CD Review: Ljom's 'Seterkauk'

Ljom
Seterkauk
Kirkelig Kulturverksted 

The Norwegian-based group, Ljom, releases their newest album, Seterkauk, which concentrates its energy on cow call songs from Norway's past and present. The swirling songs are steeped in romantic folk rhythms and melodies with spritely vocals and heady arrangements. The group employs a bass, guitar, cello, piano, synth, clarinet, and other instruments, but the voice is the real instrument. Kjerst Kveli is the chief vocalist with a stark ability to evoke tons of emotion packed into a single verse. There is even a sweeping piano tune, "Bennykauken," that contains a bit of a jazzy elegance. At any rate, Ljom presents us with an interesting, relaxing, and contemporary journey into the cow call songs of Norway with ever having to leave our house. Well, you might have to leave at least once to buy the album, unless you get it online. High praise for folk, jazz, and new age sounds from yet another fine release on KKV. ~ Matthew Forss

CD Review: Helge Lien Trio's 'Badgers And Other Beings'

Helge Lien Trio
Badgers And Other Beings
Ozella Music

The Helge Lien Trio hails from Norway and brings us a perfect blend of soothing jazz music that is created by drums, piano, and bass. The rather simplistic instrumental repertoire showcases a wide diversity with punchy drums, flowing and sweeping piano rhythms, and poignant bass-lines that make hearts smile. Helge Lien is the piano maestro, while Frode Berg is the bassist and Per Oddvar Johansen is the drummer. Running a few minutes under an hour, the album transcends time and space with beautiful melodies and rhythms that contain a level of classicism and pizzazz that are unforgettable. This is an ideal album for lounging or relaxing. It is very reflective and soothing. Notably, the entire album is void of vocals, so you can let the instrumental medley sweep you away and believe me; it will. ~ Matthew Forss

CD Review: Gjertrud Lunde's 'Hjemklang'

Gjertrud Lunde
Hjemklang
Ozella Music

The German-based group spearheaded by Gjertrud Lunde brings a Norwegian presence to the mix, as all of the songs are sung in Norwegian, as well as French, English, and Portuguese. The album, which means "home sounds," is an excellent reflection of Gjertrud's heritage. The four-piece band incorporates a little guitar, electronics, piano, rhodes, percussion, drums, tabla, and trumpet. The plaintive piano melody of "Going Home" is a reflection of peace and solitude with yearning at the forefront. The jazzy and equally-contemplative, "Marche vers l'Aube" showcases trumpet and electronics in a new light without any vocalizations during the first two minutes of the song. At any rate, the jazzy piano, light percussion, worldly vocals, and experimental rhythms make Hjemklang stand out from other albums. Anyone interested in Scandinavian jazz, European pop, and great music in general, will love Gjertrud Lunde's first, full-length effort running over one hour in length. ~ Matthew Forss

CD Review: Solfrid Molland's 'Musikken er mit fedreland'

Solfrid Molland
Musikken er mit fedreland
KKV

Norway's Solfrid Molland is a talented vocalist, accordionist, and pianist with an ear for European, Scandinavian, and gypsy rhythms and melodies. Solfrid's new album attempts to highlight the Roma music genre of gypsy with regards to Norway's influence. Solfrid is joined by Gheorgie Vasile, Valentin Vasile, Ion Cantaragiu Rasturnel, Gjermund Silset, Lars Tormod Jenset, and a choir. The heart-felt violin pulls at the heart-strings, but it is very fitting. The gypsy rhythms are rich and moving. The instruments come together in a whirling fashion to create a mesmerizing, instrumental interplay between vocals and heritage. The neo-classical, world fusion, balkan jazz, and gypsy melodies makes the album shine with memorable sounds. Anyone interested in gypsy music and Norwegian music will love Solfrid's Musikken er mit fedreland. ~ Matthew Forss  

CD Review: Andreas Aase's 'Tre'

