Showing posts with label christian. Show all posts
Showing posts with label christian. Show all posts

Friday, May 8, 2015

CD Review: Yeznig Zegchanian/Jason Hamacher's 'Forty Martyrs: Armenian Chants From Aleppo'

Yeznig Zegchanian/Jason Hamacher
Forty Martyrs: Armenian Chants From Aleppo
Lost Origins

Recorded in Forty Martyrs Armenian Orthodox Church in Aleppo, Syria, by Jason Hamacher, a drummer and noted fan of music from far-off places. The recording contains the solo chants of Rev. Yeznig Zegchanian without any instrumentation or additional vocals. The sub-twenty-minute recording is rather short, but it is vocally strong. The religious chants are sung in West Armenian. The remarkable aspect of the music does not pertain to the music at all; rather, the manner in which it was recorded. For example, the music was recorded in one take. The quality is strong and very resonant with the church as a backdrop. At any rate, fans of Syrian and Christian chants will love it for it's beauty and rarity, as West Armenian is rarely covered in recorded music today. ~ Matthew Forss

Friday, November 14, 2014

CD Review: TriBeCastan's 'Coal, Again!'

TriBeCastan
Coal, Again!
Evergreene Music

Christmastime will never be the same once this is released. The folks of TriBeCastan continue to amaze us with a world fusion of sorts, but this time it revolves around a holiday. There are some basic Christmas favorites here with some tongue-in-cheek stuff going on, including "Silver Bells," "Little Drummer Boychik," "Good King What's His Name?," "Carol Of The Bells," "Jingle Bells," and "O Little Town Of Bethlemayhem." The instrumental tunes might have a few spoken words throughout the entire album. The music is loosely based on the Christmas classics, but the main melodies and rhythms are all there. In this case, the group brings together a world presence with a multitude of gifts, including instruments as diverse as a royal benju, fujara, citera, khomak, yayli tambur, and others. The lilting melodies capture a bit of a South Pacific or Hawaiian feel on some of the tunes, while jazzy and layered elements create dizzying possibilities on others. Who knew 'coal' could be this fun? This is an excellent stocking stuffer for the eclectic music fan. ~ Matthew Forss

Tuesday, October 21, 2014

CD Review: Beautiful Mess' 'Words Getting Around'

Beautiful Mess
Words Getting Around
Self-Release

The Northeast-based group, Beautiful Mess, is spearheaded by Chris Ehrhart and his nephew, Tim Ehrhart who have a passion for writing, playing, arranging, and sharing songs of a heavenly side—on their latest release, Words Getting Around.  The five-track release showcases jingly pop and rock songs with a positive message about the realities of life.  The music is more than a voice, guitar, and drums, as other instruments come into play throughout.

“Alright” opens with plaintive vocals and a briskly-played, acoustic guitar with a kind of flamenco style.  The vocals are backed by light percussion through mid-song.  The vocals feel very organic and unaltered by heavy mixing or sampling.  The last half of the song incorporates a few spoken word vocals with symphonic, rock arrangements and louder vocals by the end of the song.  However, the vocals are still discernible.  The rock arrangements are a fitting end to the song that actually ends with a few acoustic guitar chords, as delicately as it started.

“Crazy” begins with clap-like percussion, a few piano notes, and swishy percussion with great vocals.  The up-tempo beat sparkles with guitar, piano, and arrangements.  After the first few verses, a punchy rock beat occurs before a vocal only line that signals the last few lines of the song with full-on percussion, guitars, piano, and vocals in a pop-rock structure.  The pop vocals at the end of the song appropriately round out the song’s best features.

“Holding On” opens with an acoustic guitar in a folksy, raw manner.  The vocals begin, as a rich, percussive sound accompanies the vocals and guitar.  After the first few lines, a symphonic chorus incorporates a little pop-rock splendor.  There are lush back-up vocals throughout amidst the jangly percussion.  The end of the song ends as charming as it begins with plaintive guitar and vocals.

“Home Forever” begins with piano notes and a heartfelt vocal line.  A percussion arrangement kicks in with an ambulating beat and delicate taps.  A swishy cymbal clang signals more dramatic vocal performances with back-up vocals during the first chorus.  The next few verses escalate with pop-rock charisma in a more majestic tone with lush guitars, symphonic washes, and rock guitar beats.  The triumphant vocals are fueled by powerful lyrics of Christian rebirth and eternal living.  After the climax of the last chorus, the song fades out with organ sounds and percussion arrangements.

