CD Review: Sarazino's 'Everyday Salama'

Sarazino
Everyday Salama
Cumbancha

Hailing from Algeria, Sarazino makes good use of international rhythms and song styles, readily traversing urban hip hop, Latin-beat, and Afro-beat worlds. The music is highly-contemporary and upbeat with help from a plethora of guest artists, including Sierra Leone's Refugee All Stars, Novalima, Andrea Ruilova, Luisa Maita, Isidro Garcia, Bacha Ortiz, Amparo Sanchez, Sabina Sciubba, Rootz Underground, and Niyo Pumpin. All of the tracks are outstanding without any faults. Fans of Latin and Afro-beat music will love Sarazino's sizzling new release with help from a few friends. Everyone is on top here. ~ Matthew Forss

CD Review: Karima Nayt's 'Quoi D'Autre?'

Karima Nayt
Quoi D'Autre? (What Else?)
Ajabu

Algerian-native, Karima Nayt, is a more traditionally-inclined Kabyle singer than her fellow countrywoman, Iness Mezel. The folkish, fluid melodies are interrupted by nomadic guitars and upbeat percussion spanning North Africa's camel routes, France's guitar music, and the vocal melisma of Ofra Haza. Karima's mature voice floats effortlessly across the tracks with a bit of reservation to allow the instruments some room to expand on the vocal patterns. The sincerity in Karima's voice resembles the same clarity as Souad Massi with the sensuality of France's Carla Bruni. At any rate, Karima's songs are heartfelt, classic, and timeless. The thirteen tracks span Karima's eclectic and linguistic ethnic background. Some of the songs are reminiscent of Spanish, South American, or Portuguese-type music with a strong, classical--almost fado-esque--presence. Nevertheless, the music is not a fusion project, but a wonderful journey through the folk music traditions of Algeria's infamous Mediterranean coastline. ~ Matthew Forss

CD Review: Algeria's Beihdja Rahal 'In The Mood For The Nouba'

Beihdja Rahal

In The Mood For The Nouba [2 CD]

Institut Du Monde Arabe

The 2-CD set by Algeria's Beihdja Rahal is an excellent example of Arab-Andalusian musical poetry. Steeped in tradition, nouba music consists of vocal and instrumental segments with melodic lines in specific modes. In this case, there are twelve different modes, which can be compared structurally to the more common muqam. Beihdja incorporates a traditional repertoire of oud, kwitra, qanun, tar, violin, and darbuka. The first CD contains ten songs for the nouba M'danba. Beihdja's soaring vocals rise up and over the background instrumentation at times, but that does not mean the instruments do not shine. In fact, there are numerous instrumental pieces with spritely melodies and Central Asian-like musicalities. The second CD continues in the nouba traditions with the Mazmum mode. There are twelve separate songs included. Overall, Beihdja is as powerful and enigmatic as Om Kulthum or Ofra Haza, with a slightly more traditional foundation. ~ Matthew Forss

CD Review: RumbAmazigha

RumbAmazigha

RumbAmazigha

Taller de Musics

The Spanish collective of musicians form a handy mix of Amazigh, Berber, Tamasheq, and Catalonia rhythms with fiery percussion and moving vocals. The music is produced with some percussion, violin, banjo, guitar, and bass in such a way that is extremely easy to listen to. At times, the music is more Spanish-tinged. However, the North African elements rise to the occasion, even though the lyrics are in Spanish. The breezy melodies reflect an almost Cape Verde feel, especially on 'RumbAmazigha' and 'Cultures'. On 'Africa', the banjo replaces the typical, North African n'goni lute. There are hints of Algeria's Amazigh Kateb throughout. The lively percussion, banjo plucking, and Spanish elements make RumbAmazigha a unique album of ear-friendly (and dance-friendly) tunes. Lyrics are not provided in the liner notes. ~ Matthew Forss

CD Review: Iness Mezel's 'Beyond The Trance'

