CD Review: David Broza & The Andalusian Orchestra Ashkelon's 'Andalusian Love Song'

David Broza & The Andalusian Orchestra Ashkelon
Andalusian Love Song
Magenta/Eight Note

Hailing from Israel, David Broza rocks the world with a delightful, Andalusian album that bridges the music of Spain, the Middle East, and North Africa into one indelible result. The seventeen tracks are sung in English, Spanish, and Hebrew with instrumental influences arranged in classical, folk, pop, and roots medleys. The vocals are strong and timeless. The edgy percussion, soaring strings, and multi-layered instrumental arrangements make Andalusian Love Song a very pleasant listening experience. The diverse influences and instrumentation provide a more balanced result that is not boring or redundant. The sweeping, "Dangerous Autumn," contains beautiful instrumental parts, alongside heady vocals in Hebrew. It is impossible to pick one of the best tracks, as all of them are unique and worthy of number one. Fans of North African, Middle Eastern, and European orchestral music will find the album to be a perfect ten! ~ Matthew Forss

CD Review: Kiran Ahluwalia's 'Sanata: Stillness'

Kiran Ahluwalia
Sanata: Stillness
Magenta

Indo-Canadian, Kiran Ahluwalia, ventures into uncharted territory with the swirling, bluesy, guitar riffs characteristic of North Africa's Saharan Desert region. However, South Asian delicacies are still apparent throughout the album, but the instrumental guitar, harmonium, and drums arouse a North African spirit laced with curry-scented morsels called songs. The breezy and bluesy style of "Hayat" resembles a North African anthem spearheaded with vocals of a South Asian origin, but "Sanata" contains similar influences . "Jaane Na" is more aligned with Indian jazz and pop with drifting melodies and floating vocals. "Lament" is a South Asian jazz tune with elements of rock, fusion, experimentation, and contemporary leanings in a mostly instrumental display. All of the music is created from acoustic/electric guitars, bass, tabla, organ, harmonium, drums, and vibraphone. Overall, Kiran challenges music origins and presents them in a very endearing package. Liner notes are in English, Hindi/Punjabi, and French.

CD Review: Pharaoh's Daughter's 'Dumiyah'

Pharaoh's Daughter
Dumiyah
Magenta

The great Basya Schechter is the Pharaoh's Daughter's chief vocalist and progenitor of the group. The Jewish-inspired and infused concoctions are actually pan-global with tons of influences coming from North American psych, Mediterranean folk/rock, and Middle Eastern music. The diverse song styles and multi-instrumental compositions create an engaging world fusion of sorts that succeeds on all accounts. The refreshingly authentic and memorable grooves are carried by Basya's female vocals that float effortlessly throughout the melodies. The music incorporates the synth, electric guitar, shofar, hammered dulcimer, acoustic guitar, resonator guitar, santoor, kora, ney, tuba, trumpet, and more. The entire production is contemporary with traditional elements that are very catchy and majestic overall. A very good recording to say the least. ~ Matthew Forss

CD Review: Various Artists' 'globalFEST Selector'

Various Artists
globalFEST Selector
Magenta

globalFEST is a not-for-profit organization that promotes world music from around the globe that is marked by a music festival every January in New York City. The thirteen-track release covers the gamut of musical styles--ranging from electronica, Middle Eastern dance, African blues, and beyond. The album is quite contemporary, but still retains an ethnic charm full of lively instrumentation that is traditional. The North African trance music of Hassan Hakmoun is evident on the first track, "Balilli." Brooklyn Qawwali Party brings the late-Nusrat Fateh Ali Khan's music to life, instrumentally speaking with a side of jazz, on "Sochan Dongian." Kailash Kher brings us a South Asian-tinged concoction of swirling electronica elements on "Rang Rang Ma." Other great tracks are included, such as "El Madi" from Noura Mint Seymali, "Khadadaa" by Namgar, and "San Kuily" by Alif Naaba. There are thirteen different artists presented here. Twelve of the tracks are previously unreleased, but the result is far from ho-hum. Every track is diverse, upbeat, and catchy. Great stuff! ~ Matthew Forss