Showing posts with label beth orton. Show all posts
Showing posts with label beth orton. Show all posts

Friday, February 7, 2014

CD Review: Hannah Gill's Self-Titled EP Finds Similarities To The Voices Of Katie Melua With Beth Orton

Hannah Gill
Hannah Gill
Self-Release

The Maryland-native, Hannah Gill, brings a voice to the mix that takes on vocal similarities to Beth Orton, Katie Melua, Adele, and Zero 7--to name a few. However, Hannah combines jazzy horns, folk arrangements, and progressive pop sensibilities with mature vocals that evoke feelings of happiness and contentment. The rather short EP contains six songs that showcase her talent quite well. The opener, "Whisper," is a fitting introduction to the album, but it is not a quiet song. It still is a pop song with some rock arrangements and a great melody. The next track, "I Feel Awake," follows in the same footstep, but it contains some jazzy trumpet and piano. The jaunty, cafe music-tune, "Story Of A Man," is a breezy little ditty that seems to evoke the French music of Francois Hardy, Carla Bruni, and other similar singers. "Two Way Street" is a song rooted in Adele's intimate vocal calisthenics and a vibrant progressive and experimental instrumental backbone. "Medicine" is a rock-infused tune with punchy power pop melodies. "Distance" is a more solemn ditty steeped in beautiful vocals and sweet melodies. Simply amazing! ~ Matthew Forss

Friday, November 15, 2013

CD Review: Aradia's 'Possibilities: Light'

Aradia
Possibilities: Light
Self-Release

Seattle-based and New York-born, Aradia combines the best of dance, electronica, trip-hop, and pop with edgy rock arrangements and experimental sounds. The blurby and dance-driven, "Trouble," provides a nice vocal accompaniment with groovy sounds and keyboard arrangements. The music is akin to a trance-induced Madonna with a little Hooverphonic. The vocals are mostly without fault, but a little direct. "Today" contains a great symphonic keyboard base and a swishy percussion beat, as Aradia's sweet vocals evoke an engaging medley of sounds akin to Leona Naess or Beth Orton. "On Fire" is an edgy, dance tune akin to the earlier work of the band Garbage. The dance music is creative and different overall. One can think of various pop artists that dip into dance music, but few know how to master the genre and still keep an audience excited about long after the song ends. Luckily, Aradia inspires this type of dance music with longevity and emotion. The 'possibilities' are endless when Aradia is in charge. ~ Matthew Forss  

Sunday, September 15, 2013

CD Review: Jody Quine's 'Seven'

Jody Quine
Seven
Self-Release

Hailing from Vancouver, British Columbia, Jody Quine is best known for her vocals in Balligomingo and Sleepthief. Now you can add a solo project to her credit. Seven is a folktronic and electro-acoustic medley of sorts with groovy dance tunes and upbeat melodies. "Tonight" is upbeat and electro-acoustic, which is indicative of some of Madonna's earlier work. "To Be Frank" begins a little slow, but quickly warms up to a contemplative melody and electronic backing that is rather minimal overall. Jody's vocals are the real charm here. There are vocal similarities with Beth Orton and Sinead O'Connor. "Piece Of My Heart" is something straight out of Nina Gordon's vocal repertoire with a piano, guitar, and percussion beat to boot. "I Love You" contains frame drum percussion and a minimalist repertoire of instruments, as the vocals fill the void. "Finch Diving" is a slightly urban tune with cinematic strings, electronic backing, and a heady beat with clear vocals. There are only seven tracks on the album, which may be one reason for the album title. One thing is for certain--Seven is five stars out of five all day long. ~ Matthew Forss