Showing posts with label katie melua. Show all posts
Showing posts with label katie melua. Show all posts

Tuesday, September 22, 2015

CD Review: Mara Measor's 'Naked Prayers'

Mara Measor
Naked Prayers
Self-Release

Chinese-American songstress, writer, and actor, Mara Measor, brings us a lively mix of personal songs with quaint instrumentation, sweet vocals, and spiritual undertones. Naked Prayers is a nine-track album under forty-minutes in length that contains several uplifting songs. In fact, all of the songs are really good with varying aural textures, melodies, and light rhythms bordering on new age-pop or alternative pop. Mara's sweet vocals resemble the Canadian group, Dala, as well as the U.K.'s Katie Melua, with similar instrumental set-ups akin to the former. The final number, "Love Will Find You," seems like a throwback to the funky, jazz standards of the 1970's. The calming and essentially word-less song, "Ooh," is a spiritual wonder with only Mara's voice leading the song and a distant thud of a drum. "You Saw Me" is a pensive, piano-driven song with guitars and percussion that are truly beautiful. All in all, Mara succeeds in creating a gorgeous album with memorable melodies, sweet vocals, and an underlying message of "good" without sacrificing anything. ~ Matthew Forss


Monday, September 29, 2014

CD Review: The Glass Child's 'I Must Be Gone And Live, Or Stay And Die'

The Glass Child
I Must Be Gone And Live, Or Stay And Die
Self-Release

The young songstress and guitarist with an unbelievable knack for crafting sweet, meaningful, and moving pop songs, Charlotte Eriksson, is the chief progenitor for The Glass Child on her latest release, I Must Be Gone And Live, Or Stay And Die. The poignant alternative and pop song structures are more cohesive than fellow-countrywoman, Katie Melua. However, the vocals are a mix of Avril Lavigne and Adele. "The Fall" is an amazing pop anthem with neo-classical instrumentation and contemporary sounds that coalesce with such ease. "Yesterday" incorporates plaintive acoustic guitar sounds and an emotive vocal set-up that is full of poignant pining. "Who I've Grown To Be" is a pop song with a slight rock sound that incorporates a little punk and alternative stylings that are unlike any other songs on the album. Overall, The Glass Child, the brainchild of Charlotte Eriksson, shines above the London fog with nothing but good things. Taste some of the sweet sounds of The Glass Child on her latest release. 5 Stars all the way.  ~ Matthew Forss


Friday, February 7, 2014

CD Review: Hannah Gill's Self-Titled EP Finds Similarities To The Voices Of Katie Melua With Beth Orton

Hannah Gill
Hannah Gill
Self-Release

The Maryland-native, Hannah Gill, brings a voice to the mix that takes on vocal similarities to Beth Orton, Katie Melua, Adele, and Zero 7--to name a few. However, Hannah combines jazzy horns, folk arrangements, and progressive pop sensibilities with mature vocals that evoke feelings of happiness and contentment. The rather short EP contains six songs that showcase her talent quite well. The opener, "Whisper," is a fitting introduction to the album, but it is not a quiet song. It still is a pop song with some rock arrangements and a great melody. The next track, "I Feel Awake," follows in the same footstep, but it contains some jazzy trumpet and piano. The jaunty, cafe music-tune, "Story Of A Man," is a breezy little ditty that seems to evoke the French music of Francois Hardy, Carla Bruni, and other similar singers. "Two Way Street" is a song rooted in Adele's intimate vocal calisthenics and a vibrant progressive and experimental instrumental backbone. "Medicine" is a rock-infused tune with punchy power pop melodies. "Distance" is a more solemn ditty steeped in beautiful vocals and sweet melodies. Simply amazing! ~ Matthew Forss

Friday, January 24, 2014

CD Review: Gina Chavez' 'up.rooted'

Gina Chavez
up.rooted
Self-Release

Texas-based, Gina Chavez, brings together a classy, folk-riddled, alt-pop concoction of Latin-esque jazz tones and playful cumbia, reggaeton, and jam band music on her latest release, up.rooted. The punchy guitar sounds, clear voice, and Latin-influences are something interesting, enchanting, and memorable. When the Spanish vocals take over, there is an element of a more refined Shakira that pops up. At other times, there is a vintage pop element that is catchy, sensual, and sweet in the vein of UK's Katie Melua. This is not your typical conga and bongo Latin music, since Gina knows innovation and follows her heart for musical direction. This is a great world music compilation with lively strings, percussion, horns, guitars, bass, B3, moogs, and more. This is new world music for a new world. Overall, the reverberations resound with a Latin fire that never ceases to amaze. ~ Matthew Forss

