Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

Wednesday, November 18, 2015

CD Review: Argentina's Gabriel Palatchi Releases 'Trivolution'

Gabriel Palatchi
Trivolution
Self-Release

Argentinian pianist and synth player, Gabriel Palatchi, is joined by Kerry Galloway on electric bass and Jose Maria Gonzalez on drums and percussion. Trivolution is a work of three band members that are not alone, as a few additional performers are added to the mix. The down-tempo, psych-driven grooves are jazz-infused and South American-tinged. The synths create a fluid, smooth jazz feel at times. On "Sefarad Roots," the music takes a Klezmer turn with a Gypsy-esque beat and melody. In fact, 'sefarad' suggests a Ladino presence with Old Spain. The funky sounds of "What Da Funk" contain a few vocals by David Gall. "Vive" is the only other track with vocals. Some of the songs are ripe with Latin brass and heavy percussion, while not straying too far from their South American jazz roots. The punchy and varied beats are a must-hear for fans of world jazz, South American music, and psych-funk concoctions. Trivolution is an excellent album. Join in the fun! ~ Matthew Forss

Friday, October 2, 2015

CD Review: Atlas Jungle's 'From The Dirt'

Atlas Jungle
From The Dirt
Self-Release

The Guilford, Connecticut tribal, funk, new age, psychedelic rock group, Atlas Jungle, releases an innovative five-track EP that includes both vocal and instrumental gems. The spacey, funky, and psych-laden, "Space Being," contains some atmospheric washes, electronic pulses, and smooth grooves for one heck of a ride. "The Cave" contains heady rock beats, light vocals, and gritty guitar work matched with electronic pulsations for a space-meets-South journey. "Goa Nights" opens with a little slap bass that heads right into a groovy, sultry, and funk-laden concoction with glittery electronica adornments and excellent percussion arrangements. There are even sitar-like sounds near the end of the song, which makes sense, since Goa is actually a state in Western India. The end of the song contains airy, yet punchy, flute renderings that could have been produced by a didgeridoo. "Pythagoras" is another great psych and funk journey with a slight Southern rock vein. The jaunty mix is has a world flair with sounds similar to an Australian origin. Some parts of the song are a more amped-up type of background music similar in style to a YouTube video demonstrating the Australian-made OzTent. "Snow Cat" is a vocal tune with buzz-laden sounds, heady rhythms, and a meandering beat that brings in rock, psych, and funk in equal proportions. If you haven't been convinced yet; you will. From The Dirt is definitely a highly organic experience. 5 Stars (out of 5). ~ Matthew Forss


Thursday, August 20, 2015

CD Review: Dead Rock West's 'It's Everly Time!'

Dead Rock West
It's Everly Time
Angel Flight Recording Co.

The Everly Brothers, once popular in the 1950's and 60's, are resurrected here with the work of Frank Drennen and Cindy Wasserman in Dead Rock West's latest homage to The Brothers with the Grammy-winning producer, Mark Linett, on It's Everly Time. There are fifteen songs by The Everly Brothers remade by Drennen and Wasserman, but the overall sound is highly-reminiscent of the original recordings, which are due to the use of vintage amps and microphones. In addition, the same vocal keys were used to further replicate the original music. "Cathy's Clown" is ripe with great vocals, jangly guitars and percussion, and a rhythm right out of the 1950's and 60's. The swaying ballad, "June Is As Cold As December," contains Drennen and Wasserman's heart-felt vocals backed by a great guitar and percussion base. "Leave My Girl Alone" is a rather upbeat melody that is a bit of a departure from the other songs, but it is still classic Everly Brothers. "[Why Am I] Chained To A Memory" is a slower ballad with twinkling piano keys, light percussion, and guitar-work. The vocals are tender and clear throughout. A classic ode to the now-extinct phone booths, "It Only Costs A Dime," is an upbeat pop ode with light rock effects and of course, great vocals to boot. "[You Got] The Power Of Love" is a bluesy, rock song that sheds the pop-centric qualities of other songs, but the vocals are still clear and rockabilly-like. Fans of The Everly Brothers, song from the 1950's and 60's, and even Fountains of Wayne's work on the That Thing You Do! soundtrack will love it. Highly-lauded! 5 Stars (out of 5). ~ Matthew Forss


Saturday, July 25, 2015

CD Review: Patricia Vonne's 'Viva Bandolera'

