CD Review: Idan Raichel's 'At The Edge Of The Beginning'

Idan Raichel
At The Edge Of The Beginning
Cumbancha

Israel's Idan Raichel has the rare ability to create meaningful and beautiful melodies that transcend not only borders, but time, as well. This is especially relevant on his latest release, At The Edge Of The Beginning. The album opens with a sweeping piano medley with mixed instrumentation in a great arrangement worthy of repeated listens. The rest of the tracks contain vocal tracks with an array of instrumentation, including kamanche, trumpet, bass, guitars, baglama, sax, tuba, accordion, piano, and various programming. Special guest and sintir player, Hassan Hakmoun, lends his talents on "Be'Chamesh Shniyot." Idan's "Delet Mistovevet" is one of the best tracks on this album. All things considered, Idan creates a moving, contemporary, and authentic mix of ear-candy that contains a plethora of melodies and moments that should not go unnoticed. The title touts Idan may be at the beginning of something really great. Actually, he has been great since he started and he will not let you down here. ~ Matthew Forss

CD Review: Nicole's 'Roots'

Nicole
Roots
Soundbrush Records

What do you get when you combine Yiddish music with Brazilian chutzpah? You get Roots. Nicole, the lead progenitor surrounding this uncanny concoction, showcases her Ukrainian self via New York and Sao Paulo. The outstanding vocalist adds a variety of modern accouterments, including accordion, mandolin, electric guitars, electric bass, percussion, violin, trumpet, clarinet, and other instruments. The berimbau is also included on a few tracks with its unmistakable, tinny string melodies. There are a few Yiddish standards and traditional songs, but a few new tunes are also included. The psychedelic and syncopated beats of "Quem Que Sobra" are very indelible and memorable. The traditional tune, "Batatas," is included as a remix and a traditional tune. Some of the tracks are characteristically Brazilian with breezy melodies, down-tempo percussion, and wafting accordion overtures. Special guests, Frank London, Isra-Alien, Renato Thomas, Michael Winograd, Jake Shulman-Ment, and Danny Blume add their expertise to the album. There is a little bit of everything for the Brazilian and Klezmer aficionado. ~ Matthew Forss

CD Review: Allan Moon's 'Children Of The Call'

Allan Moon
Children Of The Call
Songbird Records

Children Of The Call is a laid-back, funky, and jazz-inflected journey resulting from Allan Moon's global lifestyle in Canada, New York, and Israel. Allan's classic tone bridges alternative leanings with folk and rock beats that shimmer with raw and inspiring lyrics. The slow, symphonic beats of the crooner, "New York City," Allan blends American 1970's folk styles with a bluesy, Southern feel for a truly enigmatic result. "Children Of The Call" is an anthem that combines the vocal talents akin to Cat Stevens and Tom Petty with a heady mix of classic roots and folk. "Karolina" is another bluesy tune with classic vocals that encapsulates everything good about contemporary pop and rock music. Overall, the album brings together a mix of blues, folk, roots, rock, pop, funk, and alternative leanings in one indelible package. All the songs are in English with liner notes detailing each song. Fans of classic rock and folk with a bluesy and innovative edge will find comfort in these tunes. ~ Matthew Forss

CD Review: The Toure-Raichel Collective's 'The Paris Sessions'

The Toure-Raichel Collective
The Paris Sessions
Cumbancha

As a follow-up to their 2012 The Tel Aviv Sessions, The Paris Sessions continues to bridge the musical worlds of Israel and Mali together. The collective is Vieux Farka Toure and Idan Raichel. Vieux Farka Toure is the son of the late-Ali Farka Toure, and one of Ali's best guitar jams, "Diaraby," is included. Most of the songs are instrumental jams that are jazz and African-influenced. The collective is joined by musicians, Niv Toar, Daby Toure, Abdourhamane Salaha, Seckouba Diabate, Eyal Sela, and Dialimory Sissoko. The piano adds a plaintive touch to the music, which is not necessarily a bad thing. The vocals are not too showy or overdone. In fact, the entire production is quite poignant, mature, and timeless. The music was recorded in France over Mali, due to the societal/political instability. At any rate, the result is a fantastic overview of Israeli and Malian tunes coming together in a sort of fusion that works. ~ Matthew Forss

