Friday, September 28, 2012

DVD Review: Soul Resonance - A Cross-Cultural Celebration of Zimbabwean Music

Soul Resonance - A Cross Cultural Celebration of Zimbabwean Music
By Douglas and Laurel Epps, narrated by Taj Mahal
83 Min.
[DVD]
Sacred Path Explorations

The opening sequences of the film include a few interview snippets with marimba musicians and various marimba (balafon) performances across the USA. Taj Mahal narrates the origins of Zimbabwean music with still images of maps, instruments, and people. The mbira origins were explored, as well as input from ethnomusicologist Robert Kauffman, musician Stella Chiweshe, the late-Ernest Brown, and Erica Azim. The development of British culture throughout the country threatened the indigenous music traditions of Zimbabwe, which was then preserved by Robert Sibson, who started the Kwanongoma College of Music. Zimbabwean music stars, Dumi Maraire, Thomas Mapfumo, and others are discussed. The rise of the marimba ensembles in America began with Dumi Maraire in the late 1960s. The rise of Shona music with mbira and marimba began in Seattle, Washington with the Minanzi Marimba Ensemble led by Dumi in the 1970s. During the 1980s, the spread of shona music traveled south through Oregon, while inspiring many communities throughout the Pacific Northwest. The website Dandemutande was created in the early 1990s in order to join others around the world with an interest in Zimbabwean music. Also in the early 1990s, the shona music sound spread eastward to other areas in the West. The final scenes of the film showcase a few different ensembles from various communities and schools with final thoughts by a few musicians and teachers. This a perfect film to expose world music fans to the wonderful world of Zimbabwean music in Africa and in the USA. However, this is primarily a traditional music production that surveys Shona music in the USA and not the guitar traditions popularized by many performers since the 1970s in Zimbabwe, including notable guitarist and singer, Oliver Mtukudzi. On that note, Soul Resonance is still a good buy for Shona music fans. ~ Matthew Forss      

CD Review: Various Artists' 'Global Bass Vol. 3'

Various Artists
Global Bass Vol. 3
UrbanWorld

The global beats of electronic, bass-heavy, and dance music is introduced to us on the tracks gracing UrbanWorld's new release, Global Bass Vol. 3. The musical style is upbeat, funk-driven, and jazzy. There are African, South American, and European elements throughout. The Afro-funk and Afro-latin musical genres are well-represented, but there appears to be a good amount of world grooves from hard-to-describe locations or styles. Superpendejos, Silver Bullit, Los Chicos Altos, Idan K, Empresarios, Kosta Kostov, Rube, Systema Solar, and many others are represented here. This is an adventurous mix of instrumental and vocal music with a capacity to evoke danceable rhythms from urban sources. The music has substance, which is amplified with the multiple cultural influences and musical genres. However, the bass is a defining characteristic of the music--no matter where it originates. ~ Matthew Forss

CD Review: Los Cenzontles' 'Regeneration'

Los Cenzontles
Regeneration
Self-Release

The music of Mexico and California is brought to life upon the tracks of Regeneration. The music is rooted in Mexican folk traditions with swaying rhythms rich in instrumentation and percussion. The vocals are primo, no matter what track is played. The jaunty folk-rock melody of "Murmullos," is very upbeat and alternative with a good amount of pop to go around. Los Lobos' David Hidalgo provides some musical input for the project and plays keyboards, drums, guitars, accordion, B3, mandolin, and adds vocals on "The Silence." Other artists provide instrumentation on zapateada, electric bass, jarana, piano, violin, sax, guitar, drums, and assorted percussion. It seems the music strikes a fine balance between rural and urban Mexican folk music with endearing pop senses from America. The fifteen track release is littered with good hooks, riffs, and musical medleys that are contemplative, danceable, and heartfelt. The Spanish vocals are soulful and emotive. Fans of Mexican folk-rock will love everything about it. ~ Matthew Forss 

CD Review: Jackopierce's 'Everywhere All The Time'

