Song Reviews: Galliano Sommavilla's "Elektro Country" and "Breathe"

Galliano Sommavilla
"Elektro Country" and "Breathe"

"Elektro County" is a rollicking instrumental treat with ambient and spacey electronic sounds backed by keyboard accompaniment and atmospheric guitar work. The swishy percussion is accompanied by spacey tones and intergalactic noises that propel the track into a third dimension, or another galaxy. The guitar-like tune is upbeat and melodic with a slight country presence that is not particularly intrusive. The end of the song is a culmination of the musical elements from rock, new age, instrumental, and filmic worlds. The nearly four-minute song is aptly-titled, "Elektro Country," because it symbolizes a country edge with a modern twist of lush, electronic overtones. The music brings together a good mix of sounds that connote contemporary new age creations and electronic wizardry that does not lose its intensity or appeal. Overall, Galliano continues to amaze us with inventive songs new ways to discover some of the best instrumental music in the world. "Elektro Country" does not disappoint and Gary Ritchie's electric guitar work is perfect.

"Breathe" is a five-minute musical journey that is very magical and melancholic with subtle doses of acoustic and electric guitar work. The atmospheric washes and light vocal additions accentuate the song's delightful qualities. The cascade of sounds are steeped in lullabye-like arrangements that are meditative and dreamy. There is a host of new age-isms that come to mind, but everything is creative and memorable. The vocal additions are almost non-descript, but their sounds are very indicative of an early Enya recording. Compared with "Elektro Country," "Breathe" is a longer, more majestic tapestry of aural colors that only reinforces Galliano's amazing ability to create meaningful and vibrant songs with little in the way of instrumentation. From the opening, neo-classical arrangement to the electronic medley of sound, Galliano does not shy away from experimentation. Fans of world music, instrumental, jazz, new age, ambient, and related forms of music should be quite satisfied with Galliano's latest offerings. ~ Matthew Forss  

CD Review: Laraaji's 'Ambient 3: Day of Radiance'

Laraaji
Ambient 3: Day of Radiance
Glitterbeat

Ambient 3: Day of Radiance was originally released in 1980. Producer, Brian Eno resurrected the album conceived by Laraaji, a masterful zither player, dulcimer connoisseur, pianist, and keyboardist. This recording displays the timelessness of Laraaji's electronic and ambient styles. The melodies are atmospheric, spacious, and scintillating. The zither and autoharp sounds are very magical and entrancing. The album is divided up into two sections: The Dance and Meditation. The three tracks of The Dance contains more upbeat, dreamy, and melodic ambient tones, while the last two songs of Meditation contain a more spacious, atmospheric tone. As a whole, Ambient 3: Day of Radiance possesses a great selection of instrumental gems that are relatively repetitive, which is not a negative here. The nature of ambient, electronic, and atmospheric music is varied, but ever-changing. Whether the true quality of music is indeed ambient, Laraaji knows no bounds when creating beautiful works. Oh yeah, and the production credits of Brian Eno don't hurt either. ~ Matthew Forss

CD Review: Idan Raichel's 'At The Edge Of The Beginning'

Idan Raichel
At The Edge Of The Beginning
Cumbancha

Israel's Idan Raichel has the rare ability to create meaningful and beautiful melodies that transcend not only borders, but time, as well. This is especially relevant on his latest release, At The Edge Of The Beginning. The album opens with a sweeping piano medley with mixed instrumentation in a great arrangement worthy of repeated listens. The rest of the tracks contain vocal tracks with an array of instrumentation, including kamanche, trumpet, bass, guitars, baglama, sax, tuba, accordion, piano, and various programming. Special guest and sintir player, Hassan Hakmoun, lends his talents on "Be'Chamesh Shniyot." Idan's "Delet Mistovevet" is one of the best tracks on this album. All things considered, Idan creates a moving, contemporary, and authentic mix of ear-candy that contains a plethora of melodies and moments that should not go unnoticed. The title touts Idan may be at the beginning of something really great. Actually, he has been great since he started and he will not let you down here. ~ Matthew Forss

CD Review: Tom Teasley's 'Dreams Of India'