CD Review: Ayelet Rose Gottlieb's 'Roadsides'

Ayelet Rose Gottlieb
Roadsides
Arogole Music

Born in Jerusalem, Ayelet Rose Gottlieb brings us a magical and historical release of Hebrew songs with some Palestinian vocals, a jazzy repertoire, and avant garde set-up that is both relaxing and innovative. The sauntering songs are loaded with jazzy effects, but the music is a kind of fusion that is born out of Middle Eastern, Arabic, and Ladino musical styles. The music is very dreamy, contemplative, and authentic. Ayelet's vocals are inspirational, playful, and mature. The music is sometimes giddy, too. Overall, the album is so diverse and varied that it is difficult to categorize it in one word. Anyone interested in Middle Eastern, Arabic, flamenco, Ladino, folk, roots, world fusion, avant garde, and world jazz will love Roadsides. ~ Matthew Forss

CD Review: Zvuloon Dub System's 'Anbessa Dub'

Zvuloon Dub System
Anbessa Dub
Self-Release

The Tel-Aviv-based reggae/Ethiopian jazz group, Zvuloon Dub System, seamlessly merges two unique musical styles together to form a danceable and very likable beat. The group infuses reggae beats on several tracks with a little Amharic to mix it up just a little bit. Roots reggae, jazz, and East African soul explains what is going on here. The moving beats and diverse vocals attract equally-great instrumental portions that are like little morsels of delicious candy. There are traditional reggae instruments, including the piano, organ, guitars, bass, drums, sax, trumpet, and trombone, along with Ethiopian krar (a plucked harp) and a masinko (a type of small fiddle). Mahmoud Ahmed is a featured and well-known performer here, but Zemene Melesse, Yaacov Lilay, and Shay Sattaman Jacovi add vocals, too. Otherwise, Gili Yalo is the lead vocalist. The East African, Middle Eastern, and Caribbean influences are evident and pervasive, but everything is used in moderation. Anyone seeking reggae beats via Israel, Ethiopia, and beyond will have fun with Anbessa Dub. ~ Matthew Forss

CD Review: Rafi eL's 'Ay De Mi'

Rafi eL
Ay De Mi
Dutty Artz

The L.A.-based singer, songwriter and musician, Rafi eL, possesses roots in Jewish and Argentinian cultures, which shines through on his new, adventurous release, Ay De Mi. The music is slightly electronic, urban, and spacious enough to let the melodies permeate the souls of the listeners. The somewhat synth-infused concoctions represent a refreshing style of music never before heard in the music world today. The eleven tunes contain sparkling, reverberating, and electronic-tinged melodies and rhythms that bridge South American and American influences. The light rhythms fuse a bit of Enigma, Jack Johnson, and Xavier Rudd in an imagined urban vacuum with cumbia as a foundation. Everyone will love this one. Rafi eL succeeds on Ay De Mi with a healthy dose of folkloric and electronic compositions that seem to bring back ancient melodies and spirits for today's generations. ~ Matthew Forss

CD Review: Uri Sharlin And The DogCat Ensemble's 'Back To The Woods'

Uri Sharlin And The DogCat Ensemble
Back To The Woods
Folk Dune Records

Israel-native and New York-based instrumentalist, composer, and producer, Uri Sharlin, brings us an instrumental feast of nine cinematic, edgy, and jazzy tunes from around the world. With an accordion in hand, Uri presents an amalgamation of cultural influences from Latin, Middle Eastern, European, and Arabic. All the songs are instrumental and rather theatrical in production with pensive beats, jazzy solos, and rocking rhythms with plenty of percussion and pizazz. Uri is also a talent on the Wurlitzer and piano. Uri is joined by his DogCat Ensemble on bassoon, bass clarinet, guitars, bass, percussion, flute, alto flute, pandeiro, and zabumba. There are cumbia elements, plaintive moments, and avant-garde jazz, which are very approachable and sinuous. Anyone with a passion for musical instruments and world beats will love Back To The Woods. ~ Matthew Forss

