CD Review: Luisa Maita's 'Fio Da Memoria'

Luisa Maita
Fio Da Memoria
Cumbancha

Brazil's Luisa Maita is not new to the world music scene with a few previously-released albums to her name over the last several years. On Fio Da Memoria, Luisa continues in her bossa nova, samba, and contemporary music stylings with some of the best stuff to date. One of the few English songs on the recording, "Around You," is an especially intriguing and catchy song that employs a berimbau-like tone with seductive hooks and breathy vocals for a truly enjoyable experience. The light guitar and percussion work on the jazz-tinged "Ole," suggests the sound of a 1970's James Bond film soundtrack. Luisa's great vocals match the equally-great instrumentation. Each track is different, but sports her characteristic breathy vocal delivery. Fans of Brazilian music with a contemporary edge and classic ambiance will love Luisa's latest offering. ~ Matthew Forss

CD Review: Silva's 'Jupiter'

Silva
Jupiter
Six Degrees

Brazil's Silva brings us pop-infused tunes with R&B, electronica, tropical, Latin, and urban qualities on a new album that celebrates his love of Jupiter. As a child, the planet Jupiter has been a fascination. Hence, the album artwork illustrates this point from the beginning. The music is not spacey or atmospheric, as one would expect from an otherworldly image or album title. Instead, Silva's ethnic-infused concoctions showcase the lounge side of pop, jazz, and dance. The punchy rhythms and bubbling bass accompany traditional percussion and electronically-tinged arrangements with such ease and grace the album is sure to be a favorite of all who listen. Silva's vocals are soft and mellow, but very compelling. Fans of contemporary Brazilian music will love it. Everyone should get on-board with Silva's latest release. ~ Matthew Forss

CD Review: Tamy's 'Caieira'

Tamy
Caieira
Zip Records

Bossa nova styles have graced the airwaves and stages around the world for decades, yet it continues to be a source of inspiration and creativity for artists of today. Tamy lives and breathes bossa nova and mixes it with subtle jazz, neo-classical, pop, and folk styles on her debut release. Fourteen tracks showcase Tamy's beautiful voice and instrumental arrangements. There are laid-back creations full of bossa nova flavor, such as "Serena," "Eu To Com Voce," "Te Esperei," "Caieira," "Me Diz," and a few others. The Portuguese-laced song lyrics are steeped in Brazilian traditions. The assorted percussion, light guitar work, delicate vocals, and breezy melodies take on a rather light-hearted release. However, there are some nods to African musical styles on "Mae Africa," as well as more upbeat pop and rock sounds on "Dava Pra Ver." Overall, there is something for everyone here. Fans of Brazilian music with a contemporary edge will find Tamy in their playlist quite often. ~ Matthew Forss

CD Review: Randy Armstrong & Volker Nahrmann's 'Beyond Borders'

Randy Armstrong & Volker Nahrmann
Beyond Borders
UMP Records

Beyond Borders is beyond the ordinary when it comes to the musical explorations of Randy Armstrong and Volker Nahrmann. Upon listening to the first track, "Ciao Bella," one can easily discover the nod to groovy, South American and Brazilian brilliance with sweeping vocals, breezy percussion, and smooth rhythms punctuated with bass, guitars, and other instruments. The percussive sounds heat up on "Fear Not Fear" in a sort of instrumental jazz vein. "Shanti Om" is dedicated to Ravi Shankar and George Harrison, so you know it is going to be a good one. In fact, it contains trance-inducing sitar amidst a plethora of instrumentation that flows from one chord to another, while truly exemplifying the genre of world music. Eleven tracks are included for your listening pleasure. Travel the world through the sounds on Beyond Borders. ~ Matthew Forss

CD Review: Bixiga 70's 'III'

Bixiga 70
III
Glitterbeat

III is the third album in Bixiga 70's repertoire and it serves as a perfect reference point for exploring cumbia, ethno-jazz, electronica, funk, carimbo, samba, and psychedelic creations. The instrumental effort from the Brazilian-based group, incorporates lively and punchy sax, trumpet, flute, trombone, as well as drums, keyboards, guitars, and percussion. The heady beats and swirling rhythms are trance-inducing, but always rewarding. The punchy beat culminates in a very catchy tune with an unusual title: "100% 13." At any rate, it is one of the stand-out tracks on this release. Yet, all of the tracks are noteworthy. Buy it today! ~ Matthew Forss

CD Review: SLV's 'This Kind'