Tom Teasley
Dreams Of India
T & T Music

The DC-area percussion king, Tom Teasley, pounds out beat after beat of incredible instrumental mastery incorporating world percussion and some contemporary electronic embellishments on his latest release, Dreams Of India. The pulsating tracks showcase diverse percussive stylings produced by instruments such as doumbek, alto melodica, tabla, konnakol, bamboo flute, wavedrum, cajon, udu, hang, glockenspiel, cymbal, shakers, kalimba, riq, snare, kanjira, bodhran, and a few others. The mix of wind instruments and percussion instruments provides a great balance between light, dreamy sounds and heavier percussive beats. Still, the music is never over-produced and the sounds are a mix of fusion, new age, and jazz. Yes, there are South Asian influences, but there is also an experimental vein bringing in North American styles to a point. Tom's vocal scat is another percussive instrument that is utilized on a few tracks. Overall, there are cinematic moments, dreamy qualities, and entrancing tunes that are both nostalgic and contemporary. Dreams Of India is the best dream anyone can have! ~ Matthew Forss

CD Review: Zedashe's 'Our Earth And Water'

Zedashe
Our Earth And Water
Living Roots Music

Georgia (the country) is well-known for it's polyphonic vocal traditions. Zedashe continues the country's past with lively vocal tunes with some containing instruments. The twenty-six tunes represent a wide-breadth of music with accompanying panduri, chonguri, doli, diplipito, chiboni, garmoni, lute, bagpipe, clay drum, hand drum, and accordion. There are both male and vocal singers. The back of the CD case contains the track list with a few words about each song's origin, translation, and owner's rights. There are no in-depth liner notes and the song titles are in both Cyrillic and Roman Georgian. Some of the light instrumental accompaniment is indicative of other Central Asian and Caucasus music. Still, anyone interested in folk music from the region will love the instrumental accompaniment, as well the intriguing and somewhat meditative vocal style. ~ Matthew Forss

CD Review: Vahagni's 'Imagined Frequencies'

Vahagni
Imagined Frequencies
Self-Release

Armenian-born and LA-based, Vahagni is a talented guitarist and composer with an intuitive ability to cross genres and borders with his unique musical style. Vahagni weaves through flamenco, world jazz, classical, folk, and Afro-Spanish worlds via guitars and a range of strings, percussion, and sequencing. The flamenco-induced, "Sketches of Dali," is especially intriguing and upbeat. The Afro-Spanish-influenced, "Hov arek sarer jan," contains soft vocals from Buika for an otherwise Armenian song. The serene melodies are akin to Baaba Maal or other Senegalese performers. Vahagni brings in piano, bass, drums, percussion, blul, duduk, violin, cello, and a few other instruments for an adventurous palette of sound. The dreamy and somewhat pensive, "Pendulum," is ideal for relaxing or dreaming. Over forty-minutes and eleven tracks represent a wide range of music from Vahagni that is highly-praised for good reason. Fans of Matthew Montfort and Lawson Rawlins will enjoy Vahagni. Experience Vahagni's Imagined Frequencies for yourself (and for a friend). ~ Matthew Forss

CD Review: TriBeCaStan's 'Goddess Polka Dottess'

TriBeCaStan
Goddess Polka Dottess
Evergreene

The fifth studio recording from TriBeCaStan is yet another excellent release of truly groovy world music. The group brings in bluegrass, funk, folk, dance, middle eastern, south Asian, jazz, psych, rock, blues, pop, and other elements in magical medley of sounds. Mostly instrumental, Goddess Polka Dottess, is a whimsical title for a relatively straight-forward release, but it is not without it's ups and downs. Importantly, there is nothing bad about this album. In fact, it contains a rousing mix of melodies and rhythms that keeps one on their toes. The bouncy, Balkan-esque waltz, "Zoli's Strut," is an amazing medley of pure dance pleasure. The South Asian-inspired, "Majestic Ganesh," is one of the few vocal tracks on the album. The repertoire brings in a plethora of instruments covering a range of strings, horns, and percussion instruments for a genuine world music blend. The group is spearheaded by John Kruth and Jeff Greene and they provide some production and songwriting credits here. Overall, Goddess Polka Dottess is a great instrumental and vocal (where applicable) album of world music fusion. Try them out today! ~ Matthew Forss

CD Review: Randy Armstrong & Volker Nahrmann's 'Beyond Borders'

