CD Review: Pajala Tatawin's Self-Titled Release From Sweden And Tunisia

Pajala Tatawin
Pajala Tatawin
Knapsu

The unlikely pairing of music from Sweden and Tunisia is eloquently-illustrated on Pajala Tatawin's new, self-titled release. With Scandinavian melodies, folk roots, and the Arabic classicism of Tunisia's Amina Annabi, the music showcases some magical moments with joyous vocals, chants, heady rhythms, and diverse instrumentation that consists of double bass, accordion, kalimba, guitars, percussion, and piano. "Koskenkorva" is a splendid song with various vocalizations, symphonic sounds, edgy folk roots, light rock accompaniment, and Scandinavian sounds that leave listeners yearning for a repeat. The accordion-led, "Maa On Musta," is a reflective song set in a traditional setting that is quaint and somewhat French-inspired. The dance-friendly, "Muhamed," is an Arabic and European-inspired whirlwind of ecstatic beauty and earthly roots. There are Gypsy moments, Arabic grooves, Scandinavian roots, and global rhythms and vocals throughout for a very cohesive and enjoyable journey. ~ Matthew Forss

CD Review: FatDog's 'New Found Land'

FatDog
New Found Land
Riverboat Records/World Music Network

FatDog is an engaging folk music troupe with members from Sweden, England, and Norway. The group is rich in roots and jazz styles, too. The European group incorporates diverse instruments, including cittern, concertina, guitar, clarinet, flute, trumpet, sax, bass, and hurdy-gurdy. All the members chime in from time to time on vocals. There are Scandinavian dance elements and other Western European musical styles that propel the music into a very intriguing and addictive whirlwind of aural color. The percussion is produced from various instruments, but there are no drums on the recording. The brass keep the music moving along into some jazzy realms, while the strings and vocals keep it well-rooted in Scandinavian ancestry. At any rate, the twelve tunes are mostly traditional, but arranged by FatDog. Fans of European jigs, reels, sailor songs, folk music, and roots music will find New Found Land a necessary listening experience. ~ Matthew Forss

CD Review: Moira Smiley & VOCO's 'Laughter Out Of Tears'

Moira Smiley & VOCO
Laughter Out Of Tears
Whim Records

The sensational vocal songs of Moira Smiley & VOCO are steeped in Appalachian, Scandinavian, and European styles that echo similarities with Dala Girls, Varttina, Heidi Talbot, Helene Blum, Fay Hield, Karine Polwart, and similar gals. The album features fifteen songs of audio delight that are mostly original songs, but some are covered from Swedish, Appalachian, Serbian, and Croatian ancestries. A few feature vocals as the lead instrument. The group has an uncanny ability to magically gel together with such a compelling and intriguing vocal repertoire that is never pretentious or egotistical. You will even hear a little Zero 7 and Dala Girls influences on "Blow Blow Thou Winter Wind." The forty-five-minute album is hearty enough; even for the most discriminating vocal connoisseur. Anyone with an interest in female vocal folk music will relish Laughter Out Of Tears. ~ Matthew Forss

CD Review: Mental Monky Ballet's 'Breaking The Law'

Mental Monky Ballet
Breaking The Law
Applehead Records

Swedish alt-rock group, Mental Monky Ballet, bridges the vocal and instrumental gap between Blondie and Garbage--and they do it with success all around. "Into The Open" is a swishy, rock-infused medley with reverberating guitars and vibrant female vocals. "Club 27" is a lush, alt-dance tune with classic vocals and a power pop presence that contains a little edge and a setup akin to something by The Killers. "Get Around This" begins with a spacious, atmospheric and progressive intro with delicate vocals and gingerly-played guitars, until the chorus brings in other vocals and a more textured pop sound. "You're More Trouble Than You're Worth" opens with an alternative and progressive rock arrangement that harbors Garbage and Blondie tendencies, but everything comes out okay. The new seven-track EP, Breaking The Law, is a sure hit for fans of the abovementioned musicians and Swedish alt-pop music with English vocals. ~ Matthew Forss

CD Review: Tritulen's Self-Titled Release From Scandinavia

Tritulen
Tritulen
Etnisk Musikklubb

 The Norwegian trio of Ebba Jacobsson, Jonas Akerlund, and Anette Thorsheim bring us contemporary folk music from Norway and Sweden on their latest self-titled release. The music is composed and performed on guitar, accordion, and fiddle. The group performs love songs, spiritual pieces, and dance tunes. The mix of vocals and instrumentals makes the songs really come alive with Scandinavian charm and amazement. The fourteen tracks are rich with folk traditions and sweet melodies that are crystal clear and pure. The floating vocals and pensive instrumentation makes Tritulen shimmer with icy-smooth executions. The lack of electric embellishments does not necessarily make the music lackluster. In fact, the cozy nature of the intimate melodies and notes are perfect enough for packing large stadiums or a house filled with family members sitting around a roaring fireplace in the dead of winter. Fans of Scandinavian folk music will find Tritulen a perfect companion in times of musical yearning. ~ Matthew Forss

