CD Review: Monoswezi's 'Monoswezi Yanga'

Monoswezi
Monoswezi Yanga
Riverboat Records

Monoswezi is a group born out of several nations, including Mozambique, Norway, Sweden, and Zimbabwe. The instrumental backing is primarily due to the mbira--thumb piano. However, the mbira is accompanied by bass, marimba, sax, clarinet, percussion, guitar, harmonium, harmonica, and drums. Hope Masike and Calu Tsemane provide vocal accompaniment to many of the tunes. The sparkling and earth-laden mbira provides a dreamy and contemplative resonance that is very magical and seductive. The album borders on jazz, folk, roots, Afro, traditional, neo-classical, and experimental music genres. Scandinavia is normally a country positioned very far away from Zimbabwe. Thankfully, Monoswezi bridges the gap between the two world regions in one, cohesive offering titled: Monoswezi Yanga. ~ Matthew Forss

CD Review: Chris Berry's 'King Of Me'

Chris Berry
King Of Me
Kanaga System Krush

The laid-back, scintillating sounds of Zimbabwe's mbira has been modified and electrified for Chris Berry's use. The combination of mbira, reggae-type melodies, and urban-pop sounds makes King Of Me shine with superb melodies, infectious sounds, and smooth vocals throughout. Chris is a composer, singer, teacher, and Grammy Award-winner. Mali's Awa Sangho lends her talents on "Sister River." Chris is also joined by top percussionist, Daniel Moreno, as well as singer Deja Solis. The sparkling balafon-esque mbira sounds showcase a diverse instrument that works perfectly. The mix of lounge rhythms, reggae vocals, drums, and delicate pop structures makes King Of Me an exciting and refreshing contemporary release. Twelve tracks feature the diverse stylings of zim-fusion (Zimbabwe-inspired music) and the help of Abou Diarrassouba on drums, Awa Sangho, Daniel Moreno, Deja Solis, and Moussa Camara. This is great, groovy music with heart and soul. ~ Matthew Forss

DVD Review: Soul Resonance - A Cross-Cultural Celebration of Zimbabwean Music

Soul Resonance - A Cross Cultural Celebration of Zimbabwean Music
By Douglas and Laurel Epps, narrated by Taj Mahal
83 Min.
[DVD]
Sacred Path Explorations

The opening sequences of the film include a few interview snippets with marimba musicians and various marimba (balafon) performances across the USA. Taj Mahal narrates the origins of Zimbabwean music with still images of maps, instruments, and people. The mbira origins were explored, as well as input from ethnomusicologist Robert Kauffman, musician Stella Chiweshe, the late-Ernest Brown, and Erica Azim. The development of British culture throughout the country threatened the indigenous music traditions of Zimbabwe, which was then preserved by Robert Sibson, who started the Kwanongoma College of Music. Zimbabwean music stars, Dumi Maraire, Thomas Mapfumo, and others are discussed. The rise of the marimba ensembles in America began with Dumi Maraire in the late 1960s. The rise of Shona music with mbira and marimba began in Seattle, Washington with the Minanzi Marimba Ensemble led by Dumi in the 1970s. During the 1980s, the spread of shona music traveled south through Oregon, while inspiring many communities throughout the Pacific Northwest. The website Dandemutande was created in the early 1990s in order to join others around the world with an interest in Zimbabwean music. Also in the early 1990s, the shona music sound spread eastward to other areas in the West. The final scenes of the film showcase a few different ensembles from various communities and schools with final thoughts by a few musicians and teachers. This a perfect film to expose world music fans to the wonderful world of Zimbabwean music in Africa and in the USA. However, this is primarily a traditional music production that surveys Shona music in the USA and not the guitar traditions popularized by many performers since the 1970s in Zimbabwe, including notable guitarist and singer, Oliver Mtukudzi. On that note, Soul Resonance is still a good buy for Shona music fans. ~ Matthew Forss      

CD Review: Tendai "Baba" Maraire's 'Wona Baba Maraire'

Tendai "Baba" Maraire
Wona Baba Maraire
Hearth Music

As the son of Dumisani Maraire, it is only natural Tendai "Baba" Maraire would follow in his father's footsteps. In this case, Tendai takes up the shona torch and presents the world with a fiery set of shona songs inspired by Tendai's homeland of Zimbabwe. The shona music contains lively vocals, the unmistakable mbira (thumb piano), and several familiar drums: conga, djembe, and djundjun. Karim Koumbassa provides additional drumming from Guinea. Overall, Tendai adds lush melodies and traditional riffs that catapult the soul into a place of supreme beauty. The imagination runs wild and the rhythms follow closely behind. Nearly fifty-minutes of music makes the album a pleasure to listen to. If you are a fan of South African music, Zimbabwe sounds, and shona music, then pick this one up today. You ears will thank you for it. ~ Matthew Forss

CD Review: Marvellous Sounds of Mbira

Solomon Murungu
Spirit of Zambuko: Liturgy & Reflections of Mbira
Independent Release

The mbira, otherwise known as the thumb piano, is the chief instrument in traditional Zimbabwean music. Solomon Murungu brings us the music of the mbira without additional instrumentation or vocal accompaniment. Consequently, the listener becomes encapsulated and entranced in the sparkling, metallic tones of the mbira's keys. With every listen, the tracks provide cyclic rhythm patterns that showcase the Shona spirit. In essence, Solomon's playing technique is traditional and improvisational, but it clearly reflects the spiritual connection between symbolism and realism. 6 long tracks feature the mbira instrument. In addition, an extensive booklet details the stories surrounding each track. A pleasant and high-quality recording for everyone! ~ Matthew Forss