Randy Armstrong & Volker Nahrmann
Beyond Borders
UMP Records

Beyond Borders is beyond the ordinary when it comes to the musical explorations of Randy Armstrong and Volker Nahrmann. Upon listening to the first track, "Ciao Bella," one can easily discover the nod to groovy, South American and Brazilian brilliance with sweeping vocals, breezy percussion, and smooth rhythms punctuated with bass, guitars, and other instruments. The percussive sounds heat up on "Fear Not Fear" in a sort of instrumental jazz vein. "Shanti Om" is dedicated to Ravi Shankar and George Harrison, so you know it is going to be a good one. In fact, it contains trance-inducing sitar amidst a plethora of instrumentation that flows from one chord to another, while truly exemplifying the genre of world music. Eleven tracks are included for your listening pleasure. Travel the world through the sounds on Beyond Borders. ~ Matthew Forss

CD Review: David Correa's 'New Moon'

David Correa
New Moon
BajaTSR Records

David Correa is a very talented Spanish guitar player from California with a knack for flamenco, rumba, and folk song structures over a fifty-minute medley of heavenly sounds in an instrumental arrangement. However, "Tierra Roja" is the only track with vocals, which are provided by David himself. The tunes are not just Spanish guitar tunes--they are complex creations of musical delight backed by a slew of instruments, including bass, palmas, drums, congas, bongo, cajon, darbuka, udu, timbale, violin, and other acoustic guitars. The Spanish guitar is the lead instrument on this album. The melodies ebb-and-flow with a calming influence throughout. The plaintive, yet up-beat musical tone is refreshing and relaxing. Fans of Matthew Montfort and Lawson Rollins will love David Correa's latest venture. ~ Matthew Forss

CD Review: Tipsy Oxcart's 'Upside Down'

Tipsy Oxcart
Upside Down
Self-Release

Balkan music from Brooklyn? Yes, indeed. The instrumental ensemble creates dance-friendly tunes with lively percussion, trumpets, baritone/alto/tenor sax, trombone, accordion, violin, electric bass, and drums. Though, some of the songs are more contemplative and serene, a majority of the tracks are upbeat, edgy, and full of high-energy. "Homecoming" contains a Balkan-beat that is reminiscent of South American cumbia, but in a Balkan form. The frenzied "Tutti Frutti" is a rousing track with blaring horns, bubbly bass, and punchy drum beats throughout. There are eleven tracks in all. With track titles as diverse as "Fax Mission," "Honey Dripper," "Tipska," "Bone Dance," and others, Upside Down will astonish you with their uncanny rhythms and contemporary sounds in pure, Balkan music form. ~ Matthew Forss

CD Review: Le Vent Du Nord's 'Tetu'

Le Vent Du Nord
Tetu
Borealis Records

Quebecois-origins aside, Le Vent Du Nord is a magnificient folk music group with hearty strings, thought-provoking vocals, intense melodies, raw hurdy-gurdy sounds, and other elements that are likable and timeless. There are instrumental and vocal medleys throughout. The instrumental and bouncy, "Cardeuse-Riopel," is an excellent example of piano, fiddle, accordion, and other instruments coming together in a harmonic fashion. The folksy roots and earthy feel to the album stems from the talented cast of musicians, including Nicolas Boulerice, Olivier Demers, Rejean Brunet, and Simon Beaudry. Fifteen tracks round out the album. Some of the songs are under two-minutes, but a majority of the songs are two to five-minutes long. There is a classical quality to the music, but there is a strong Quebecois element highlighting the best of French-Canadian folk music. Start off on the right foot with Le Vent Du Nord. ~ Matthew Forss

CD Review: Visual Music Circus' New Self-Titled Release

Visual Music Circus
Visual Music Circus
Self-Release

Petros Sakelliou, a native of Athens, Greece, is the brainchild behind the new album, Visual Music Circus. The circus theme is found in the carnival-esque melodies and moods represented throughout the eight tracks and several diverse musical instruments, including the piano, accordion, sax, vibraphone, clarinet, flute, piccolo, violin, upright bass, percussion, and drum-set. The multi-layered sounds conjure up images of Brazilian lounge bars, sultry beaches, and smoky nightclubs. There is a mix of jazz, classical, Latin, and nostalgic music akin to the 1960's and 70's era. The result is a playful and well-orchestrated album that is full of serene melodies, writhing rhythms, and unique sounds that bring a fresh perspective to the area of world fusion. ~ Matthew Forss  

