Showing posts with label kinobe. Show all posts
Showing posts with label kinobe. Show all posts

Friday, December 17, 2010

CD Review: Solo Kinobe


Leaving The Song Behind
Kinobe Publishing

Uganda's Kinobe is a virtuoso on the kora, kalimba, and harp. The music is crystalline pure and never dull. Kinobe's playing abilities are confirmed with each passing minute and scores of chords. The instrumental music "Ddungu" slides right into the kalimba-led "Omwana Omulungi" with Kinobe's vocals. As a vocalist, Kinobe shows signs of Baaba Maal or Youssou N'Dour. The ten songs are mostly traditional in scope with no signs of modernism anywhere to be found. The harp-led "Lusejjera" is a vocal song about locust infestations. Other songs touch on flutists, fishing, praises for kings, desert skies, hunters, children, and fish. "Mu Ddungu" is the only song replicated on Kinobe's other album, Awamu N'emikwano. Fans of Ugandan music will love it. Also, anyone with a passion for the kalimba, kora, or harp should be satisfied. Do not leave Kinobe behind. ~ Matthew Forss

CD Review: Uganda's Kinobe


Awamu N'emikwano (Together With Friends)

Uganda's Kinobe is a talented vocalist, composer, and instrumentalist with an ear for world music. With the help of his friends, Kinobe assembles a group of musicians with expertise on the kora, kalimba, guitar, tama, harp, bass, balafon, calabash, and snare drum. The vocal songs are as good as the instrumental ones. A strikingly superb song, "Mu ddungu", is a desert-inspired track with Kinobe on vocals and kora. The up-tempo "Bukunja" celebrates the house as a special place of being. The vocals and percussion provides a rhythmic and danceable experience for all to enjoy. The faster rhythms are indicative of West African pop music or Central African soukous. The only English track is "Sorrow", which is about the ills afflicting human existence. An up-beat remix of "Abataka" is included as the final track. Kinobe offers a bright spot in the world of music by using instruments from long ago and infusing them into contemporary sounds. ~ Matthew Forss