CD Review: Tom Teasley's 'Dreams Of India'

Tom Teasley
Dreams Of India
T & T Music

The DC-area percussion king, Tom Teasley, pounds out beat after beat of incredible instrumental mastery incorporating world percussion and some contemporary electronic embellishments on his latest release, Dreams Of India. The pulsating tracks showcase diverse percussive stylings produced by instruments such as doumbek, alto melodica, tabla, konnakol, bamboo flute, wavedrum, cajon, udu, hang, glockenspiel, cymbal, shakers, kalimba, riq, snare, kanjira, bodhran, and a few others. The mix of wind instruments and percussion instruments provides a great balance between light, dreamy sounds and heavier percussive beats. Still, the music is never over-produced and the sounds are a mix of fusion, new age, and jazz. Yes, there are South Asian influences, but there is also an experimental vein bringing in North American styles to a point. Tom's vocal scat is another percussive instrument that is utilized on a few tracks. Overall, there are cinematic moments, dreamy qualities, and entrancing tunes that are both nostalgic and contemporary. Dreams Of India is the best dream anyone can have! ~ Matthew Forss

CD Review: Tina Malia's 'Bridge To Vallabha'

Tina Malia
Bridge To Vallabha
Self-Release

Tina Malia discovered the great mantras of South Indian devotional music just before working with Jai Uttal's Pagan Love Orchestra. Falling in love with Sanskrit mantras, Tina has released four previous albums covering different aspects of mantra music. The latest offering, Bridge To Vallabha, contains a host of vocalists, including Karnamrita Dasi, Peia, Donna DeLory, Heather Wertheimer, Jai-Jagdeesh, Sasha Rose, Al Torre, and a few others. In addition, Tina is not only a vocalist, but a skilled musician on various guitars, Rhodes, synths, vibraphone, charangon, and percussion. The rather symphonic, spacious, and awe-inspiring songs bring in cello, sarangi, lap steel, bass, tabla, piano, and shaker for a more textured result. The music is not as dance or urban-oriented as Wah! or Donna DeLory, but the end result is still impressive. There are mostly Sanskrit chants throughout, but a nod to Hebrew and Native American influences are present on two separate tracks. At any rate, Tina's vocals are atmospheric, light, and brilliant--all in the same breath. ~ Matthew Forss

CD Review: Shankar Tucker's 'Filament'

Shankar Tucker
Filament
Shrutibox Music

Shankar Tucker's new album, Filament, brings together neo-classical stylings, Hindustani classical music, and Western traditions in a contemporary context for both voice and instrument. Shankar is a clarinetist, but also adds vocals, guitarist, keyboardist, pianist, and percussionist to his list of talents. The wildly effervescent clarinet on "Chal Chal Sakhi" is especially intriguing, along with the vocals of Ankita Joshi. The heavily-laden cast of musicians on "Aa Re Chanda" brings out the classical, contemporary dance, and Indian music across form different forms: alaap, exposition, improvisation, and tillana. The vocals of Vijay Prakash on "Dil Hai Namazi" are very serene and ballad-like. The song is backed by Shankar's clarinet with tabla, cello, drums, keyboards, and guitar for a more modern arrangement. The more modern "Kashti" contains all the great tabla rhythms, percussion, and clarinet, but it adds the sweet vocals of Nikhita Gandhi for a truly remarkable result. Overall, Filament turns out to be the real-life thread that bridges the musical gap between the East and the West. ~ Matthew Forss    

CD Review: Midival Punditz' 'Light'

Midival Punditz
Light
Six Degrees Records

The electronic and fusion-focused Midival Punditz release their latest album, Light. It is anything but light from a musical standpoint. In fact, the tunes are rather hard-hitting with diverse South Asian, new age, and world music stylings with contemporary beats, guitars, and traditional sounds emanating from keyboards and actual instruments. The rather organic and enticing sound from New the Delhi-based duo stem from eighteen-years of DJ culture exposure and world music experience, which culminate in a very rewarding and satisfying album. There are nine tracks, but most of them are pretty long. Everything is diverse and reaches deep into the soul of the Earth with fluttering melodies, heavy percussion, wild guitars, dance-friendly beats, and a mix of electronic sampling and engineering that is unparalleled. All of the songs are produced by Gaurav Raina and Tapan Raj--the progenitors of the group. The primary sounds resemble South Asian electronica mixed with a dose of The Trans-Siberian Orchestra! ~ Matthew Forss

