirtan musicians from the Omega Spring Ecstatic Chant session earlier in 2011 is showcased on the latest White Swan Records release. The ecstatic release is more energized than other devotional music--possibly due to the live concert environment. However, the music is still kirtan performed from a variety of artists in the genre, including Krishna Das, Deva Premal, Miten, Snatam Kaur, Wah!, Shyamdas, Carioca, Jai Uttal, and Vishal Vaid. The music is steeped in South Asian musical traditions in a contemporary setting with yoga grooves as smooth as yogurt. The female and male vocals are effervescent and always inspirational. The two-hour set of music features a who's-who in the world of yoga pop and kirtan music. Fans of yoga music and kirtan will need to acquire this one. It does your soul good. Recommended tracks: All of them. ~ Matthew Forss

CD Review: Masood Ali Khan's 'Hang With Angels'

2011-09-28T12:01:00.000-07:00

Masood Ali Khan
Hang With Angels
White Swan Records

Masood Ali Khan is a meditative master of Sanskrit chants and instrumental repertoires. Masood is joined by various talents with vocals and instrumental accompaniment, including Go-Ray Duke, Steve Gorn, Monica Page, Lisbeth Scott, Visvambhar Sheth, Kamaniya Devi, Suzanne Sterling, Sheela Bringi, and others. The result is a very thought-provoking and relaxing album with eleven songs that will enrapture the meditational, new age, yoga, and world music crowds. Most songs range from six to eight minutes in length, though "Om Asato Ma" and "Bismillah" are both under four minutes. The angelic vocals may in fact be angels, but the music certainly spreads its wings throughout. This is not your typical driving beats, or electronic project, as the tunes are relatively sparse on instrumentation and embellishments. Hang...is actually pronounced 'hung' and it is a drum. This is perfect music for a yoga warm-down session. Recommended tracks: "Dharma Wheel," "The Breath of Krishna," "Jai Bhagavan," and "Sat Yam Shivam Sundaram." ~ Matthew Forss