Patricia Vonne
Viva Bandolera
Bandolera Records

Patricia Vonne's emotive Latin folk and rock music takes on new heights with soaring vocals, multi-instrumental repertoires, and a pop-edge cement the deal with Viva Bandolera. Patricia's vocals are a blend of Lila Downs and Shakira throughout. The song structures are more varied than Shakira, but rooted in the Tejano, Latin-American rock and folk of Mexico's Lila Downs. Seventeen tracks in all. Patricia brings more than basic Tex-Mex fanfare here. In fact, there are swirling melodies and rhythms with passionate and evocative vocals representing a deep, Latin-American connection, as well as American pop and rock constructions. The Spanish songs are back by great instrumentation and arrangements that do not disappoint. Get it today! ~ Matthew Forss

Tuesday, July 14, 2015

CD Review: The Dolomites' 'Japan Years Volumes I, II, & III'

The Dolomites
Japan Years Volumes I, II, & III [3-CD]
Alien Arts Alliance

The Dolomites, led by Stevhen Koji Baianu, create stirring melodies and rhythms caught between the past and the future by incorporating a mix of influences from Japanese enka to gypsy, Balkan-inspired tunes, and Latin-American cumbia. Confused yet? Need not be. The group, which consists of nearly 70 members from different areas of the globe, celebrates the best of their work in a three-volume EP set comprised of certain years, such as 2006-2009, 2007-2010, and 2006-2010. Each album contains five tracks for approximately twenty-minutes an album. There is a mix of music on each album, but all of it draws upon electronica, cumbia, folk, roots, Balkan, Gypsy, neo-classical, enka, horn-powered ballads, and quirky, percussive renderings throughout. Stevhen's vocals are ruddy and charismatic with similarities to darker Russian folk groups or even ErsatzMusika from Germany. Moreover, the album art should clue you in that this is going to be an interesting ride. For instance, the Jamiroquai or Batman-influenced silhouette artwork on the back of the albums should alert everyone that this is a unique production. Though, some of the vocals are a little rough, out of tune, or drunk-like in nature, but that does not make it a terrible listen. In fact, anyone seeking unique, world music with numerous geographic influences will find The Dolomites solid as a rock (pun intended). ~ Matthew Forss



CD Review: The Expanders' 'Hustling Culture'

The Expanders
Hustling Culture
Easy Star Records

Hailing from California with a sound from Jamaica, The Expanders expand their horizons (and ours!) with their new reggae-infused, Hustling Culture. The roots-influenced, rock and reggae beats grace all the tracks on this urban and contemporary-inspired release. The deep bass beats and syncopation are iconic in reggae music from Jamaica and contemporary reggae music from around the world. A dozen tunes of reggae bliss blast from the album with soothing beats, diverse percussion, and great vocals that do not miss a step. The upbeat and catchy ballad, "Piece Of Love," is a reggae anthem worthy of global praise and multiple listens. The laid-back, syncopated beats of "People Business" showcases a lighter side of reggae. Overall, The Expanders are very talented and do not have trouble creating beautiful songs that will stand the test of time. ~ Matthew Forss

Wednesday, July 1, 2015

CD Review: Chico Trujillo's 'Reina De Todas Las Fiestas'

Chico Trujillo
Reina De Todas Las Fiestas
Barbes Records

Chilean cumbia, pop, and rock maestros, Chico Trujillo, bring out the inner dance in all of us when the percussion, guitars, horns, and vocals come out on their latest release, Reina De Todas Las Fiestas, which roughly translates to 'Queen Of All Feasts.' Well, feast your ears on these guys. There are some great South American rhythms here, such as the uppity "Alturas" with pan flute type sounds and steady percussion and a great beat. "Chatito" is another great tune with bouncy bass, heavy percussion, and a playful melody with loads of horn sounds and keyboard sounds. There are nine tracks, which span the gamut from Latin jazz, cumbia, pop, rock, Latin beat, South American pop, and neo-soul wanderings. Chico Trujillo brings out the best in cumbia beats. ~ Matthew Forss

