CD Review: Ola Fresca's 'Elixir'

Ola Fresca
Elixir
Pipiki Records

Cuban-American singer, songwriter, arranger, and producer, Jose Conde, spices things up with a heady mix of Latin sounds and rhythms with his band, Ola Fresca. Steeped in a rich history of Cuban son, rumba, timba, salsa, Puerto Rican influences, and related styles, Elixir attempts to convey a tropical message of percussion-heavy, musical tunes. The nine energetic tracks are marked by great vocals, heavy percussion, sweeping piano, and traditional instrumentation for a truly magical experience. The Latin horns are equally enthralling and cement Ola Fresca's musical presence in Latin, Caribbean, and tropical genres. This is ideal for tropical, beach parties, lounging, weddings, or other special occasions. It is even suitable for lazy, unproductive days when you can't (or won't) do any chores! Available as a download, CD, or LP. ~ Matthew Forss

CD Review: Hot Club Of The Americas' 'Federico Britos Presents...'

Hot Club Of The Americas
Federico Britos Presents Hot Club Of The Americas
3 Knocks Entertainment

As a tribute to the music of The Hot Club of France and led by violin-wielding Federico Britos, the Hot Club Of The Americas, brings us a world-class recording with North American jazz sounds, Latin elements, South American folk, and Cuban percussion for a spectacular result. A native of Uruguay, Federico knows how to liven up any composition with earthy strings, bouncy rhythms, and jazzy interludes that are full of vivacity. A dozen songs feature a host of guest musicians, including Hendrik Meurkens, Gonzalo Rubalcaba, Cecile McLorin Salvant, Giovanni Hidalgo, and Antonio Adolfo, in addition to the regular line-up of Federico, Jorge Garcia (guitar), Felix Gomex (piano), Renyel Rivero (bass), Edwin Bonilla (percussion), and Carlomagno Araya (drums). In short, there are plenty of Gypsy and Latin-influenced jazz with a good deal of folk and classical thrown in rather appropriately. The  mostly instrumental album reinvents the jazzy 1960's era with engaging, moving, and lounge-ready songs that sway along in a lazy manner like a sultry, mid-summer afternoon on a quiet, Havana beach. Anyone with a fascination in world jazz and Latin/Gypsy concoctions will love Hot Club Of The Americas. ~ Matthew Forss

CD Review: Sizzla's 'Born A King'

Sizzla
Born A King
Muti Music

Jamaican-reggae at its best would not be the best without the vocals of Sizzla and his edgy, groove-laden, and funky little band. The big sound steeped in dubby grooves, staccato beats, and throaty vocals makes Born A King fit for everyone. There is an element of hip-hop, urban, dancehall, and soul music. There are even electronic gurgles, tones, and reverberations that keep the sound fresh and contemporary. The sound would not be complete without the talents of Errol Dunkley, Vida-Sunshyne, Turbulence, and Alton Ellis. Sizzla brings a heavier, more urban-driven sound to the reggae market, but that doesn't make it any less enjoyable. Still, fans of more innovative reggae with urban beats will find it most satisfying. ~ Matthew Forss

Digital/Vinyl Review: Nihkil P. Yerawadekar & Low Mentality's 'Reel It In'

Nikhil P. Yerawadekar & Low Mentality
Reel It In
3rd Generation

Brooklyn-based beatmeister, Nikhil P. Yerawadekar and his group, Low Mentality, release a two-song release inspired by the edgy, psych-infused beats of West Africa, the Caribbean, and East African funk. The result is a heady, beat-driven and classic, funk-laden tune, "Reel It In," which features a rollicking rhythm and North American funk beat that is jazzy, classy, and timeless. Nikhil is joined by Pavel Kogan-Liakhov on guitar, Chauncey Yearwood on percussion and vocals, Omar Little on trumpet, keyboard and samples, Timothy Allen on bass and vocals, and James Windsor-Wells on drums and vocals. The sub-five-minute track contains enough beats, sounds, and melodies to keep you on your toes...literally. The second track, "Vultures," is also sub-five-minutes in length, but it more aligned to North American funk and psych elements. Still, the same West African and East African influences are present throughout. All of the vocals are in English, but they are not too prevalent. The entire recording is under ten minutes long, but it only serves as a glimpse into the complete musical capabilities of Nikhil P. Yerawadekar and Low Mentality. Own it today on vinyl or as a digital release! ~ Matthew Forss