SLV
This Kind
Self-Release

SLV is Sandra Lilia Velasquez and the lead singer for the Latin band, Pistolera. SLV incorporates the work of Jordan Scannella from the electronic music group, Tortured Soul, as well as Nick Zammuto from an another electronic band. Is the music Latin, electronic, pop, or rock? Well, This Kind is special, because it includes musical styles that are rather undefinable. The influence is pop, while electronica leanings fill in the rest of the sound. "Limits" and "Situation" are an excellent example of pop/rock deliciousness with catchy melodies and great vocals. However, there are even reggae-type rhythms, new age orchestrations, and South American contemporary elements--notably from Brazil, Colombia, and Argentina. Importantly, this is not a traditional album, but an album with modern elements with light ethnic ties. Still, SLV shines with great rhythms, sounds, and melodies that are rather fluid and emotive. Think of Katie Melua meets Ceu. ~ Matthew Forss

CD Review: Iemanjo's 'Medicina'

Iemanjo
Medicina
Black Swan Sounds

Iemanjo, so-called after a Brazilian goddess of the sea, brings together a fusion of South American grooves, Afro-Latin rhythms, psychedelic cumbia, and everything in-between for a truly remarkable debut. The ten-track album is lush with earthy grooves, enchanting vocals, and amazing melodies that have developed out of Iemanjo's cultural upbringing in Berkeley and Seattle--two world music powerhouses. The slightly urbanized "Wintertime," is a bluesy, languid mix of vocals and sparkling electronica with heady bass. The rousing, "Ciencia Ancestral," is a dance-friendly tune touched by the hands of Brazilian beatmaker and producer, Adriano Magalhaes. The contemporary tune contains punchy horn sounds, lush percussion, and a driving beat indicative of South Pacific traditional music. "Reality" is a jazzy tune with urban elements and quirky percussive tones. Overall, Medicina is a good album with tracks that span the world music spectrum, but remain cohesive enough to delight electronica, South American, and Latin music fans. ~ Matthew Forss

CD Review: Paula Maya's 'Iluminar'

Paula Maya
Iluminar
Yellow House Records

The jazzy, South American styles of Texas-based, Paula Maya, incorporates Brazilian melodies with folk, roots, electronica, and pop on Iluminar. The soft ballads and Brazilian percussion reveal an intimate side of Paula's music. It is very enjoyable and steeped in swirling melodies and rhythms of South America. Whether you are on an island, on the beaches of Rio, or in the comfort of your living room, Iluminar lights up any mood or situation with grace and authenticity. "So In Tune" showcases some great vocals here. Crystal-clear vocals and an uppity melody cements a beautiful song to her credit. The light vocals are indicative of Susan Aglukark's voicings. At any rate, Paula Maya creates a stunning release of pop-friendly songs with a good dose of South American pizzazz. ~ Matthew Forss

CD Review: Los Crema Paraiso's 'De Pelicula!'

Los Crema Paraiso 
De Pelicula!
Cutupra

Los Crema Paraiso's brand of world music runs the gamut from psych to rock to roots and beyond. The experimental and indigenous Venezuelan grooves are marked with a variety of jazzy, bossa nova, beat-driven melodies throughout. The Tears For Fears cover, "Everybody Wants To Rule The World," is one of the top highlights from the album. Another cover, the 1959 hit from Santo & Johnny, "Sleepwalk," is an ode to the classics in true pop form. There is a slight South American presence that is somewhat psychedelic and dreamy. There is another cover, "Personal Jesus," originally conceived by Depeche Mode, that is led by Carol C. in a slightly Brazilian musical soundscape. Covers aside, De Pelicula! surprises fans of South American rock, pop, and lounge with a heady mix of percussive ear candy, flowing melodies, and classic sounds that never get old or banal. ~ Matthew Forss

CD Review: Phil Chester Group's 'Open Door Samba'

Phil Chester Group
Open Door Samba
Self-Release

The very talented composer, arranger, saxophonist, and band-leader, Phil Chester, creates a moving instrumental album of jazzy concoctions with a good dose of South American grooves, American sensibilities, and cheery Latin arrangements for a rousing and inventive result. The music is bouncy, meditative, dance-friendly, and soothing. The multi-factoral musical feelings are related to the diverse instrumental abilities of the group, as well as the tempo, rhythm, and melodies. Phil Chester is joined by Bob Quarant on piano, Ian Froman on drums, Leo Huppert & Joe Fitzgerald on bass, Katie Jacoby on violin, and Tomas Ulrich on cello. The fluttering sax sounds are emotive and display a blend of bluesy urgency and a happy beach day. The somewhat classical undertones are a perfect accompaniment to the bossa nova, samba, and South American-tinged backbone. ~ Matthew Forss

CD Review: Carol Saboya, Antonio Adolfo, and Hendrik Meurkens' 'Copa Village'

