Showing posts with label modern. Show all posts
Showing posts with label modern. Show all posts

Wednesday, May 20, 2015

CD Review: Novalima's 'Planetario'

Novalima
Planetario
Wonderwheel Recordings

Afro-Peruvian musical connections have been Novalima's mainstay. Planetario is no exception, as the group continues to perform and preserve Afro-Peruvian and Afro-Colombian stylings, while maintaining a unique identity. The cumbia beat of "Beto Kele" represents a very earthy and infectious track with great percussion and vocals. The entrancing and addictive "Memekume" is more contemporary, but full of trippy elements and sporadic percussion. Novalima brings in artists as far away as the UK, Colombia, and Spain for a globetrotting, musical result that is anything but boring. If edgy, modern, and world-infused musical concoctions are what you seek, then Novalima's Planetario is a must-have. ~ Matthew Forss

Sunday, August 4, 2013

CD Review: Sorie Kondi's 'Thogolobea'

Sorie Kondi
Thogolobea (Famous)
Dutty Artz

Born blind, Sorie Kondi does not let that deter him from making music. Born, raised, and based in Sierra Leone, Sorie manages to create scintillating tunes on the cheery and tinny mbira or thumb piano. There is a back beat that is highly contemporary and reminiscent of the Congolese funk sounds of the 1970s and 80s. There are backup vocals and bass-driven and drum-infused tunes that are vibrant and moving. Sorie's great vocals, which are indicative of Oliver Mtukudzi's, fill in the music with such an organic presence that it is borderline iconic and infectious. There are nine tunes in all. Each tune has a funky, rumba-like presence that keeps the feet moving and human bodies in dancing unity. Thanks to American, Luke Wasserman, Sorie's music is now a reality for an international crowd. Released on Dutty Artz, Sorie presents an addictive mix of modern sounds and traditional instrumentation that does not disappoint. Thogolobea, which means 'famous,' is aptly-titled and not far from the truth. ~ Matthew Forss

Wednesday, February 22, 2012

Song Reviews: Hailee Araya

Hailee Araya
Self-Release

This is a review of three new songs from Sweden's Ethiopian (and now Miami-based) singer, Hailee Araya. The first song available as a download is "Diaspora." This is an English-lyric song with a nod to the African continent. The contemporary dance elements are evident, but the music is relatively relaxed and R&B-focused. A piano melody, ululating background vocals, and light percussion marks the song's most poignant moments. Hailee's young voice breathes life into the song without sounding weak or overwhelming. "Show You Love" contains a reggae beat with keyboards, funky percussion, and Hailee's sweet voice that echoes with love and delight throughout. The music sounds a bit like modern Ethiopian tunes, but it is still uniquely Araya-esque. The ambulating percussion and melody is good overall. The final track, which is unnamed, contains Beniton the Menace and Hailee on vocals. The urban beat is more North American in delivery, but it still retains a degree of reggae and Ethiopan ambiance. It will be exciting to hear more from Hailee in the future. Keep your ears tuned! ~ Matthew Forss

Thursday, March 24, 2011

CD Review: Kouame Sereba & Erik Wollo's 'Bako'


Kouame Sereba & Erik Wollo
Bako

The Norwegian-based, Ivory Coast singer, Kouame Sereba, continues his unique ambient afro-beat style of music on Bako (The Travel). The electronic accompaniment and guitar work from Erik Wollo adds a more contemporary feel to the album as a whole. Keep in mind the music is not trance or techno. It is not rock either. The contemporary sound is more indicative of Sa Dingding's Harmony (Wrasse, 2010) or Huun Huur Tu's Eternal (Electrofone Music, 2009). The modern beat of "Ha Yah" and "Kilimanjaro 2" reflect some of the Real World label productions in scope. Even though the musicians are based in Norway, the music of Norway is virtually nonexistent on this mostly African music release. Of course, it still contains the electronic blurbs, catchy melodies, and percussion familiar to most Europeans, North Americans, and Africans. The more solemn "Koloyni" and "Mameri" represent a softer side. Nevertheless, Bako is an excellent journey of modern instrumentation and traditional vocals that bridge together continents and one another with amazing results. ~ Matthew Forss

Thursday, February 24, 2011

CD Review: Telepath's 'Crush'


Telepath
Crush

Telepath is the brainchild of Michael Christie and it is composed of several musicians from around the world, including Jamaica, Africa, India, and the USA. The third release, Crush, is sure to keep up the beat of global trip hop, downtempo, dancehall, and electronica. A fresh and engaging sound is one of the most important hallmarks of Telepath. The groove-laden beats are especially attractive on "Justify", "In This Time", "Mama", "Carry The One", "Freedom", and "The Ancient Ones". The Bhangra beats of "Dust" and Indian-influenced "Rohi" and "Down The Block" possess definite Bollywood similarities. The tracks are mostly vocal and incorporate many instruments including snake charmer, keyboards, drums, bass, guitar, flutes, tumbi, violin, sitar, trombone, sax, and trumpet. "Critical Mass" is a psychtronica-driven, Balkan and Indian-fusion song of electronic excellence. A nice mix of sounds, instruments, and a globally-enveloped set of songs provides a well-balanced and most of all, intriguing collection of singers and rhythms from around the world. With a name like Telepath, you know it's going to be good before you even listen to it! ~ Matthew Forss

Sunday, January 30, 2011

CD Review: Yarga Sound System - 'Live'


Live

Hailing from Northwestern Russia, in the Republic of Karelia, resides a band so engrossed with Russia's mystical and folk music, that Live is literally a soundtrack of Northern life. The electronic noises and sounds perfectly accompany a diverse repertoire of mbira, throat-singing, violin, kalimba, winds, loops, and dubs. It is not a particularly modern sound, but it does use some modern electronic wizardry to accent the folk elements. It is the ideal recording for listeners of aboriginal music, Scandinavian folk, and Russian folk with a slightly modern twist. Mostly instrumental, Live features something for everyone without any deleterious side effects. ~ Matthew Forss