CD Review: TreeHouse!'s 'Lifted'

TreeHouse!
Lifted
Self-Release

Reggae-beat from South Carolina? You bet. The Southern band brings reggae, jam band, and rock themes to the mix on their third album, Lifted. There are some psychedelic powers going on here, but the reggae backbeat is never too far away. For instance, "Guru" has all the elements of a groove-laden, psychedelic track with extended instrumentals and jam-band vocals with a catchy beat and TreeHouse! does not disappoint. A dozen tracks fill the album with tons of lush melodies, edgy grooves, and world fusion influences that follow a reggae foundation and psychedelic foundation with hints of roots and folk. The fluid bass sounds are especially good on "Take It Away" and "Just Another Day." The album is as colorful as the artwork. There is a good amount of diverse stylings and beats that are never boring or redundant. ~ Matthew Forss

CD Review: Radius' 'Seven Tales'

Radius
Seven Tales
Self-Release

Justine and Harris are the duo, Radius, hailing from New Zealand. Their music of choice revolves around roots, jazz, folk, old-time, experimental, and instrumental with a dash of world fusion. The seven-track release, aptly-titled, Seven Tales, is a relaxing, instrumental effort with rustic dobro, sweeping sax melodies, plucked guitars, and the occasional banjo and ukulele. The soft sax creates a moving and meditative spirit to the music without sounding too jazz-centered or cheesy. The spacious dobro hints at Western connotations that matches the creative ingenuity of the late-Bob Brozman. At any rate, Radius is a small part in the circle of life, but it brings with it great music and memorable melodies. Perfect for contemplation and meditation, but energetic enough to keep one awake. ~ Matthew Forss

CD Review: Hot Club Of The Americas' 'Federico Britos Presents...'

Hot Club Of The Americas
Federico Britos Presents Hot Club Of The Americas
3 Knocks Entertainment

As a tribute to the music of The Hot Club of France and led by violin-wielding Federico Britos, the Hot Club Of The Americas, brings us a world-class recording with North American jazz sounds, Latin elements, South American folk, and Cuban percussion for a spectacular result. A native of Uruguay, Federico knows how to liven up any composition with earthy strings, bouncy rhythms, and jazzy interludes that are full of vivacity. A dozen songs feature a host of guest musicians, including Hendrik Meurkens, Gonzalo Rubalcaba, Cecile McLorin Salvant, Giovanni Hidalgo, and Antonio Adolfo, in addition to the regular line-up of Federico, Jorge Garcia (guitar), Felix Gomex (piano), Renyel Rivero (bass), Edwin Bonilla (percussion), and Carlomagno Araya (drums). In short, there are plenty of Gypsy and Latin-influenced jazz with a good deal of folk and classical thrown in rather appropriately. The  mostly instrumental album reinvents the jazzy 1960's era with engaging, moving, and lounge-ready songs that sway along in a lazy manner like a sultry, mid-summer afternoon on a quiet, Havana beach. Anyone with a fascination in world jazz and Latin/Gypsy concoctions will love Hot Club Of The Americas. ~ Matthew Forss

CD Review: Lawson Rollins' 'Traveler'

Lawson Rollins
Traveler
Infinita Records

Many influences grace the sounds on Traveler by Lawson Rollins. The instrumental tunes represent a romp through world jazz, flamenco, lounge, improvisation, and even Latin America. The fiery guitar stylings, edgy percussion, flashy horns, punchy piano, and lively strings from the hands of Mads Tolling, Charlie Bisharat, Randy Tico, Dave Bryant, Cameron Stone, and even some Big Dad Voodoo Daddy members. The spritely strings and earthy rhythms of "Cafe Paris" conjures up images of gypsy, Roma, or Cape Verdean sounds, most likely due to the clarinet. "Berlin Bossa" incorporates some Bach influences, while "Meeting In Madrid" fuses jazz with flamenco and roots for a truly exciting journey. There are twelve tracks to enjoy for over an hour of fun. Each tune is new and reveals a varied array of influences that are never dull or unimaginative. Lawson takes listeners on musical journeys that are fun-filled and authentic. Your first trip should be to your local music store or online retailer for Traveler. No fluff here. ~ Matthew Forss

