CD Review: Kamerunga's 'Terra Australis'

Kamerunga
Terra Australis
Arc Music

The innovative band from Down Under, Kamerunga, invigorates the human soul with a mish-mash of enjoyable tunes originating from a variety of sources and inspirations, including the Balkans, Scandinavia, Ireland, the Mediterranean, Caribbean, and seemingly everywhere in-between. The jig-friendly tunes excite the Celtic vein at times, while other times, the music is ripe with contemporary folk and rock compositions in a lively, global-esque product. The multi-national influences imbibe the music with a type of authentic candor that is refreshing and unique, but most of all, infectious. While Yothu Yindi may be one of the most popular groups to come out of Australia, Kamerunga produces a more engaging and varied listening result that is mostly non-rock oriented. At any rate, the mix of jazzy, folk, roots, and globally-inspired tunes will set anyone's feet ablaze with musical fire. ~ Matthew Forss

CD Review: Sakina's 'Roye Mi'

Sakina
Roye Mi
ARC Music

A native of Kurdish Turkey, Sakina is an Austrian and German-based singer and composer that represents the folk and traditional music of Kurdistan - a region that includes Turkey, Iraq, Syria, and Iran. The ten-track release is rich with jazzy, upbeat, and sometimes mournful melodies and rhythms that are reminiscent of mugam music indigenous to the Middle East. Sakina employs various instruments to the mix to create a rich sound and highly-textured musical outcome. Some of the instruments you will hear include the German flute, guitar, violin, cello, bass, drums, oboe, piano, bilur, kemane, duduk, qanun, tembur, zurne, davul, and arbane. The music drifts into various regions across the Middle East and Central Asia with ease. The beautiful instruments, heartfelt vocals, and excellent musical delivery makes Roye Mi a winner all-around. It is the quintessential work of Sakina's being. ~ Matthew Forss

CD Review: Sousou & Maher Cissoko's 'Africa Moo Baalu'

Sousou & Maher Cissoko
Africa Moo Baalu
Arc Music

Swedish/Senegalese-couple, Sousou and Maher Cissoko, bring us an inviting recording of pleasurable kora melodies and vocal harmonies steeped in African charm. The kora, guitar, percussion, and vocals mark an energetic and richly-diverse recording that is exciting, catchy, and very fun. The scintillating kora on "Fall" is one of the most beautiful tracks on the album. The fine interplay between Sousou's vocals and guitar with Maher's kora, shaker, and calabash arrangements are splendid. Plus, Sousou's heartfelt vocals lead the musical progression with English lyrics. Sousou and Maher do not incorporate Swedish song elements at all, so African music is at the forefront. Notably, Sousou's ability to play the kora is unique, because women traditionally do not play the kora instrument. Thankfully, Sousou picked up the instrument and joined forces with Maher to create a wonderful album. ~ Matthew Forss

CD Review: Persian Azeri Trio's 'Persian Azeri Project: From Shiraz To Baku'

Persian Azeri Trio
Persian Azeri Project: From Shiraz To Baku
ARC Music

The Persian Azeri Trio consists of Iran's Pejman Hadadi on percussion and Hamid Motebassem on tar and setar. The kamancha is played by Azerbaijan's Imamyar Hasanov. Together, the trio perfect traditional modes of musicianship for a completely acoustic concoction of melodic modes, folk dances, and improvisational forms. The wholly instrumental works provide a perfect environment for each instrument to shine through and sound harmoniously with each other. There are plaintive moments, as well as more up-beat tempos that take on Central Asian charm. The efficient playing styles and instrumental arrangements are well worth a listen. Be careful; as the instrumental tones are addictive. Liner notes are in English and German. This is the sound of the Silk Road. ~ Matthew Forss