CD Review: Idan Raichel Project's 'Quarter To Six'

Idan Raichel Project
Quarter To Six
Cumbancha

The Idan Raichel Project is back at it again with another impressive recording. Quarter To Six represents a compilation of sixteen songs mostly in Hebrew. However, Idan Raichel is joined by the famed Ana Moura and Vieux Farka Toure on two songs. The same piano melodies, symphonic orchestrations, and world fusion arrangements are still prevalent here. There is a mix of Egyptian, West African, Middle Eastern, and world pop elements that make Idan Raichel so enthralling. One of the album highlights include "Achshav Karov." The upbeat melody and soaring rhythms are reminiscent of "Mi'Ma'Amakim" from the last album. Though, "Ba'Layla" is close behind. Still, all of the songs possess the same musical fervor and catchiness that made his previous albums so popular. Some of the songs are a little more exploratory and not as structured as most of the songs on the previous albums, but they are still worth a listen. Fans of adventurous and catchy world music will find comfort here. ~ Matthew Forss

CD Review: Koby Israelite's 'Blues From Elsewhere'

Koby Israelite
Blues From Elsewhere
Asphalt Tango Records

The bluesy side of world music is eloquently captured on accordion, percussion, and melodies straight out of the Balkan region. There is a heavy dose of rock instrumentals, too. The Israel-born Koby does not feel discouraged about mixing different genres of music to create a pumped-up Balkan rock sound with a hint of Ladino or Klezmer punk-funk. Whatever it is called, the music speaks volumes--especially when turned up! At any rate, the music is steeped in rock-driven folk music with an element of Balkan passion thrown in for flavoring. There are some more solemn moments, but the album as a whole is energetic, upbeat, and driven by multinational charm. Everyone will notice the music contains an edge. The sixteen tracks represent Koby's ideal perception of what blues music should be--wherever it is found. ~ Matthew Forss

CD Review: AndraLaMoussia's 'Bet'

AndraLaMoussia
Bet
Ittai Binnun

The sauntering melodies and Middle Eastern incarnations of AndraLaMoussia are lavishly produced on the 2010 release of Bet. The group is based in Jerusalem, Israel and features a variety of musical creations involving the guitar, accordion, trumpet, ney, clarinet, sax, baglama, violin, oud, melodica, and assorted percussion. The tunes are lively and mostly instrumental. There is a degree of Andalusian, Central Asian, and Balkan influence throughout. The thirteen tracks contain energetic, evocative, and classy compositions. In short, you will not be disappointed with the music of AndraLaMoussia. It is a sure 'bet.' ~ Matthew Forss

CD Review: The Toure-Raichel Collective's 'The Tel Aviv Session'

The Toure-Raichel Collective
The Tel Aviv Session
Cumbancha

The combined musical talents of Idan Raichel (Israel), Vieux Farka Toure (Mali), Souleymane Kane (Mali), and Yossi Fine (Israel) represent a very experienced and cohesive group of musicians that shine effortlessly on The Tel Aviv Session. The African, Middle Eastern, and European-influenced compositions are produced with instrumentation as a paramount element. Though, a few vocals are present, but only on a few tracks. The melodies and rhythms are accomplished with calabash, guitar, piano, bass, tar, harmonica, and kamanche. The cultural diversity is rather unique, but most of the music centers on African and Middle Eastern music. The lilting melodies of the kamanche, calabash, and guitar, make the album shimmer with rich textures and moods. This is ideal for fans of Idan Raichel, Vieux Farka Toure, Yossi Fine, and Souleymane Kane. In addition, fans of African and Middle Eastern music and authentic instrumentation without electronic or dance elements will love it. ~ Matthew Forss

