Showing posts with label Nazareth. Show all posts
Showing posts with label Nazareth. Show all posts

Saturday, August 25, 2012

CD Review: Michel Sajrawy's 'Arabop'

Michel Sajrawy
Arabop
Dasam Studio

Nazareth-based, Palestinian-guitarist, Michel Sajrawy, offers a glimpse into a new world of Arab maqam and Western improvisation on his latest album, Arabop. The jazzy, experimental sounds are rich with Middle Eastern and North Africa melodies, but familiar to all. The instrumental repertoire is well-balanced with Michel on guitar and keyboards, Amiram Granot on sax, Maali Klar on soprano sax, Samir Makhoul on oud and vocals, Valeri Lipets on contra bass, Wisam Sajrawy on darbuka and shakers, Stas Zilberman on drums, Nehaya Damouni on chants, and Adnan Haddad on speech. The wildly-played guitar stylings are equivalent to Hossam Ramzy on the drums. At any rate, the songs are up-tempo, but reflective in a similar manner. The energized darbuka and electric guitars thunder with delight on "Tojann." "1 Count Before 40" is a more meditative, lounge jazz tune that is wholly instrumental. "Arabop" reflects a more jazzy side to the music with a jaunty sax line and playful melody overall. The highly-energize "Batumi" is a guitar lovers dream with an equal amount of percussive embellishments throughout. There is a slight klezmer undertone. Overall, Michel succeeds wildly with a stunning set of mostly instrumental music that is both jazzy, Arabic, and improvisational. This is maqam music for future generations. ~ Matthew Forss

Thursday, June 4, 2009

CD Review: A Palestinian Voice For Everyone

Rim Banna
April Blossoms
Kirkelig Kulturverksted

Rim Banna, a Palestinian singer from Nazareth, presents poignant and humorous children's songs on April Blossoms. Rim's voice is aided with bass guitar, acoustic guitar, drums, keyboards, bansuri flute, duduk, and oud. All the songs are sung in Arabic. However, song translations are provided from Arabic to English in the liner notes. The songs are so enjoyable that you need not be a child to appreciate it's musical intricacies. Overall, the melodies and vocalizations are reminiscent of North African singers, in particular, Mauritania's Malouma. A children's choir accents some of the songs. Perhaps, the Arabic songs take on a life of their own and instill in the listener a deep level of appreciation. Also, Russian and Turkic elements appear from time to time throughout the album. This is an ideal collection of songs to listen to while relaxing, or spending time with family. April Blossoms is as sweet as it sounds, and it gets sweeter with every listen. ~ Matthew Forss