CD Review: Paula Maya's 'Iluminar'

Paula Maya
Iluminar
Yellow House Records

The jazzy, South American styles of Texas-based, Paula Maya, incorporates Brazilian melodies with folk, roots, electronica, and pop on Iluminar. The soft ballads and Brazilian percussion reveal an intimate side of Paula's music. It is very enjoyable and steeped in swirling melodies and rhythms of South America. Whether you are on an island, on the beaches of Rio, or in the comfort of your living room, Iluminar lights up any mood or situation with grace and authenticity. "So In Tune" showcases some great vocals here. Crystal-clear vocals and an uppity melody cements a beautiful song to her credit. The light vocals are indicative of Susan Aglukark's voicings. At any rate, Paula Maya creates a stunning release of pop-friendly songs with a good dose of South American pizzazz. ~ Matthew Forss

CD Review: Atlas Maior's Double Release 'Palindrome'

Atlas Maior
Palindrome [2-CD]
Self-Release

Texas-based, world music fusion group, Atlas Maior, releases a double-album, Palindrome, which an improvisatinoal journey on the wilder side of fusion. The band is comprised of Charlie Lockwood on oud, Joshua Thomson on alto sax and flute, and Ted Camat on percussion. The result is very complex, yet laid-back release, with loads of aural textures that weave in and out of consciousness. The entrancing release arouses North African, Middle Eastern, European, and North American musical elements on the jazz, avant-garde, and new age sides of the spectrum. There are fourteen tracks in all with names as diverse as the song elements, such as "ouduo," "Booted and Looted," "Half-pipe Blowhole," and "oodaqq." The instrumental release is perfect for fans of adventurous world music. ~ Matthew Forss

Single Review: Hard Proof's Cassingle Release of "Soul Thing" and "Lake Tana"

Hard Proof
"Soul Thing" and "Lake Tana"

Hard Proof is a Texas-based, Afro-beat collective that will be releasing a new 'cassingle' during Cassette Store Day on September 27, 2014. The release will be digital and as a physical cassette. The instrumental tracks are lively, upbeat, and full of Afro-beat grooves that are funky, psychedelic, and jazzy. Both tunes are headed by guitars, horns, keys, drums, and sax. The result is a groovy mix of Afro-beat melodies that are produced with the aid of a ten-piece line-up. The two-song release is only nine-and-a-half-minutes long, but it seems to linger on much longer than that. In the end, we are left with a groovy medley of lush Afro-beat melodies and rhythms that bring to life jazz and funk sensibilities for a generation thirsty for diverse sounds. ~ Matthew Forss

CD Review: Leticia Rodriguez Garza's 'Saguita Al Bate'

Leticia Rodriguez Garza
Saguita Al Bate
Self-Release

Growing up in Texas, one is never too far away from the energetic, pulsating, and danceable sounds of Latin America. Saguita Al Bate is a rollicking, four-track album of cumbia, salsa, Latin, jazz, Caribbean, and Afro-Latin elements with some tunes coming from a previous release, La Americana. The lively percussion, driving horns, punchy bass, and rootsy accordion on a few tracks makes the music come alive with a classic vein running throughout the album. The music of Latin America is timeless when jazzy piano, heavy percussion, and soulful vocals are involved. This is especially true on Saguita Al Bate. The music is seemingly out of the 1950's, but it is equally at home in today's era. Anyone with an interest in classic Latin American music will love Leticia Rodriguez Garza. ~ Matthew Forss

Digital Music Review: Broken Quote's 'Foreshadowing Sunlight'