CD Review: Istiklal Trio's Self-Titled Release From Israel

Istiklal Trio
Istiklal Trio
High Fidelity
 
The instrumental music of Istiklal Trio is appealing, energetic, and contemplative--all at the same time. The trio is Yaniv Taichman (oud, guitar), Ariel Qassis (kanun), and Noa Vax (percussion). The modern trio does not incorporate dance-club tunes or electronic compositions notable in the trance world. Instead, the Trio performs renditions of classical pieces with up-to-date song structures perfect for fans of improvisational music, world music, folk music, instrumental music, and percussion. The scintillating rhythms reflect a South Asian, South American, and Central Asian sensibility with the charm of the Middle East thrown in for good measure. The fourteen tracks contain a few taqsims--Arabic maqams--and one rendition of the Godfather movie theme. The Trio makes instrumental music interesting and lively enough without resorting to banal rhythms and mindless melodies. Each instrument is given plenty of air-time throughout. Let Istiklal Trio ignite the musical passion in all of us. ~ Matthew Forss

CD Review: Nisos' 'Nisos'

Nisos
Nisos
Kania Brothers Entertainment

The Czech Republic-based band, Nisos, is a lively, contemplative, and folk-based, world music group that incorporates a plethora of styles from Turkey to Greece. The Greek influences are found in the instruments and rhythms. Furthermore, the band name means "island" in Greek. It appears their musical influences from Turkey, Greece, Bulgaria and Israel reflect the folk traditions inherent in these distinct cultures. However, Nisos attempts to combine them into a sort of fusion that sounds natural and very appealing. A variety of pleasant instruments are utilized, including the lyra, santuri, buzuki, saz, clarinet, kaval, oud, guitar, lute, trombone, trumpet, kanun, and double bass. The music is only around half-an-hour long, but the quality makes up for any time deficiencies. The vocals and instruments are worth their weight in gold....or "Mana" (my favorite track). ~ Matthew Forss

CD Review: Asaf Sirkis Trio Let's Go On 'Letting Go'

Asaf Sirkis Trio

Letting Go

Stonedbird Productions

The instrumental trio is Asaf Sirkis on drums, Yaron Stavi on electric bass, and Tassos Spiliotopoulos on guitars, with special guest, Patrick Bettison on harmonica. The Israeli-born, UK-resident, Asaf Sirkis, leads the group with an experimental-jazz-rock-infused concoction of the best instrumental music produced in a long time. The music is reminiscent of Jonas Hellborg and the late-Shawn Lane. There are energetic parts, as well as quieter moments that let the mind wander without leaving the planet. Speaking of planets, 'Other Stars and Planets' is more of a jazz-centered composition without all the technological wizardry so common in space and ambient music. This is a jazzy composition with all the twists and turns of a good story without the words. Seven long tracks entrance the listeners with a sense of awe, calmness, and introspection. The few instruments that are used are relatively in-tune with each other and rather fluid in form without any slip-ups or missteps. Anyone with an ear for the instrumental will find Letting Go quite compelling. So, indulge in it today and let yourself go! ~ Matthew Forss

CD Review: Nadav Remez from Israel

Nadav Remez

So Far

BJURecords

Israeli-born, Boston-based Nadav Remez is a talented guitarist that finds perfection in the jazzy classics of a Depression-era lounge club. The opener, "So Far," is a two-and-a-half minute instrumental piece with all the smooth jazz fixings. The instrumental repertoire consists of alto sax, clarinet, tenor sax, trumpet, piano, rhodes, organ, bass, and drums. "Pinchas" is an eight-and-a-half minute song with smooth jazz leanings and breezy percussion leading the set. Nine tracks run about an hour in length. Only one song, "Lecha Dodi," was not written or arranged by Nadav Remez. "From Above" is a swayback to the past with nostalgic percussion and horns. Think of the big band era meeting smooth jazz somewhere in a hip New York jazz club today. So Far does not contain any vocal songs or noticeable Klezmer influences. The quieter "Susu" is an ideal end to the album with subtle guitar nuances and little in the way of additional instrumentation. All in all, So Far so good...very good! ~ Matthew Forss

CD Review: Yasmin Levy's 'Sentir'

