Showing posts with label idan raichel. Show all posts
Showing posts with label idan raichel. Show all posts

Wednesday, February 3, 2016

CD Review: Idan Raichel's 'At The Edge Of The Beginning'

Idan Raichel
At The Edge Of The Beginning
Cumbancha

Israel's Idan Raichel has the rare ability to create meaningful and beautiful melodies that transcend not only borders, but time, as well. This is especially relevant on his latest release, At The Edge Of The Beginning. The album opens with a sweeping piano medley with mixed instrumentation in a great arrangement worthy of repeated listens. The rest of the tracks contain vocal tracks with an array of instrumentation, including kamanche, trumpet, bass, guitars, baglama, sax, tuba, accordion, piano, and various programming. Special guest and sintir player, Hassan Hakmoun, lends his talents on "Be'Chamesh Shniyot." Idan's "Delet Mistovevet" is one of the best tracks on this album. All things considered, Idan creates a moving, contemporary, and authentic mix of ear-candy that contains a plethora of melodies and moments that should not go unnoticed. The title touts Idan may be at the beginning of something really great. Actually, he has been great since he started and he will not let you down here. ~ Matthew Forss


Monday, September 15, 2014

CD Review: The Toure-Raichel Collective's 'The Paris Sessions'

The Toure-Raichel Collective
The Paris Sessions
Cumbancha

As a follow-up to their 2012 The Tel Aviv Sessions, The Paris Sessions continues to bridge the musical worlds of Israel and Mali together. The collective is Vieux Farka Toure and Idan Raichel. Vieux Farka Toure is the son of the late-Ali Farka Toure, and one of Ali's best guitar jams, "Diaraby," is included. Most of the songs are instrumental jams that are jazz and African-influenced. The collective is joined by musicians, Niv Toar, Daby Toure, Abdourhamane Salaha, Seckouba Diabate, Eyal Sela, and Dialimory Sissoko. The piano adds a plaintive touch to the music, which is not necessarily a bad thing. The vocals are not too showy or overdone. In fact, the entire production is quite poignant, mature, and timeless. The music was recorded in France over Mali, due to the societal/political instability. At any rate, the result is a fantastic overview of Israeli and Malian tunes coming together in a sort of fusion that works. ~ Matthew Forss

Friday, February 25, 2011

CD Review: Go-Ray & Duke's 'The Yoga Sessions'


Go-Ray & Duke
The Yoga Sessions

As the title implies, one need not go very far to note the yoga references for Go-Ray & Duke's latest release, The Yoga Sessions. Sanskrit and Indian-infused elements grace the tracks of this one. Eleven tracks in all feature a few guest musicians notable in their own right, including Israel's Idan Raichel, Bansuri-flute master Steve Gorn, and hippest hip-hopper this side of Heaven, MC Yogi. The groovy beats of "Goddess Invocation" and Go-Ray's sensual vocals will summon anything and anyone within earshot. The other contemporaries in yoga music not associated with this album with a similar sound include Wah!, Girish, and Krishna Das. There are quieter moments, as well as hip-hop elements and jazzy-fusion with a trip-hop, electronica, and trance-like state of being. The addictive sounds of The Yoga Sessions are very desirable and they do not seem to wane long after the tracks are over. Though not traditional Hindustani or devotional music in the historical sense, Go-Ray & Duke set out to redefine the yoga vibes for a new generation. Try it today! ~ Matthew Forss