CD Review: Maria Misgeld's 'Romans i moll'

Maria Misgeld
Romans i moll
Misgeld Music

Romans i moll (Romance in B minor) is the latest release by Sweden's Maria Misgeld. The angelic voice is beautiful and entrancing no matter what key it is in. This album contains limited instrumentation, but that does not detract from the musical qualities of the compositions. Maria's vocals are accompanied by Olle Lindvall on nylon acoustic guitar; Olof Misgeld on fiddle and viola; and Arne Forsen on harmonium. The traditional songs reflect a truly, Scandinavian presence without the addition of drums, rock tunes, or dance music. The mostly Swedish tunes are also on the same album with Finnish and Norwegian tunes. Inspired by historical places throughout Sweden, Maria sings sweet melodies and tunes with the exuberance of fellow countrywomen, Emma Hardelin and Jenny Wilhelms. Steeped in folk traditions, Romans i moll sets the new standard for Swedish folk music today. You will love it! ~ Matthew Forss

Song Reviews: Hailee Araya

Hailee Araya
Self-Release

This is a review of three new songs from Sweden's Ethiopian (and now Miami-based) singer, Hailee Araya. The first song available as a download is "Diaspora." This is an English-lyric song with a nod to the African continent. The contemporary dance elements are evident, but the music is relatively relaxed and R&B-focused. A piano melody, ululating background vocals, and light percussion marks the song's most poignant moments. Hailee's young voice breathes life into the song without sounding weak or overwhelming. "Show You Love" contains a reggae beat with keyboards, funky percussion, and Hailee's sweet voice that echoes with love and delight throughout. The music sounds a bit like modern Ethiopian tunes, but it is still uniquely Araya-esque. The ambulating percussion and melody is good overall. The final track, which is unnamed, contains Beniton the Menace and Hailee on vocals. The urban beat is more North American in delivery, but it still retains a degree of reggae and Ethiopan ambiance. It will be exciting to hear more from Hailee in the future. Keep your ears tuned! ~ Matthew Forss

CD Review: Sousou & Maher Cissoko's 'Stockholm-Dakar'

Sousou & Maher Cissoko
Stockholm-Dakar
Ajabu

The link between Sweden and Senegal is not too distant, as Sousou & Maher Cisssoko are evidence of its close association--at least from a musical perspective. Stockholm-Dakar is a thrilling album with loads of mbalax drumming and kora melodies with young, fresh vocals in Mandinka, Swedish, Wolof, and English. The liner notes contain English translations. The fast rhythms of the opener, "Nama Nala," as well as "Bamba," "Badia," and "Sunkotou Njiima," keep up the brisk pace. Sousou, a singer and guitarist, hails from Sweden, while Maher, a kora and calabash artist, hails from Senegal. The music is steeped in the griot traditions of West Africa. Anyone with a passion for kora music should acquire the album. Though, anyone familiar with West African music will eat it up. Add a little kora with ngoni and a dash of sabar, and you will have a delicious mix of Senegalese music on your plate. ~ Matthew Forss 

CD Review: Jelena Jakubovitch's 'Burn Burn Gypsy Love'

Jelena Jakubovitch
Burn Burn Gypsy Love
Ajabu

Russian-born and Stockholm resident, Jelena Jakubovitch, sets the stage with an amazing set of Russian poetry sung in an emotive and seductive style in the vein of Latin and Gypsy rhythms. Jelena's lyrics in Russian speak volumes--even if you may not be able to understand the words. Notably, the song lyrics are printed in the liner notes in English. Nevertheless, Jelena incorporated Gypsy rhythms from beyond Western Europe--with sounds coming from Middle Eastern, Spanish, Mediterranean, and Scandinavian roots. The classical and jazzy compositions contain splendid rhythms and melodies. Jelena's voice is as strong as the Czech Republic's Vera Bila or Cape Verde's late-Cesaria Evora. At any rate, Burn Burn Gypsy Love is burning with fiery passion and rustic vocals that awaken the heart of the human spirit. ~ Matthew Forss

CD Review: Triakel's 'Ulrikas minne Visor fran Frostviken'