CD Review: Zvuloon Dub System's 'Anbessa Dub'

Zvuloon Dub System
Anbessa Dub
Self-Release

The Tel-Aviv-based reggae/Ethiopian jazz group, Zvuloon Dub System, seamlessly merges two unique musical styles together to form a danceable and very likable beat. The group infuses reggae beats on several tracks with a little Amharic to mix it up just a little bit. Roots reggae, jazz, and East African soul explains what is going on here. The moving beats and diverse vocals attract equally-great instrumental portions that are like little morsels of delicious candy. There are traditional reggae instruments, including the piano, organ, guitars, bass, drums, sax, trumpet, and trombone, along with Ethiopian krar (a plucked harp) and a masinko (a type of small fiddle). Mahmoud Ahmed is a featured and well-known performer here, but Zemene Melesse, Yaacov Lilay, and Shay Sattaman Jacovi add vocals, too. Otherwise, Gili Yalo is the lead vocalist. The East African, Middle Eastern, and Caribbean influences are evident and pervasive, but everything is used in moderation. Anyone seeking reggae beats via Israel, Ethiopia, and beyond will have fun with Anbessa Dub. ~ Matthew Forss

CD Review: Cascada de Flores' 'Radio Flor'

Cascada de Flores
Radio Flor
Ita Music

The California-based group, Cascada de Flores, takes listeners back to the era of the 1930's with more vocal-centered songs with folksy, Latin-esque percussion on Radio Flor. There are eighteen tracks that bring poetic boleros and romantic ballads with light instrumentation and percussion that produces a sense of nostalgia. It is easy to forget the songs are composed in modern times, but that is part of the mystique with classic, Latin tunes. The music incorporates Latin American, South American, Caribbean, and Afro-Latin leanings. The swaying rhythms of "La Gloria Eres Tu" combines a trumpet, light percussion, and heartfelt vocals amid a slow, jazzy beat. "Jardinero de Amor" picks up the pace with uptempo percussion and a leading female vocal line that is accompanied by a fiery guitar segment that enriches the song with elements of flamenco delight. "Maria Cristina" is a lush, percussion track with vibrant vocals and instrumentation that will blow away even the most discriminating of listeners. Overall, Radio Flor is an album that should graced the shelves of anyone interested in Latin music with a historical edge. ~ Matthew Forss

CD Review: Dona Onete's 'Feitico Cabloco'

Dona Onete
Feitico Cabloco
Mais Um Discos

Flamboyant songtress of seventy-three-years-young, Dona Onete graces our present with enlightening songs highlighting the Brazilian interior. Dona incorporates a variety of traditional dance rhythms and melodies with Caribbean salsa, samba, rap, and others all rooted in the culture of Brazil. The overall sound blends a bit of mariachi-like sounds with cumbia sounds and everything in-between. Don's vibrant vocals and happy spirit shines through on all of the tracks. There are eleven luscious tracks to indulge in. The music is general enough to appeal to Latin music fans, as well as anyone interested in South American, Caribbean, or Spanish music styles. Sink your teeth into the music of Brazil's Amazonian backbone. ~ Matthew Forss

CD Review: Srikalogy's 'New Paradigm'

Srikalogy
New Paradigm
Black Swan Sounds

Srikalogy is a New York-based DJ, MC, producer, and percussionist with a connection to the West Indies, Caribbean, and a NYC Ashram. These life experiences were perfect for poetic storytelling through carefully-selected beats in the world music, electronica, and hip hop worlds. There is a South Asian vein that extends to kirtan or yoga-based stylings. The trumpet, mrdanga, keyboard, guitar, kalimba, and didgeridoo sets the tone for the urban and contemporary beats. Srikalogy's vocals are hip-hop based and a great delivery vehicle for his message. The electronic drones, punchy percussion, Enigma-like compositions are something worth listening to. Anyone with an interest in urban yoga music will love the compositions on New Paradigm. ~ Matthew Forss