Broken Quote
Foreshadowing Sunlight EP
Self-Release

Houston, TX-based and cosmically-driven, Broken Quote (AKA David Schrier), infiltrates the downtempo world with an experimental, electro-acoustic, and trip-hop recording of aural delight. The swishy electronics, sparkling tones, eerie sounds, and cosmic array of noises make all of the songs stand out. The instrumental, electro-funk and rock tune, "Glass Ceiling," contains an effervescent mix of downtempo chills, intergalactic noises, and radiant keyboard tones that are equally happy in a dance club or outer space. "Sparks Water The Seeds" is nothing more than a solo steel pan medley that is slow and meditative, but definitely appropriate for the rest of the album. "Mispronounce" is another slower tune, but it is more of an electro-acoustic song that includes David's whisper-like vocalizations ideal for trip-hop or downtempo music. "Late Night Ocean" includes electronic blips, industrial noises, and atmospheric washes with a trip-hop percussion sequence and sparkling noises with steel pan, keyboard, and laser-like electronica for a truly intergalactic ride. "Ghost Crowd" is a vocal tune with deep bass sounds, electronica embellishments, and a pensive beat that is entrancing and delicious. All in all, David produces a fine release that is a little bit over twenty-minutes. The album is only a download release at this time. It is highly recommended for trip-hop and downtempo fans. ~ Matthew Forss
 

CD Review: Hanneke Cassel's 'Dot The Dragon's Eyes'

Hanneke Cassel
Dot The Dragon's Eyes
Hearth Music

Based in Boston, Hanneke Cassel's fiery fiddling style incorporates a little Texas swagger, along with Cape Breton and Scottish music styles that make the entire project a foot-stompin' good time. There are twelve tracks that feature Hanneke's fiddle, but the piano, cello, viola, guitar, and trumpet are featured on other tracks for a truly unique and enjoyable experience. The somber and somewhat reflective "The Captain" features the earth fiddle, along with guitar and  other strings. Of course, a fiddle album would not be complete without a few waltzes, jigs, and reels, which are present here. The wholly instrumental album features great music with a mixed style that is sure to please fiddle fans and folk music connoisseurs. ~ Matthew Forss

CD Review: Carry Illinois' "Siren"

Carry Illinois
Siren
Self-Release

The smoky vocals of band leader, singer/songwriter, and guitarist, Lizzy Lehman, forms a folksy and cohesive mix of tunes  on her debut EP, Siren. The Texas-based band is comprised of Nick Droz on bass, Rudy Villarreal on drums, and Darwin Smith on guitar. The indie-folk vein is a clear one with radio-like vocals on "Nothing To Despise" and the jaunty "Weakest Limb" showcases a little folk angst with contemplative Oasis-like arrangements. The music is embellished with keyboards, banjo, cello, and additional programming. "Siren" begins with an atmospheric arrangement that quickly gives way to an avant-garde folk melody with static-like vocals and methodic melody. "Jackson Square" showcases the banjo and Lizzy's heartfelt vocals. The sauntering melody and folksy rhythm contains a slight blues edge with hints of hope and love throughout. As a whole, the instrumentation is tight and memorable. The vocals are diverse and the lyrics are intelligent. This is inventive folk music with a message. It's simply very, very good. ~ Matthew Forss

CD Review: Atash's 'Everything Is Music'

Atash
Everything Is Music
Ars Mundi

Everything Is Music is titled from a poem by Rumi, a Sufi poet of the 13th century, which combines swirling, Middle Eastern rhythms with hypnotic flamenco, Indian, and Mediterranean influences. The mature vocals are not too boisterous and very akin to Cheb Khaled. The band is spearheaded by Mohammad Firoozi Dashtestani, who hails from Iran. The Farsi singer aids the help of fellow musicians, Roberto Riggio on violin; Dylan Jones on bass; Abou Sylla on balafon, djembe, and conga; Jose Manuel Tejeda on acoustic guitar; Jason McKenzie on drums and tabla; John Moon on violin; and Indrajit Banerjee on sitar. The nine tracks are a global goldmine of infectious sounds and world rhythms. The Austin, Texas-based band finds no trouble getting their music across to the local crowds, as well as an international audience. The music cuts through borders and beliefs by creating organic, yet accessible, music tunes. Rumi would be proud! ~ Matthew Forss

