Showing posts with label da cruz. Show all posts
Showing posts with label da cruz. Show all posts

Wednesday, May 28, 2014

2-CD Review: Da Cruz' 'Disco E Progresso'

Da Cruz   
Disco E Progresso [2 CD]
Boom Jah Records

Brazilian-born and Swiss-based, Da Cruz enlightens listeners with giddy, soul-stirring dance music with equal amounts of dancehall, funk, new wave, samba, electronic, and pop elements. The new album is a two-disc set that is labeled “light” and “dark.” These connotations describe what is going on from a musical perspective in Brazil. The uppity tunes are still enchanting and catchy, despite the title monikers. On the “light” album, the jazzy “Nascer Livre” showcases some great vocals and instrumentation that is very showy and upbeat. The swaying rhythm of a seaside melody on “Din Din” possesses a laidback atmosphere that is timeless and nostalgic. “Tuda Flui” is a funk-inflected tune with light vocals and a jazzy vein. There are eleven tracks on the "light" CD. The "dark" CD contains ten tracks and songs that are more experimental with more jazzy, funk, electronic, and rock elements. The breakbeat sounds of "Cala a Boca" and the dark tones of "Aonde vai" signify a varied mix of music. The music tends to be a little more urban overall. The dark guitars and Garbage-esque arrangements on "Menino mau" showcase a different side of Da Cruz. No matter what side of Da Cruz you experience; you will be pleasantly surprised. ~ Matthew Forss    

Sunday, June 5, 2011

CD Review: Da Cruz' 'Sistema Subversiva'




Sistema Subversiva



The Swiss-based Da Cruz is not an alpenhorn ensemble. On the contrary, it is an urban album of gritty, funky, and electronically-groovy tracks reflecting a South American and African presence. The contemporary beat of "Chega," "Boom Boom Boom," "Jangada," and others, turn the world upside down with a well-balanced set of music that is both Brazilian dance music and somewhat frenetic North American club music without the chintzy effects and endless, head-pounding club beats. Still, the music is largely urban-centered with some electrified bossa nova and funk with an electronic foundation. The album contains rather rudimentary instrumentation of programming, guitars, drums, bass, trumpet, sax, percussion, and Da Cruz' voice. Despite the limited instrumental repertoire, Sistema Subversiva is still an album with infectious beats, contemporary sounds, and a Brazilian edge that dispels myths of everything that has to come out of Brazil must be 'boss nova' or 'Carnaval'-related music. Da Cruz puts a new, fresh face on the sounds of Brazil (and Africa) via Switzerland. ~ Matthew Forss