Thursday, April 30, 2015

CD Review: Foam Ropes' Self-Titled Release

Foam Ropes
Foam Ropes
7 Trick Pony Records

Links: Twitter, Reverbnation, Facebook, YouTube, Instagram

New Yorker, Derek Nicoletto, formed Foam Ropes after years of studying acting. The self-titled release showcases a variety of alt-rock, pop, grunge, and indie song styles that are sure to stir the soul and move the body (all in positive ways). "Potion Me Well" contains edgy rock guitars, wild percussion, and loud vocals that echo the musical angst of American contemporary rock from the 1980's and early '90's. "Truth In Fables" is more of a rock ballad with some classic vocals in the vein of New Jersey-band, Every Damn Day. The punchy guitars and slight neo-classical edge combine with great vocals for a truly unforgettable experience. "Birches" is more of a folk and roots-influenced tune with acoustic guitar, light percussion, and softer vocals. "Bad Apples" is a sauntering, down-tempo ballad that draws inspiration from the 1950's and '60's-era of American classics. However, the entire album contains original songs. Overall, the songs display a good mix of talent, song styles, and catchy hooks that will keep everyone entertained. ~ 5 Stars (out of 5). Matthew Forss  

Wednesday, February 25, 2015

Digital Music Review: Road Man's 'Light At The Speed Of Life'

Road Man
Light At The Speed Of Life
Soulspazm

Links: Facebook, YouTube, Twitter, Instagram

Road Man is the name of Jon Petronzio's group, which spreads great grooves and hook-laden melodies in rock, reggae, down-tempo, and electronica formats. The New York-based band-leader creates funky, moving rhythms that rival the electronica leanings of Action Figure Party and a few reggae beats indicative of Bob Marley and Cas Haley. "The Meeting" is a funky, rock-laden tune with a Southern angst and contemporary appeal that incorporates a bluesy and roots feel. "Chosen" is a psychedelic fun-fest with glittering electronics and a funky beat with great vocals. "Dangerous Road" is a syncopated beat delight with reggae leanings and funk melodies that awaken everyone into a dance mood. "Lights Camera Action" brings together more of an urban dance feel with glistening electronica, swishy percussion, and fast vocals. "Run Away With Me" is another reggae beat gem with throbbing B3 organ sounds representing a roots-centric fixture. The diversity in tracks is exceptional and the melodies are well worth repeated listens. You can dance, relax, space out, and move your hips to the music of Road Man without having any guilt or apprehension. 5 Stars (out of 5). ~ Matthew Forss

Thursday, February 19, 2015

CD Review: TreeHouse!'s 'Lifted'

TreeHouse!
Lifted
Self-Release

Reggae-beat from South Carolina? You bet. The Southern band brings reggae, jam band, and rock themes to the mix on their third album, Lifted. There are some psychedelic powers going on here, but the reggae backbeat is never too far away. For instance, "Guru" has all the elements of a groove-laden, psychedelic track with extended instrumentals and jam-band vocals with a catchy beat and TreeHouse! does not disappoint. A dozen tracks fill the album with tons of lush melodies, edgy grooves, and world fusion influences that follow a reggae foundation and psychedelic foundation with hints of roots and folk. The fluid bass sounds are especially good on "Take It Away" and "Just Another Day." The album is as colorful as the artwork. There is a good amount of diverse stylings and beats that are never boring or redundant. ~ Matthew Forss

Monday, January 26, 2015

CD Review: Jah9's 'New Name'

Jah9
New Name
Rorystonelove/Steamchalice

Jah9 hails from Jamaica, so naturally, reggae music is a likely influence. You would be right, but mix a little pop, urban, dub, and roots music and you have Jah9's new album, New Name. Jah9 is a rare find, as she is one of a very select number of reggae stars that are female. There are reverberations of dub electronica, vocal prowess, trippy beats, socially-relevant lyrics, and throbbing keys projecting sounds through one's soul and mind. There are even poetic moments of spoken word on "Interlude." The fluidity of "Gratitude" makes one want to dive into reggae with full-force and never look back. There are fourteen tracks with two of these tracks performed as an extended mix. At any rate, fans of dub, electronic, reggae, Jamaican roots, and just plain great music will love New Name. ~ Matthew Forss


Thursday, January 15, 2015

CD Review: Live Hart's 'Honesty'