“Words Getting Around” opens with a jingly acoustic guitar tune and organ sounds with swishy cymbals and drums.  The bluesy and folksy tune is jingly and full of pop-rock splendor with vocals akin to Dave Matthews.  Even the bluesy melody and guitar arrangements are akin to something by Dave Matthews.  At any rate, mid-song features back-up vocals in a bluesy or gospel context.  The vocals are manipulated in parts by back-up vocals and some programming effects.  The back-up vocals, instruments, and arrangements come together in the end for a party-like sound of indiscriminate vocals.  The mish-mash of music is a fitting end to the song.  

Beautiful Mess is a group that is inspired by things beyond this Earth and they harness that energy and turn it into great music arranged in innovative ways by incorporating a mix of instrumentation.  The music is also catchy.  Though, only five songs are included on the album. Still, the five songs are all very good without any faults.  A mix of jazzy, folk, rock, pop, Christian, and gospel elements make the music shine without any shortcomings.  Anyone with an interest in the abovementioned genres will find happiness (and meaning) in the songs.   

Review by Matthew Forss
Rating: 5 Stars (out of 5)

Find them on bandcamp!


Tuesday, June 3, 2014

CD Review: Nitya Thomas' 'Awakenings'

Nitya Thomas
Awakenings
Watchfire Music

Awakenings is a three-track release that is ripe with joyous, Christian melodies. The first track, "O Dreamer," is a traditional Irish melody by lyricist, Rosa M. Turner. The song begins with a few keyboard chords followed by Nitya's sparkling vocals and guitar sounds. "My Grateful Spirit Sings" is a song by Sally DeFord with a popular sound that brings together gospel, classical, and new age. "Psalm 23" is the only song written by Nitya. There are classical piano sounds and classical strings that set the mood for the Bible-based composition. Anyone with an interest in contemporary vocal performances with a Christian foundation will love Nitya's soulful and heavenly release. The vocals are strong and clear throughout. Fans of Christian music, new age, piano pop, and female vocal music should check it out! ~ Matthew Forss

Friday, May 30, 2014

CD Review: Nawa's 'Ancient Sufi Invocations & Forgotten Songs From Aleppo'

Nawa
Ancient Sufi Invocations & Forgotten Songs From Aleppo
Lost Origins/Electric Cowbell

The first volume in a series to examine ancient Sufi, Christian chant, and secretive orders, Ancient Sufi Invocations & Forgotten Songs From Aleppo traces obscure and previously unreleased vocal music through various forms, including dhikr, maqam, and mowashah. The entire album is vocally-produced and it was recorded in a 500-year-old house in Aleppo, Syria. The musical recording was created by Jason Hamacher. However, the unlikely path of a punk drummer and photographer to capture the ancient Sufi singing styles of Syria was a wild proposition that eventually came to fruition. The six long tracks are only about a half-hour in total running length. Still, the music lingers on in a repetitive manner that reaches far beyond the thirty-minute mark. The songs are evenly-divided between ancestral dhikrs and maqams. Anyone interested in Sufi music, Syrian music, and chanting traditions from around the world will relish the historical delicacies inherent in Nawa's first release. ~ Matthew Forss

Sunday, March 16, 2014

CD Review: Malawi Mouse Boys' 'Dirt Is Good'

Malawi Mouse Boys
Dirt Is Good
IRL Records

Discovered by Grammy-winning record producer, Ian Brennan (of Tinariwen and Lucinda Williams-fame), the Malawi Mouse Boys perform fifteen upllifting, Christian songs written and sung in the Chichewa language. These are not your typical gospel or worship hymns, as the rudimentary guitar, drums, and assorted instrumentation suggest an earthy, primitive, and organic concoction of tunes. The vocals and instrumentation come through clearly and the melodies are strong. The vocal harmonies on "Kufanana" suggest a Ladysmith Black Mambazo influence without any instrumental accompaniment. A gritty electric guitar on "Zochita Zanu" showcase a bit of grunge elements and a great rhythm. "Ndiyamika" is a peppy little tune with a catchy vocal set and light percussion. Overall, Malawi Mouse Boys make a positive impact to the world music scene in Africa and beyond. Enjoy this one! ~ Matthew Forss

