CD Review: Jensen Reed's 'The Left Coast'

Jensen Reed
The Left Coast
Self-Release

Los Angeles-based singer and songwriter, Jensen Reed, weaves tight lyrical worldplay around an amped up hip-hop, alt-pop, and electronic background that propels the album in alternative directions with a fresh perspective. The symphonic and electronic-focused, "Throw You The Rope," is a magical song with keyboard embellishments and a hip-hop instrumental backbeat that mirrors a more conservative and lighter Linkin Park medley. "Left Coast" opens with a jingly beat and punchy rock melody with vocals that resemble Modern English and The Killers. The cinematic opening of "Rocketship" merges into a rock/rap medley that is not particularly fast, but the ambulating beat and keyboard washes add an element of alternative leanings indicative of pop, electronica, and dance. "Something Missing" features a few punchy piano beats and up-tempo vocals that are rather steady with background vocals. The music is rather reflective without hip-hop or rap lines. "The Countdown" contains some dark, brooding electronic embellishments with hip-hop instrumental backing. The vocals are slow at first, but the vocal delivery picks up mid-song in a rap display. The swishy percussive beats and punchy piano line creates a modern display of musical ingenuity. The entire album represents a wide breadth of musical creations that span several genres, but the musical variety is not too different to turn-off new listeners. Anyone with an interest in alternative hip-hop, rock, pop, and dance-inflected music should check out Jensen Reed's new work. ~ Matthew Forss

CD Review: Keznamdi's 'Bridging The Gap'

Keznamdi
Bridging The Gap
Higher Intelligence

Jamaican-based Keznamdi brings us a reggae-inflected album of six new songs on his latest release, Bridging The Gap. There are spacious, pop hooks, and R&B-tinged tunes with some jazzy, urban beats that are still reggae-based, but there enough grooves and arrangements that span several genres. The music is interrelated and rather free-flowing overall. "Darkness" contains a little reggae, hip-hop, jazz, pop, and electronic elements that are engaging and memorable. "I Don't Wanna" opens with a little reggae guitar work and island vocals that are laid-back and enticing. "Is This Love" begins with a little shout-out and some hip-hop hooks with swishy percussion and back-up vocals. "Just Vibe" is a more urban tune with lush guitar hooks and typical reggae beats. The final track, "The Weekend Oohs," opens with some spacious washes and twinkling piano sounds with an electronica-based groove. Overall, Keznamdi succeeds with an intriguing and unforgettable set of songs that should satisfy reggae fans, as well as contemporary Jamaican music aficionados. ~ Matthew Forss

CD Review: Harmonic Blue's 'Villa Borghese'

Harmonic Blue
Villa Borghese
Self-Release

The Maryland-based quartet, Harmonic Blue, is an alt-pop, rock, folk, and classical group that is refreshing and amazing in the same vein. Lead vocalist and acoustic guitarist, Zach Field, is joined by Anthony Ajluni on guitars, Gabe Bustos on bass, keyboard, and harmonica, and Sam Balcom on drums and percussion. The breezy, "Silver Spoon," is slightly jazzy overall, but not too far removed from alt-pop and folk. Jake Balcom's trumpet solo at the end of the song finishes it off nicely. The jaunty, ambulating "Subreality" is anything but fiction. The lilting guitar and wavering harmonica tones set the stage for an alt-folk composition that opens up into a quasi-rock medley mid-song. "Villa Borghese" opens with a rumbling guitar tune and light percussion that would make Xavier Rudd jealous. The tune finishes with a nice trumpet display. The seven-track release is a heavenly rompy through the world of alt-folk, pop, and rock with a raw, organic performative nature. This is a very fine recording that will please the college crowd, as well as the refined audiophile. ~ Matthew Forss

CD Review: Myloe's 'Empty Out Your Mind'

Myloe
Empty Out Your Mind
Self-Release

The Boston-based alt-rock band, Myloe, is comprised of Fred Mubang on guitar, Alan Hokom on vocals/guitar, Tom Shani on bass, and Zach Mullings on drums. The new album is rather short with only six songs. However, the music is diverse with a solid repertoire of alt-rock vocals, lush guitar melodies, and punchy grooves that gritty, classic, and all-encompassing. There is a limited display of screaming guitar noises and vocals that are difficult to understand are nowhere to be found. "Empty Out Your Mind" is a punchy guitar song with a driving guitar melodies that are somewhat akin to the UK's McFly, but the vocals are more aligned with Incubus. "In Your Eyes" is a good rock tune with lush guitar sounds and vocal harmonies. "What Is Paradise" contains jingly guitar stylings and rock anthem-like choruses that are contemporary and guitar-driven. "Standstill City" opens with punchy bass, Latin-like percussion, powerful vocal lines, and giddy instrumental arrangements. There are punchy, classic, and melodic guitar arrangements that are difficult to describe with some Scandinavian or Celtic-like driven sounds. However, the rock guitar presence is still paramount here. Though, all in all, Myloe creates a short, but powerful release of guitar beauty, vocal prowess, and creative arrangements. ~ Matthew Forss    

