CD Review: Various Artists' 'Afro-Caribbean Party'

Various Artists
Afro-Caribbean Party
Putumayo

Putumayo releases another gem of a recording and this time they celebrate the music of Afro-Caribbean lands for their aptly-titled, Afro-Caribbean Party. The new album contains a cast of ten different musicians hailing from Martinique, Jamaica, Haiti, and Cuba. You will hear the Cape Verde and New Orleans jazz-inspired medley of Kali, rolling reggae melodies by Clinton Fearon, jazzy ska by Ska Cubano and Wesli, Afro-Latin dance by Michel Blaise, Latin jazz from Asere, Mandingo reggae with Famara, island rhythms from Jan Sebon and Kazak International, Afro-Latin jazz and folk with a classic tone by Chispa Labori, and mostly instrumental Bahamian folk music from Fred Ferguson & Grafitti. The diverse musical line-up showcases a good overview of typical Afro-Caribbean examples, but it is in no way complete or covers strictly traditional music from the above-mentioned regions. Still, it is a vibrant and dance-worthy album that runs a little short (38:42), but it makes up for it with repeated listens. Plus, a refreshing Caribbean punch recipe is included. ~ Matthew Forss

CD Review: Various Artists' 'Ola Cabo Verde'

Various Artists
Ola Cabo Verde
Lusafrica

Lusafrica does it again with another stellar release. This one covers eighteen different artists from Cape Verde. There are nearly seventy-eight minutes of great, danceable music from some of the top artists in the country, including Neuza, Lura, Ze Luis, Tcheka, Boy Ge Mendes, Teofilo Chantre, among others. There is even a composition featuring the late-Cesaria Evora, alongside Lura on "Moda Bo." The music is highly-energetic and free-spirited. The combination of vocals, strings, guitars, percussion, and other instruments makes the album shimmer with musical satisfaction. The Afro-Caribbean sounds are somewhat Portuguese-inspired, along with other influences that are regional. The island country is known for morna music and other types. This album covers some of these styles and contemporary elements that are easy to assimilate and enjoy. Anyone with a passion for Cape Verde music will find Lusafrica's latest offering a 'must-have' without any reservations. ~ Matthew Forss

CD Review: Ali Bello's Venezuela Tunings On 'Connection Caracas-New York'

Ali Bello
Connection Caracas-New York
Zoho

Venezuelan-born and New York-based, Ali Bello is a talented violinist with youthful vigor and jazzy undertones. The Latin-themed recording is rich with jazz elements and Latin American percussion. The violin displays are on par with Ruben Blades' Panamanian ensembles. The mix of classical, folk, jazz, roots, and Latin genres are very compelling and enthralling. However, vocals are not present on this album. The nine tracks contain piano, guitars, violins, sax, bass, drums, maracas, percussion, and other instruments, which make the album shine with Latin delight. One need not venture too far from Afro-Caribbean and Afro-Venezuelan roots here. Anyone with an interest in violin music with added percussion and world fusion elements will find a connection with Ali Bello's latest release from Zoho Music. ~ Matthew Forss

CD Review: Okapi Guitar Band's 'Plenty'

Okapi Guitar Band
Plenty
umHUTU

Australia’s Okapi Guitar Band is a truly world music act creating music that spans numerous countries and continents with ease. The giddy guitar rhythms, vocals, lap steel, bass, pedal steel, dundun, keyboard, drumkit, congas, doumbek, cowbell, trumpet, trombone, sax, and other instruments make up the band’s unique sound. “Man In The Fluoro Vest” seems like a concoction brewed by the Cambodian/American band, Dengue Fever. The psychedelic melody and quirky lyrics is a winner. The folksy “Cut And Run” is anything but cut and dry, since its galloping tune reflects a little Afro-Caribbean and Congolese presence. Plenty is aptly-titled, because there are many reasons to love this album. Each track is different and seems to reflect a different part of the globe. The nearly one-hour-and-ten-minute length is definitely worth the money. There are tropical rhythms, Latin touches, African brilliance, and Aussie splendor that is not to be missed. This is a great album for world music or fusion fans. ~ Matthew Forss