Andreas Aase
Tre
Ora Fonogram

Norway's enlightening musical spirit, Andreas Aase, is a talented, eight-string, guitar bouzouki player. Tre, which means, "three," "wood," or "tree," is an album of a dozen, instrumental songs on solo bouzouki. There are no vocals throughout the album. Nine of the tracks are traditional, Norwegian tunes, while three other tunes are directly attributed to Andreas. The solo music is serene and acoustic without any other additional instruments. The solemn sounds are spritely at times. However, the music is largely folk-based and contemporary instrumental. The music is steeped in the traditions of Norway's craggy fjords and Scandinavia's historical presence throughout European music concoctions. The peaceful music is perfect for relaxing, cafes, bookstores, family gatherings, and other quiet, intimate, and personal occasions. Andreas hits high notes here with a glorious and highly-recommended release. ~ Matthew Forss

CD Review: SKRUK's 'Sangen fra Katakombene'

SKRUK
Sangen fra Katakombene
KKV

SKRUK is a Norwegian choir that presents a collection of liturgical songs sung in Norwegian. There are also vocals from monks in Turkish monasteries. Per Oddvar Hildre is the conductor for the album, while Siyavush Karimi and Henning Sommerro are talented arrangers. The entire album is vocal without any instrumentation; except for a lone duduk played a couple times. There are twenty spiritual tracks that are heavenly and haunting in the same manner. The spiritual roots of the music originate from the early, primitive church and historical roots with the Syrian Orthodox Church. The alternating male and female vocals are great without any slip-ups. Many of the songs are one to four minutes long, but a couple are five to six minutes. In the end, it doesn't matter how long the songs last. The songs have lasted hundreds of years and will continue to inspire people around the world. Fans of choral and vocal music will rejoice with high marks. ~ Matthew Forss

CD Review: Solvguttene and Kudsi Erguner's 'Pervane'

Solvguttene with Kudsi Erguner
Pervane: Floyet fra Guds Hand
KKV

The music of Solvguttene is steeped in the rich, classic melodies and instrumentation of Turkey with some lyrics by Norway's Henrik Wergeland and Hans Nielsen Hauge. The symphonic choral pieces represent a seemingly unlikely connection between Norway's religious choral constructions and Turkey's Sufi poetry. However, the result works with flying colors and effervescent flutes. Flute legend, Kudsi Erguner, vocalist Bora Uymaz, qanun player Serkan Halili, percussionist Hamdi Akatay, pianist Andreas Utnem, and double bass player, Jo Fougner Skaansar, round out the musical repertoire. The music is dreamy, Middle Eastern, angelic, and new age all wrapped into one indelible package. The swirling, dervish rhythms and instrumentation is somewhat Renaissance-themed, but that is just the old nature of the instruments and cross-cultural influences throughout Central Asia and Europe. At any rate, Solvguttene and Kudsi Erguner bring us a lively instrumental and vocal medley of world music with sauntering melodies that are mature and unforgettable. ~ Matthew Forss

CD Review: Firil's 'Smile Som Sumarsole'

Firil
Smile Som Sumarsole
Etnisk Musikklubb

Firil is led by Norwegian vocalist, Margit Myhr, but is joined by fellow countryman, Olav Luksengard Mjelva on Hardanger fiddle and Swedish musicians, Anders Hall on viola and octave fiddle with Adam Johansson on guitar. There is a mix of instrumental and vocal tunes throughout. The thirteen track release contains some soul-stirring and toe-twirling melodies that are upbeat, authentic, and raw. The sweet vocals of Margit Myhr are unforgettable and resemble the likes of Emma Hardelin and Jenny Wilhelm. The mostly traditional release brings together unique folk traditions from the Hallingdal region of Norway. Anyone familiar with traditional Scandinavian folk music will love it, yet it is accessible enough to entertain listeners in other world regions. ~ Matthew Forss

CD Review: Lise Lunde Brennhagen's 'Kjeringe i snodrevet'

