CD Review: Algambra's Self-Titled Release

Algambra
Algambra
Sketis Music

Algambra is a Russian music group with a knack for improvisational and instrumental styles that incorporate South Asian, Middle Eastern, Mediterranean, and contemporary forms of fusion in one exciting package. The primary instrument is the hang, which is a metallic idiophone in the shape of a UFO that is played with hands and it is an instrument that was invented only fifteen years ago in Switzerland. The hang sounds are multi-faceted and sound similar to the udu, ghatam, and steel pan instruments. The sounds are fluid and softer than a steel pan, but a great accompaniment for the other instruments on the album, including the harp, cello, caisa, guitar, and assorted percussion. The album is mostly instrumental; except for "Made In India." The music is sparkling, bubbling, and entrancing with new age, improvisational, and avant-garde arrangements that are very likable and a welcome addition to and world music percussion collection. If anything, buy it for the hang. ~ Matthew Forss

2-CD Review: Da Cruz' 'Disco E Progresso'

Da Cruz   

Disco E Progresso [2 CD]

Boom Jah Records

Brazilian-born and Swiss-based, Da Cruz enlightens listeners with giddy, soul-stirring dance music with equal amounts of dancehall, funk, new wave, samba, electronic, and pop elements. The new album is a two-disc set that is labeled “light” and “dark.” These connotations describe what is going on from a musical perspective in Brazil. The uppity tunes are still enchanting and catchy, despite the title monikers. On the “light” album, the jazzy “Nascer Livre” showcases some great vocals and instrumentation that is very showy and upbeat. The swaying rhythm of a seaside melody on “Din Din” possesses a laidback atmosphere that is timeless and nostalgic. “Tuda Flui” is a funk-inflected tune with light vocals and a jazzy vein. There are eleven tracks on the "light" CD. The "dark" CD contains ten tracks and songs that are more experimental with more jazzy, funk, electronic, and rock elements. The breakbeat sounds of "Cala a Boca" and the dark tones of "Aonde vai" signify a varied mix of music. The music tends to be a little more urban overall. The dark guitars and Garbage-esque arrangements on "Menino mau" showcase a different side of Da Cruz. No matter what side of Da Cruz you experience; you will be pleasantly surprised. ~ Matthew Forss    

CD Review: Jaro Milko & The Cubalkanics' Cigarros Explosives!'

Jaro Milko & The Cubalkanics
Cigarros Explosives!
Asphalt-Tango Records

The Switzerland-based band, Jaro Milko & The Cubalkanics, combine edgy, Latin percussion from Cuba and punchy, horn-driven, gypsy music from the Balkans. The seemingly unlikely combination of instruments and styles comes together to form a unique and fluid blend of world fusion at its finest. The musical syncopation adds a little psychedelic moments, while other sounds take on a neo-ska origin. At any rate, The thirteen tracks are diverse, catchy, and very danceable. The surf-like guitar accompaniments and fluid bass-lines bring out the best in Cuban, Balkan, and gypsy music. Fans of heart-pounding dance riffs, punchy percussion and horns, and Latin rhythms inspired by the 1960's and 70's will especially love its resilient and memorable sound. Cigarros Explosives! is what results when you travel through Hungary, Switzerland, and Cuba--all at the same time! ~ Matthew Forss

CD Review: Morpheus Hang's 'Listening In The Dark'

Morpheus Hang
Listening In The Dark
Sketis Music

Yuri Rubin (aka Morpheus Hang) is a Russian composer and performer on the hang and steel drum. The hang is an instrument currently only made in Bern, Switzerland that is an idiophone played with fingers and hands. It is a UFO-shaped steel sheets welded together as two discs. The instrument is played on the lap in both horizontal and vertical positions. The sound is quite indicative of the steel pan, but that is typically brighter in tone. The hang is more muted in tone, which adds a kind of bass sound to the songs. There are no additional instruments or vocals on the eight tracks that range over forty-minutes in length. The tonal qualities overall are very contemplative and meditative. The hang is very dreamy and melodic. Yuri succeeds with Listening In The Dark. ~ Matthew Forss

CD Review: Switzerland's Aurah Releases 'Summon The Sky'

Aurah
Summon The Sky
Very Music Inc.