CD Review: Boulpik's 'Konpa Lakay'

Boulpik
Konpa Lakay
Lusafrica

Boulpik is a Haitian group that resurrects the konpa musical style of the 1950's for a new generation. Konpa is a dance music that incorporates meringue music. This is not your typical meringue music; instead, Boulpik, which means "bullseye," produces a raw, organic, and country sound made from banjos, manoubas, and percussion with vocals. The mood of the music is very joyous and the instrumental arrangements are earthy and and enjoyable to say the least. This may have roots in folk music, but konpa, meringue, and Afro-Caribbean dance elements are the primary influence. The songs are in Haitian Creole and possess and strong nostalgic-tinged repertoire that blends perfectly with contemporary vocals. The tropical-infused, "Je Reviens Chez Nous," highlights the Canadian influence with a ballad not indigenous to Haiti. Overall, Boulpik hits the bullseye with Konpa Lakay. ~ Matthew Forss

CD Review: Bio Ritmo's 'Puerta Del Sur'

Bio Ritmo
Puerta Del Sur
Vampisoul

Afro-Cuban salsa from Virginia? You bet. The guys of Bio Ritmo create foot-stompin' and head-bobbin' melodies ripe with salsa elements, vintage melodies, gritty guitars, punchy horns, and funky-experimental songs that are multinational and multi-faceted. There are glittering keyboard arrangements, down-and-dirty percussive set-ups, and fluid bass-lines. The last track, "Codeina," is more of a classical tune with strings at the beginning of the song, which then fade to make way for a Middle Eastern percussive section and vocal arrangements of a similar vein with a bit of electronica and jazz thrown in for fun. At any rate, the Latin groove, contemporary arrangements, and psych-funk-jazz concoctions are very enjoyable and a perfect companion for anyone seeking inventive and creative Afro-Cuban music with a few variations and influences. ~ Matthew Forss

CD Review: Pedro Luis Ferrer's 'Final'

Pedro Luis Ferrer
Final
Escondida Records

Cuban-born and based, Pedro Luis Ferrer, is a talented poet, singer, composer, guitarist, and tres player that brings his intimate vocals, swaying melodies, and jazzy effervescence to the forefront on Final. The twelve-track release is a little over half-an-hour in length, but the music lingers much longer. The mature vocals are purely Cuban in origin, but the performance is akin to some of the best Greek singers (i.e. Pashalis Terzis). The Cuban and Latin influences are similar to the Mediterranean elements, which are imbued throughout. The mix of contemporary Cuban music is joined by a guaracha and classical style, which highlights the varied influences throughout the album. The neo-classical elements are quite cinematic and the light percussion takes listeners on a seafaring voyage into the heart and soul of everything Cuban. The romantic melodies are timeless and memorable. Hopefully, Final is not the final release of Ferrer's career. ~ Matthew Forss

CD Review: Thomas Blondet's 'Futureworld'

Thomas Blondet
Futureworld
Rhythm & Culture Music

Washington, DC-based DJ, producer, and global connoisseur, Thomas Blondet, brings us a rich, cinematic, and dance-laden collection of multicultural rhythms, melodies, and works of art. The globally-infused music brings together Indian, Balkan, Latin, and Caribbean influences with traditional vocals and stirring melodies that are awe-inspiring, pulsating, and unforgettable. This is not your typical heart-pounding dance repertoire. Instead, the music is more laid-back with a fusion of trip hop and lounge music coming to the forefront. Most of the tracks include featured musicians, such as Tina M, Monsoon, Carol C., Leyla Chatti, Kiran Gandhi, Filip Novosel,and Subatomic Sound System. The musical terrain traverses a range of styles and multicultural influences, but the music cinematic and dance elements are not to be missed. Futureworld should be heard by everyone in the presentworld. ~ Matthew Forss

