CD Review: Brooklyn Gypsies' 'Sin Fronteras'

Brooklyn Gypsies
Sin Fronteras
Wonderwheel Recordings

The diverse sounds of Brooklyn's streets and neighborhoods have never been highlighted like this before. There are urban stylings, flamenco sounds, North African music, Middle Eastern melodies, and of course, gypsy elements. The result is a rather modern recording incorporating the talents of Carmen Estevez, Takuya Nakamura, Tina Kristina, Brandon Lewis, Troy Simms, and Zeb. With songs rich in Spanish, English, and even Russian vocals, you know this is going to be an interesting recording. If gypsy music originated in Brooklyn, Sin Fronteras would be the end result. There are dancehall, reggae, dub, electronica, and Arabic influences that add authenticity and depth. The syncopated beats, modern Middle Eastern infusions, and brass textures gives new meaning to the term gypsy music. Ten great tracks comprise the album. Brooklyn Gypsies know how to make music. ~ Matthew Forss

CD Review: Jah9's 'New Name'

Jah9
New Name
Rorystonelove/Steamchalice

Jah9 hails from Jamaica, so naturally, reggae music is a likely influence. You would be right, but mix a little pop, urban, dub, and roots music and you have Jah9's new album, New Name. Jah9 is a rare find, as she is one of a very select number of reggae stars that are female. There are reverberations of dub electronica, vocal prowess, trippy beats, socially-relevant lyrics, and throbbing keys projecting sounds through one's soul and mind. There are even poetic moments of spoken word on "Interlude." The fluidity of "Gratitude" makes one want to dive into reggae with full-force and never look back. There are fourteen tracks with two of these tracks performed as an extended mix. At any rate, fans of dub, electronic, reggae, Jamaican roots, and just plain great music will love New Name. ~ Matthew Forss

CD Review: Marti Nikko & DJ Drez's 'Dreaming In Sanskrit'

Marti Nikko & DJ Drez
Dreaming In Sanskrit
Black Swan Records

Blissful, electronic, and yoga-inspired, Dreaming In Sanskrit is the debut work of husband and wife duo, Marti Nikko and DJ Drez. The thirteen tracks are soaked with lush dub melodies, sitar-sizzling riffs, and down-tempo beats that cannot be ignored. Marti and DJ Drez are accompanied by Bansuri flute, cello, bass, sax, chinese flute, piano, flute, and tabla. The repeated Sanskrit mantras are very soothing and rhythmic, while backed by symphonic sounds and ambulating beats. There are even Arabic sounds on a few tracks, but the most prevalent influence is modern mantra and yoga-inspired music with lengthy melodies and electronic wizardry that is not too overt. Fans of yoga, meditation, down-tempo, groove-laden, and world fusion music will love. ~ Matthew Forss

CD Review: Super Hi-Fi's 'Yule Analog, Vol. 1'

Super Hi-Fi
Yule Analog, Vol. 1
Self-Release

Super Hi-Fi dub-masters are back and in a celebratory mood for the upcoming holiday season with the release of their latest venture, Yule Analog, Vol. 1. The instrumental release spreads a bit of holiday cheer in all the right ways. There are fluid beats, jazzy horns, dubby noises, and psych-sensibilities throughout the ten-track release, which is available as a digital release. These guys put a new spin on the Christmas season with familiar and iconic tunes reinvented, including, "We Three Kings," "It Came Upon A Midnight Clear (2 versions)," "Little Drummer Boy," "Go Tell It On The Mountain (2 versions)," "God Rest Ye Merry Gentlemen," "Auld Lang Syne," and one of the dubbiest, horn-driven, and reggae-infectious song imaginable ("Yule Analog"). The upbeat songs are sure to drive everyone into a happy frenzy. Put this on for your holiday party and you won't need any eggnog. It's that good. ~ Matthew Forss

CD Review: Gypsy Hill's 'Our Routes'

Gypsy Hill
Our Routes
Batov Records

Gypsy Hill is a contemporary gypsy, dub, and folk music group that specializes in the obscure and different. The music is akin to Klezmer, dub, dance, electronica, and Balkan beat sounds, though. The punchy horns, edgy percussion, and strings are playful and refreshing. The music is mainly instrumental throughout. Balkan music has been covered before, but never before has a throbbing, dub beat entered the genre. The lively and upbeat sounds are heady, swirling delicacies of dance music. There are eleven tracks that stir the soul and invigorate the mind. The popular group, Besh O Drom, is even featured on the second track, "Balaka." Fans of gypsy, Klezmer, Balkan jazz, European folk music, and brass bands will appreciate the indigenous complexities of the music. ~ Matthew Forss