CD Review: Roswitha's 'Destiny'

Roswitha
Destiny
Self-Release

Austrian-born and New York-based, Roswitha dazzles crowds with genre-bending compositions with mixed rock, funk, classical, new age, world fusion, and experimental-folk explosions of sonic beauty. Roswitha's vocals are similar in tone to the UK's Katie Melua, but the compositions are more punchy and diverse. "Destiny" opens with a punchy guitar line that is slightly Spanish--almost Mediterranean--with a light folk-pop presence. "My Life" is a speed-folk composition with electronic vocals, symphonic accompaniment, and grungy guitar sounds. "Just Near To Me" is a piano ballad with back-up vocals throughout. The tune is vocally congruent with Adele, Leigh Nash, and Katie Melua, but the music is relatively low-key without any percussion or guitars. "Purpose" is a classical tune with piano, violin, and avant-garde vocals. "Desire" is a multi-faceted song with lush vocals, rich instrumentation, and diverse arrangements that span the entire European continent. At any rate, Roswitha is an innovative musician that showcases fourteen unique musical concoctions that are almost indefinable. Nothing is amiss here. ~ Matthew Forss 

CD Review: Uncle Devin Show's 'Drum Tales!'

Uncle Devin Show
Drum Tales!
Self-Release

The Washington, DC-based educator, multi-instrumentalist, and composer, Uncle Devin, brings us a talented mix of ten songs that target younger viewers and listeners. As a children's album, the music is rather innovative and adult-oriented with occasional rap, spoken word, and helium-enriched vocals that get a message across without confusing listeners. The songs touch on social topics of Internet usage, healthy eating/living, days that don't go right, and doing what's right. Some of the songs, especially "Tell The Truth" and "Good Health Final," incorporate dance and electronic elements that stem from keyboard grooves of Eastern Africa. There are some vocal introductions to the percussion on "Drum Roll Call" that are engaging and performative. There are even scat vocals that mimic the percussive sounds. This is part African, South American, and North American. There are lessons in counting, language formation, and dance instruction. The quirky and comedic "I Like Onions" contains instructional learning about one of the most unlikely vegetables to make it in a song, but Uncle Devin succeeds with lead vocals, percussive tones, and munchkin-like vocals. Overall, the music is rather productive with varied vocals, spoken segments, varied percussion, multi-ethnic musical styles, and great lyrics. This one will be a favorite for parents, but the children will get a bigger kick out of the music. I give it five tiny fingers up! ~ Matthew Forss   

CD Review: Oh, Jeremiah's 'Tall Tales And Tiny Fables'

Oh, Jeremiah
Tall Tales And Tiny Fables
Self-Release

The lyrical wordplay of bluegrass-esque and folksy pop singer, composer, and guitarist, Oh, Jeremiah, dazzles audiences with sheer sincerity and catchy melodies on his new five-track release, Tall Tales And Tiny Fables. Based in Mississippi, Oh, Jeremiah brings carefree vocals to the mix with sweeping guitar tunes, wavering strings, and some percussion. "Better Man" is an uppity tune with a bluegrass or folk presence. "Circles" is an acoustic treasure with vocal similarities to Dave Matthews and Australia's Xavier Rudd. "Happy Now" brings a sort of new age pop presence to the forefront with a light rock beat without electric guitars and the usual angst-ridden characteristics. The choppy beat and punchy string accompaniment makes the song shine with elements of neo-classicism, folk, contemporary pop, and new age. "Mississippi, I'm Yours" opens with a jaunty acoustic guitar, lead and backup vocals, and a void of percussion. This a memorable tune with slow, string accompaniment. There is a good degree of melancholy throughout the album. "The Scariest Thing" contains some percussion and alt-rock ambiance with some strings and folk-pop charm with piano accompaniment. With vocals akin to Dave Matthews, Xavier Rudd, and R.E.M., Oh, Jeremiah promises to astound all who seek good folk music. ~ Matthew Forss