Lise Lunde Brennhagen

Kjeringe i snodrevet
Etnisk Musikklubb

Norway’s Lise Lunde Brennhagen plays the langeleik, which is a traditional zither instrument with a long resonating box, one melodic string, and up to seven drone strings. The instrument is strummed with a plectrum. The sound produced is akin to a psaltery, dulcimer, and kantele. The melodies are entirely instrumental and feature only the langeleik. The twenty songs are rather short, but that does not diminish the fine result. Anyone with an interest in Scandinavian instrumental music, harp music, kora music, and most of all, langeleik fans, will get the most out of this recording. It is time to experience the wonderful music of an ancient and seldom-heard instrument. ~ Matthew Forss

CD Review: Annbjorg Lien's 'Khoom Loy'

Annbjorg Lien
Khoom Loy
Compass Records

As a Norwegian fiddler and traditional musician, Annbjorg Lien has enthralled listeners throughout the world for years. Khoom Loy, which is Thai for 'Paper Lanterns,' is a fun romp throughout the Scandinavian and Celtic fiddling worlds with lively nyckelharpa, guitar, zither, banjo, pedal steel, B3, mellotron, bass, assorted percussion, and various brass. The songs are mostly instrumental, but Annbjorg's vocals on "Khoom Loy,'' suggest a strong folk influence. The jazzy, jam outro on "Natten" and "Needles Eye" are most akin to many of the Dave Matthews Band jam sessions with lively percussion, strings, and horns. The buzuq, bouzouki, tabla, sarod, and related instruments provide a Middle Eastern and South Asian element on "Den Storste Daarlighed" and "Til." There are spirited moments, contemplative melodies, and jazzy sounds that truly encapsulate the essence of world music today. Nothing is cheesy here. This is one of the best albums from Annbjorg's repertoire. ~ Matthew Forss

CD Review: Various Artists' 'Norge, Mitt Norge...?'

Various Artists
Norge, Mitt Norge...?
KKV

The national identity of Norway is preserved, yet reinvented, with historical songs made anew for today's generation. However, the songs are still folk centered and light pop with equal doses of classical and jazz. The title is translated as 'Norway, My Norway.' The music is arranged by Valkyrien Allstars, but Moddi, Aissa Tobi, Trond Granlund, Viggo Sandvik, Osla Fagottkor, Sudan Dudan, and Solveig Slettahjell have their hand in the mix, too. The thirteen track release is largely a folk music compilation that was recorded in an old Parliamentary room in Oslo, where the concept of Norway as an independent state was decided between 1814 and 1854. The music contains fiddles, drums, bright vocals, bass, and horns. The melody of "Deilig er Norden," resembles "Beautiful Savior"--a popular Christian hymn. Anyone with an interest in folk music from Scandinavia will love this one. ~ Matthew Forss

CD Review: Tritulen's Self-Titled Release From Scandinavia

Tritulen
Tritulen
Etnisk Musikklubb

 The Norwegian trio of Ebba Jacobsson, Jonas Akerlund, and Anette Thorsheim bring us contemporary folk music from Norway and Sweden on their latest self-titled release. The music is composed and performed on guitar, accordion, and fiddle. The group performs love songs, spiritual pieces, and dance tunes. The mix of vocals and instrumentals makes the songs really come alive with Scandinavian charm and amazement. The fourteen tracks are rich with folk traditions and sweet melodies that are crystal clear and pure. The floating vocals and pensive instrumentation makes Tritulen shimmer with icy-smooth executions. The lack of electric embellishments does not necessarily make the music lackluster. In fact, the cozy nature of the intimate melodies and notes are perfect enough for packing large stadiums or a house filled with family members sitting around a roaring fireplace in the dead of winter. Fans of Scandinavian folk music will find Tritulen a perfect companion in times of musical yearning. ~ Matthew Forss

CD Review: Elin Furubotn's 'Heilt Nye Vei'

