CD Review: The Glass Child's 'I Must Be Gone And Live, Or Stay And Die'

The Glass Child
I Must Be Gone And Live, Or Stay And Die
Self-Release

The young songstress and guitarist with an unbelievable knack for crafting sweet, meaningful, and moving pop songs, Charlotte Eriksson, is the chief progenitor for The Glass Child on her latest release, I Must Be Gone And Live, Or Stay And Die. The poignant alternative and pop song structures are more cohesive than fellow-countrywoman, Katie Melua. However, the vocals are a mix of Avril Lavigne and Adele. "The Fall" is an amazing pop anthem with neo-classical instrumentation and contemporary sounds that coalesce with such ease. "Yesterday" incorporates plaintive acoustic guitar sounds and an emotive vocal set-up that is full of poignant pining. "Who I've Grown To Be" is a pop song with a slight rock sound that incorporates a little punk and alternative stylings that are unlike any other songs on the album. Overall, The Glass Child, the brainchild of Charlotte Eriksson, shines above the London fog with nothing but good things. Taste some of the sweet sounds of The Glass Child on her latest release. 5 Stars all the way.  ~ Matthew Forss

CD Review: Bree Rose's 'Breakthrough'

Bree Rose
Breakthrough
Iafelice Publishing

The New Jersey-based power punk singer, Bree Rose, is tearing up the charts with a voice that is nothing unlike the talents of Michelle Branch, Avril Lavigne, and Kelly Clarkson. Despite obvious vocal characterizations, Bree Rose is a singer and guitarist with a different type of music and vision. The new music is clearly pop-driven, but there is a good amount of power punk thrown in for a little angst. However, the music is largely contemporary with some electronic embellishments and dance rhythms. "Hands Up" is a dance song with power punk elements, electronic infusions, and crystal clear vocals. "Breakthrough" showcases a bit of power rock elements with Avril-esque vocals and upbeat rhythms. "Wake Of Our Reckoning" is a power ballad with rumbling guitars, electronic echoes, and pop vocals. "Just Until You Bleed" begins with a little piano accompaniment and breathy, angelic vocals amidst a string-infused, electronic brew of musical ingeniousness. A bit of power rock music ends the song. "I'm Not Afraid" opens with an orchestral and electronic introduction that quickly delves into a power punk ballad with static-driven guitars. Breakthrough is a work of pure power punk beauty. ~ Matthew Forss