CD Review: Ozere's 'Anyplace'

Ozere
Finding Anyplace
Self-Release

The Canadian folk-roots-group, Ozere, tackles beautiful melodies, breezy rhythms, and rootsy vocals with engaging instrumentals mixed in for added pleasure on their latest release, Finding Anyplace. This is mostly an original effort with only two songs attributed to other artists, such as "Wayfaring Stranger" and "MacArthur Road." The instrumental gem on the album, "Anyplace," weaves a tapestry of sonic sounds ranging from Celtic to Nordic and even the Middle East in a seamless fashion. However, the vocals are great on "Keeper" and "Someday Soon." Ozere does not fit into a specific genre very well, but anyone with a passion for folk, roots, neo-classical, new age, and world fusion will find love at first note with this one. ~ Matthew Forss

CD Review: Vishten's 'Terre Rouge'

Vishten
Terre Rouge
Les Editions Du Corfus

The folksy trio, Vishten, hails from Prince Edward Island, Canada, and thrill audiences everywhere with their unique blend of Francophone folk, fiddle tunes, ballads, and roots music. Some of the more instrumental tunes are quite suitable for dancing and foot-stomping, while the vocal tunes incorporate a little pop and roots for a truly French-Canadian or European-infused musical ride. Besides vocals, whistles, mandolins, piano, bodhran, jaw harp, guitar, accordion, and bass synth instruments fill in the repertoire. The rousing melodies are ideal for relaxing, dancing, and meditating upon the wondrous skills of Vishten. Fans of Heidi Talbot, Karine Polwart, Varttina, and fellow-countrywomen--Natalie MacMaster and April Verch--will find happiness in the tunes on Terre Rouge. ~ Matthew Forss

Song Review: Freddie Atlas' "Wicked Game"

Freddie Atlas
Song: "Wicked Game"

Freddie Atlas, a very talented musician born in Montreal, Canada, now lives in New York and dedicates his life to creating masterful pieces of musical art with slight influences stemming from the 1990's chamber pop sounds and sweepingly beautiful neo-classical orchestrations. The music of "Wicked Game" is no different. However, this is not an original tune, as it was originally conceived by Chris Isaak in 1989. Still, the result is a spot-on vocal twin to Chris, but the music is more breathtaking and slightly slower overall. The down-tempo approach allows for Freddie's vocals to magically waft through the air in a poetic harmony never-before-created by today's contemporary musicians. The music is simply backed by piano without any additional instrumentation. Freddie's vocals are also comparable to Ed Kowalczyk (of Live-fame). Overall, the four-and-a-half-minute remake contains a good amount of sweeping piano melodies and spot-on vocals that are unforgettable. 5 Stars (out of 5). ~ Matthew Forss

CD Review: Le Vent Du Nord's 'Tetu'

Le Vent Du Nord
Tetu
Borealis Records

Quebecois-origins aside, Le Vent Du Nord is a magnificient folk music group with hearty strings, thought-provoking vocals, intense melodies, raw hurdy-gurdy sounds, and other elements that are likable and timeless. There are instrumental and vocal medleys throughout. The instrumental and bouncy, "Cardeuse-Riopel," is an excellent example of piano, fiddle, accordion, and other instruments coming together in a harmonic fashion. The folksy roots and earthy feel to the album stems from the talented cast of musicians, including Nicolas Boulerice, Olivier Demers, Rejean Brunet, and Simon Beaudry. Fifteen tracks round out the album. Some of the songs are under two-minutes, but a majority of the songs are two to five-minutes long. There is a classical quality to the music, but there is a strong Quebecois element highlighting the best of French-Canadian folk music. Start off on the right foot with Le Vent Du Nord. ~ Matthew Forss

CD Review: Kiran Ahluwalia's 'Sanata: Stillness'