CD Review: Kiran Ahluwalia's 'Sanata: Stillness'

Kiran Ahluwalia
Sanata: Stillness
Magenta

Indo-Canadian, Kiran Ahluwalia, ventures into uncharted territory with the swirling, bluesy, guitar riffs characteristic of North Africa's Saharan Desert region. However, South Asian delicacies are still apparent throughout the album, but the instrumental guitar, harmonium, and drums arouse a North African spirit laced with curry-scented morsels called songs. The breezy and bluesy style of "Hayat" resembles a North African anthem spearheaded with vocals of a South Asian origin, but "Sanata" contains similar influences . "Jaane Na" is more aligned with Indian jazz and pop with drifting melodies and floating vocals. "Lament" is a South Asian jazz tune with elements of rock, fusion, experimentation, and contemporary leanings in a mostly instrumental display. All of the music is created from acoustic/electric guitars, bass, tabla, organ, harmonium, drums, and vibraphone. Overall, Kiran challenges music origins and presents them in a very endearing package. Liner notes are in English, Hindi/Punjabi, and French.

CD Review: Stevin McNamara's 'Shakti Guitar'

Stevin McNamara
Shakti Guitar
White Swan Records

Stevin McNamara's latest foray into meditational bliss on Shakti Guitar adds a beautiful serenity to soul-soaked compositions ripe with engaging melodies and soothing rhythms. Stevin's contemplative guitar stylings are accompanied by drums, gongs, bells, bass, Bansuri flute, sarod, tabla, acoustic bass, tamboura, frame drum, and other percussive instruments. The sweeping sounds are very fulfilling and addictive. There are even a few vocals (thanks to Sheela Bringi), but the majority of songs are instrumental. Stevin's nylon guitar strums and plucks project listeners into a trance-induced coma of a higher consciousness. The light sounds are more akin to new age constructions or even film soundtracks. The spacious sounds and heavenly ambiance attract listeners with entrancing elements and shape-shifting progressions that never disappoint. If you want to do yoga, sleep, relax, chill, or think at a higher level, then Stevin McNamara will get your shakti's aligned with this one! ~ Matthew Forss

CD Review: Megan Chaskey's 'Naam Radiance'

Megan Chaskey
Naam Radiance
Heartways Music

Produced around the basic structure of Naam Yoga meditation, Naam Radiance is a collection of Sanskrit-soaked compositions that feature wistful sounds and glorious melodies that are transcendental and soul-soothing. Almost an hour of calming music is included on her new album. Her vocal delivery is delicate, purposeful, and amazing. Of course, there are South Asian influences, but there are also world fusion embellishments on guitar, bass, piano, percussion, celtic harp, and cello. Each song is meaningful on a deeper level, but they be easily enjoyed with passive listening. One need not be a yoga expert or practitioner to appreciate the multi-factoral songs. As a whole, the recording is light, airy, spacious, and pleasantly-delightful. Anyone with an interest in contemporary yoga music will love Naam Radiance. ~ Matthew Forss

CD Review: Ahmed's 'Dhaalu Raa'

Ahmed
Dhaalu Raa
Asasi Records

Ahmed Nasheed hails from The Maldives--a tiny group of islands off the coast of India. Ahmed weaves melodies and rhythms of The Maldives with acoustic and electric guitars, drums, sax, percussion, bass, organ, and euphonium. The contemporary instruments are played right alongside traditional, percussion instruments, such as boduberu and dhandi. The soft and laidback "Dhiyaanaage Huvafen" is poignant and emotive with arrangements akin to Daby Toure of West Africa. The upbeat "Alifuthu" provides lots of log drum rhythms and rockin' guitars in a pop-focused arrangement. "Dhoni" contains great vocal harmonies and sweet guitar sounds in a classic, laidback melody that resembles world folk at its best. "Magumathi" is a jazzy and punchy tune with guitar rhythm rich in roots and fusion. "Manjemen" is another stellar track with soft vocals and light guitar work. The rock guitar elements electrify the notes on "Rasge." Overall, the songs are sweet and melodic with very inviting elements from an ocean community rarely heard in the West--or other places, for that matter. Think of Gurrumul meets Daby Toure. Take a trip to The Maldives and let Ahmed be your musical guide. ~ Matthew Forss