CD Review: Rebel Tumbao's Self-Titled Release

Rebel Tumbao
Rebel Tumbao
Sacred Rhythm Music

New York-based and world-traveled, Rebel Tumbao's leading musicians, Matt Jenson and Jose Clausell, bring together a roots-reggae and Afro-Cuban-inspired concoction of moving rhythms and melodies with fiery percussion and punchy horns. The self-titled work contains ten tracks and one bonus hit. Several of the songs are attributed to Bob Marley and one by John Coltrane, but the similarities pretty much end at their names. However, co-founder and keyboardist Matt Jenson is penned to the remainder tracks. "Natural Mystic" begins with a roots-reggae groove and it ends with a Afro-Cuban medley. "A Love Supreme/Exodus" contains much of the same vibrant, Afro-Cuban percussion, but it tends to move into an Cuban jazz vein. The music is soulful and not too unlike the funk and jazz of the 1970s. "Masters Of Greed" begins with a light melody, B3 sounds, and a laidback, sultry vocal track that gets into your soul and never lets go. "Spare A Nickel" heats it up a bit with punchy horns and sweeping, Afro-Cuban melodies and great vocals. Fans of Afro-Cuban, Jamaican, Caribbean, and roots, soul, funk music will love Rebel Tumbao. Be a rebel today! ~ Matthew Forss

CD Review: Sierra Leone's Refugee All Stars' 'Libation'

Sierra Leone's Refugee All Stars
Libation
Cumbancha

Sierra Leone's ambassadors for everything good and happy bring us another exciting and catchy Afro-pop release. Libation is a celebration of life with twelve tracks of deliciousness. The reggae-tinged, "Can't Make Me Lonely," "It's So Sorry," and the incredibly catchy "Treat You Right." Other tracks take on a more Congolese rhythm pattern, such as "Gbaenyama," "Ghana Baby," "Maria," "Money No Do," and "Min Do Sin Tay." "Manjalagi" possesses a cumbia-type beat with African lyrics and a steady, danceable rhythm that is unforgettable. The upbeat, contemporary, and Afro-beat melodies are outstanding without any deficiencies. The sweet riffs and glorious, rippling guitar chords signify a pan-African presence that draws upon Spanish, Portuguese, and Caribbean influences. Overall, Sierra Leone's Refugee All Stars mark a new year with their best album to date. This music is best served with some chilled palm wine! ~ Matthew Forss

CD Review: Juakali's 'Feathers Too Bright'

Juakali
Feathers Too Bright
Foreign Familiar

The hip hop, reggae, dubstep, and dance-infused lyrical wordplays of Juakali stem from his Trinidadian upbringing and wholehearted commitment to the electronica-injected music characteristic of dancehall rhythms and urban pizzazz. The urban sounds are upbeat, in-your-face, and revolutionary. The raw delivery is pulsating, energetic, and attitude-infused with a dose of African sun. The name, Juakali, stems from a Swahili phrase for 'fierce sun.' Yes, the beats are fierce, but in a good way. The music is stellar and trippy. There are eleven excellent tracks steeped in swirling urban beats with dubstep charisma and electronic suavity. Juakali knows how to make interesting and powerful vocal and instrumental creations. Feathers Too Bright is a perfect album for anyone interested in world fusion with an urban, dub, and dance edge. ~ Matthew Forss

CD Review: The Garifuna Collective Releases 'Ayo'

The Garifuna Collective
Ayo
Stonetree/Cumbancha

With the release of Watina several years ago with the late-Andy Palacio, The Garifuna Collective took the world by storm with infectious grooves, South American rhythms, and Afro-Amerindian cultural influences. Thanks to Belizean producer, musician, and label founder, Ivan Duran, The Garifuna Collective is still a reality today. There are twelve tracks on the new album inspired by a new generation for the future. "Ayo," "Ubou," "Mongulu," "Dungua," "Pomona," and "Alagan" are especially enthralling. Though, anyone with an interest in Garifuna music, Afro-Amerindian music, Belizean music, and world music in general, will find Ayo to be a very emotive, upbeat, and graceful album. ~ Matthew Forss