Kiran Ahluwalia
Sanata: Stillness
Magenta

Indo-Canadian, Kiran Ahluwalia, ventures into uncharted territory with the swirling, bluesy, guitar riffs characteristic of North Africa's Saharan Desert region. However, South Asian delicacies are still apparent throughout the album, but the instrumental guitar, harmonium, and drums arouse a North African spirit laced with curry-scented morsels called songs. The breezy and bluesy style of "Hayat" resembles a North African anthem spearheaded with vocals of a South Asian origin, but "Sanata" contains similar influences . "Jaane Na" is more aligned with Indian jazz and pop with drifting melodies and floating vocals. "Lament" is a South Asian jazz tune with elements of rock, fusion, experimentation, and contemporary leanings in a mostly instrumental display. All of the music is created from acoustic/electric guitars, bass, tabla, organ, harmonium, drums, and vibraphone. Overall, Kiran challenges music origins and presents them in a very endearing package. Liner notes are in English, Hindi/Punjabi, and French.

CD Review: Allan Moon's 'Children Of The Call'

Allan Moon
Children Of The Call
Songbird Records

Children Of The Call is a laid-back, funky, and jazz-inflected journey resulting from Allan Moon's global lifestyle in Canada, New York, and Israel. Allan's classic tone bridges alternative leanings with folk and rock beats that shimmer with raw and inspiring lyrics. The slow, symphonic beats of the crooner, "New York City," Allan blends American 1970's folk styles with a bluesy, Southern feel for a truly enigmatic result. "Children Of The Call" is an anthem that combines the vocal talents akin to Cat Stevens and Tom Petty with a heady mix of classic roots and folk. "Karolina" is another bluesy tune with classic vocals that encapsulates everything good about contemporary pop and rock music. Overall, the album brings together a mix of blues, folk, roots, rock, pop, funk, and alternative leanings in one indelible package. All the songs are in English with liner notes detailing each song. Fans of classic rock and folk with a bluesy and innovative edge will find comfort in these tunes. ~ Matthew Forss

CD Review: Roxanna's 'Exotica'

Roxanna
Exotica
RoxArt

Born in Iran and based in North America, Roxanna brings a classical voice to the forefront in world fusion and pop-based songs on her latest, seventeen-track release, Exotica. Roxanna's sensual voice is matched by Chris Botti's sensuous trumpet sounds backed by a fusion of pop and world music arrangements. The Latin and flamenco-tinged, "Unforgotten," is an exotic medley of sounds that evoke nothing but magic and mystery. "The Air That I Breathe" is a slow, jazzy, pop standard song with breathy vocals and swishy percussion backed by jazzy piano melodies. "Only You" begins with sparkling guitar sounds and flamenco-like rhythms. Roxanna's vocals are akin to another fellow countrywoman, Nazanin (a former Miss World). Every song is different, but they do not touch urban, dance, rock, or classical genres. Exotica is a great mix of world music styles backed with a great voice. The result is a winning combination that is highly-desirable. 5 Stars (out of 5). ~ Matthew Forss

CD Review: Jubilee Riots' 'Penny Black'

Jubilee Riots
Penny Black
Self-Release

Jubilee Riots (formerly Enter The Haggis) is a Canadian band that brings Celtic and Scottish jam songs to the forefront in a swirling concoction of pop songs based on fan letters and stories. There are eleven songs on the album that are all different, but very memorable. The vocal chants, European charisma, and evocative lead vocals on "Astray" highlight the power of overcoming life's cruel world. "Two Bare Hands" opens with a folksy vocal line that blossoms into a power-pop medley of ear-friendly candy that is not too unlike Mumford & Sons and Paul Simon. "Trying Times" is an alt-rock song with soul, European, and dance elements. "Unsteady" is a classic song with great melody and rhythm and male and female vocals in a folksy setting. "Porch Light" is a twenty-second, alternative piano melody in a new age context. It serves a perfect half-way point thru the album. "Traveler" is a poignant guitar, horn, and percussion song with excellent vocals. Overall, Penny Black is littered with catchy lines, melodies, and rhythms without sacrificing quality. If you want great music--this is it. Anyone interested in alternative folk, pop, and European music will love Jubilee Riots. 5 Stars (out of 5) ~ Matthew Forss

