Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

Monday, July 13, 2015

CD Review: David Correa's 'New Moon'

David Correa
New Moon
BajaTSR Records

David Correa is a very talented Spanish guitar player from California with a knack for flamenco, rumba, and folk song structures over a fifty-minute medley of heavenly sounds in an instrumental arrangement. However, "Tierra Roja" is the only track with vocals, which are provided by David himself. The tunes are not just Spanish guitar tunes--they are complex creations of musical delight backed by a slew of instruments, including bass, palmas, drums, congas, bongo, cajon, darbuka, udu, timbale, violin, and other acoustic guitars. The Spanish guitar is the lead instrument on this album. The melodies ebb-and-flow with a calming influence throughout. The plaintive, yet up-beat musical tone is refreshing and relaxing. Fans of Matthew Montfort and Lawson Rollins will love David Correa's latest venture. ~ Matthew Forss

Wednesday, November 27, 2013

CD Review: Shirish Korde's 'Ka'

Shirish Korde
Ka
Svarasa

As an Indian composer and musician born in Uganda, Shirish Korde possesses and innate ability to combine the classical works of the world with South Asian melodies and rhythms. Shirish aids the help of Deepti Navaratna, a soprano singer and tamboura player, along with cellist Jan Mueller-Szeraws and tabla extraordinaire, Amit Kavthekar. The five compositions are rather spacious and steeped in swirling, South Asian melodies and neo-Classical arrangements. However, Deepti is featured on each song. The concept of Ka pertains to a unifying, musical cycle that brings together dualities--namely, Eastern and Western musics. Shirish succeeds with an astounding release of musical arrangements that are both thought-provoking and haunting. At any rate, the musical addition of chamber-like orchestrations and Deepti's mesmerizing voice, creates an unforgettable album that will span the recording devices of Western and Eastern listeners everywhere. ~ Matthew Forss

Friday, September 7, 2012

CD Review: Diego's Umbrella's 'Proper Cowboy'

Diego's Umbrella
Proper Cowboy
Ninth Street Opus

San Francisco-based gypsy rock masters, Diego's Umbrella, is a riot live and on their new recording, Proper Cowboy. With a title nod to spaghetti Westerns, there is something wild and unabashed in Diego's music. The musically-rich "Thrash Mexican Budapest" is a lively gypsy thrash/rock anthem that is catchy, entertaining, and clearly the best track on the album. The heady, dance-friendly "Bulletproof Shine" screams of gypsy street ska with some urban beats. "Amsterdam Pt. 1" contains haunting fiddle, militaristic drumming, and cinematic symphonies of aural color. "Amsterdam Pt. 2" is not an instrumental tune like its predecessor. Instead, this song is more of a rock anthem with English vocals and a contemporary edge. Fans of klezmer, gypsy rock, and fun party music should check out Diego's Umbrella. ~ Matthew Forss


Wednesday, August 22, 2012

CD Review: Kati Mac's 'Save Me From Myself'

Kati Mac
Save Me From Myself
Self-Release

Kati Mac is a New York-based singer/songwriter with a stunning resemblance to Shawn Colvin's emotive folk voice and guitar tunings with a little Trish Murphy angst. The alt-country-Western style of "Bullet Hole Road" cements Kati's mark on the world of upbeat, folk-country music with swooning dobro, earthy guitars, steady percussion, and raw vocals. "He's Memory To Me Now" is a candid and quaint little tune with Kati's vocals backed by her acoustic guitar with additional instrumentation. "Lord Have Mercy On Me" is a bluesy track with Southern guitar sounds and reverberating keys. Kati's emotive voice traverses a varied vocal range with an uppity instrumental arrangement featuring gritty guitars, B3 sounds, and percussion. "The Wheel Goes Round" is a folksy, Western ditty with backup vocals and classic country instrumentation of strings, piano, tambourine, and a Southern Revival ambiance without twangy vocals. "Cold Day In Hell" features a few horns and Broadway-esque instrumental arrangements with B3 sounds and crackling percussion. Overall, Kati's thirteen-track release is an excellent examination of the folk-rock-country genre that is not too heavy on rock, country, or blues. It is just good music. Fans of Trish Murphy, Shawn Colvin, and related artists will love it. ~ Matthew Forss   

Wednesday, October 5, 2011

CD Review: Simon Thacker & Nava Rasa Ensemble's 'Nada Ananda'

Simon Thacker & Nava Rasa Ensemble
Nada Ananda
Slap The Moon Records

Classical guitarist, Simon Thacker, is a stunning, Scottish performer of Western, European, and South Asian musical styles. Together with the Nava Rasa Ensemble, Simon creates wonderful musical pieces with musicians as diverse as Brazil's Mario Caribe on bass; Sarvar Sabri on tabla; Jyotsna Sriknath on violin; and Nigel Osborne and Shirish Korde as composers. The album is divided into two segments: a three-part concerto for guitar and chamber ensemble and a six-track portion composed by Nigel Osborne, featuring the classical guitar and various strings. The Nava Rasa Ensemble features not only Simon Thacker on guitar and Mario Caribe on bass, but also contributions from the Edinburgh Quartet, Tristan Gurney, Philip Burrin, Michael Beeston, Mark Bailey, and Iain Sandilands. The entire album only runs about forty-minutes. However, the music is quite dramatic, brooding, and contemplative. The mix of classical and Indian music is brilliant, moving, and creative. The instrumental--and slight avant-garde album--is ideal for fans of L. Subramaniam or Matthew Montfort. ~ Matthew Forss

Sunday, October 25, 2009

CD Review: Jace Everett's Red Revelations




Red Revelations

Jace Everett (USA) is probably best known for his song, "Bad Things", on HBO's hit show True Blood. However, Jace is no one hit wonder here. From the opening song, 'Possession', Jace explores original songs of a bluesy-gritty-Western sound uniquely his own. Essentially, the sound is similar in tone with Chris Isaak. Still, Jace's songs are grittier with a hint of classic country and Southern soul. The instrument repertoire consists of drums, bass, guitar, mandolin, piano, mellotron, vibes, moog, bells, and back-up vocals. Jace is the lead acoustic guitarist and vocalist. Overall, Red Revelations is a darkly-tinged hour of creative wonder that leaves every listener feeling happy and content. Keep it up, Jace! ~ Matthew Forss