Live Hart
Honesty
Goin' Native Records

Links: Facebook, Twitter, YouTube, Soundcloud

Florida's Live Hart brings a fresh alternative soul and pop release with ten new songs loaded with heartfelt lyrics and smooth grooves. Honesty traverses the human soul with such acuity that is unparalleled in today's music. Live's candid expressions and emotive result shines through on every track. The first song, "I'm Gone," is a laid-back, soul-enveloping romp into a smooth jazz world of punchy bass, swishy percussion, and keyboard washes. "Lala" is a poignant guitar ballad with Live's solo and somewhat acrobatic vocals throughout. However, the vocals are quite tame and solid. "Release" is a neo-soul and pop tune with some electric guitar displays that set it apart from other tunes on the album. "Summer Love" is a lush, pop song with keyboards, guitars, percussion, and other effects that create a sort of dance-friendly result. "This Is Me" is another great pop tune with crystalline guitar notes, laid-back percussion, and clever lyrics. The same great elements, including back-up vocals, are present on "Please Don't Say It's Over." Overall, Live Hart's new release is more alternative soul and pop than urban or R&B. Every tune brings something new and fresh to the mix without resorting to any of the common traps of contemporary music. Honesty: It's the best! 5 Stars (out of 5) ~ Matthew Forss

Wednesday, January 14, 2015

CD Review: Allan Moon's 'Children Of The Call'

Allan Moon
Children Of The Call
Songbird Records

Children Of The Call is a laid-back, funky, and jazz-inflected journey resulting from Allan Moon's global lifestyle in Canada, New York, and Israel. Allan's classic tone bridges alternative leanings with folk and rock beats that shimmer with raw and inspiring lyrics. The slow, symphonic beats of the crooner, "New York City," Allan blends American 1970's folk styles with a bluesy, Southern feel for a truly enigmatic result. "Children Of The Call" is an anthem that combines the vocal talents akin to Cat Stevens and Tom Petty with a heady mix of classic roots and folk. "Karolina" is another bluesy tune with classic vocals that encapsulates everything good about contemporary pop and rock music. Overall, the album brings together a mix of blues, folk, roots, rock, pop, funk, and alternative leanings in one indelible package. All the songs are in English with liner notes detailing each song. Fans of classic rock and folk with a bluesy and innovative edge will find comfort in these tunes. ~ Matthew Forss

Wednesday, December 17, 2014

CD Review: Fractal Control's 'Disconnection Equals Freedom'

Fractal Control
Disconnection Equals Freedom
Self-Release

Links: YouTube, SoundCloud

Fractal Control is Mike Louttit's new release of instrumental rock/metal, surf psych, and avant-garde stylings that are somewhat futuristic, but never dull. The Ohio-native wrestles with technological advances leaving real humanity in a social quandary. Regardless of the message, the mostly instrumental release contains seven thought-provoking tunes. The piano-driven, "Already Ourselves," is an instrumental ode to humanity that contains brief atmospheric washes and an artificial intelligence voice that describes an introspective analysis of life. "Awakened And Aware" opens with a mind-numbing, instrumental guitar, bass and drum composition with metal aspects abounding. The instrumental tune contains glittering guitar work, punchy melodies, and a driving rhythm that is full of aggression. "Retrace" contains a drowned-out guitar or bass solo that is very improvisational or avant-garde. It does not contain any other instrumentation. It sheds the metal characteristics of other songs and it is relatively short at only one-and-a-half-minutes.  "Hidden Truth" begins with a psych, surf rock instrumental that goes into a finger-frenzied, guitar experience that is rich with sparkling guitar notes in true rock fashion. There are robotic, spoken words near the end of the song. Overall, Fractal Control does a great job awakening the human spirit with Disconnection Equals Freedom. The music is great for fans of instrumental rock, experimental, new age, improvisational, and contemporary ambient sounds. 5 Stars (out of 5). ~ Matthew Forss




Monday, December 8, 2014

CD Review: The Armory's 'Rediscover'

The Armory
Rediscover
Self-Release

Links: Twitter, Facebook, YouTube, SoundCloud

The Armory is an Atlanta-based indie rock band comprised of Sean Wheeler and Marc Harris on lead vocals, Ben Harris on bass and vocals, as well as guitarists, John Patton and Ricky Free. Together, the group forms a compelling and entertaining form of rock music with a pop vein and alternative leanings led by crunchy and symphonic guitar arrangements. The static-driven rock vocals of "If I Ever" prove the band has what it takes to bring a song to life. "Stay" contains a heady mix of crunchy rock guitar arrangements and great vocals not too unlike Three Days Grace and Splender. "Peter Piper" adds a heavier mix of rock vocals and guitars that are not as cohesive and enjoyable as other tunes on the album. "Rediscover" opens with a plaintive, acoustic guitar melody and clear, emotive vocals. Half-way through the song, heavier rock arrangements and vocals take over and end the song on a solid note. The nine-track release is a solid effort with a generous dose of rock riffs and melodies that are not too dissimilar from Three Days Grace and Splender. 4.5 Stars (out of 5) ~ Matthew Forss

