Showing posts with label los angeles. Show all posts
Showing posts with label los angeles. Show all posts

Tuesday, June 3, 2014

CD Review: Ricardo Lemvo & Makina Loca's 'La Rumba SoYo'

Ricardo Lemvo & Makina Loca
La Rumba SoYo
Cumbancha

With ties to Congo, Angola, and the United States, Ricardo Lemvo and his Makina Loca band continue to put out Afro-Cuban hits. La Rumba SoYo is another fine example of Ricardo's uncanny way of producing and performing amazing music with ease. Due to Africa's various musical influences and origins, Ricardo incorporates some Angolan contemporary music with Congolese guitar rhythms, and Portuguese-tinged tunes with unforgettable consequences. There is a star-studded cast of musicians involved in the production of the album, including Mario Aguilar, Jose Papo Rodriguez, Danta Pascuzzo, Yordan Martinez, and about two-dozen other artists. The Los Angeles-based Ricardo spices the music up with rumba, salsa, and contemporary grooves that are Afro-pop and Afro-Cuban. All eleven tracks are sure to please fans of African music everywhere! ~ Matthew Forss

Sunday, March 23, 2014

CD Review: Hassan Hakmoun's 'Unity'

Hassan Hakmoun
Unity
Healing Records

Based in Brooklyn, NY and born in Morocco, Gnawa musician and sintir player, Hassan Hakmoun, brings us an energetic release steeped in cultural brilliance and trance-inducing beats. The instrumental arrangements of "Balili" are nothing short of a miracle. The opener, "Zidokan," is a gritty, steady beat of a song. The rock elements of "Hamadiyi" showcase a more rock instrumental medley without squealing guitars. However, the instrumentation is rather alternative and grunge-like in a world fusion sort of manner. Anyone familiar with gnawa music will recognize the sintir instrument, but the musical melodies also give it away. This is also the most cohesive album to date. Consequently, the beats are tight, memorable, and full of organic, soul-stirring, trance-inductive qualities that stick with the listener long after the tracks end. ~ Matthew Forss

Friday, May 31, 2013

CD Review: Chase Enriquez's ''Til The Flame Burns Out'

Chase Enriquez
'Til The Flame Burns Out
We Group

If you are seeking alternative hip/hop and rap music, Chase Enriquez should be at the top of your search list. Fortunately, one need not struggle to find the high points of this album. Every song seems to awaken the spirit with vibrant riffs, hooks, and licks. The more rock-driven, "Tell My Why," is more indicative of an alternative track over a hip-hop medley. "Night On Fire" opens with an electronic shower of sparks and synth medleys that delve right into a booming, bass-driven song with hot hip-hop lyrics and rap instrumentals. The richly-textured track contains gritty vocals that are uptempo, but not too fast they are indistinguishable. The sound is indicative of Sudan's Emmanuel Jal. Though, all the lyrics on 'Til The Flame Burns Out are in English. "In The Wind" starts with a few keyboard washes and tapping percussion sounds. The rap instrumentals back the edgy vocals and rock-like foundation. "All The Way" opens with a shout and symphonic string arrangements and loud, rock instrumental backing that is very cinematic, but in your face. This is rap and hip hop with attitude, but nothing that is too showy or overdone. It's nice to have some musical accompaniment with the vocals. Chase Enriquez is a talented performer and composer that should not be missed if you like urban, rap, and hip hop music. ~ Matthew Forss

Friday, May 17, 2013

CD Review: Jensen Reed's 'The Left Coast'

Jensen Reed
The Left Coast
Self-Release

Los Angeles-based singer and songwriter, Jensen Reed, weaves tight lyrical worldplay around an amped up hip-hop, alt-pop, and electronic background that propels the album in alternative directions with a fresh perspective. The symphonic and electronic-focused, "Throw You The Rope," is a magical song with keyboard embellishments and a hip-hop instrumental backbeat that mirrors a more conservative and lighter Linkin Park medley. "Left Coast" opens with a jingly beat and punchy rock melody with vocals that resemble Modern English and The Killers. The cinematic opening of "Rocketship" merges into a rock/rap medley that is not particularly fast, but the ambulating beat and keyboard washes add an element of alternative leanings indicative of pop, electronica, and dance. "Something Missing" features a few punchy piano beats and up-tempo vocals that are rather steady with background vocals. The music is rather reflective without hip-hop or rap lines. "The Countdown" contains some dark, brooding electronic embellishments with hip-hop instrumental backing. The vocals are slow at first, but the vocal delivery picks up mid-song in a rap display. The swishy percussive beats and punchy piano line creates a modern display of musical ingenuity. The entire album represents a wide breadth of musical creations that span several genres, but the musical variety is not too different to turn-off new listeners. Anyone with an interest in alternative hip-hop, rock, pop, and dance-inflected music should check out Jensen Reed's new work. ~ Matthew Forss

Tuesday, July 31, 2012

CD Review: The Venetian 'I Wanna Tell You A Story'

The Venetian
I Wanna Tell You A Story
Self-Release

Based in Los Angeles, California, The Venetian is an operatic rock band with flashy, carnival-esque clothing and symphonic riffs that are theatrical and engaging. The crunchy guitars, Italian and English vocals, and rock vein is reminiscent of Queen or Muse. The eighteen songs represent a story that does nothing but satisfy. The operatic theatrics of "Act II," showcase electronic washes, Italian lead vocals, and piano. "The Black Cat" is a bluesy, bass-laden song with jazzy percussion and rock gutiar progressions with background vocals. "My Good Friend" opens with solo guitar lines that are relatively reserved, even after the vocals are added for the first minute. However, the pace picks up and the rock presence adds a bit of glam with drum-kit percussion and keyboard washes. The reverberations of "Sometimes" contain funky guitars and a few muted electric guitar displays with drum-kit. The result is a classy, rock song with influences stemming from the 1970s. The combination of Italian sensibilities and diverse guitar tunings makes I Wanna Tell You A Story glow with rich rhythms, melodies, and powerful vocals. Overall, The Venetian knows how to produce stunning songs with style and grace. ~ Matthew Forss