Showing posts with label korean. Show all posts
Showing posts with label korean. Show all posts

Thursday, February 23, 2012

CD Review: Geomungo Factory's 'Metamorphosis'

Geomungo Factory
Metamorphosis
Synnara

Geomungo Factory hails from South Korea. The geomungo is a six-stringed, elongated instrument with 16 frets and 3 movable bridges. It is plyaed with both hands that either pluck the strings or strike them with a bamboo stick (suldae) or a musical bow. The plucked instruments are constructed in a similar manner, but the sizes and sounds vary. The result is a relatively lo-fi recording of folk songs without a lot of vocals or much in the way of additional instrumentation. However, the vocals on Track 6 are poetic, moving, and harmonic. The plucked sounds of the geomungo instruments resemble the earthy tones of the koto, the dutar of Central Asia, and the vibrancy of the shamisen. Irregardless of cross country organological comparisons, Geomungo Factory is uniquely Korean--with an instrumental repertoire dating back to the 4th century. At times, the strings sound frenzied, scratchy, and loud, but that is the exception. Track 4 contains part of Tchaikovsky's Nutcracker Suite, while other tracks are steeped in Korean tradition. The high and low tones of the geomungo are always captivating with each listen. Delve into the music of South Korea today with Geomungo Factory as your guide. ~ Matthew Forss

Tuesday, May 31, 2011

CD Review: Jeff Fairbanks' Project Hansori - Mulberry Street




Mulberry Street



The multicultural roots of Jeff Fairbanks' jazz project incorporates the elements of Korean, Chinese, and American Big Band styles. Moreover, Jeff was trained in classical music with experience in African-American gospel and Latin salsa genres, too. Though, the latter genres are not represented on this album. The striking four-part "Mulberry Street" medley of New York's Chinatown region contains sub-titles of "Entrance and Funeral March," "Scaring Away Evil Spirits with Joyful Sounds," "Releasing Grief," and "The Send-off." Named for a street in Chinatown, the songs reflect the Buddhist and Western funerary musical styles all on a palette of big band and Asian tones. Each song is instrumental and reflects the mid-twentieth century Spaghetti Western and other American film soundtracks of the period. Interestingly, the album is rather cohesive and fluid in its musical approach and execution. There are ecstatic moments, as well as quieter jams with short interjections of trumpet, sax, or trombone. Notably, 'hansori' means 'one sound' in Korean. In closing, Mulberry Street can be summed up in one word: magnificent! ~ Matthew Forss