Triakel
Ulrikas minne Visor fran Frostviken
Westpark Music

Sweden's most talented and beautiful vocalist, Emma Hardelin, lends her vocals and fiddle-playing on her latest release. Inspired by the music and folk traditions of Frostviken, Sweden, Ulrikkas minne... is a glorious album of folk fiddling with a dash of harmonium, bass, and guest vocals. The folk traditions are similar in style to Triakel's earlier releases; yet are a far cry from the amped-up, Nordic folk-rock of Emma's earlier Garmarna days. However, a new Garmarna release would be welcome in the near future, but that is a discussion for another day. The Swedish fiddling is happy, free, and spritely. Emma's vocals shine, too. Anyone interested in Scandinavian folk fiddling traditions will find solace in Triakel's new fifteen-track release. ~ Matthew Forss

CD Review: Navarra's 'Nya Fonster'

Navarra
Nya Fonster
Kakafon Records

Hailing from Sweden, Navarra tempts the soul into dancing, humming, and dreaming of happy times as the percussion, fiddles, and vocals beckon the listener to lean in closer and participate. The twelve tracks are in Swedish in the liner notes. The piano rhythms and assorted percussion provide a cheery atmosphere and nostalgic examination of Scandinavia's folk-roots phenomenon. The tender and sweet vocals and varied playing styles throughout provide the listener with a quality recording of music from the land of Triakel, Garmarna, and Gjallarhorn. In this case, Navarra contains more experimental folk rhythms with a hint of jazz and lounge music that is not really prevalent from other comparable groups in Scandinavia. Nya Fonster, or New Windows, is a very delightful recording to be enjoyed by everyone seeking good music. ~ Matthew Forss

CD Review: The Nordic Fiddlers Bloc's Self-Titled Release

The Nordic Fiddlers Bloc
The Nordic Fiddlers Bloc
Etnisk Musikklubb

The Nordic Fiddlers Bloc is a group of three talented fiddlers from Norway, Shetland, and Sweden. The twelve tunes are entirely instrumental and contain only fiddles and a viola. The traditional tunes come from the Shetland Islands, Norway, Sweden, Scotland, and the USA. However, the music is primarily steeped in traditions of Scandinavia, which satisfy the Nordic music fans immensely. The North Fiddlers Bloc is Olav Luksengard Mjelva (Norway), Anders Hall (Sweden), and Kevin Henderson (Shetland). All in all, the music is engaging, danceable, and nostalgic. Anyone with at least a passing interest in fiddle music should find The Nordic Fiddlers Bloc to be very entertaining. ~ Matthew Forss

CD Review: Sofia Jannok Melts Hearts With 'By The Embers'

Sofia Jannok
By The Embers (Assogattis)
Caprice Records

Northern Sweden's Sofia Jannok presents us with an introspective look at the contemporary Sami culture. The sungs are sung in Sami and incorporate elements of yoik, which is akin to Native American chanting. Sofia's voice is accompanied by drums, guitar, piano, bass, trombone, trumpet, violin, viola, and cello. The region's close affinity with nature is mentioned in many of the songs. For those familiar with contemporary Nordic music, Sofia's songs are more structured than Gjallarhorn (Finland), less aggressive than Garmarna (Sweden), and more melodic than Angelit (Finland). This is purely a modern release that transcends age and culture. The music never delves into boring repetition, dance-beats, or other impediments found in too many world music releases. By The Embers is a heart-warming introduction to contemporary Sami music for the casual to advanced world music traveler. The liner notes include English and Sami song translations. ~ Matthew Forss

CD Review: Go With 'Tjo'

Orust
Tjo
Footprint Records

Orust, named after the island of the same name off Sweden's west coast, brings us friendly folk music with innovative pizzazz from the traditions of island life. The music is wholly instrumental and includes the diatonic accordion, mandola, and fiddle. The fifteen tracks consist of mealtime tunes, waltzes, dances, reels, and medleys. The music resembles the instrumental folk music of England, Finland, and Scotland. Though, Orust's award-wining accordion player, Johann Kullberg, provides special accompaniment to the folksy rhythms. A toe-tapping release of epic proportions! ~ Matthew Forss

CD Review: 'Frost'y Music To Warm The Soul

Groupa
Frost
Footprint Records

The Swedish folk group, Groupa, transcends definability and assumes a more progressive or avant-garde exploration of instrumental folk music. The instrumental repertoire consists of flutes, a clarinet, drums, mouth harp, melodeon, fiddle, and viola. The music on Frost is anything but cold; in fact, it is an album that is sure to heat up any celebration or occasion. The songs beckon a classical era of renaissance fairs, Nordic bards, and minstrel songs. All in all, the sprightly melodies and contemplative moods of the music should enthrall any listener with an ear for Scandinavian or even new age music. Two 'frost'y thumbs up! ~ Matthew Forss