Carol Saboya, Antonio Adolfo, and Hendrik Meurkens
Copa Village
AAM Music

With decades of Brazilian musical experiences between Carol, Antonio, and Hendrik, the group knows how to bring subtle, fresh, and original musical experiences to light with their latest release honoring classic bossa nova melodies and rhythms on Copa Village. Carol's vocals are joined by Antonio's piano skills and Hendrik's harmonica and vibraphone mastery. Of course, the bass, drums, percussion, and guitars round out the instrumental line-up. The entire album glistens with South American tones and jazzy melodies. The smooth rhythms are crystalline, infectious, and celebratory with nothing awry or amiss. There are a hint of 1950's/60's sounds; especially on "The Girl From Ipanema," "Copa Village," and "Show De Bola." The eleven track release is full of exciting grooves and compositions that are perfect for lounging, relaxing, and parties. The whole release is bubbly and addictive. Get addicted today! ~ Matthew Forss

CD Review: Spokfrevo Orquestra's 'Ninho de Vespa'

Spokfrevo Orquestra
Ninho de Vespa
Motema

The seventeen-piece, Brazilian band, Spokfrevo Orquestra, pens its name from an old carnival style of Brazilian music that includes a feverishly-played jazz foundation that is akin to New Orleans jazz and Balkan jazz. There is a tambourine, drums, and loads of brass horns on this instrumental release. Thirteen songs comprise the album and they definitely fit into a jazzy vein with South American vigor. The fluid keyboards and swishy percussion are danceable and fueled by an unmistakable and unrelenting passion for creative tunes. The music is punchy, jazzy, swing-like, and classic with loads of rhythms and melodies to satisfy everyone that is within earshot. Fans of Brazilian jazz will love it. ~ Matthew Forss

CD Review: Maya Kamaty's 'Santie Papang'

Maya Kamaty
Santie Papang
Sakifo Records/Atmospheriques

Reunion is an island primarily known for the music of international sensation Danyel Waro, but another Reunion-native, Maya Kamaty, who is a very beautiful and talented songstress that sings in French and Reunion Creole, makes the island known on the female side of music. The new album, Santie Papang, is a hearty mix of world music songs that incorporate a bit of French pop blends, Madagascar pop rhythms, and Brazilian melodies. The diverse cultural attributes are only fitting for a diverse island nation located off the east coast of Madagascar in the Indian Ocean. The breezy sounds are ripe with light rhythms that are catchy and airy. "Comme Un Refrain" is one of the best songs on the album--noted for its splendid arrangements of ukulele inclusions, sensual vocals, and sparkling percussion that connotes a light French style with a hint of Brazilian charm. "Move Rev" is a bluesy, French tune with emotive vocals in a storytelling delivery. "Veli" is a sweet, neo-classical song with plaintive guitar and evocative vocalizations. "Dernie Viraz" is a punchy, guitar tune that is a bit of French rock in a lighter setting, but the vocals are akin to Patricia Kaas. Overall, Maya Kamaty is one of the best new artists to grace this blog. Fans of great, female world music with French, Brazil, African, and pop qualities will love it. In fact, everyone will love this one. ~ Matthew Forss 

CD Review: Paulo Padilha's 'Na Lojinha De Eu Me Sinto Milionario'

Paulo Padilha
Na Lojinha De Eu Me Sinto Milionario
Boranda

Brazil's Paulo Padilha is a talented musician with a knack for crafting delicate songs with a message in a fanciful format with traditional instruments. The thirteen songs feature giddy tunes with an effervescent guitar, swishy percussion, and breezy arrangements that are perfectly-suited for the oceanside shanties and bungalows or high-rise offices. Paulo permeates every facet of life with his evocative little songs. The instrumental nuances are full of life with scintillating guitar work that possesses a Portuguese influence and South American essence. The music mixes a little jazz and neo-classical influences with folk and pop to create a very intriguing and lasting recording. The vocals are rich and varied with a moderate dose of maturity. Anyone looking for easy-going, Brazilian music with roots in Portuguese and folk styles will love Paulo's new release. ~ Matthew Forss

CD Review: Saulo Duarte e a Unidade's 'Quente'

Saulo Duarte e a Unidade
Quente
Tratore Music

Steeped in the traditional music of northern Brazil, Saulo Duarte e a Unidade brings us a gentle mix of energetic music with South American pizzazz and a Latin swagger that is comfortably situated between jazz, folk, and neo-fusion. The rhythms and melodies are very sweet and upbeat with a lot of percussion, keyboards, bass, guitars, and vocals. The steel-pan sounds of "Flores Pelo Ar" remind us of a Caribbean lineage. "Dos Olhos Em Diante" is a nice little funky ditty with a psychedelic appeal and a spaghetti-Western ambiance. There are eleven tracks in all, but the album finishes shy of forty-minutes. However, the thiry-some minutes are pure bliss. Anyone familiar with indigenous Brazilian music will love the regional and trans-continental influences. ~ Matthew Forss

2-CD Review: Various Artists' 'Role: New Sounds of Brazil'