CD Review: Hijos de Agueybana's 'Agua del Sol'

Hijos de Agueybana
Agua del Sol
Tumi Music

Puerto Rico's Hijos de Agueybana play bomba music on their latest offering, Agua del Sol. Bomba music is a richly-textured drum and dance music form born out of a group of Africans forced to work sugar plantations. The barrel drums and vocal choruses make the music stand out with tons of rhythm and magical musical textures. The group is led by Otoqui Reyes and consists of eight musicians. THe largely traditional nature of the vocals, drumming, and assorted percussion make Agua del Sol soar high with African ambiance. The thirteen tracks are rich with vibrant vocals and drumming, which resemble West African traditions in a contemporary form. The only sense of modernity is captured in the opening song, "Saludo al Sol," which includes an electronic pan flute sound that plays throughout the mostly instrumental piece. Anyone interested in the traditional music of Puerto Rico should find Hijos de Agueybana in their repertoire. ~ Matthew Forss

CD Review: Creole Choir of Cuba's 'Tande-La'

Creole Choir of Cuba

Tande-La

Real World

The six women and four men that comprise the Creole Choir of Cuba bring us songs of Haiti's past. Haitian ancestors were brought to Cuba to work on the sugar and coffee plantations. The Caribbean music is very classical, operatic, and a vocal work of art with some fiery percussion and additional instruments that add a joyous and/or contemplative mood. The twelve songs are sung in Spanish, French, and Creole. The melding of vocals and instrumentation provide the listener with a mesmerizing combination of sounds emanating from an Afro-Cuban mix. The vocal delivery is quite similar to the choir groups of South Africa. However, the music is inherently Cuban and Haitian, with a theatrical element that rivals any Broadway production. Tande-La, which means "listen," is what all listeners will do once they hear the Creole Choir of Cuba. Hear it today! ~ Matthew Forss

CD Review: Angola's Soundtrack: The Sound of Luanda 1965-1976 - Released Dec. 7, 2010

Various Artists

Angola Soundtrack: The Unique Sound of Luanda [1965-1976]

Analog Africa

The largely under-represented music of Angola's past, and present for that matter, is popularized thanks to the folks at Analog Africa. Angola Soundtrack... is the anthem for Angola's Afro-Caribbean musical traditions of the 1960's and 70's. Interestingly, the rhythmic guitar music and percussion are unlike most traditional African songs. In this case, the Caribbean and Latin influences far outweigh any traditional African sounds. Still purely African, the music is lively and carnival-esque, with a dash of psychedelic guitars, merengue rhythms, and semba music. Over fifteen different musicians from the era are featured on the album and a special 2-LP gatefold sleeve edition. Crisp, clear sounds and Latin grooves cement Angolan music in the annals of African music history. An invaluable and historic recording. The liner notes are heavily detailed and describe the music and musicians over forty-pages. ~ Matthew Forss

CD Review: Toussaint's 'Black Gold'

Toussaint

Black Gold

I Grade Records

The soulful vocalist, Toussaint, represents an embodiment of a new form of reggae music with Afro-Caribbean and American roots. It can be appropriately called 'reggae soul' or 'reggae roots music'. Though, reggae music is largely a socially based creative construction that also includes personal tragedy, triumph, and power. Toussaint provides an engaging listening experience spanning fifteen songs all sung in English. Black Gold's reggae ties are entwined with funk, jazz, soul, R&B, and folk/rock elements. The diverse instrumentation with reggae elements, classical jazz, island soul, and earthy vocals are characteristic signatures of Toussaint's musical abilities. Notably, not a single weak track exists on Black Gold. As a whole, Toussaint's 'golden' voice secures Black Gold's legacy as an invaluable addition for anyone interested in reggae soul and reggae roots music. ~ Matthew Forss