Elin Furubotn
Heilt Nye Vei
Ozella Music

Norway's talented singer/songwriter, Elin Furubotn, is joined with an excellent repertoire of musicians and jazzy instrumentation. Elin incorporates a folk and pop vein into the mix. The thirteen songs represent a plethora of ear-friendly material with "Heilt Nye Vei," "Slepp Tvilen Fri," "Ei Stille Na," and "Treet" rounding out the top tracks on the album. Heilt Nye Vei, which means "completely new way" is a perfect way to describe the music, as it is cutting-edge and inventive. Elin's Norwegian vocals soar into outer echelons of musical creativity with some of the vocals possessing a Cranberries tone. At any rate, Elin is the most innovative artist to come out of Norway in recent memory. Karl Seglem appears on sax. Anyone with an interest in avant-garde pop and easy-listening with a jazzy element from the Scandinavian nation will be very pleased with Elin's latest achievement from Ozella Music. ~ Matthew Forss

CD Review: Maria Misgeld's 'Romans i moll'

Maria Misgeld
Romans i moll
Misgeld Music

Romans i moll (Romance in B minor) is the latest release by Sweden's Maria Misgeld. The angelic voice is beautiful and entrancing no matter what key it is in. This album contains limited instrumentation, but that does not detract from the musical qualities of the compositions. Maria's vocals are accompanied by Olle Lindvall on nylon acoustic guitar; Olof Misgeld on fiddle and viola; and Arne Forsen on harmonium. The traditional songs reflect a truly, Scandinavian presence without the addition of drums, rock tunes, or dance music. The mostly Swedish tunes are also on the same album with Finnish and Norwegian tunes. Inspired by historical places throughout Sweden, Maria sings sweet melodies and tunes with the exuberance of fellow countrywomen, Emma Hardelin and Jenny Wilhelms. Steeped in folk traditions, Romans i moll sets the new standard for Swedish folk music today. You will love it! ~ Matthew Forss

CD Review: Five Men In A Boat's Self-Titled Release from Norway

Five Men In A Boat
Self-Titled
Etnisk Musikklubb

Five Men In A Boat are a Norwegian group composed of performers from Norway, France, and England. There may be five men in the group; three nationalities represented; and one unifying quality that makes it all work. The traditional folk music of Ireland, Scotland, and England may be seen here. The pensive strings, giddy concertina, and guitars make the sound come together. The vocals are what one would expect for male folk music from this region. The voices are folk-driven and varied, according to the rhythm. Some of the songs possess a seamen's ambiance. Every song contains, rugged charm, soulful yearning for nostalgia, and good old fashioned stories in musical form. Extensive liner notes in Norwegian and English are included. ~ Matthew Forss 

CD Review: Randi Tytingvag's 'Let Go'

Randi Tytingvag
Let Go
Ozella Music

Norway's Randi Tytingvag is joined by Anders Aarum on piano and glockenspiel; Espen Leite on accordion; Jens Fossum on double bass; Ola Kvernberg on violin; and Morten Michelsen on clarinet. The classy, English vocals are performed in a jazzy, pop standard fashion with some folk instrument accompaniment that gives it a North American feel. The sweet melodies, soft piano, and gritty violin make Let Go seem like a sunny recording of utter happiness for any cloudy or rainy day. The sweet vocals by Randi are somewhat reminiscent of the U.K.'s Katie Melua. In any case, the eleven tracks showcase Randi's pleasant voice and simple instrumental repertoire that build upon a folk base with some jazz and improvisational music thrown in the mix. Fans of Norwegian and Scandinavian folk and vocal music will love it. Listeners young and old will love the sincere lyrics and jaunty musical arrangements. An addtional recording by Tytingvag purchased separately contains the exact same songs, but they are instrumentals on Let Go: Instrumentals (Ozella Music, 2011). ~ Matthew Forss

CD Review: Karl Seglem's 'Ossicles'

Karl Seglem

Ossicles

NORCD (Ozella)