CD Review: Tour de Force's 'Battle Cry' Double-Disc

Tour de Force
Battle Cry [2 CD]
Dub-Stuy Records

When all the top reggae and dub DJ's in the world come together; Battle Cry results. The impressive two-disc release contains ten different tracks on Disc 1. The dub-steady, electronic, and funk-infused concoctions bring in some guest musicians, including Brother Culture, Jahdan Blakkamoore, Jay Spaker, and Luciano. The whole mix is dub, hip-hop, urban, reggae, and electronic dance music with a soul. Disc 2 contains remixes of eight songs on Disc 1. Most of the songs on Disc 2 contain at least two different remixes per track. Overall, Tour de Force is a great collection of dub-songs with a heavy beat and reggae ambiance. Fans of dub, reggae, dance, electronica, world fusion, and contemporary music will find solace in Battle Cry. ~ Matthew Forss

CD Review: Easy Star All-Stars' 'Dub Side Of The Moon'

Easy Star All-Stars
Dub Side Of The Moon
Easy Star Records

In celebration of their 10th anniversary for the 2003 release of the same name, Easy Star All-Stars are proud to announce their dubby and reggae-infused, Dub Side Of The Moon. The album celebrates the music of Pink Floyd with his ever-popular, Dark Side Of The Moon released many years ago. This new release contains different liner artwork, a liner note booklet, and a few bonus tracks. The entire project is produced by Michael Goldwasser and Victor Axelrod. The album is fifteen-tracks long and features the music of Pink Floyd's abovementioned release, including "Speak To Me," "Breathe," "On The Run," "Time," "Brain Damage," and several others. The dub and reggae-infused concoctions are heady, lush, and dance-inducing. There are electronic elements, which modernize the sounds a bit. But, anyone interested in reggae, dub, and Pink Floyd will love this very special ten year anniversary release. ~ Matthew Forss

CD Review: Prem Joshua & Chintan's 'Kashi'

Prem Joshua & Chintan
Kashi
White Swan Records

Prem Joshua & Chintan bring us some tantric and Sanskrit-infused compositions from India's inner soul on their latest collaboration, Kashi. There are nine hit tracks with a little Indian psych funk, contemporary yoga rock, and electronic elements infused with a good dose of percussion, vocalizations, and new age/jazz connotations that are ripe with world music elements. The transcendental songs are majestic, euphoric, and meditative. Of course, the tabla, harmonium, and sitar are a part of the mix, but the electronic and contemporary elements are a bit more prevalent. The result is a global fusion that covers dub on "Tumhaari Maya;" dance on "Gayatri Ghetto;" and modern embellishments on "All Roads Lead To Om," "Ya Devi Sarva," and "Lingashtakam." The devotional tunes are rather lengthy between five and ten minutes long, which allows for some expressive and thought-provoking results. There is nothing really comparable to Kashi, but the apparently-defunct group, Nuklearte, from Italy, is relatively close. If you love the South Asian-inspired modern grooves of yoga, Hindi, and mantra-style music, then Kashi will satisfy your soul. Best enjoyed with your favorite cereal : ) ~ Matthew Forss

CD Review: Zvuloon Dub System's 'Anbessa Dub'

Zvuloon Dub System
Anbessa Dub
Self-Release

The Tel-Aviv-based reggae/Ethiopian jazz group, Zvuloon Dub System, seamlessly merges two unique musical styles together to form a danceable and very likable beat. The group infuses reggae beats on several tracks with a little Amharic to mix it up just a little bit. Roots reggae, jazz, and East African soul explains what is going on here. The moving beats and diverse vocals attract equally-great instrumental portions that are like little morsels of delicious candy. There are traditional reggae instruments, including the piano, organ, guitars, bass, drums, sax, trumpet, and trombone, along with Ethiopian krar (a plucked harp) and a masinko (a type of small fiddle). Mahmoud Ahmed is a featured and well-known performer here, but Zemene Melesse, Yaacov Lilay, and Shay Sattaman Jacovi add vocals, too. Otherwise, Gili Yalo is the lead vocalist. The East African, Middle Eastern, and Caribbean influences are evident and pervasive, but everything is used in moderation. Anyone seeking reggae beats via Israel, Ethiopia, and beyond will have fun with Anbessa Dub. ~ Matthew Forss

CD Review: Filastine's 'Aphasia'