Thursday, December 4, 2014

CD Review: Vozvraschenie's 'Spring Land'

Vozvraschenie
Spring Land 
Sketis Music

The best in contemporary Russian rock 'n' roll is alive and well in Vozvraschenie's newest release, Spring Land. The eleven-track release contains heady vocals and gorgeous rock melodies with guitars, bass, percussion, and assorted instrumentation of ocarina, igil, jaw-harp, mandolin, virtual instruments, and others. It is rare every song on an album is great, but Spring Land proves it's possible. From the opening, driving melody of "Kapel" to the Celtic-rock and punk-inspired sounds of "Skomoroshya Dolya," Vozvraschenie is comfortable in any genre and style. However, rock and pop sounds are the primary influence here. There are a few displays of rock guitar splendor, but Vozvraschenie do their best to stick to solid, catchy rock grooves that are unforgettable. "Kapel" and "Zodchy" are two of the best tracks of any artist in any genre to come out this year. The mix of guitars, flute sounds, assorted strings, and the buzzing, electric bagpipe effects of the zhaleyka aerophone on "Zodchy" are definitely worthwhile. All the songs are in Russian. However, every song is excellent irregardless of language barriers. Anyone into Russian folk/rock will love it. One of the best recordings of 2014. ~ Matthew Forss

Friday, November 14, 2014

CD Review: Syre & Fresko's 'Gonna See Miracles'

Syre & Fresko
Gonna See Miracles

Links: Facebook, Twitter, YouTube, Soundcloud

The husband and wife duo, Syre & Fresko, hail from Melbourne, Australia and present us with an excellent five-track EP, Gonna See Miracles. The contemporary release encompasses a slight rock feel with anthemic sounds of pop and alternative leanings throughout. "Broken Fragments" is a rock anthem of intelligent lyrics, great guitar hooks, and full-on vocals with bass, guitar, percussion, and electronic effects. "Gonna See Miracles" opens with spacious sounds of guitar, swishy percussion, and a classic, almost Western vocal arrangement. However, the chorus is purely rock and pop-driven with both male and female vocals. "Plastic Dreams" possesses an electronic sound with a full sound that is rock-laden with vocals that are all-encompassing and memorable. "Ruth" begins as a more laid-back guitar and vocal tune void of any percussion. The folksy melody is a bit country-esque with the whining dobro-like instrument. Syre & Fresko both lend locals on this tune. "Tightrope" begins with swishy sounds and female vocals with electronic bell tones. The airy vocals and lack of much percussion throughout the first half of the song gives way to a more robust rock sound with a stellar chorus and climax. 5 Stars (out of 5). ~ Matthew Forss

Wednesday, October 22, 2014

CD Review: Backbeat Soundsystem's 'Together Not Apart'

Backbeat Soundsystem
Together Not Apart
Easy Star Records

Reggae from the U.K.? Yes, indeed. The eight-piece reggae-roots band, Backbeat Soundsystem, fires on all cylinders with their latest, hook-laden release, Together Not Apart. The group comprises the talents of Dean Forrest, Darren Kendall, Zac Jesus Esquela Harkavy, Jon Symons, Sam Parsons, Elf Forrest, Lawrence Willoughby, and Tom Neale. The music contains catchy, bass-laden beats with hooks that will grab everyone's attention. There are twelve tracks in all. Each song is unique and blends reggae sounds with pop, rock, and urban jazz. The fluid sounds of reggae and punchy percussion are all positive attributes that make Together Not Apart stand alone as an impressive recording. Fans of Easy Star Records will find this a necessary recording. Also, fans of reggae will love it. ~ Matthew Forss

Tuesday, October 21, 2014

CD Review: Beautiful Mess' 'Words Getting Around'

Beautiful Mess
Words Getting Around
Self-Release

The Northeast-based group, Beautiful Mess, is spearheaded by Chris Ehrhart and his nephew, Tim Ehrhart who have a passion for writing, playing, arranging, and sharing songs of a heavenly side—on their latest release, Words Getting Around.  The five-track release showcases jingly pop and rock songs with a positive message about the realities of life.  The music is more than a voice, guitar, and drums, as other instruments come into play throughout.