CD Review: Various Artists' 'Balkan Clarinet Summit'

Various Artists
Balkan Clarinet Summit
Piranha

The neo-classical leanings of Balkan Clarinet Summit present musicians from all over Western Europe for a truly magical recording that is also a film. Goethe-Institut Athina director, Wolfgang Poehlmann, had the original idea, while Claudio Puntin and Steffen Schorn took charge of the musical direction. Artists come from Moldavia, Greece, Serbia, Turkey, and Bulgaria. Each artist contributes to the project in a collective manner, which leaves room for improvisation and innovation, but not straying too far from historic roots. The music is at times very peaceful, while other times it is very energetic and full of life. This is music created in Europe for people of all backgrounds and tastes, as it is completely instrumental and jam-packed with contemplative, relaxing, and even dance-friendly compositions and moments. Whether folk, neo-classical, or roots music is your passion, Balkan Clarinet Summit will surely inspire listeners everywhere to listen up. ~ Matthew Forss

CD Review: Liquid Bloom's 'Heart Of The Shamans'

Liquid Bloom
Heart Of The Shaman
White Swan Records

The undulating soundscapes of the Heart Of The Shaman offers a blend of Native American flutes, chants, and symbolic gestures utilizing hand movements with entrancing percussion, keyboards, and a plethora of other sounds. The recording is contemporary, but includes sometimes subtle elements of world fusion, South Asian influences, and new age incarnations. There are eight total tracks, but the last two tracks run almost thirty-three minutes long in a sort of electronic medley mix. There are wispy and ethereal vocals from Rara Avis, Sarah West, and Ixchel Prrisma. The vocals tend to match the instrumentation, which is very heavenly and blissful to say the least. Robert Mirabal adds his presence on Taos flutes and some chants. Though, the music would be perfectly suited for meditation or yoga, there is a strong element of Southwestern, Amazonian, and ritualistic vibes that bring people and nature together in almost perfect harmony. Fans of Native American fusion, electronica, new age, and ethnic down-tempo compositions will love it. ~ Matthew Forss

CD Review: The Afrorockerz's Self-Titled Release

The Afrorockerz
The Afrorockerz
Buda Musique

Paris-based and soon-to-be-world-known, The Afrorockerz, combine the elements of a West African night-club with the action-packed sound of Euro-jazz and American soul for a truly pleasant recording. The funky rhythms are spearheaded by vocalist, Allonymous and Emma Ladji, while Sylvain Daniel is in charge of bass, keyboards, and programming. Though, the brainchild of the album, Julien Jujju Raulet, is a master guitarist, percussionist, and drummer. The group includes the percussion talents of Frederic Jean, Maxime Zampiere, Eric Durand, and keyboard credits from Guillaume Poncelet. Some of the tunes are edgy and urban-esque, but not too dissimilar from typical West and Central African funk and jazz. The group's eerie keyboard sounds and pervasive beats that change direction without notice are all very attractive elements on the album. There are even a few rock guitar displays. Still, anyone into Afro-funk and jazz will love The Afrorockerz. ~ Matthew Forss

CD Review: Stevin McNamara's 'Shakti Guitar'

Stevin McNamara
Shakti Guitar
White Swan Records

Stevin McNamara's latest foray into meditational bliss on Shakti Guitar adds a beautiful serenity to soul-soaked compositions ripe with engaging melodies and soothing rhythms. Stevin's contemplative guitar stylings are accompanied by drums, gongs, bells, bass, Bansuri flute, sarod, tabla, acoustic bass, tamboura, frame drum, and other percussive instruments. The sweeping sounds are very fulfilling and addictive. There are even a few vocals (thanks to Sheela Bringi), but the majority of songs are instrumental. Stevin's nylon guitar strums and plucks project listeners into a trance-induced coma of a higher consciousness. The light sounds are more akin to new age constructions or even film soundtracks. The spacious sounds and heavenly ambiance attract listeners with entrancing elements and shape-shifting progressions that never disappoint. If you want to do yoga, sleep, relax, chill, or think at a higher level, then Stevin McNamara will get your shakti's aligned with this one! ~ Matthew Forss