Filastine
Aphasia
Post World Industries

Filastine is founded by Grey Filastine. The group features Grey's electronic, multimedia, and inventive sounds, instruments, and beats. The four-track release contains the vocals of indie, Javanese rapper, Nova, who contributes some vocals on "Requiem 432" and "Murka." The electronic adornments are light, atmospheric, and futuristic. The low bass sounds, danceable taps, dub-centric concoctions, and scattered vocals make for an interesting, innovative, and ideal recording for fans with a hankering for the electronic. The music is otherworldly at times, but it is nothing that is too crazy. With titles such as "Sixty Cycle Drum," "Murka," "Drone Silences," "and "Requiem 432," the music takes on a contemporary and dance-infused characterization. The adventurous Filastine brings Aphasia to new heights and audiences with gritty, percussive nods, swishy sounds, and futuristic embellishments that are unforgettable. Try it today! ~ Matthew Forss

CD Review: Euforquestra's 'Fire'

Euforquestra
Fire
Self-Release

Colorado-based Euforquestra bring us their fourth album, Fire, which infuses a bit of Afro-beat, dub, dance, and electronica wrapped around a funky, jazz-laden foundation. The funkadelic compositions are lively and boast a wealth of instrumental sounds, jazzy rhythms, and great vocals. The high-energy grooves and dance tunes are a world fusion masterpiece without any missteps. There are fourteen tracks in all. The groove-laden, "The Price Is Right," "Fire," and "Road Funk," showcases their ability to adapt to different sounds. However, everything is rooted in funk and smooth dance tunes with a lively keyboard element and deep percussion roots. The jazzy sounds cannot be ignored, too. At any rate, Euforquestra knows how to dance, inspire, and create moving tunes that will live on in our hearts (and feet). ~ Matthew Forss

CD Review: Alma Afrobeat Ensemble's 'Life No Get Dublicate'

Alma Afrobeat Ensemble
Life No Get Dublicate
Slow Walk Music

Following the previous release, Toubab Soul (Amphora Records, 2010), Alma Afrobeat Ensemble continue in their multicultural and cross-genre creative work of music that combines heady rhythms with contemporary vocals and mixed percussion, urban, and guitar styles. Nothing is simplified here, as the music is complex and deeply-rooted in the musics of Africa, Europe, and Latin America. The six-track release contains pulsating sounds of jazz, funk, Latin, and world fusion. The rippling guitars and fuzzy percussion awaken the spirit amidst the smooth bass lines and punchy brass. Based in Barcelona, Spain, the group members hail from other parts of the world, including Norway, Senegal, USA, Uruguay, Argentina, and Ghana. For a true world music listening experience, put Life No Get Dublicate on and hit repeat over and over again. ~ Matthew Forss

CD Review: Juakali's 'Feathers Too Bright'

Juakali
Feathers Too Bright
Foreign Familiar

The hip hop, reggae, dubstep, and dance-infused lyrical wordplays of Juakali stem from his Trinidadian upbringing and wholehearted commitment to the electronica-injected music characteristic of dancehall rhythms and urban pizzazz. The urban sounds are upbeat, in-your-face, and revolutionary. The raw delivery is pulsating, energetic, and attitude-infused with a dose of African sun. The name, Juakali, stems from a Swahili phrase for 'fierce sun.' Yes, the beats are fierce, but in a good way. The music is stellar and trippy. There are eleven excellent tracks steeped in swirling urban beats with dubstep charisma and electronic suavity. Juakali knows how to make interesting and powerful vocal and instrumental creations. Feathers Too Bright is a perfect album for anyone interested in world fusion with an urban, dub, and dance edge. ~ Matthew Forss

CD Review: Afrolicious' 'California Dreaming'

Afrolicious
California Dreaming
Self-Release

Afrolicious releases yet another fine Afro-beat album containing heady rhythms and punchy melodies with a touch of dub, soul, and R&B. Every track explores throbbing beats and danceable rhythms that enlist the help of percussion, bass, sax, flute, trumpet, keys, and various electronic arrangements. The vocals create an exciting accompaniment throughout the album. All the tracks are produced by Pleasuremaker and some with the help of Rob Garza. At any rate, the dub beats are funk-laden and dance-driven, which makes for an interesting listening experience that is anything but dull and boring. Fans of contemporary Afro-beat music and dance will find enjoyment in the tracks on California Dreaming. ~ Matthew Forss

CD Review: More Like Trees' 'Roots, Shoots & Leaves'

