Showing posts with label igloo records. Show all posts
Showing posts with label igloo records. Show all posts

Sunday, January 16, 2011

CD Review: Morocco's Majid Bekkas


Majid Bekkas
Makenba

Hailing from Morocco, Majid Bekkas is a classically-trained guitarist, keyboardist, oud player, singer, and guimbri player that explores the blues and soul music of North Africa. The accompaniment of guest musicians, including Minino Garay on bass and percussion, Aly Keita on balafon, Serge Marne on djembe drum, Joseph Bessam Kouassi on talking drum, and many others, gives Makenba a more universal appeal beyond Africa's natural borders. In fact, "Ali Ya Ali" is a distinctively traditional tune with Caribbean and Gypsy elements. The saunteringly beautiful "Sahara Blues" is an epic in its own right. The tune spans the sounds of the Sahara, while faint Latin American sounds shine through. Of course, Gnawan trance music is a part of the repertoire, but it does not delve into boring doldrums as the Master Musicians of Jajouka often do. Though not necessarily a fusion album, Makenba is varied enough to keep it interesting without sacrificing creativity, musicianship, or culture. ~ Matthew Forss

Thursday, January 13, 2011

CD Review: Kel Assouf - Tin Hinane


Tin Hinane
Igloo Records

The Tuareg blues bands have flourished after the rise of the late-Ali Farka Toure. The Tamasheq-language group, Kel Assouf, is made up of members from Niger, Mali, Togo, Algeria, Mauritania, France, and Ghana. The music is a mix of flute, voice, guitar, karkabou, kora, bass, calabash, percussion, and pandeiro. The sounds of the Sahel are breezy and the vocals are superb. The Tinariwen-esque playing styles resemble other North African guitar groups, including Etran Finatawa, Tidawt, Toumast, Tartit, Tamikrest and Terakaft. The jaunty "Afrik" and the beautiful "Tiliadene N'Ashra" rivals that of "Tinariwene" and the solemn "Talit". Kel Assouf is Tamasheq for 'son of the desert' and Tin Hinane is Tamasheq for an ancient Tuareg queen. The importance of the guitar as an instrument of rebellion pervades North Africa and permeates the tracks of Tin Hinane. The incorporation of traditional instruments provides a fine balance between ancient and modern elements that shine through on every track. Travel to the Sahara and let Kel Assouf welcome you into their world. Liner notes in French with Tamasheq song titles. ~ Matthew Forss