Yasmin Levy

Sentir

Four Quarters Entertainment

The golden voice of Ladino and Sephardic music and culture is Yasmin Levy. Born in Israel, Yasmin sings traditional songs of Ladino culture with a Latin/Spanish flair that awakens the spirit, soul, and most of all, one's feet. The Judeo-Spanish language of Ladino is a relatively rare language at risk of extinction. Fortunately, the language (and music) is preserved on Sentir. Yasmin sings with such a high degree of emotion and sincerity that every song elicits responses of good cheer. One cover song of Leonard Cohen's "Hallelujah" is included and it is quite powerful. The Greek-tinged song "Porque" is a pleasant song showcasing Yasmin's far-reaching influences and abilities. The final song, "Yigdal", is a poignant traditional prayer sung in Hebrew. Anyone seeking music from this fascinating genre should begin with Yasmin Levy. Sentir is steeped in tradition and love. Liner notes are included in English, French, and Hebrew.

CD Review: A Time To Cry - A Lament Over Jerusalem

Various Artists

A Time To Cry: A Lament Over Jerusalem

Kirkelig Kulturverksted

Recorded in a Palestinian home in East Jerusalem, A Time To Cry... showcases some traditional and new folk songs from the region. The songs touch on the political turmoil and social rights between the Palestinians and the Israelis. The Palestinian repertoire includes Rim Banna, Wissam Murad, Nai Barghouthi and Jawaher Shofani. The Palestinian singers mentioned above are also joined by a Norwegian collective, including Kenneth Ekornes (drums), Gjermund Silset (bass), Hallgrim Bratberg (guitar), and U.S. flutist and clarinetist, Steve Gorn. The laments are deeply emotional and ethereal in sound. The folk tunes are a light fusion between Persian classical music, Arabic folk music, and bluesy-pop. Fans of other KKV releases will find comfort in the words and music of A Time To Cry... It is not too often a Palestinian music release surfaces globally, which makes it even more invaluable to Middle Eastern music fans. A treasured album of music. Liner notes are in English and Arabic. ~ Matthew Forss

CD Review: A Palestinian Voice For Everyone

Rim Banna
April Blossoms
Kirkelig Kulturverksted

Rim Banna, a Palestinian singer from Nazareth, presents poignant and humorous children's songs on April Blossoms. Rim's voice is aided with bass guitar, acoustic guitar, drums, keyboards, bansuri flute, duduk, and oud. All the songs are sung in Arabic. However, song translations are provided from Arabic to English in the liner notes. The songs are so enjoyable that you need not be a child to appreciate it's musical intricacies. Overall, the melodies and vocalizations are reminiscent of North African singers, in particular, Mauritania's Malouma. A children's choir accents some of the songs. Perhaps, the Arabic songs take on a life of their own and instill in the listener a deep level of appreciation. Also, Russian and Turkic elements appear from time to time throughout the album. This is an ideal collection of songs to listen to while relaxing, or spending time with family. April Blossoms is as sweet as it sounds, and it gets sweeter with every listen. ~ Matthew Forss

CD Review: 'Longing' for Elisete

Elisete
Gaagua (Longing)
IMP Records

If anyone could pull off a trans-cultural release of music melding the sounds of Brazil with Hebrew linguistics, then Elisete is sure to pave an inspirational path to greatness. Born in Brazil and now living in Israel, Elisete certainly eschews the rhythms of Brazil and Portugal. The opening track sounds like a fuzzy radio introduction that quickly tosses us into Elisete's musical world. In order to describe the music, one need not be an expert on Brazilian or Israel music. In fact, Elisete's breezy rhythms and fun vocals should put everyone in a very happy mood. The music reminds me of contemporary pop music from West Africa, France, South America, and the Cape Verde islands. Consequently, Elisete's global appeal brings together music across oceans and continents. This is what makes Gaagua so enthralling. Some of the musical elements resemble funky-rumba and even downbeat with a hint of reggae. Though -- one thing is for sure -- Elisete's music is uniquely her own. Similar artists include Natalia Clavier (Argentina), Daby Toure (Mauritania), and Nuklearte (Italy). Also available by Elisete: Remixes (2007) and Luar e Cafe (2004).