CD Review: Nistha Raj's 'Exit 1'

Nistha Raj
Exit 1
Self-Release

A distinguished performer of Hindustani Classical and Western Classical violin in the Washington, DC-area, by way of Texas, Nistha Raj connects with her Indian roots, but includes a twist: vocal beatboxing, upright bass, piano, and drums. The edgy, innovative, and clearly awe-inspiring tunes are Indian fusion at its best. There is a jazzy feel with the bass, piano, and violin, but the Indian connection is channeled through raga cycles, tabla, and somewhat rustic, earthy tone of the violin. The somber, "Ek Pyar Ka Nagma Hai," is an instrumental ballad with organic violin, pensive piano, and light drum accompaniment. In contrast, "The River," embodies the innovative Indian instrumental spirit with punctual violin melodies, rhythmic percussion, and luscious drones. There are upbeat and plaintive moments throughout. However, the South Asian instrumental arrangements are creative and fresh. Nistha knocks this one into another dimension and it definitely 'beats' the competition. ~ Matthew Forss

CD Review: Jitterbug Vipers' 'Phoebe's Dream'

Jitterbug Vipers
Phoebe's Dream
Self-Release

The Texas-based Jitterbug Vipers are a group that revives the swing music of the 1930s and 40s. However, this is not your typical upbeat swing music. The group gets its name from viper music, which was sung by Ella Fitzgerald, Nat King Cole, Benny Goodman, Duke Ellington, etc. According to the band's website, viper gets its name from the "sssssst sound made by a viper being onomatopoeic for the sound made by an inhaling pot-smoker." Whatever it is called, the music if relatively laid-back with a good degree of quirky. The lazy, "When You're High," meanders with heavenly vocals and a jaunty, crystal clear guitar in hand. "Viper Moon" opens with a slow guitar tune and smoky vocals that are sweet, delicate, and sensual. There is some additional instrumentation, but it is largely reserved for percussion. "Stuff It" picks up the pace with a more energetic tune and sassy vocals with an almost spoken word presence. "Phoebe's Dream" opens with relaxed vocals and a sauntering guitar melody that is rather quirky, but the song picks up momentum with a swishy percussion set and classic arrangements. The twelve tracks are rather addictive and a seldom-heard mixture of viper tunes inspired by American swing music of the 1930s and 40s. Kick back and check it out today. ~ Matthew Forss 

CD Review: Grand Old Grizzly's Self-Titled Release

Grand Old Grizzly
Grand Old Grizzly
Self-Release

A Texas alt-country act, Grand Old Grizzly presents us with an upbeat, bluegrass, and folk-tinged tunes with clever lyrics and memorable melodies on drums, guitars, keyboards, pedal steel, and bass. Grand Old Grizzly is led by vocalist and guitarist, Will Thomas. But he is joined by Mark Riddell on bass, vocals, keyboards, and percussion; Dustin Welch on banjo; Paul Beebe on drums, vocals, and guitars; and Craig Feazel and Katie Stuckey on pedal steel. The Americana folk sounds are rousing to say the least. There is even a bit of grungy/country-rock on "Tallahassee." The vocals on most of the songs resemble a younger version of Counting Crows-frontman, Adam Duritz. There are pop-centric elements which are bright and energetic, but the vocals are never loud or indiscriminate. The simplistic "I Was Thinkin'" is a dreamy ode on guitar with light instrumental embellishments. "Pretty Little Head" contains a slew of poetic vocals and giddy guitar stylings with pure pop pleasure wrapped around a country-esque backbone. There are eleven songs in all and none of them suffer from any insufficiencies. Grand Old Grizzly is grand music with a heart and soul. ~ Matthew Forss  

CD Review: Cas Haley's 'La Si Dah'