CD Review: Tanya Tagaq's 'Animism'

Tanya Tagaq 
Animism
Six Shooter Records

Hailing from Cambridge Bay, Nunavut, Canada, Tanya Tagaq is an innovative and experimental performer of throat-singing, rock, electronic, and avant-garde music inspired by the spirits of the great North. Sometimes the music is repetitive and meditative, but the wide variety of metallic, grinding, squeaking, and ancillary sounds makes it an intriguing and artistic piece of history. In addition to Tanya's sporadic vocals, there are drums, electronics, violin, viola, synths, bass, trombone, french horn, and assorted vocals throughout the eleven tracks. The combination of melodies and rhythms creates a dark and swirling masterpiece that is both chilling and exciting. Some of the sounds are quite abrasive and fairly removed from the traditional throat-singing structures, but this is contemporary music anyway. Still, Tanya succeeds with another stellar recording that has won--and will continue to win--awards. ~ Matthew Forss

CD Review: Zebrina's 'Hamidbar Medaber'

Zebrina
Hamidbar Medaber
Tzadik

A Canadian jazz pianist, Jonathan Feldman, is the brainchild behind Zebrina, which is a jazz-centered group with jam band qualities and Klezmer roots. Instead of pulsating brass and horns, Zebrina utilizes some keyboard effects and percussion to astound listeners. The instrumental tunes are edgy, fluid, and diverse. The flowing clarinet, swishy percussion, and avant-garde folk-rock stylings represent a slight new age nod that is very satisfying. There is a bit of down-tempo, funk, roots, and smooth jazz going around here. Eight catchy grooves round out the album in a fun and entertaining manner. All of the tracks are five to eight minutes long, which allows for plenty of variation that doesn't get boring. The electric guitar adds a modern spark to the some of the songs. Overall, Zebrina awakens the Jewish spirit with great jazz lines and contemporary grooves with a slight Klezmer influence. ~ Matthew Forss

CD Review: Amanda Martinez' 'Manana'

Amanda Martinez
Manana
Self-Release

Canadian-based and Latin-influenced, Amanda Martinez astounds audiences with her third release, Manana. The Latin-based release incorporates a bit of jazz, flamenco, pop, and folk amid a world music fusion of sorts that just works. The vocals are in Spanish and English with detailed liner notes for each song included. The English-sung, "Frozen," is a contemplative, swirling song of angelic melody and longing humility. The giddy and vibrant, "Esperanza Viva," contains a great Latin rhythm and catchy melody with full percussion, drums, guitars, and back-up vocals on this pop-centered track. "Nuevos Caminos" continues in the Latin traditions with heartfelt vocals and a great percussion set that is enthralling and memorable. The jazzy, "No hay Distancia," opens with a pensive trumpet and a slow, minimalist beat with Amanda's smoky voice that is both tender and authentic. Amanda showcases her vocal talent in-line with classic singers from Latin America, but in a youthful, nostalgic manner. Overall, Manana is a real treat for fans of Latin music in general. This is not your typical flamenco/conga/drum music, as it moves beyond those monikers and incorporates other styles and instruments to make it very appealing and worthy of repeated listens. ~ Matthew Forss

CD Review: Pacifika's 'Amor Planeta'

Pacifika
Amor Planeta
Six Degrees

The Pacifika trio of vocalist Silvana Kane, bassist Toby Peter, and guitarist Adam Popowitz, creates a refreshing fusion album of pop/rock/funk sounds inherited from South American, Caribbean, and African sources. The sweet vocals of Silvana make the songs stand out, but the instrumentation is equally-compelling. Adam's Canadian roots and Toby's Barbados upbringing may be limited influences here, but there involvement propel the group into catchy melodies, serene rhythms, and fascinating tonal textures. There are ten tracks to satisfy your ears. The breezy songs are classy, professional, and outwardly appealing to anyone within ear-shot. The funky little rhythms and jazzy undertones make Amor Planeta shine with love from the artists and anyone that purchases the music. A moving, emotive, and intellectual release. ~ Matthew Forss