Saturday, March 8, 2014

CD Review: SKRUK's 'Sangen fra Katakombene'

SKRUK
Sangen fra Katakombene
KKV

SKRUK is a Norwegian choir that presents a collection of liturgical songs sung in Norwegian. There are also vocals from monks in Turkish monasteries. Per Oddvar Hildre is the conductor for the album, while Siyavush Karimi and Henning Sommerro are talented arrangers. The entire album is vocal without any instrumentation; except for a lone duduk played a couple times. There are twenty spiritual tracks that are heavenly and haunting in the same manner. The spiritual roots of the music originate from the early, primitive church and historical roots with the Syrian Orthodox Church. The alternating male and female vocals are great without any slip-ups. Many of the songs are one to four minutes long, but a couple are five to six minutes. In the end, it doesn't matter how long the songs last. The songs have lasted hundreds of years and will continue to inspire people around the world. Fans of choral and vocal music will rejoice with high marks. ~ Matthew Forss

Friday, September 14, 2012

CD Review: Various Artists' 'Norge, Mitt Norge...?'

Various Artists
Norge, Mitt Norge...?
KKV

The national identity of Norway is preserved, yet reinvented, with historical songs made anew for today's generation. However, the songs are still folk centered and light pop with equal doses of classical and jazz. The title is translated as 'Norway, My Norway.' The music is arranged by Valkyrien Allstars, but Moddi, Aissa Tobi, Trond Granlund, Viggo Sandvik, Osla Fagottkor, Sudan Dudan, and Solveig Slettahjell have their hand in the mix, too. The thirteen track release is largely a folk music compilation that was recorded in an old Parliamentary room in Oslo, where the concept of Norway as an independent state was decided between 1814 and 1854. The music contains fiddles, drums, bright vocals, bass, and horns. The melody of "Deilig er Norden," resembles "Beautiful Savior"--a popular Christian hymn. Anyone with an interest in folk music from Scandinavia will love this one. ~ Matthew Forss

Sunday, July 29, 2012

CD Review: Julia Wade's 'Solos'

Julia Wade
Solos
Watchfire Music

Soulful and operatic pop structures weave in and out of classically-composed creations of sonic beauty mark the magnificence of Julia Wade's crystalline voice. Solos is a work of twelve songs that are spiritual and inspirational. The songs are influenced by the prose of Mary Baker Eddy--a spiritual thinker. "Today" showcases Julia's voice and a contemplative piano melody. "Mind's Camera" has an upbeat, seemingly spritely piano melody and Julia's signature voice that seems to echo operatic and classical influences. "The Sculptor" is a jaunty, almost theatrical song with vocal outbursts of harmonic color that are slightly bluesy overall. "Victory" contains spacious, aural sounds of Christian beauty and symphonic overtones. "Prayer" features the piano early on, but it quickly appears to carry Julia's voice to otherworldly--albeit, heavenly realms--for sure. Julia Wade is the female equivalent of Josh Groban, but there are hints of early Charlotte Church, too. Julia knows how to evoke magic with her beautiful voice. ~ Matthew Forss

Thursday, May 3, 2012

CD Review: Universalia in Re's 'Grandes Visioes'

Universalia in Re
Grandes Visioes
Sketis Music

The sounds of Medieval music are proudly displayed on old court songs in praise of the Viring Mary. The songs, or cantigas, are written in Galician--the language of the courts for Alfonso X. The eight tracks follow an operatic theme with cascading and theatrical female vocals. The 12th century songs follow the structure of virelais, which is an Arabic musical form that rose to popularity in Europe in the 14th century. The Medieval songs would not be complete without the addition of traditional instruments. Thankfully, Universalia in Re showcase the psaltery, citole, vielle, rebec, guitarra morisca, and double pipe. The combination of instruments and vocals make Grandes Visioes a fun album. The title of the album is taken from "Pera toller gran perfia," which describes the Virgin Mary showing the visions of Heaven and Hell to a man, who changes his ways and becomes a Christian. Overall, Grandes Visioes is an excellent addition to the Medieval music collector and anyone looking for something unique. Extensive liner notes are included. ~ Matthew Forss