Cas Haley
La Si Dah
Easy Star Records

Probably best-known for his performances on America's Got Talent, Cas Haley continues to prove he has what it takes to succeed. He traverses the world of reggae, jazz, rock, pop, folk, blues, and roots on his latest release, La Si Dah. "Jackson" is a rock and reggae-tinged, instrumental opener. "La Dah" is a breezy tune with light guitar and percussion sounds with some piano. The reggae-tinged, vibe-driven "Mama" is a classic tune. The slower and jazz-driven tune, "Wait For Me," contains a bit of blues. "Capricorn" opens with some piano, drums, and alternative guitar stylings with a reggae beat. It is refreshing to listen to great songs that are not only original, but different, too. Fans of Cas will love it and new fans will pick up on the reggae grooves, bluesy guitar stylings, and sincere vocals. Though, Cas' home-base is in Texas, the music does not reflect any such influence. Try it today! ~ Matthew Forss  

CD Review: DJ Sun's 'One Hundred'

DJ Sun
One Hundred
Self-Release

Houston, Texas-based DJ and music aficionado, DJ Sun, releases a hit list of nineteen exciting tracks that span the globe. The music is highly danceable, but not too fast relaxation is out of the question. The trippy grooves and electronic samples with lively vocals are adventurous and captivating. There are loads of instrumental embellishments from horns to harps and everything in-between. The sonic structures reflect a global fusion of sorts that are great for the dance hall or bedroom. The deep sounds and sketchy scratches are somewhat reminiscent of Royskopp. This music is richly-textured from global wanderings and unique, down-tempo lounge sounds. Anyone with an interest in electronic music, groove music, down-tempo, hip-hop instrumentals, and soul-funk will love DJ Sun. ~ Matthew Forss

CD Review: Jeff Clark's 'Just Visiting'

Jeff Clark
Just Visiting
Self-Release

The Texas-based vocalist and guitarist, Jeff Clark, brings us groovy Southern tunes with gritty guitars and crystalline pop melodies that are reminiscent of classic folk-rock anthems. The dozen tunes represent a catchy musical masterpiece echoing America's hey-day of easy listening magnificence. "You Are My Life" is a classy vocal and guitar tune with great percussion and sparkling sounds. "Mamie Mama" is a grungy and squawky-guitar driven track that represents a solid rock base with some electronic additions. "25 Years Later" is a classic 1970's American folk song made for today. The light percussion and slightly giddy melody combine with male and female vocals to make a memorable tune come alive with creative charm. The mix of grungy and gritty guitars with classy folk vocals and Southern spunk make Just Visiting something that will be around for a long time. There is a nice balance of gritty rock with classic American folk fusion that is sure to be a hit with adventurous Southern rock fans everywhere. ~ Matthew Forss 

CD Review: Jackopierce's 'Everywhere All The Time'

Jackopierce
Everywhere All The Time

The Dallas-based alternative rock group, Jackopierce, named after the founder's, Jack O'Neill and Cary Pierce, bring us catchy vocal harmonies and guitar rhythms with outstanding percussion. Overall, the music takes on a slight folk and country element that is steeped in memorable hooks, riffs, and lines. The folksy "Alright By Me" is layered with good hooks, percussion, and blazing fiddle or violin strings. The poignant, quiet anthem, "Killin Me," is a heartfelt ballad that is reflective with sparkling guitar notes and tambourine-shakin' percussion. The track is relatively slow with acoustic guitar and vocals. "Around Me Now" begins as a possible dance song with echoing vocals and a metallic, urban beat that morphs into a pop/rock tune of catchy sounds. The folksy "Lonely" contains beautiful harmonies and acoustic guitar with simplistic percussion that shimmers with life. As a whole, Jackopierce presents a very good mix of upbeat tunes that stand alone without much influence from other artists. Everywhere All The Time is going to be a hit with everyone. ~ Matthew Forss

CD Review: Opium Symphony's 'Blame It On The Radio'