CD Review: Eccodek's 'Singing In Tongues'

Eccodek
Singing In Tongues
Big Mind/Black Swan

Canadian-based, Eccodek brings us a new recording of global dance, fusion, and world music that mixes contemporary electronica with exotic dub, ethnic folk, and indigenous voices and languages for a truly global journey. The music is a bit more spacious and varied than the music of Tulku. However, there are some trance elements from South Asia and Africa. The groove-laden bass-lines, killer rhythms, and infectious sounds make Eccodek shimmer with a multinational beauty. Eccodek is joined by kirtan singer, Onkar Singh, hip-hop hipster, MC Yogi, Balkan beacon, Meral Mert, and Morgan Doctor - a talented drummer. Of course, there are additional musicians and instruments, which make up the rest of the album. Various guitars, flutes, percussion instruments, horns, and far-reaching sounds blend with several different languages. The whole album is a success; so it is nothing new for Eccodek. ~ Matthew Forss

CD Review: Cinco Santos' 'Duplicidad'

Cinco Santos
Duplicidad
Motivo Music Group

Formed by Lorenzo Montero of Canadian and Spanish decent, Cinco Santos embodies the spirit of Latin fusion incorporating various singers, guitarists, and musicians from Mexico, Colombia, and Argentina. The moving "Azucar y Amor" is a gypsy, flamenco, and fusion tune with jazzy, Latin elements that are ripe with roots, folk, and breezy rhythms. "Nunca Mas" is an edgy, Latin fusion track with a choppy beat and great guitar accompaniment. "Te Quiero Aqui" opens with an industrial element that quickly delves into a Latin jazz and flamenco tune. "Duplicidad" begins with a jingly guitar and bass opening that includes an edgy vocal line that infuses a lighter guitar accompaniment throughout. There is a mix of grunge, Latin jazz, and Latin pop with rock, roots, and folk throughout. Without a clearly-defined path, Cinco Santos feel better forging their own path of music with mixed Latin influences for a truly engaging and charming mix of music. Fans of Latin fusion, jazz, Latin rock, flamenco, gypsy, and South American pop will love Duplicidad. ~ Matthew Forss

CD Review: Adrian Raso and Fanfare Ciocarlia's 'Devils' Tale'

Adrian Raso and Fanfare Ciocarlia
Devil's Tale
Asphalt-Tango Records

The Balkan tunes of Fanfare Ciocarlia merge with Canada's eminent guitarist, banjo player, and electric bass aficionado, Adrian Raso. The instrumental tunes are mysterious with a saucy saunter and bellowing character that is anything but dull. The jazzy beats are quite pronounced and almost arranged in a Klezmer style. The punchy brass and uppity melodies are energetic and full of life. The musical style seems to mix old charm with new creative ideas that are refreshing and lively. Anyone with an interest in Balkan jazz, Romani music, and big brass sounds should check out Adrian Raso and Fanfare Ciocarlia. The Devil's Tale will grab you and never let you go. It's totally addictive. ~ Matthew Forss

CD Review: Brenda McMorrow's 'Igniting The Beauty'

Brenda McMorrow
Igniting The Beauty
White Swan Records

Canada's Brenda McMorrow brings us a soul-stirring and deeply-introspective listening experience that combines ancient Sanskrit mantras, kirtan elements, and yoga pop aesthetics primarily with voice and guitar. The contemporary music is serene, inspirational, and meditative, while maintaining a soothing result that is both catchy and meaningful. Brenda incorporates keyboards, dotar, acoustic/electric guitars, bass, drums, and assorted programming in the mix. The light and carefree vocal calisthenics and scintillating guitar structures are top-notch throughout. Brenda 'ignites' not only beauty, but creativity, as well. Unlock your inner lotus with Brenda McMorrow's latest soul-quenching wanderings on Igniting The Beauty. ~ Matthew Forss

CD Review: Cole Hermer & The Ravens' 'Quoth The Raven'