Various Artists
Role: New Sounds of Brazil [2-CD]
Mais Um Discos

The double-disc release, Role: New Sound of Brazil, is not your ordinary Brazilian album. This is not bossa nova or samba. Instead, the music is experimental, urban, electronica, indie rock, funk, hip-hop, and dark, brooding sounds on guitars, percussion, and samples. Both discs contain similar music that is amped-up with killer vocals and grooves that are almost indescribable, but can be included in avante-garde-grunge. The diverse vocals and instrumentation make the release a must-listen. Over forty tracks and nearly as many artists grace the albums. Fans of popular Brazilian music will get the most out of the tracks. However, anyone that wants an in-depth look at what's going on with Brazil's independent and underground music scene will find satisfaction in the tracks on Role: New Sounds of Brazil. ~ Matthew Forss

CD Review: Dona Onete's 'Feitico Cabloco'

Dona Onete
Feitico Cabloco
Mais Um Discos

Flamboyant songtress of seventy-three-years-young, Dona Onete graces our present with enlightening songs highlighting the Brazilian interior. Dona incorporates a variety of traditional dance rhythms and melodies with Caribbean salsa, samba, rap, and others all rooted in the culture of Brazil. The overall sound blends a bit of mariachi-like sounds with cumbia sounds and everything in-between. Don's vibrant vocals and happy spirit shines through on all of the tracks. There are eleven luscious tracks to indulge in. The music is general enough to appeal to Latin music fans, as well as anyone interested in South American, Caribbean, or Spanish music styles. Sink your teeth into the music of Brazil's Amazonian backbone. ~ Matthew Forss

2-CD Review: Da Cruz' 'Disco E Progresso'

Da Cruz   

Disco E Progresso [2 CD]

Boom Jah Records

Brazilian-born and Swiss-based, Da Cruz enlightens listeners with giddy, soul-stirring dance music with equal amounts of dancehall, funk, new wave, samba, electronic, and pop elements. The new album is a two-disc set that is labeled “light” and “dark.” These connotations describe what is going on from a musical perspective in Brazil. The uppity tunes are still enchanting and catchy, despite the title monikers. On the “light” album, the jazzy “Nascer Livre” showcases some great vocals and instrumentation that is very showy and upbeat. The swaying rhythm of a seaside melody on “Din Din” possesses a laidback atmosphere that is timeless and nostalgic. “Tuda Flui” is a funk-inflected tune with light vocals and a jazzy vein. There are eleven tracks on the "light" CD. The "dark" CD contains ten tracks and songs that are more experimental with more jazzy, funk, electronic, and rock elements. The breakbeat sounds of "Cala a Boca" and the dark tones of "Aonde vai" signify a varied mix of music. The music tends to be a little more urban overall. The dark guitars and Garbage-esque arrangements on "Menino mau" showcase a different side of Da Cruz. No matter what side of Da Cruz you experience; you will be pleasantly surprised. ~ Matthew Forss    

CD Review: Pacifika's 'Amor Planeta'

Pacifika
Amor Planeta
Six Degrees

The Pacifika trio of vocalist Silvana Kane, bassist Toby Peter, and guitarist Adam Popowitz, creates a refreshing fusion album of pop/rock/funk sounds inherited from South American, Caribbean, and African sources. The sweet vocals of Silvana make the songs stand out, but the instrumentation is equally-compelling. Adam's Canadian roots and Toby's Barbados upbringing may be limited influences here, but there involvement propel the group into catchy melodies, serene rhythms, and fascinating tonal textures. There are ten tracks to satisfy your ears. The breezy songs are classy, professional, and outwardly appealing to anyone within ear-shot. The funky little rhythms and jazzy undertones make Amor Planeta shine with love from the artists and anyone that purchases the music. A moving, emotive, and intellectual release. ~ Matthew Forss

CD Review: Charlie Dennard's 'From Brazil To New Orleans'

Charlie Dennard 
From Brazil To New Orleans
Self-Release

Charlie Dennard takes listeners on a jazz journey through lounge, boogaloo, fusion, and Brazilian music throughout the nine long tracks on the new album. As the title of the album implies, Charlie brings us a mix of jazz-inspired tunes with an homage to Brazilian composers and the multi-cultural powerhouse of southern Louisiana. The instrumental tunes are full of jazzy melodies and rhythms that contain punchy horns, folksy percussion, and contemporary jazz elements. The lounge jazz feel of some of the tracks is permeated with some Brazilian fusion and improvisational elements, which only adds to the enjoyment of the entire album. The piano offers some meditative influences on "Asa Branca" and "Senhorinha." The bluesy side of jazz rears its head on "Valsa Luisiana." The smooth jazz and Afro-funk fusion of "Africa Mae" is stellar. Overall, Charlie releases a great final product, which bridges the gap between Brazil and New Orleans from a musical standpoint. ~ Matthew Forss