Showing posts with label canadian. Show all posts
Showing posts with label canadian. Show all posts

Wednesday, February 18, 2015

CD Review: April Verch's 'The Newpart'

April Verch
The Newpart
Slab Town Records

The petite and undoubtedly-cute, Canadian fiddler, April Verch, dazzles crowds yet again with another endearing folk album that continues in the old-time and bluegrass traditions. April is known for some fancy footwork on stage and her feet are definitely the star on a few songs. The rootsy and old-time folk music is more akin to Americana influences than Canadian, but there are similarities. The bluesy, gospel-tinged tunes are poignant, quaint, and relatively spacious to allow all the instruments to shine on their own. April's delicate voice is angelic and alive, which is a perfect accompaniment to some of the instruments. Some great instruments are included here, including the fiddle, bass, clawhammer banjo, acoustic guitar, and mandolin. Overall, The Newpart is more reflective, reduced, and a bit timid. However, it is still pure April Verch at her finest. ~ Matthew Forss

Wednesday, July 2, 2014

CD Review: Zebrina's 'Hamidbar Medaber'

Zebrina
Hamidbar Medaber
Tzadik

A Canadian jazz pianist, Jonathan Feldman, is the brainchild behind Zebrina, which is a jazz-centered group with jam band qualities and Klezmer roots. Instead of pulsating brass and horns, Zebrina utilizes some keyboard effects and percussion to astound listeners. The instrumental tunes are edgy, fluid, and diverse. The flowing clarinet, swishy percussion, and avant-garde folk-rock stylings represent a slight new age nod that is very satisfying. There is a bit of down-tempo, funk, roots, and smooth jazz going around here. Eight catchy grooves round out the album in a fun and entertaining manner. All of the tracks are five to eight minutes long, which allows for plenty of variation that doesn't get boring. The electric guitar adds a modern spark to the some of the songs. Overall, Zebrina awakens the Jewish spirit with great jazz lines and contemporary grooves with a slight Klezmer influence. ~ Matthew Forss

Thursday, September 19, 2013

CD Review: Kobo Town's Trinidadian Rumblings On 'Jumbie In The Jukebox'

Kobo Town
Jumbie In The Jukebox
Stonetree/Cumbancha

Canadian transplant and Trinidadian native, Drew Gonsalves, brings us a rousing mix of calypso, reggae, acoustic, and island music rhythms on Jumbie In The Jukebox. There is an element of nostalgic fusion, jazz, lounge, and classical music, which blends perfectly with the calypso and roots percussion and beats. One hip hop and ska-inspired tune, "Postcard Poverty," is a bit punchy, jazzy, and urban overall. Don't worry; it's hip hop for the whole family. There are punchy dancehall tunes, mellow grooves, intelligent lyrics, and dub-influenced sounds that incorporate a bit of everything from Portuguese rhythms, Congolese guitar riffs, Caribbean dance elements, and calypso-roots music. Each tune is different and present something very likable. Anyone interested in calypso-inspired tunes will love Kobo Town's latest offering. ~ Matthew Forss 

Thursday, May 3, 2012

CD Review: Dala's 'Best Day'

Dala
Best Day
Campus Music

The Canadian vocal duo, Dala, is not your average group, because they know how to find harmonies and melodies that always seems to captivate listeners everywhere. Their previous release, Everyone Is Someone, contains a more pop-folk-centric prodution, while Best Day capitalizes on that newfound success without incorporating the same pop-folk melodies. In fact, Best Day is more stripped down compared to earlier albums. For example, the repertoire consists mostly of alternative folk or pop elements with light guitar, piano, and lesser contributions from trumpet, banjo, bass, keyboards, drums, strings, and mandolin. At any rate, Dala's vocals are crystalline and infectious as much as any other previous album. The last track, "Too Many Kittens," is a playful composition with several outtakes that make it interesting to say the very least. Dala's Best Day is here for your listening pleasure. ~ Matthew Forss