CD Review: Various Artists' 'globalFEST Selector'

Various Artists
globalFEST Selector
Magenta

globalFEST is a not-for-profit organization that promotes world music from around the globe that is marked by a music festival every January in New York City. The thirteen-track release covers the gamut of musical styles--ranging from electronica, Middle Eastern dance, African blues, and beyond. The album is quite contemporary, but still retains an ethnic charm full of lively instrumentation that is traditional. The North African trance music of Hassan Hakmoun is evident on the first track, "Balilli." Brooklyn Qawwali Party brings the late-Nusrat Fateh Ali Khan's music to life, instrumentally speaking with a side of jazz, on "Sochan Dongian." Kailash Kher brings us a South Asian-tinged concoction of swirling electronica elements on "Rang Rang Ma." Other great tracks are included, such as "El Madi" from Noura Mint Seymali, "Khadadaa" by Namgar, and "San Kuily" by Alif Naaba. There are thirteen different artists presented here. Twelve of the tracks are previously unreleased, but the result is far from ho-hum. Every track is diverse, upbeat, and catchy. Great stuff! ~ Matthew Forss

CD Review: DJ Drez' 'Jahta Beat: Chanting With Tigers'

DJ Drez
Jahta Beat: Chanting With Tigers
Black Swan Sounds

DJ Drez creates a swirling mix of Indian rhythms, urban grooves, and down-tempo beats that are mystical, magical, and deeply-rooted in South Asian instrumentation. The contemporary approach is both instrumental and vocal with electronic embellishments that are unforgettable. DJ Drez employs the help of various artists, including Kirtaniyas, Domonic Dean Breaux, Marti Nikko, Arjun Baba, Kirti Srinvastava, Sheela Bringi, Trae Sevin, and Masood Ali Khan. There are filmic undertones, dance tracks, hip-hop instrumentals, kirtan tracks, and world fusion works that combine South Asian instrumentation with urban grooves and beats that cannot be ignored. Fans of contemporary kirtan, dance, yoga, Sanskrit tunes, and similar music will find DJ Drez soulfully-appealing. ~ Matthew Forss

CD Review: Gao Hong's 'Quiet Forest, Flowing Stream'

Gao Hong
Quiet Forest, Flowing Stream
Innova

Pipa master, Gao Hong, is a Chinese lute player with a knack for creating beautiful melodies and scintillating songs. On Quiet Forest, Flowing Stream, Gao enlists the help of acclaimed-veena player and vocalist, Nirmala Rajasekar, Michelle Kinney on cello, Biplab Bhattacharya on table, David Hagedorn on percussion, Shubhendra Rao on sitar, Joseph Schad on piano, and Kenny Endo on taiko drum. The galloping melodies are steeped in an Indo-China medley of song elements that work quite well together. The instrumental work is full of spritely melodies that represent a little Inner Asian influences, such as Mongolian folk songs. There are some vocals on "Butterfly" and "Celebration," but they are primarily used for an aural accompaniment. Fans of South Asian, Chinese, and Central Asian folk music should add Gao Hong to their collection. ~ Matthew Forss

CD Review: Debashish Bhattacharya's 'Madeira'

Debashish Bhattacharya
Madeira
Tridev Music India

Madeira is an album that explores the lighter side of Indian classical music with a mix of slow-paced ragas, upbeat rhythms, and semi-classical compositions. The album is a family affair with Debashish Bhattacharya being joined by his daughter, Anandi Bhattacharya on vocals and Subhasis Bhattacharya, Debashish's brother, on tabla. There are five tracks in all. "Madeira" is a sixteen-minute tune showcasing Raga Lalit (aalap on Chaturangui), "Morning Gait" on Raga Kaunsi Bhairav (composition in vilambit teentaal), "Jhoom" on Raga Kaunsi Bhairav (composition and jhala in med. and fast tempo), "Colours Of Love" on Raga Manj Khamaj (chaiti), and "O My Beloved!" on Raga Pilu (thurmi). As the tracks play out, each one brings in a little more percussion, vocals, and/or sitar. Anandi's vocals are sweet and light with a slight huskiness that seems to add more maturity to the mix. At any rate, fans of Debashish Bhattacharya will love the new recording, as well as fans Indian classical music in a slightly contemporary setting. ~ Matthew Forss 