More Like Trees
Roots, Shoots & Leaves
BBE Records

London, England-based trio, More Like Trees, creates quirky, urban, folk, roots, rock, and pop flavored samplings for our ears on Roots, Shoots & Leaves. The group combines some drum n bass, flamenco, classical, hip hop, indie, dance, dub, and world fusion for a delicious mix of tunes that are unforgettable. With vocals like Jason Mraz, Coldplay, Jack Johnson, and Dave Matthews in an urban vacuum, More Like Trees bring everything out on this release. The music is somewhat difficult to define or describe, but the affect is seamless, catchy, and addictive. Thirteen tunes represent a wide array of musical influences with varied vocals. It also mixes some experimental and avant-garde influences that are very compelling and top-notch. Anyone familiar with innovative British music with a world fusion and alternative vein will find solace in Roots, Shoots & Leaves. ~ Matthew Forss

CD Review: Alific's 'Echoes From The Soul'

Alific
Echoes From The Soul
Rootfire

Alific (aka Brendan Dane) combines down-tempo electronica with world reggae beats for an unforgettable musical journey on Echoes From The Soul. Alific collaborates with KBong, Lenny Kurlou, Stick Figure, Mateo Monk, Haile Supreme, and even Frank Mitchell Jr. of Thievery Corporation-fame. This is a DJ's paradise with urban grooves, world fusion, catchy loops, and vibrant percussion with fluid vocals and atmospheric embellishments. There are fourteen tunes with great instrumental set-ups and world grooves with English vocals on most tracks. Alific's impressive nightclub resume stems from experience in both California and Washington, D.C.. The dub and reggae sounds resonate with such splendor and grandeur throughout. Electronic, dub, reggae, and upbeat down-tempo lovers will find happiness in these tunes. ~ Matthew Forss

CD Review: John Brown's Body's 'Kings And Queens'

John Brown's Body
Kings And Queens
Easy Star Records

Vocalist, Elliot Martin, leads the charge with reggae-focused tunes that are inspired by British reggae, roots music, dub and bass, and electronic music. The Brooklyn-based group releases a new album from one of the leading reggae labels in the world, Easy Star Records. There is a strong horn and brass presence, with bass, keyboards, and programming. The reggae beats are classic and memorable. There are elements of rock, alternative, and trance music, too. Even though many people know what reggae music is, John Brown's Body attempts to reinvent the genre with wonderful results. There are twelve tracks in all. Fans of reggae will love Kings And Queens. ~ Matthew Forss 

CD Review: Mahala Rai Banda's 'Balkan Reggae'

Mahala Rai Banda
Balkan Reggae
Asphalt Tango Records

The Balkan beatmasters, Mahala Rai Banda, have their music reinvented and remixed by a host of talented world music artists, including Gregory Fabulous, Nick Manasseh, La Cherga, Adisa Zvekic, Mad Professor, G-Vibes, Errol Linton, Vibronics, Koby Israelite, Annique, Kanka, and Kyle Sicarius. The modern beatmasters provide an electrified dance sound to the already amped-up songs. The music celebrates Jamaica's fiftieth anniversary of independence, so the sound is somewhat reggae-tinged. The instrumental and vocal tunes are strong throughout. The music is upbeat and danceable to say the least. There is a nice combination of dub, dance, and electronica that is centered around a Balkan foundation. Nothing is amiss here. Groove out with Mahala Rai Banda's classic tunes. ~ Matthew Forss

CD Review: Super Hi-Fi's 'Dub To The Bone'

Super Hi-Fi
Dub To The Bone
Electric Cowbell Records

The jazzy and funk-laden songs on Dub To The Bone are anything but traditional. In fact, the songs reflect a futuristic tone with swishy percussion, reggae-type beats, fuzzy electronic adornments, urban soul, and classic, brass instruments. The fun music is mostly instrumental, but there are instances where some vocals are present. The trippy, dub-ridden music is not too harsh or boring overall. The dubified music is electric, danceable, and perfect for lounging. Despite the short tracklist of only eight songs, Dub To The Bone does not disappoint with light dub inflections and moving rhythms that border on jazzy, afro-beat. Anyone with a jazzy hankering for unique and fresh music from a dub perspective will love the music of Super Hi-Fi’s latest venture. ~ Matthew Forss

CD Review: Empresarios' 'El Sonido Magico'

Empresarios
El Sonido Magico
Fort Knox

Washington, DC's Empresarios know how to rock the world with tropical beats, electronic horns, languid melodies, and dance-floor dubs better than any group out there. The blazing horns, sparkling keys, airy flutes, urban beats, and thick percussion signal a great recording from each repeated listen. The gritty beats and in-your-face-lyrics are Spanish and fiery to the touch. There are thirteen upbeat tracks to feast on. There are salsa, dub, cumbia, house, trance, reggae, rock, electronica, and urban music styles represented here. Fans of contemporary Latin downtempo and Latin-beat music will love Empresarios' latest recording. I'm impressed with Empresarios. You will be, too. ~ Matthew Forss