CD Review: Faba Loba's 'Senegalesa'

Faba Loba
Senegalesa
ART HURTS Records

Faba Loba combines Latin, dance, and African fusion elements for an electro-funky result. The group is comprised of Ibou Ba, Amadou Fall, Lica Cardona, Beston Barnett, and Rafi eL. The electronic music is mixed with kora, percussion, dance, funk, alternative, and world fusion that is highly-entertaining. The music is punctuated with great vocals and instrumental arrangements that are steeped in world musical traditions. There are Congolese guitar rhythms on "Lolambe," while electro-funk elements are showcased on "Latde," "Ire a Dakar," and "Immigration Clandestine." This is a great contemporary recording of Afro-funk, kora folk, and Afro-Latin fusion that seems to combine other elements with each repeated listen. Overall, fans of Senegalese, West African, Afro-Cuban, and Afro-Latin music and percussion will love the sounds of Faba Loba on Senegalesa. ~ Matthew Forss  

CD Review: Sousou & Maher Cissoko's 'Africa Moo Baalu'

Sousou & Maher Cissoko
Africa Moo Baalu
Arc Music

Swedish/Senegalese-couple, Sousou and Maher Cissoko, bring us an inviting recording of pleasurable kora melodies and vocal harmonies steeped in African charm. The kora, guitar, percussion, and vocals mark an energetic and richly-diverse recording that is exciting, catchy, and very fun. The scintillating kora on "Fall" is one of the most beautiful tracks on the album. The fine interplay between Sousou's vocals and guitar with Maher's kora, shaker, and calabash arrangements are splendid. Plus, Sousou's heartfelt vocals lead the musical progression with English lyrics. Sousou and Maher do not incorporate Swedish song elements at all, so African music is at the forefront. Notably, Sousou's ability to play the kora is unique, because women traditionally do not play the kora instrument. Thankfully, Sousou picked up the instrument and joined forces with Maher to create a wonderful album. ~ Matthew Forss

CD Review: Seckou Keita's 'Miro'

Seckou Keita
Miro
Astar Artes

Senegalese vocalist, kora player, and drummer, Seckou Keita, produces yet another fine album of soothing, West African music steeped in scintillating rhythms, crystal clear sounds, earthy percussion, and glorious vocals. Miro is a ten-track release with songs featuring various languages, including Mandinka, Wolof, Djoola, Malinke, Spanish, and Bambara. "Distance" is a completely instrumental tune with kora melodies at the forefront. Some of the tunes incorporate the calabash, bass, bougarabou, shakers, cajon, balafon, maracas, flute, and violin. The music is instrumentally-rich, but not overbearing by any means. Instead, Seckou knows how to evoke emotive reactions with serene music and styles mainly rooted in West African textures. While the songs are not particularly catchy, they do possess an inherent, addictive quality that is very welcoming and worthy of repeated listens. ~ Matthew Forss

CD Review: Ablaye Ndiaye Thiossane's 'Thiossane'

Ablaye Ndiaye Thiossane
Thiossane
Syllart

A singer in the 1950s in Senegal, Ablaye Ndiaye Thiossane finally records his first album for all of us to hear. Thiossane, which means, "all things related to tradition," is an album steeped in Latin rumba and Senegalese flavors that elicit danceable actions in all those within earshot of its entrancing melodies. A form of Cuba-lese music combines the rhythms and percussion of Cuba with the Afro-pop sounds of Senegalese uptempo jazz. At 74, Ablaye is a seasoned veteran when it comes to performing music. He is joined by a plethora popular performers, including Cheikhna Ndiaye, Thierno Kouate, Robert Lahoud, Cheick Tidiane Tall, Samba Laobe Ndiaye, Papa Noel, Muctar Wurrie, Lofti Benjeloun, Balla Sidibe, Medoune Diallo, Souleymane Faye, and others. Nine long tracks showcase the diversity and longevity of Ablaye's music. Fans of Senegalese music, Cuban music, and Afro-pop will love Thiossane. ~ Matthew Forss