Showing posts with label art hurts records. Show all posts
Showing posts with label art hurts records. Show all posts

Sunday, March 23, 2014

CD Review: Faba Loba's 'Senegalesa'

Faba Loba
Senegalesa
ART HURTS Records

Faba Loba combines Latin, dance, and African fusion elements for an electro-funky result. The group is comprised of Ibou Ba, Amadou Fall, Lica Cardona, Beston Barnett, and Rafi eL. The electronic music is mixed with kora, percussion, dance, funk, alternative, and world fusion that is highly-entertaining. The music is punctuated with great vocals and instrumental arrangements that are steeped in world musical traditions. There are Congolese guitar rhythms on "Lolambe," while electro-funk elements are showcased on "Latde," "Ire a Dakar," and "Immigration Clandestine." This is a great contemporary recording of Afro-funk, kora folk, and Afro-Latin fusion that seems to combine other elements with each repeated listen. Overall, fans of Senegalese, West African, Afro-Cuban, and Afro-Latin music and percussion will love the sounds of Faba Loba on Senegalesa. ~ Matthew Forss  

Friday, January 28, 2011

CD Review: Ghana's 'Bolga Zohdoomah'


Bolga Zohdoomah

Lead by vocalist and talking drum player Akayaa Atule, Bolga Zohdoomah explores the sounds of Ghanaian highlife and Afrobeat. The California-based band brings out all the musical splendor with B3 organ, piano, bass, rhodes, mandolin, sax, trombone, and trumpet. The infectious rhythms and melodies are particularly evident on "Kiesiemi". Some Latin elements sneak in on "Siekirie", downtempo-funk on "Nerebala Senaala", and the Afro-beat-laden "Jingo" and "B'r B'r B'r". The songs are sung in Fra Fra, Hausa, Ibo, Twi, Ga, and English. Unfortunately, additional song information is not provided in the liner notes. Despite this, the music speaks for itself on multiple levels. The music is as energetic as Chopteeth and as nostalgic as Novalima. The music is fresh, diverse, and an excellent introduction into the music of Ghana. Afro-beat fans unite on this one! ~ Matthew Forss