Showing posts with label wonderwheel recordings. Show all posts
Showing posts with label wonderwheel recordings. Show all posts

Wednesday, October 12, 2016

CD Review: Alsarah & And The Nubatones' 'Manara'

Alsarah And The Nubatones
Manara
Wonderwheel Recordings

Alsarah's latest wanderings through the Middle East and North Africa are appropriately-displayed on their latest recording, Manara. The recording is alive with dancing ouds, throbbing ngonis, punchy trumpet, bubbling bass, and great percussion. The rather contemporary recording contains a good mix of melodies and tones. There is a slight electronic element to some of the songs, but this is not an electronic album. It is pure world music with influences reaching across the Middle East. The Arabic vocals and rollicking percussion are very dance-friendly. In fact, it is difficult to sit still while listening to anything from Alsarah And The Nubatones. For Manara, this is especially so. Fans of a variety of Arabic-infused recordings will love Alsarah And The Nubatones! ~ Matthew Forss

Wednesday, May 20, 2015

CD Review: Brooklyn Gypsies' 'Sin Fronteras'

Brooklyn Gypsies
Sin Fronteras
Wonderwheel Recordings

The diverse sounds of Brooklyn's streets and neighborhoods have never been highlighted like this before. There are urban stylings, flamenco sounds, North African music, Middle Eastern melodies, and of course, gypsy elements. The result is a rather modern recording incorporating the talents of Carmen Estevez, Takuya Nakamura, Tina Kristina, Brandon Lewis, Troy Simms, and Zeb. With songs rich in Spanish, English, and even Russian vocals, you know this is going to be an interesting recording. If gypsy music originated in Brooklyn, Sin Fronteras would be the end result. There are dancehall, reggae, dub, electronica, and Arabic influences that add authenticity and depth. The syncopated beats, modern Middle Eastern infusions, and brass textures gives new meaning to the term gypsy music. Ten great tracks comprise the album. Brooklyn Gypsies know how to make music. ~ Matthew Forss


Wednesday, February 18, 2015

CD Review: Nickodemus' 'Wonderworld: 10 Years Of Painting Outside The Lines'

Nickodemus
Wonderworld: 10 Years Of Painting Outside The Lines
Wonderwheel Recordings

Nickodemus has been spinning funky, global beats for over a decade and the release of Wonderworld... is a testament to his creative remixes and career highlights. The twenty-four-track release is a friendly romp on the dance, dub, and funk side of the musical spectrum with loads of Latin, Afro, and contemporary beats that are very compelling. Nickodemus incorporates the aid of numerous guest musicians and producers, including Jean Shepherd, Hector Alomar, Carol C., Tarafs de Haidouks, Ismael Kouyate, Afrika Baambaata, Sammy Ayala, and others for a truly global recording. Even though the album is contemporary, it still retains a sense of authenticity and organic roots. The diverse percussion, vocals, and rhythms keeps listeners enthralled throughout. There are no shortage of tracks or beats on this very special recording. Hear it today! ~ Matthew Forss

Sunday, August 24, 2014

CD Review: Chancha Via Circuito's 'Amansara'

Chancha Via Circuito
Amansara
Wonderwheel Recordings 

Argentina's Chancha Via Circuito is spearheaded by Pedro Canale. The electronic meastro incorporates indigenous sounds with contemporary arrangements that are scintillating, at times urban, and Latin dub-step all the way. The instrumental, "Sueno en Paraguay," is an excellent tune with Paraguayan harp and an electronic Andean folkore sound with bits of cumbia, dance, and avant-garde that will please even the purist. There are guest artists, including Lido Pimienta, Mirian Garcia, Sara Hebe, and Barrio Lindo, which provide a well-rounded cast of influences. The percussion-heavy, "Coplita," is a great example of folkloric sounds coming together with female vocals and a South American beat. There are eleven total tracks, which are imbued with electronic, percussion, and native sounds in one easy to understand production that does not stray too far from its roots. This will satisfy cumbia, neo-indigenous, and contemporary listeners seeking music from South America. ~ Matthew Forss

Tuesday, July 1, 2014

CD Review: Alsarah and The Nubatones' 'Silt'

Alsarah and The Nubatones
Silt
Wonderwheel Recordings

Born in Sudan, Alsarah, has made Yemen and the United States of America home. Currently residing in Brooklyn, NY, Alsarah and her Nubatones bring to life a nostalgic East African pop with Middle Eastern and Arabic percussion and dance effects. The music is steeped in traditional oud and percussion, but it also includes a contemporary repertoire of bass, keyboards, assorted percussion, and additional vocals. The swirling rhythms and sounds of "Nuba Noutou" are especially entrancing with great vocals and a 'nubian' beat. There are eleven tracks that infuse a sense of exotica (at least from a Western point of view), which encapsulates the ethnomusicological work Alsarah has completed. No, the music is not convoluted or highly-contrived; instead, Alsarah and The Nubatones let go and create contemplative, danceable, and energetic works based on similar modes that have been played for hundreds of years. Hear the sounds of East Africa in a new light with Alsarah and her Nubatones as your guide. ~ Matthew Forss

Friday, September 20, 2013

CD Review: Argentina's Tremor Releases 'Proa'

Tremor
Proa
Wonderwheel Recordings

Contemporary folklore musicians, Tremor, shake it up with Proa, which is a heady mix of digital noises and sounds with groovy beats, South American percussion, and exotic embellishments that are never dull or boring. The trio features Camilo Carabajal on bombo leguero, snare drum and caja; Gerardo Farez on keyboard and analog synthesizers, bombo leguero, snare drum, drums, melodica and kazoo; and Leonardo Martinelli on guitars, charanga, ronrocco, walaycho, sachaguitarra, kazoo, trutruca, bombo leguero, synths, samples, and programming. Keep in mind there are some vocals throughout, but the majority of music is instrumental. There are a few guest musicians on tarkas, quenas, sicus, clarinet, bass clarinet, and soprano sax. The title Proa symbolizes "the place where the bow of the boat cuts through the water." In this case, Proa cuts right to the top of the surface with quasi-modern beats, swishy percussion, and a South American spread of luscious sounds and melodies. Think of Nuklearte mixed with psychedelic cumbia masters, Bondi Blaster and Chico Trujillo. ~ Matthew Forss

Friday, March 29, 2013

CD Review: Various Artists' 'Turntables On Las Ramblas'

Various Artists
Turntables On Las Ramblas
Wonderwheel Recordings

If there ever was such a Latin funk, Spanish dub, and Balkan party album, Turntables On Las Ramblas would be it. There are funky, brass, electronica, and Spanish-infused concoctions that incorporate a variety of contemporary, urban melodies and rhythms. There are hip-hop elements, global grooves, house music, and party tunes with male and female vocals. Some of the musicians included on the compilation are Los Chicos Altos, Novalima, Nickodemus, Sid Vaga, Wagner Po, Flowering Inferno, Mariella, and others. There are gritty loops, samples, and heavy beats with multi-ethnic infusions that stew and boil-over with memorable results. The thirteen tracks represent a good cross-section of brash brass, urban rhythms, and gypsy/Latin tunes. If you are seeking a multi-national party soundtrack, then Turntables On Las Ramblas would be it. ~ Matthew Forss