CD Review: Baird Hersey & Prana with Nexus's 'Chiaroscuro'

Baird Hersey & Prana with Nexus
Chiaroscuro
Bent Records

With an album title implying contrasting dark and light imagery, one can quickly determine that this is going to be a wonderful musical journey. From the onset, the deep, meditative tone of the harmonic singers and spacious, resonating tones of vistaphone, xylophone, vibraphone, drums, gongs, glockenspiel, marimba, and a few others, make the album shine beyond belief. Whether one calls it new age, meditation, world music, or some other moniker, Chiaroscuro is highly-textured and mystically magical throughout. It is seemingly inconceivable to compare to anything else, because it is that good. The final three tunes are reserved for mostly vocal medleys without much instrumentation. The beautiful sounds of the instrumental and vocal tracks remind one of a solemn film score. Perhaps, even the film, American Beauty (1999), comes to mind. Still, the album stands alone and above the rest with fanciful, deeply-enriched, and meditative tones that intrigues, as much as it inspires. Great for fans of film scores, meditation music, yoga, throat-singing, and new age concoctions. Excellent! ~ Matthew Forss

CD Review: Laraaji's 'Ambient 3: Day of Radiance'

Laraaji
Ambient 3: Day of Radiance
Glitterbeat

Ambient 3: Day of Radiance was originally released in 1980. Producer, Brian Eno resurrected the album conceived by Laraaji, a masterful zither player, dulcimer connoisseur, pianist, and keyboardist. This recording displays the timelessness of Laraaji's electronic and ambient styles. The melodies are atmospheric, spacious, and scintillating. The zither and autoharp sounds are very magical and entrancing. The album is divided up into two sections: The Dance and Meditation. The three tracks of The Dance contains more upbeat, dreamy, and melodic ambient tones, while the last two songs of Meditation contain a more spacious, atmospheric tone. As a whole, Ambient 3: Day of Radiance possesses a great selection of instrumental gems that are relatively repetitive, which is not a negative here. The nature of ambient, electronic, and atmospheric music is varied, but ever-changing. Whether the true quality of music is indeed ambient, Laraaji knows no bounds when creating beautiful works. Oh yeah, and the production credits of Brian Eno don't hurt either. ~ Matthew Forss

CD Review: Case On Bass' 'Bass Tones #1'

Case On Bass
Bass Tones #1
Self-Release

Case On Bass is an avant-garde group that utilizes an electric bass guitar with some pedal effects on their first release, Bass Tones #1, in this series. The album is completely instrumental without any vocalizations or additional instruments. There are twenty-six tracks on the album, which are all relatively short around one minute each. The reason behind the shorter tracks, stems from the creative process and philosophy of simplifying the tunes to reduce redundancy one commonly finds in other music. The experimental approach works with contemplative and relaxing tunes that inspire one's mind to probe deeper in bass-dom. "Sense Of Purpose" is a gritty, bass-line that reverberates with a Southern, blues-rock vein; only for a minute. "Tripping" is more fluid and bubbly in a polished, intergalactic way. "Noble Procession" is more of a distant bass sound with a primitive feel and avant-garde flair. "Nurture" is a sub-minute tune with a lullaby-like presence in a soft and subtle delivery characteristic of a type of fluid thumb piano, but in the end, it's only a bass. The last song, "Tone Poem," is the longest at nearly six minutes. The song contains pedal effects that reverberate the bass into bright echelons of musical bliss. The bass tones flutter with experimental beauty and a spacey ambiance. Anyone interested in avant-garde, instrumental, ambient, experimental, and bass guitar music should check out Bass Tones #1. 5 Stars (out of 5). ~ Matthew Forss