Iness Mezel

Beyond The Trance

Wrasse Records

The Tamazight and French language singer with Algerian and Italian ancestral connections shares her latest release, Beyond The Trance, with the world. An album the pushes the boundary of trance into an environment brimming with rock, folk, and blues elements. It is no wonder producer Justin Adams (Tinariwen, Lo Jo, Natasha Atlas, and others) had a hand in the production, as it possesses a progressive Kabyle rock feel with some wayfaring. Of course, some songs do incorporate trance elements, including "Strange Blues", "Respect", "Chez Noo", "Cool Yiwen", "Semer", and of course, "Trance". The quieter, more reflective French-tinged "Tahkei't" showcases her vocal versatility. "Yhimlilit" is a percussion-based North African song of thanks in the vein of Djur Djura or the late-Ofra Haza. The cool sounds of Kabylia come alive with Iness' vocal mastery of ear-friendly incantations. All songs are sung in French and Tamazight. This is the perfect album for anyone interested in more modernized music with historic roots from Algeria and France. ~ Matthew Forss

CD Review: Ishumar 2 - Guitar Music From North Africa

Various Artists

Ishumar 2: Nouvelles Guitares Touaregues

Reaktion

Just when you thought you've heard of every North African guitar release, the folks at Reaktion bring us a slew of new recordings from the Sahara, including Ishumar 2. The North African compilation release includes some of the rising blues guitarists and ensembles of today. This album contains twelve different guitar groups, including Ibrahim Djo Experience, Amanar, Tarbiyat, Kel Assouf, Nabil Baly Othmani, Moussa Bilalan Ag Ganta, Tiwitine, Moussa Sidi, Tamkilwate, Atri N'Assouf, and Mouma Bob & Imawalan. The groups hail from Mali, France, Niger, Belgium, Algeria, and Italy. Each track includes lead vocals with some background vocals and female trilling. The sounds of the desert never sounded so good. Anyone with an interest in more internationally-known groups, such as Tartit, Tinariwen, Toumast, Terakaft, and Tamikrest should snap up this album. While you are at it, snap up the other albums and digital downloads from Reaktion. Liner notes in French. ~ Matthew Forss

CD Review: Souad Massi's 'O Houria'

Souad Massi
O Houria (Liberty)
Wrasse Records

Algerian-born and France-based, Souad Massi, releases yet another superb release of French-tinged pop music. Steeped in French music traditions, O Houria represents an infectious and mature album that does not contain one weak track. The magnificent musicianship by the vocalist and guitarist is especially evidenced on the catchy opener "Samira Meskina", country-influenced "Une Lettre A...Si H'med", the folksy "Tout Ce Que J'aime", the laid-back ballad "Khabar Kana", the piano ballad and duet with Paul Weller on "Let Me Be In Peace", and the bluesy "Enta Ouzahrek". Souad sings in French, English, and Arabic. As a whole, the music is catchy, but not too loud or vocally-forced. The relatively reserved instrumental sounds originate from the bass, piano, guitars, drums, banjo, ukulele, bouzouki, mandolin, oud, and accordion. In essence, the suave and sensual Souad Massi delivers on all accords. ~ Matthew Forss

CD Review: Algeria's Hasna el Becharia

Hasna el Becharia

Smaa Smaa (Listen Listen)

Lusafrica

The follow-up to the incredible 2001 album, Djazair Johara, Smaa Smaa, which means "listen listen" is an album born out of an innate connection with the Saharan desert. The result is a slightly more intimate and mature mold than the previous album. Algerian-born, Hasna, primarily plays the three-stringed guimbri instrument on both albums. The guimbri is an iconic instrument in Gnawa trance music. The guimbri's subdued lute tunings are played without frets, but metal rings are often added for a different, metallic sound with each strum of the fingers. The songs are sung in Arabic by Hasna, with instrumental accompaniment on the violin, darbuka, guitar, and bass. Hasna is accompanied by a few back-up singers on several tracks. Overall, Hasna has created yet another beautiful album of music from the sands of North Africa. The colorful digipack artwork and liner notes are in French and Arabic. ~ Matthew Forss