CD Review: Debashish Bhattacharya's 'Beyond The Ragasphere'

Debashish Bhattacharya
Beyond The Ragasphere
World Music Network

India's international superstar, Debashish Bhattacharya, is a lap steel aficionado, as well as an innovative musical performer combining styles of jazz, funk, fusion, and folk. The experimental nature of Beyond The Ragasphere stems from guest musicians, John McLaughlin and dobro king, Jerry Douglas. Of course, there are Indian flavors from the tabla, flute, keybaord, hand percussion, and various drums. However, the improvisational guitar sounds and reverberating string drones makes Beyond The Ragasphere a memorable and invaluable recording. There are even some vocals on a few tracks provided by Debashish's daughter, Anandi Bhattacharya. Anyone with an understanding of traditional raga forms will appreciate the 'non-traditional' approaches here. Fans of Indian jazz, fusion, and world music will love Debashish's new recording. ~ Matthew Forss

CD Review: MC Yogi & The Sacred Sound Society's 'Pilgrimage'

MC Yogi & The Sacred Sound Society
Pilgrimage
Mindful Talent/White Swan Records

MC Yogi lights up the charts with blissful banter that is performed in the style of hip hop, rap, urban, and South Asian-inspired styles. The largely contemporary work contains a plethora of genres, including dance, electronica, street music, rap, rock, hip hop, klezmer, and pop with a nice dose of jazz. The music is similar in tone to the Beastie Boys--if they were yogis. At any rate, the electronic wizardry, record scratches, boisterous horns, rock drum-kits, and harmonium-inspired melodies create an energetic appeal to young yogis the world over. The incredibly catchy and divine "Jai Sita Ram" contains a steady, but slow beat with Sanskrit vocals and a droning harmonium. There are nineteen incredible tracks with lovely flutes, percussion, urban jingles, and danceable riffs that are sure to awaken anyone's darkened soul. Let MC Yogi & The Sacred Sound Society lead you on the path to enlightenment with their latest, poignantly-titled devotion--Pilgrimage. ~ Matthew Forss

CD Review: DJ Drez' 'Jahta Beat: The Lotus Memoirs'

DJ Drez
Jahta Beat: The Lotus Memoirs
Black Swan Records

California-based yogic extraordinaire and down-tempo beat-maestro, DJ Drez, dazzles listeners with a splendid release of contemporary beats, South Asian drones, and electronic sensibility with tranquil percussion and magnificent mantras. The fifteen tracks traverse worlds of Indian beauty, sonic explorations of yogic styles, and vocals that are Krishna-centric and blissful. Various singers and/or instrumentalists are featured, including Marti Nikko, Kirtaniyas, Domonic Dean Breaux, Arjun Baba, Joey Lugassy, and Deepak Ramapriyan. The typical kirtan dance instrumentation is here, but a good dose of dub beats and contemporary dance rhythms are also present. There is also a hint of jazz thrown in on ""Wind Talker." The tabla percussion, sitar drone, and various instruments are mostly electrified, but there is still an inherent beauty in the raw, wholesome delivery of the songs. Anyone interested in Black or White Swan Records will probably already know about DJ Drez, but now it is time for others in the world to discover his talents. ~ Matthew Forss 

CD Review: Pandit Rajeev Taranath's 'Swar-Kalyan'

Pandit Rajeev Taranath
Swar-Kalyan
Navras

Swar-Kalyan is a live recording from two different locations: Raga Yaman Kalyan at the Theatre de la Ville in Paris in 2008 and Raga Mishra Kirwani and Raga Sindhu Bhairavi at the University of Oregon in 2003. Pandit Rajeev Taranath is a leading sarod player from India. The sarod is an unfretted string instrument with metal, plucked strings. Taranath is joined by tabla player, Abhiman Kaushal. The reflective, meditative, and captivating compositions are timeless, professional, and authentic. The music is raw, unplugged, and historical. This is perfect for relaxing, unwinding, and understanding the complexities of Hindustani music. A must-have for sarod fans. Liner notes are included for this instrumental, one-hour release. ~ Matthew Forss