Jackopierce
Everywhere All The Time

The Dallas-based alternative rock group, Jackopierce, named after the founder's, Jack O'Neill and Cary Pierce, bring us catchy vocal harmonies and guitar rhythms with outstanding percussion. Overall, the music takes on a slight folk and country element that is steeped in memorable hooks, riffs, and lines. The folksy "Alright By Me" is layered with good hooks, percussion, and blazing fiddle or violin strings. The poignant, quiet anthem, "Killin Me," is a heartfelt ballad that is reflective with sparkling guitar notes and tambourine-shakin' percussion. The track is relatively slow with acoustic guitar and vocals. "Around Me Now" begins as a possible dance song with echoing vocals and a metallic, urban beat that morphs into a pop/rock tune of catchy sounds. The folksy "Lonely" contains beautiful harmonies and acoustic guitar with simplistic percussion that shimmers with life. As a whole, Jackopierce presents a very good mix of upbeat tunes that stand alone without much influence from other artists. Everywhere All The Time is going to be a hit with everyone. ~ Matthew Forss

CD Review: Opium Symphony's 'Blame It On The Radio'

Opium Symphony
Blame It On The Radio
Man or Machine Records

The Dallas-based Opium Symphony consists of founder, Kellen Ross on vocals and guitar, along with Jarrett Kramer on guitar, Derron Bell on drums, and Drew Nolde on bass. The upbeat rock music contains elements of Stone Temple Pilots and Green Day, but it is inherently Opium Symphony. The rock is not too hard, but it is more layered and explosive than the typical Top 40 hits. "Down The Rabbit Hole" is a hard rock/grunge anthem with eerie vocals and a good beat. "Soul For Sale" contains a buzz-saw-like electric guitar solo with heavy percussion and a lack of vocals until mid-song. Still, the music is mostly instrumental throughout the song. "Gospel" is another heart-pounding track of electric angst that is somewhat melodic and driven by punchy guitars, drums, and punishing percussion accents that propel the music into rock heaven. "Return Of The Ghost" is a cinematic, mostly instrumental song with spacious vibes, atmospheric embellishments, and majestic sounds of jazzy beauty with a few vocals near the end. Overall, Opium Symphony is right on the mark with their latest release, Blame It On The Radio. ~ Matthew Forss

CD Review: Jason Sinay's 'Ape & The Wall Of Questions'

Jason Sinay
Ape & The Wall Of Questions

California-based, Jason Sinay, brings us six new songs and a few covers by Bob Dylan and The Grateful Dead. The music is steeped in keyboards, guitars, drums, and bass. The ballad-esque, "I'll Bring You Diamonds," is a soulful little tune with acoustic guitars, percolating keyboards, and cinematic qualities and harmonies. "Hey Mama" contains piano tones, Southern rock elements, and grungy guitars. "Gimme The Time" contains a soulful, swaying melody that is rich with slide guitar sounds, jingly guitars, and bluesy percussion. "Santa Rosa" is a moving, rock song with a good beat that is road trippin' rock at its finest. The music is good without any faults. Anyone with an interest in good music will love Jason Sinay's latest release. You will have many more answers than questions with this release. ~ Matthew Forss

CD Review: Hannah & Maggie's 'Muscle & Bone'

Hannah & Maggie
Muscle & Bone
Self-Release

The New York-based female folk duo present us with compelling and catchy vocal melodies on Muscle & Bone. The vocal similarities with Sarah MacLachlan, Heidi Talbot, Avril Lavigne and Shawn Colvin are not too far-fetched. The pleasant melodies and vocal arrangements on "Ghost," solidify their mark with glorious instrumentation and unforgettable chords with background vocals delivered in an Enya-esque manner. "Burlington, VT" contains a nice jazzy trumpet, acoustic guitar, and upbeat percussion with scintillating ukulele or mandolin. "Keeping Calm The Lives We Know" is a steady folk tune with ambulating vocals and charming melodies. "Sara" slows it down a notch and incorporates a little cello for reflective elements. "As You Wake" is an upbeat, folk-country tune with loads of Southern Appalachian charm without the accents. "The Room Fiddler" is a perfect folk-pop tune that is simply magical. This is one of the best albums in any genre in a long time. There is plenty to chew on here. Simply amazing. ~ Matthew Forss