CD Review: Simrit's 'Songs Of Resilience'

Simrit
Songs Of Resilience
Self-Release

Born in Greece and raised in South Carolina, Simrit Kaur invokes the sounds of South Asia and Africa on her latest release, Songs Of Resilience. The eight-song album incorporates a mixture of new age, lounge, and world music-inspired tunes that include harmonium, kora, conga, log drums, bass, slide guitar, piano, acoustic guitar, and mellotron. The rather spacious arrangements are very cinematic, thought-provoking, and infectious. The electronic elements are reduced, but the results are very magical. The kora arrangements are reminiscent of Rokia Traore's songs on Tchamantche (Nonesuch, 2009). The vocals are fluid, emotive, and breath-taking throughout. The yoga-inspired traditions of the world are accentuated here. There is even a Native American element that fits nicely with the rest of the album. Simrit incorporates a mix of English and Sanskrit vocals with new age instrumentation indicative of Katie Melua's contemporary songs and similarities to Zero 7 and Dala Girls are certainly represented here. Get ready for a guilt-free romp through a yoga-filled journey of music with Simrit. This is simply one of the best recordings of the year. ~ Matthew Forss

CD Review: Hannah Gill's Self-Titled EP Finds Similarities To The Voices Of Katie Melua With Beth Orton

Hannah Gill
Hannah Gill
Self-Release

The Maryland-native, Hannah Gill, brings a voice to the mix that takes on vocal similarities to Beth Orton, Katie Melua, Adele, and Zero 7--to name a few. However, Hannah combines jazzy horns, folk arrangements, and progressive pop sensibilities with mature vocals that evoke feelings of happiness and contentment. The rather short EP contains six songs that showcase her talent quite well. The opener, "Whisper," is a fitting introduction to the album, but it is not a quiet song. It still is a pop song with some rock arrangements and a great melody. The next track, "I Feel Awake," follows in the same footstep, but it contains some jazzy trumpet and piano. The jaunty, cafe music-tune, "Story Of A Man," is a breezy little ditty that seems to evoke the French music of Francois Hardy, Carla Bruni, and other similar singers. "Two Way Street" is a song rooted in Adele's intimate vocal calisthenics and a vibrant progressive and experimental instrumental backbone. "Medicine" is a rock-infused tune with punchy power pop melodies. "Distance" is a more solemn ditty steeped in beautiful vocals and sweet melodies. Simply amazing! ~ Matthew Forss

CD Review: The Brazilian Johnsons' 'Howdy Duty'

The Brazilian Johnsons
Howdy Duty
Self-Release

The alternative rock/pop stylings of New York-based, The Brazilian Johnsons, draw upon mixed influences stemming from old school rock, 70's psychedelica, and roots-infused blues. The band is comprised of lead singer and guitarist, Michel Nasrallah, bassist and vocalist, Apoena Frota, drummer, Bruno Esrubilsky, pianist, keyboardist, organist, and vocalist, Joao Nogueira, and additional guitar and vocal accompaniment by Andre Vasconcelos. The opener, "S.O.S", is a gritty, bluesy, and rock-infused anthem with piping hot piano lines, grungy guitars, and college rock sensibilities. "Stranger In A Strange Place" contains a bit of smooth bass, sparkling keyboard arrangements, and radio-esque vocals with some rock vocals and roots-inflected moments. The quieter moments are akin to a bluesy, ballad-esque form of Stroke 9. "Need A Miracle" contains vocals akin to Stroke 9, but the instrumental arrangements are more reflective of bluesy 70's rock. The reverberating B3 sounds resemble a little Wallflowers action. The laid-back, folk-rock tune, "We'll Never Know", is a pop ballad with great lyrics and great vocals. As a whole, The Brazilian Johnsons excel with every note and tune. Think of balladeer Stroke 9 combined with the rock-infused concoctions of Every Damn Day amidst a light psychedelic influence of Zero 7. ~ Matthew Forss

CD Review: Imani Uzuri's 'The Gypsy Diaries'

Imani Uzuri
The Gypsy Diaries
Self-Release

The opening sitar sounds on the first track, 'Beautiful,' followed by the bluesy, gospel vocals of Imani Uzuri, offers a glimmer of what brilliant--and varied--delicacies are found on The Gypsy Diaries. The multi-influential work encompasses Indian, blues, gospel, Afro-pop, Eastern European, and East Asian elements that bring a sense of class, soul, and dignity to the world of music. The diverse vocals match the diverse instrumentation. The English vocals are a little lower in tone than Zero 7's earlier work. Still, the album features a good mix of melodies, instruments, rhythms, and Afro-pop magnificence for audiences of all ages and locations. This is world music at its best! ~ Matthew Forss

CD Review: Kami Thompson's 'Love Lies'

Kami Thompson
Love Lies
Warner

The folk-rock ramblings of smooth-voiced, Kami Thompson, brightens the day with sunny, thought-provoking lyrics about life, love, and driving high-end cars that aren't too female friendly. The laid-back guitar work is equally-compelling with Kami's vocals. The quieter moments on "Nice Cars" brings to mind the sophomore work of Zero 7. The London-native brings slightly quirky, bluesy, and rootsy elements to the forefront without resorting to mindless songwriting or meaningless instrumentals. Kami's "Want You Back" resembles a folk-rock anthem that could have been sung by Nina Gordon. The album is only thirty-five minutes long with ten tracks. However, the result is above-average overall. Kami's folk guitar stylings are a perfect combination of talent, love, and emotion. Love Lies is great...and that's no lie! ~ Matthew Forss

CD Review: Get Tipsy with 'Tipsy'

Tipsy
Buzzz
Ipecac Recordings

Fans of world music tend to be drawn toward the seemingly exotic or the unusual. In this case, Tipsy (USA) brings us something not only exotic or unusual, but 'otherworldly'. Welcome to the world of atmospheric downtempo music. The closest genre style represented here would be jazz. However, the spacey and electronic nature of the compositions provides the listener with a perfect backdrop for transcendence to another world. Buzzz contains echoing vibraphones, sporadic trumpets and sax, drums, flutes, and keyboard wizardry. A mostly instrumental effort, a Japanese singer, Coppe', lends vocals on a track. This album could very well be the soundtrack for an intergalactic experience, though it is equally well-suited for Earthlings. Fans of downtempo bands like Air, Zero 7, Everything But The Girl, or Action Figure Party should check out the psychedelic-electronica of Tipsy. ~ Matthew Forss