“Alright” opens with plaintive vocals and a briskly-played, acoustic guitar with a kind of flamenco style.  The vocals are backed by light percussion through mid-song.  The vocals feel very organic and unaltered by heavy mixing or sampling.  The last half of the song incorporates a few spoken word vocals with symphonic, rock arrangements and louder vocals by the end of the song.  However, the vocals are still discernible.  The rock arrangements are a fitting end to the song that actually ends with a few acoustic guitar chords, as delicately as it started.

“Crazy” begins with clap-like percussion, a few piano notes, and swishy percussion with great vocals.  The up-tempo beat sparkles with guitar, piano, and arrangements.  After the first few verses, a punchy rock beat occurs before a vocal only line that signals the last few lines of the song with full-on percussion, guitars, piano, and vocals in a pop-rock structure.  The pop vocals at the end of the song appropriately round out the song’s best features.

“Holding On” opens with an acoustic guitar in a folksy, raw manner.  The vocals begin, as a rich, percussive sound accompanies the vocals and guitar.  After the first few lines, a symphonic chorus incorporates a little pop-rock splendor.  There are lush back-up vocals throughout amidst the jangly percussion.  The end of the song ends as charming as it begins with plaintive guitar and vocals.

“Home Forever” begins with piano notes and a heartfelt vocal line.  A percussion arrangement kicks in with an ambulating beat and delicate taps.  A swishy cymbal clang signals more dramatic vocal performances with back-up vocals during the first chorus.  The next few verses escalate with pop-rock charisma in a more majestic tone with lush guitars, symphonic washes, and rock guitar beats.  The triumphant vocals are fueled by powerful lyrics of Christian rebirth and eternal living.  After the climax of the last chorus, the song fades out with organ sounds and percussion arrangements.

“Words Getting Around” opens with a jingly acoustic guitar tune and organ sounds with swishy cymbals and drums.  The bluesy and folksy tune is jingly and full of pop-rock splendor with vocals akin to Dave Matthews.  Even the bluesy melody and guitar arrangements are akin to something by Dave Matthews.  At any rate, mid-song features back-up vocals in a bluesy or gospel context.  The vocals are manipulated in parts by back-up vocals and some programming effects.  The back-up vocals, instruments, and arrangements come together in the end for a party-like sound of indiscriminate vocals.  The mish-mash of music is a fitting end to the song.  

Beautiful Mess is a group that is inspired by things beyond this Earth and they harness that energy and turn it into great music arranged in innovative ways by incorporating a mix of instrumentation.  The music is also catchy.  Though, only five songs are included on the album. Still, the five songs are all very good without any faults.  A mix of jazzy, folk, rock, pop, Christian, and gospel elements make the music shine without any shortcomings.  Anyone with an interest in the abovementioned genres will find happiness (and meaning) in the songs.   

Review by Matthew Forss
Rating: 5 Stars (out of 5)

Find them on bandcamp!


Monday, July 28, 2014

CD Review: Tapebenders' 'Chasing Ghosts'

Tapebenders
Chasing Ghosts
Self-Release

The Milwaukee-based psychedelic rock group, Tapebenders (formerly Elusive Parallelograms), releases an anthology of music previously released on earlier LPs and EPs. The rock music contains a bit of electronica that includes showers of metallic sparks and dreamy sequences that are varied and very deliberate. The concise playing style brings to life the progressive pop side of the music without venturing too far away from psychedelic or rock genres. The gritty "60 MPH" is an instrumental rock gem with vocals resembling Blink 182 and rock riffs not too far away from a punk vein. "Nuclear Man" is another fine electronic tune with big guitars, drums, and keyboards with vocals that are playful and adventurous. The sounds reverberate with spacey electronics and spacious licks. "Absolution" is a rock anthem with fuzzy guitars and psychedelic noises that include a bit of progressive and experimental music that is jingly, memorable, and cinematic. The entire thirteen-track release provides a great picture of what Tapebenders can do. Think of Fractal Cat meets Blink 182 with The Devlins close behind. 5 Stars (out of 5) ~ Matthew Forss