Opium Symphony
Blame It On The Radio
Man or Machine Records

The Dallas-based Opium Symphony consists of founder, Kellen Ross on vocals and guitar, along with Jarrett Kramer on guitar, Derron Bell on drums, and Drew Nolde on bass. The upbeat rock music contains elements of Stone Temple Pilots and Green Day, but it is inherently Opium Symphony. The rock is not too hard, but it is more layered and explosive than the typical Top 40 hits. "Down The Rabbit Hole" is a hard rock/grunge anthem with eerie vocals and a good beat. "Soul For Sale" contains a buzz-saw-like electric guitar solo with heavy percussion and a lack of vocals until mid-song. Still, the music is mostly instrumental throughout the song. "Gospel" is another heart-pounding track of electric angst that is somewhat melodic and driven by punchy guitars, drums, and punishing percussion accents that propel the music into rock heaven. "Return Of The Ghost" is a cinematic, mostly instrumental song with spacious vibes, atmospheric embellishments, and majestic sounds of jazzy beauty with a few vocals near the end. Overall, Opium Symphony is right on the mark with their latest release, Blame It On The Radio. ~ Matthew Forss

CD Review: Debbi Walton's 'Sweet State of Mind'

Debbi Walton
Sweet State of Mind
Ultra Sound Records

The smooth, folk-rock concoctions of Texas-based singer/songwriter/guitarist, Debbi Walton, brings us a Southern charm with warm words and kind melodies. The sunny rhythms and arrangements contain a little blues elements. The instrumental repertoire consists chiefly of acoustic guitar, bass, electric guitar, slide guitar, banjo, mandolin, accordion, and harmonica. Debbi is a great singer with a voice a little more earthy than Shawn Colvin's voice. The melodies are gentle, sweet, and folksy. There are elements of Texan folk and country, but the resulting sound is largely contemporary folk with a dash of blues and a touch of soul. Overall, Debbi's eleven songs represent a good cross-section of her abilities to make music entertaining. There is also a nostalgic element from the 60s or 70s in the vocal and instrumental deliveries. Folk fans rejoice with this one! ~ Matthew Forss

CD Review: Brownout's 'Oozy'

Brownout
Oozy
Nat Geo Music

As a split personality with their other notable group, Grupo Fantasma, Brownout sets out to hit the road with a compelling, funkadelic mix of psychedelic grooves from the great state of Texas. The gritty and funky "Flaximus" cements their reputation for creating spacious riffs, horny accompaniment, and classic guitar work. The wholly instrumental tune contains some Latin percussion to keep it interesting. The funky "Stormy Weather" is a classy 70's-era vocal tune created in today's age. The rootsy, earthy sound is unsurpassed by comparable artists of today. The Latin-titled "Andy Y Dando" is a funky, horn-driven delicacy with booming bass and crunchy guitars with some vocals to match. The remaining songs contain quirky electronic embellishments that bridge the gap between the worlds of funk, roots, psychedelic, soul, Latin, and jazz. The result is a groove-laden adventure with fun for the whole family. When the lights go out, Brownout will brighten your day. ~ Matthew Forss 

CD Review: Cas Haley's 'Gifts To Give'

Cas Haley
Gifts To Give
Easy Star Records

Probably best-known for his America's Got Talent performances, Cas Haley has lit up the stage across the country with his own brew of Texan-blues-reggae music over the past few years. On this release, Cas starts out with an original Christmas tune, "Gifts To Give," which sets the bar high for the remainder of the album. Cas' unique vocal tricks and vocal swagger is welcoming and never obtuse or harsh. Also, Cas adds his own trumpet embellishments with his voice. In addition, a variety of scat lyrics and finger-snapping sets the acoustic and family-friendly tone of his music. Iconic Christmas classics, such as "Have Yourself A Merry Little Christmas," Rudolph, The Red-Nosed Reindeer," and "The Christmas Song" are made personal by Cas' inherent singing abilities and warm guitar strumming. The music is charming, sweet, and carefree without straying too far from the original compositions. Give the gift of joy this season with Cas Haley at your side. ~ Matthew Forss