Cole Hermer & The Ravens
Quoth The Raven
Self-Release

Hailing from Ontario, Canada, Cole Hermer & The Ravens resurrect vocals and melodies of good 'ol rock music from the 1980s and 90s with all original material, a guitar, a voice, and a dream. Cole's vocals fall somewhere between Axl Rose and Fuel. The five-track release contains rock/metal-infused tunes with "California Breakdown," "Exploitable," and "Teenage Creed." These tunes contain big guitars, punchy rhythms, great vocals, and great licks with spectacular electric guitar solos. For a lighter side, Cole's ballad creations take the stage on "Friends" and "Maybe." The vocals are still great, as well as the instrumental arrangements. These latter songs represent a more intimate picture to the musical mix. Quoth The Raven has everything from hot licks to hot vocals that leave an impression. Fans of good rock music will love it. Everyone else will love it, too! ~ Matthew Forss  

CD Review: Yasi's 'Bullet Through My Heart'

Yasi
Bullet Through My Heart
Yasi Music

Canada's electro-pop princess, Yasi, brings us a set of three songs that traverse the electronic worlds of pop, down-tempo, and dance with lush, sensual vocals and industrial, frenetic, and heart-pounding beats. The pulsating, cinematic, and dance-friendly tune, "Bullet Through My Heart," is a swishy percussion tune that is matched with dreamy, electronic embellishments that are heavenly to say the least. With vocals akin to Hooverphonic and Alpha and a beat resembling Lady Gaga and Katie Melua, Yasi makes her mark with these three tunes. "Dressed To Kill" is amore industrial-esque tune with metallic sounds, spirited vocals, and loud, swishy percussion sounds that are magnificent and entrancing. The dance tune contains showers of metallic sounds and soaring vocals that are sweet, yet commanding. The final tune, "Forever More," contains pizzicato sounds and chiptune elements with frenzied percussion. The edgy vocals and metallic noises are more abstract than the other tunes, but there is still a dance element throughout. At any rate, Yasi is a voice to reckon with in the dance genre today! If you want more substance in dance music, you've come to the right place. ~ Matthew Forss

CD Review: Yuca's 'Rebuilding The Fallen Empire'

Yuca
Rebuilding The Fallen Empire
Rising Empire Records

The British Columbia-based band, Yuca, is an anthemic rock and roll group with loud instrumentation and fresh sounds. The anthemic opener, "Skeletal Desires," adds a little brass to the anthemic, Trans-Siberian Orchestra-esque medley. The vocals are emotive and alternative. "Maybe We'll Riot" opens with blurby showers of sparks and brilliant displays of orchestrated slices of rock heaven. The punchy guitars, percussion, and vocals are showy and mesmerizing without an element of false reality. "Give Up My Ghost" begins with a sauntering rock beat and radio-esque voices with a throbbing, yet eerie guitar sound. The vocals kick in and provide a perfect accompaniment to the instrumentation. "Where Are My Soldiers At" is another fine rock anthem with big vocals, big guitars, and big sounds that do not necessarily take a pop path, but the result is still very catchy and memorable. "Sparrow" is a languid, cinematic, and experimental rock track with entrancing sounds and orchestral beats. There are ten tracks in all that prove Yuca knows how to create, compose, and perform beats with a purpose. ~ Matthew Forss     

CD Review: Jayme Stone's 'The Other Side Of The Air'

Jayme Stone
The Other Side Of The Air
Self-Release

Canadian banjoist, composer, and producer, Jayme Stone, brings us a fresh release of globetrotting instrumentals that fit a chamber orchestra with such passion, intensity, and experimentation. This represents not only a classical side, but also an African and American roots conglomeration. Imagine experimental jazz with world fusion and classical undertones directing the entire project. The sparkling banjo tones and blurting horns and vibrant strings keep everything moving along unapologetically. It may be world jazz, world music, world fusion, or neo-classical, but one thing is for sure: the music is top-notch. Anyone looking for plaintive and relaxing tunes that seem to incorporate different ethnic influences will love this jazzy, classical, and unique recording. ~ Matthew Forss