CD Review: Akale Wube's 'Sost'

Akale Wube
Sost
Clapson

Akale Wube's third album is aptly-titled Sost, which means 'three' in Amharic--the official language of Ethiopia. The music is highly groove-based and follows the early traditions of Ethiopian jazz, which is not too unlike the popular Ethiopiques series. About half of the music is based on traditional recordings and cassettes found in Ethiopia, while the other half of the songs are original compositions. The emotive vocalist, Genet Asefa, leads a few tracks with her seasoned voice in line with tradition Ethiopia music. The blurt of a trumpet, the beat of a drum, and a jazzy melody with Afro-jazz flavorings rounds out the gist of each song. However, each song brings something new to light--whether it be a hook, a sound, or a rhythm. Akale Wube know how to tease the feet with danceable grooves and lush sounds. This is another acclaimed album. ~ Matthew Forss

CD Review: Zvuloon Dub System's 'Anbessa Dub'

Zvuloon Dub System
Anbessa Dub
Self-Release

The Tel-Aviv-based reggae/Ethiopian jazz group, Zvuloon Dub System, seamlessly merges two unique musical styles together to form a danceable and very likable beat. The group infuses reggae beats on several tracks with a little Amharic to mix it up just a little bit. Roots reggae, jazz, and East African soul explains what is going on here. The moving beats and diverse vocals attract equally-great instrumental portions that are like little morsels of delicious candy. There are traditional reggae instruments, including the piano, organ, guitars, bass, drums, sax, trumpet, and trombone, along with Ethiopian krar (a plucked harp) and a masinko (a type of small fiddle). Mahmoud Ahmed is a featured and well-known performer here, but Zemene Melesse, Yaacov Lilay, and Shay Sattaman Jacovi add vocals, too. Otherwise, Gili Yalo is the lead vocalist. The East African, Middle Eastern, and Caribbean influences are evident and pervasive, but everything is used in moderation. Anyone seeking reggae beats via Israel, Ethiopia, and beyond will have fun with Anbessa Dub. ~ Matthew Forss

CD Review: Ethiopia's Meklit Hadero

Meklit Hadero

On A Day Like This...

Porto Franco Records

San Francisco-resident and Ethiopian-native, Meklit (pron. muh-kleet) Hadero, is a groovy, sultry, and poetic vocalist that transcends traditional genre borders. The entire album is poignant, laid-back, and inspirational. Meklit composes eight original songs on this album. One cover song, "Feeling Good", by Anthony Newley and Bricusse is included. The only other cover song is a traditional Ethiopian song, and the only song sung in Amharic, celebrates the rural life. It is originally written by Ethiopia's legendary musician, Mahmoud Ahmed. Meklit's voice and acoustic guitar playing are joined by upright bass, oboe, clarinet, sax, piano, viola, ney flute, cello, and other assorted instruments. The music is perfect for lounging and takes on an almost Brazilian/samba sound in parts. A Sade-like vocalist, Meklit creates a new form of music that borrows classic big band elements, R&B, jazz, folk, and easy listening influences. On A Day Like This... is highly recommended any day of the year. ~ Matthew Forss