CD Review: Simon Thacker & Nava Rasa Ensemble's 'Nada Ananda'

Simon Thacker & Nava Rasa Ensemble
Nada Ananda
Slap The Moon Records

Classical guitarist, Simon Thacker, is a stunning, Scottish performer of Western, European, and South Asian musical styles. Together with the Nava Rasa Ensemble, Simon creates wonderful musical pieces with musicians as diverse as Brazil's Mario Caribe on bass; Sarvar Sabri on tabla; Jyotsna Sriknath on violin; and Nigel Osborne and Shirish Korde as composers. The album is divided into two segments: a three-part concerto for guitar and chamber ensemble and a six-track portion composed by Nigel Osborne, featuring the classical guitar and various strings. The Nava Rasa Ensemble features not only Simon Thacker on guitar and Mario Caribe on bass, but also contributions from the Edinburgh Quartet, Tristan Gurney, Philip Burrin, Michael Beeston, Mark Bailey, and Iain Sandilands. The entire album only runs about forty-minutes. However, the music is quite dramatic, brooding, and contemplative. The mix of classical and Indian music is brilliant, moving, and creative. The instrumental--and slight avant-garde album--is ideal for fans of L. Subramaniam or Matthew Montfort. ~ Matthew Forss

CD Review: Ustad Fateh Ali Khan's 'Bandish: Classical Compositions Re-Interpreted'

Ustad Fateh Ali Khan
Bandish: Classical Compositions Re-Interpreted
Sachal Music

Born in Pakistan, Ustad Fateh Ali Khan showcases his classical voice for eight different ragas that are re-interpreted with The Orchestra of the Great Musicians of Lahore. The raga compositions are similar in tone to Indian ragas. The instrumentation is similar, notably the sitar, table, dholak, mrdang, violin, santur, shehnai, mandolin, sarangi, sarod, viola, assorted percussion, and more contemporary instruments, including the Spanish guitar, keyboards, and bass guitar. The rich instrumentation and Ustad Fateh’s classic voice gives the music very high marks with limited outside influence. Specifically, the music may be re-interpreted, but it still retains its Punjabi charm. Every track is great. If you are into classical Punjabi or Indian music, then Bandish… is right for you! ~ Matthew Forss

CD Review: Various Artists - 'Omega Ecstatic Chant' [2 CD]

Various Artists
Omega Ecstatic Chant [2 CD]
White Swan Records

The 2-CD live set of contemporary kirtan musicians from the Omega Spring Ecstatic Chant session earlier in 2011 is showcased on the latest White Swan Records release. The ecstatic release is more energized than other devotional music--possibly due to the live concert environment. However, the music is still kirtan performed from a variety of artists in the genre, including Krishna Das, Deva Premal, Miten, Snatam Kaur, Wah!, Shyamdas, Carioca, Jai Uttal, and Vishal Vaid. The music is steeped in South Asian musical traditions in a contemporary setting with yoga grooves as smooth as yogurt. The female and male vocals are effervescent and always inspirational. The two-hour set of music features a who's-who in the world of yoga pop and kirtan music. Fans of yoga music and kirtan will need to acquire this one. It does your soul good. Recommended tracks: All of them. ~ Matthew Forss

CD Review: Botown's 'The Soul of Bollywood'

Botown

The Soul of Bollywood

Scion Records

U.K.-based Ajay Srivastava formed Botown in response to the classic Bollywood music taking the world by storm. The Soul of Bollywood contains many hits by SD Burman, Himesh Reshammiya, RD Burman, AR Rahman, Kalyanji Anadji, and Laxmikant Pyarelal. The spy-thriller vibe of "Jhalak" and "Om Shanti Om," Cambodian-sound of "Dum Maro Dum," bass-ladened "Haule Haule," reggae vibe of "Chura Liya," pop ballad of "Kal Ho Na Ho," and the funky soul song, "Chaiyya Chaiyya" stand out as some of the best tracks. For a retro-revisit, The Soul of Bollywood stirs up some classic tracks with a vibe straight out of the 1970's. The Hindi songs incorporate funk, reggae, soul, jazz, blues, rock, and electronic elements. For a funkadelic ride down memory lane located somewhere in Calcutta, then Botown is the right band for you. A stellar release! ~ Matthew Forss