Aurah is a Swiss-born and American-based duo with an ambient, electronica, and down-tempo groove. Aurah is comprised of musicians Marc Dold and Judith Martin. The opening tune, "Three Little Birds," is a Bob Marley cover, but it is a perfect new age tune with soaring vocals and contemporary arrangements. "Take My Breath Away" is a blissful tune with a smooth bass-line, electronic arrangements, and wispy vocals in a Hooverphonic-esque manner. "Summon The Sky" is an atmospheric gem with soaring vocals, blurby electronics, and a heavenly, yet subtle beat with a dreamy foundation. "Shine On" is a rootsy, electro-acoustic anthem with a few guitars, heady percussion, and back-up vocals in a somewhat rock instrumental manner that is not too loud. "Khorwa" contains a little electronic vocals, booming percussion sounds, and atmospheric blips that thoroughly explores the nature of world fusion and contemporary downtempo early on, but a strong rock vein pushes through. The final track, "Pleasant Placidness," is a rustic guitar song with a meandering melody without the aid of additional instrumentation for the most part and no vocals. Aurah is a mix of downtempo, dance, dream, meditation, and new age. Anyone seeking creative downtempo and ambient music will love Aurah's latest offering. ~ Matthew Forss

Song Review: Miss Diamond DJ's "Voodoo Girl"

Miss Diamond DJ
"Voodoo Girl"

"Voodoo Girl" opens with a heavy, static-driven, but distant tone, that blends well with the electrified, male voice after a bass slide. A wash of colorful electronics signify the beginning of the pulsating dance beat that blends the club sound of Ace of Base with the trance-driven music of Madonna's early work. The laser-like, pulsations contain both male and female vocals that are interspersed with successions of dance beats with all the fancy blips, blurbs, and electronic embellishments that are part of any superstar DJ repertoire. Based in Zurich, Switzerland, Miss Diamond DJ raises the bar higher than the Alps with a balanced mix of club, house, trance, techno, and party elements. The end of the song contains an ambient wash of cascading sounds with a quick, but fluid conclusion. "Voodoo Girl" is not about being cheesy or too flashy. Instead, Miss Diamond DJ astounds listeners with her uncanny ability to create a simple tune and make it stand out. If you are seeking electronica with a dance element, then "Voodoo Girl" is for you. ~ Matthew Forss

CD Review: Las Hermanas Caronni's 'Baguala de la siesta'

Las Hermanas Caronni
Baguala de la siesta
Snail Records

The music of Las Hermanas Caronni is actually produced by twins--Laura and Gianna Caronni. The twins are from Argentina. The duo performs tango, folk, and classical music with only a cello and a clarinet. Keep in mind, the duo also sings. The emotive vocals possesss very theatrical--almost operatic--undertones. The worldly nature of the songs is reflected from ancestral origins from Switzerland, Russia, Italy, and Spain. The music is devoid of any additional instrumentation. The entire project is relatively low-fi, but the sounds are beautiful, emotional, and enthralling. Though, fans seeking a more traditional Argentinian release should look elsewhere. Fans with a leaning toward the classical approaches will enjoy Baguala de la siesta the best. ~ Matthew Forss

CD Review: Da Cruz' 'Sistema Subversiva'

Da Cruz

Sistema Subversiva

Six Degrees Records

The Swiss-based Da Cruz is not an alpenhorn ensemble. On the contrary, it is an urban album of gritty, funky, and electronically-groovy tracks reflecting a South American and African presence. The contemporary beat of "Chega," "Boom Boom Boom," "Jangada," and others, turn the world upside down with a well-balanced set of music that is both Brazilian dance music and somewhat frenetic North American club music without the chintzy effects and endless, head-pounding club beats. Still, the music is largely urban-centered with some electrified bossa nova and funk with an electronic foundation. The album contains rather rudimentary instrumentation of programming, guitars, drums, bass, trumpet, sax, percussion, and Da Cruz' voice. Despite the limited instrumental repertoire, Sistema Subversiva is still an album with infectious beats, contemporary sounds, and a Brazilian edge that dispels myths of everything that has to come out of Brazil must be 'boss nova' or 'Carnaval'-related music. Da Cruz puts a new, fresh face on the sounds of Brazil (and Africa) via Switzerland. ~ Matthew Forss