Wednesday, April 24, 2013

CD Review: Roswitha's 'Destiny'

Roswitha
Destiny
Self-Release

Austrian-born and New York-based, Roswitha dazzles crowds with genre-bending compositions with mixed rock, funk, classical, new age, world fusion, and experimental-folk explosions of sonic beauty. Roswitha's vocals are similar in tone to the UK's Katie Melua, but the compositions are more punchy and diverse. "Destiny" opens with a punchy guitar line that is slightly Spanish--almost Mediterranean--with a light folk-pop presence. "My Life" is a speed-folk composition with electronic vocals, symphonic accompaniment, and grungy guitar sounds. "Just Near To Me" is a piano ballad with back-up vocals throughout. The tune is vocally congruent with Adele, Leigh Nash, and Katie Melua, but the music is relatively low-key without any percussion or guitars. "Purpose" is a classical tune with piano, violin, and avant-garde vocals. "Desire" is a multi-faceted song with lush vocals, rich instrumentation, and diverse arrangements that span the entire European continent. At any rate, Roswitha is an innovative musician that showcases fourteen unique musical concoctions that are almost indefinable. Nothing is amiss here. ~ Matthew Forss 

Friday, April 20, 2012

CD Review: Mara & David's 'Once We Were Gods'

Mara & David
Once We Were Gods
Ozella Music

Germany's Mara & David brings us a warm world of cozy, alternative folk songs with a classical and pop vein. Mara's vocals accompany the acoustic guitar work of David, but Stephan Braun adds some cello and double bass to round out the repertoire. The folk leanings are contemporary in a similar company with Katie Melua or Heidi Talbot without drum accompaniments. Mara's soothing, almost sultry voice, carries sweetly throughout the album. Eleven songs highlight a relatively quiet, simple, and rustic sound. The intimate recording may be recorded in Germany, but the lyrics are in English with more resemblance to English or Scottish compositions. Some of the songs contain poetic verses with very little singing, while others contain more elaborate vocal displays. The punchy strings and lively guitar are neo-classical or alternative pop overall. Mara & David are 'gods' when it comes to music-making. ~ Matthew Forss

Friday, June 11, 2010

CD Review: Georgian/English Singer Katie Melua


The House

As a follow-up to Katie's second release, Pictures, The House stand out as an artistic marvel for the ears. Katie's voice takes on Leigh Nash of Sixpence None The Richer fame, former Cardigans lead singer, Nina Persson, and Geike Arnaert of Belgium's Hooverphonic fame. The music is not folk, rock or pop, but a combination of each style. Lyrically, the songs are fun and funny, as in "Tiny Alien" and "God On Drums, Devil On The Bass". There is a hint of nostalgia in Katie's vocal style and some of the instrumentation follows in that vein, as in "A Moment Of Madness". The poetically-inclined art-pop song, "Red Balloons", is something Shawn Colvin might have composed, especially since her last album was titled after a house (These Four Walls, Nonesuch). However, all the songs are written or co-written by Katie and represent a style all her own. All the songs are playful, catchy, intelligent, and coherent from a lyrical, vocal, and instrumental point of view. If you like good music, then you are cordially invited into 'The House' by Katie Melua. Vocals and liner notes in English. ~ Matthew Forss


Sunday, May 17, 2009

CD Review: Georgian-born, U.K. Singer/Songwriter Katie Melua

Katie Melua
Pictures
Dramatico

Singer/songwriter, Katie Melua, grew up in the present-day country of Georgia in eastern Europe. After a short stint in Northern Ireland and current relocation in the U.K., Katie began her musical career. Pictures is a simple guitar/bass/drum-driven musical experience that shares the sounds of Western pop/folk rhythms. All the songs are sung in English and Katie's voice should have no problem drawing in youth listeners. The music is not electronica in nature. It is authentic, organic and sweetly-soulful. However, adults will be equally content with Katie's musical exploits. There is a classic, bluesy feel to some of the moments on the album. In general, it is easy to imagine the lyrical wordplay in filmic 'pictures'. Though, Pictures is about living life in motion, and struggling with snap-shots of history's memory lane. Regardless of the reason, Pictures is an album worth a listen. ~ Matthew Forss