CD Review: Kobo Town's Trinidadian Rumblings On 'Jumbie In The Jukebox'

Kobo Town
Jumbie In The Jukebox
Stonetree/Cumbancha

Canadian transplant and Trinidadian native, Drew Gonsalves, brings us a rousing mix of calypso, reggae, acoustic, and island music rhythms on Jumbie In The Jukebox. There is an element of nostalgic fusion, jazz, lounge, and classical music, which blends perfectly with the calypso and roots percussion and beats. One hip hop and ska-inspired tune, "Postcard Poverty," is a bit punchy, jazzy, and urban overall. Don't worry; it's hip hop for the whole family. There are punchy dancehall tunes, mellow grooves, intelligent lyrics, and dub-influenced sounds that incorporate a bit of everything from Portuguese rhythms, Congolese guitar riffs, Caribbean dance elements, and calypso-roots music. Each tune is different and present something very likable. Anyone interested in calypso-inspired tunes will love Kobo Town's latest offering. ~ Matthew Forss 

CD Review: Danny Michel With The Garifuna Collective's 'Black Birds Are Dancing Over Me'

Danny Michel w/The Garifuna Collective
Black Birds Are Dancing Over Me
Stonetree/Cumbancha

Canada's Danny Michel joins The Garifuna Collective to bring a funky, blues, and rock infused mix of music to the Belize-born collective. The rhythmic percussion, sparkling guitars, and swaying vocals weave around a Caribbean-inspired and California-like pop-rock idiom to form a sensational product of musical creativity. Something that is rather unusual is the fact the songs are mainly in English. Thankfully, Folks like Danny Michel, the Lebeha Drumming Center, and Jacob Edgar at Cumbancha want to preserve the magical sounds of Belize's best kept musical secret that can now be found in performances and airwaves around the world. Black Birds Are Dancing Over Me is an album with ten songs that seem to touch on folk/pop and blues music with some world fusion thrown in for good measure. Fans of a little blues, folk, and world fusion with good beats and catchy melodies will love the latest release from Cumbancha. ~ Matthew Forss

CD Review: Belize's Lebeha Boys' 'Lebeha Drumming'

Lebeha Boys
Lebeha Drumming
Self-Release

Belize is known for a traditional drum music tied to the Garifuna music traditions. These traditions bring together African, Caribbean, and South American Indian flavors to the music. This is mostly a drumming release with wood hand-drums, shakers, and background vocalizations. The rhythms are intense and punchy. There are eight tracks that feature a mix of turtle shells, primero drums, shakas, and segunda drums. The percussion accompaniments resemble a carnival-esque atmosphere with everyone having fun and enjoying the music-making process. This is a release by the Lebeha Drumming Center in Hopkins Village, Belize from 2005. All instruments and vocals are performed by Garifuna youth. These are the roots that gave the late-Andy Palacio worldwide fame. Fans of traditional drumming recordings will love this--especially fans of Babatunde Olatunji. Own a piece of musical history today! ~ Matthew Forss

CD Review: Atropolis' 'Transitions'

Atropolis
Transitions
Cumba Mela

The urban, electronic, and cumbia-type beats of DJ, arranger, composer, and multi-instrumentalist, Atropolis, creates edgy and danceable instrumental and vocal tunes. The new album contains twelve tracks with lush electronic embellishments, horn-like sounds, and tropical or carnival-like noises with a dancehall and party-type atmosphere. The Latin-tinged compositions are not folk music; but a type of global fusion incorporating dubstep, cumbia, kuduro, new age, and dance elements that seem to pull influences from the Caribbean, Balkans, West Africa, and South America. A few guest musicians, including Boogat, Carol C, Darwin Escorcia, Lido Pimienta, and Brent Arnold lend their talents to the mix. Transitions is for the dance fan, DJ aficionado, and global traveler. Nothing is wrong here. ~ Matthew Forss