CD Review: Various Artists' 'Peru Bravo: Funk, Soul & Psych In Peru's Radical Decade'

Various Artists
Peru Bravo: Funk, Soul & Psych In Peru's Radical Decade
Tiger's Milk Records

Peru Bravo... is an upcoming release from Tiger's Milk Records that brings us the best psych, funk, R&B, dance, soul music from Peru during the 1960's and 70's. There are fifteen tracks that bleed with energy, desire, and fun. Every note is a magical masterpiece on every track. You will hear some raw stuff here by some unknown artists, including Laghonia, Thee Image, Black Sugar, Jeriko, Los Destellos, The Mad's, Los Comandos, Cacique, Los Holy's, and many more. The driving dance beats, garage-rock sound, and wild percussion are all accented with electronic embellishments that give the music a modern edge. The licks and chords are gritty and awesome with loads of psych to play with here. The throbbing keyboards, drum beats, and fluid bass-lines are unmatched. Anyone interested in world psych music will relish its tracks. Fans of Peruvian music will love the unadulterated songs. ~ Matthew Forss

CD Review: Ernest Ranglin & Avila's 'Bless Up'

Ernest Ranglin & Avila
Bless Up
Avila Street Records

Jamaican-born guitarist and composer, Ernest Ranglin, has been wowing crowds and countries for decades with his signature style of ska, jazz, mento, reggae, and blues music. The instrumental tunes on Bless Up are very classy and rich with jazzy leanings, ska infusions, and island charisma. The rootsy jazz guitar stylings on "Bless Up" cement Ernest's reputation for indelible recordings and compositions. The rippling guitar and piano melody are backed by a beautiful, laid-back percussion section. The jazzy, reggae-tinged "Joan's Pen" is a heady mixture of classic vs. contemporary that finds an inner balance for everything to work just right. The swaying melody of "Follow On" showcases more diverse talent from Ernest's finger-tips. The sassy piano and horn section adds some pizzazz to the jazzy rhythm and guitar arrangements. There are sixteen tracks in all that span the gamut from jazz, lounge, tropical, roots, reggae, ska, and blues. Bless Up is a step up from other recordings that may be similar, but you'd be hard-pressed to find anyone comparable to the great Ernest Ranglin. He's 81 and still cranking out the tunes. ~ Matthew Forss

CD Review: Jitterbug Vipers' 'Phoebe's Dream'

Jitterbug Vipers
Phoebe's Dream
Self-Release

The Texas-based Jitterbug Vipers are a group that revives the swing music of the 1930s and 40s. However, this is not your typical upbeat swing music. The group gets its name from viper music, which was sung by Ella Fitzgerald, Nat King Cole, Benny Goodman, Duke Ellington, etc. According to the band's website, viper gets its name from the "sssssst sound made by a viper being onomatopoeic for the sound made by an inhaling pot-smoker." Whatever it is called, the music if relatively laid-back with a good degree of quirky. The lazy, "When You're High," meanders with heavenly vocals and a jaunty, crystal clear guitar in hand. "Viper Moon" opens with a slow guitar tune and smoky vocals that are sweet, delicate, and sensual. There is some additional instrumentation, but it is largely reserved for percussion. "Stuff It" picks up the pace with a more energetic tune and sassy vocals with an almost spoken word presence. "Phoebe's Dream" opens with relaxed vocals and a sauntering guitar melody that is rather quirky, but the song picks up momentum with a swishy percussion set and classic arrangements. The twelve tracks are rather addictive and a seldom-heard mixture of viper tunes inspired by American swing music of the 1930s and 40s. Kick back and check it out today. ~ Matthew Forss 

CD Review: Lisa Bell's 'The Italian Project'

Lisa Bell
The Italian Project
Self-Release

The Colorado-based blues-stress and alt-rock guitarist, Lisa Bell, brings us a thrilling set of blues, folk, and rock-influenced tunes on the latest release, The Italian Project. The heady opener, "Bring The Love," is an alt-rock anthem with bluesy ambiance and rootsy appeal. "Come My Way" is still alt-rock, but much more reduced in tone. The vocals are akin to Melissa Etheridge, but not as throaty or loud. "One Face, One Race" opens with a laid-back percussion set and a breezy--almost jazzy--set-up. "A Brighter Day" begins with a few guitar strums, light hand drum sounds, and heart-felt vocals amidst a jazzy melody with lively bass and piano. "From The Outside Looking In" opens with strings, piano, vocals, and percussion. The chorus is more classic and majestic than most other songs on the album. The tune is bluesy, classic rock, and roots music. Overall, the eleven tunes represent a mix of blues, jazz, alt-rock, roots, and classic pop with a mature element that signals an invaluable recording. Fans will find some endearing tunes that are not to be missed. ~ Matthew Forss   

CD Review: Kathy Muir's 'Far From Entirely'

Kathy Muir
Far From Entirely
Self-Release

The Scottish folk-pop singer, Kathy Muir, adds a talented repertoire of country-pop guitar songs with an equal element of roots, blues, and rock. With a voice like Bonnie Raitt, Shawn Colvin, and Stevie Nicks, Kathy comes through with flying colors and equally-airborne riffs. "Fairytale Lies" is a fitting song with Stevie Nicks' signature all over it, but it is inherently Kathy Muir all the way. The steel, slide guitar opening matches the upbeat tambourine and percussion kit with a rhythmic voice and catchy melody. "You Surround Me" opens with a pensive piano melody with accompanying strings that do not include percussion until mid-song. The song is void of vocals, but it is reminiscent of a lighter incarnation of something from the Trans-Siberian Orchestra. "Heaven In Your Eyes" is a folksy song with a bluesy presence and chilling percussion, guitars, and vocals. "Sweet and Easy" is a breezy, folk song with light pop elements that are jazzy and easy to listen to. Throughout the entire album, Kathy's vocals do not contain a Scottish accent and the musical arrangements resemble North American productions. Overall, the music is varied, folksy, bluesy, and a pleasure to listen to. ~ Matthew Forss