As the founder of Norway's independent music label NORCD, Karl Seglem knows a thing or two about good music. Karl composed all eleven tracks and played the tenor sax, goat horns, and antilope horn on several tracks. An ossicle is a small bone of the inner ear, which is an appropriately-titled album, because the sounds end up traveling through the inner ear. Ossicles penetrates the thickest skull with a largely instrumental ensemble of Hardanger fiddle, horns, ngoni, mbira, guitars, drums, and assorted percussion. The music is a bit experimental, yet extremely relaxing and infectious without all of the fancy-shmancy electronic additives of trance, dub, dance, and avant-garde music. Karl's latest effort does not specifically signify a particular cultural style, genre, or country. Instead, Ossicles is a lavish journey into the world of instrumental groove with worldly elements culled from jazz, classical, folk, roots, and ethnic sources. Ossicles is good enough for the mind, body, and spirit. ~ Matthew Forss

CD Review: Torgeir Vassvik's 'Sapmi' From Norway

Torgeir Vassvik

Sapmi

Idut

The Norwegian musician extraordinaire, Torgeir Vassvik, assembles a set of ten songs from the land of the Sami people. Historically, the Sami people inhabit the Sapmi region--for which the album was named--and includes the countries of Norway, Sweden, Finland, and Russia. The mysterious sounds of the viola, saw, bells, percussion, frame drums, field recordings, and guitars are played in such a manner to evoke images and sounds of the natural world. For instance, some of the sounds resemble falling rocks or clanging ice crystals. Moreover, the folksy melodies border on avant-garde. Torgeir's vocals are in the form of yoik singing, which is a form of throat-singing comparable to Inuit and Mongolian chanting. In fact, the instrumentation and singing is most similar to the music of Huun Huur Tu, coincidentally from the Mongolian/Tuvan region. Sapmi is an album that sticks with you long after the last note commences. Anyone with an interest in throat-singing, yoik chanting, or music from Scandinavia, should lend their ear to Torgeir's masterpiece. ~ Matthew Forss

CD Review: Kouame Sereba & Erik Wollo's 'Bako'

Kouame Sereba & Erik Wollo

Bako

Etnisk Musikklubb

The Norwegian-based, Ivory Coast singer, Kouame Sereba, continues his unique ambient afro-beat style of music on Bako (The Travel). The electronic accompaniment and guitar work from Erik Wollo adds a more contemporary feel to the album as a whole. Keep in mind the music is not trance or techno. It is not rock either. The contemporary sound is more indicative of Sa Dingding's Harmony (Wrasse, 2010) or Huun Huur Tu's Eternal (Electrofone Music, 2009). The modern beat of "Ha Yah" and "Kilimanjaro 2" reflect some of the Real World label productions in scope. Even though the musicians are based in Norway, the music of Norway is virtually nonexistent on this mostly African music release. Of course, it still contains the electronic blurbs, catchy melodies, and percussion familiar to most Europeans, North Americans, and Africans. The more solemn "Koloyni" and "Mameri" represent a softer side. Nevertheless, Bako is an excellent journey of modern instrumentation and traditional vocals that bridge together continents and one another with amazing results. ~ Matthew Forss

CD Review: Sigrid Moldestad's 'Sandkorn'

Sigrid Moldestad

Sandkorn

Grappa

Sigrid, which is an old Norse word for 'victory', wows audiences with her vocals and Hardinger Fiddle playing. Norwegian by birth and residence, Sigrid recently received the Folk Musician of the Year Award (2010). Sandkorn, which means, 'grains of sand', is littered with little gems. The instrumental "Uncle J", sincere "Ein Sael Kyss", darker "Gata", the vocal duo with Kim Andre Rysstad on "Maneskinslandet", and the lively "Frostroyk" highlight her talent. Some of the songs are inspired by the poems of Robert Burns and Jakob Sande, while others are traditional and original tunes. The instrumental repertoire includes a variety of instruments, such as the pump organ, piano, viola, guitar, mandolin, bass, baritone guitar, sax, saz, and others. Sigrid's almost theatrical playing and singing awaken an ancient musical spirit that is fresh with talent. Norway's shores gleam with the music of Sigrid Moldestad. The Norwegian lyrics are provided in the liner notes. ~ Matthew Forss