Showing posts with label nepal. Show all posts
Showing posts with label nepal. Show all posts

Sunday, February 9, 2014

CD Review: Baird Hersey & Prana's 'Sadhana'

Baird Hersey & Prana
Sadhana
Bent Records

The multiphonic, yogic, and kirtan-influenced vocal traditions of Tuva, Nepal, Tibet, and India are showcased with a variety of singers from different backgrounds on Sadhana. The new album, which means 'practice,' is a deeply-meditative romp into the yogic center of the universe clearly inspired by vocal traditions and nothing else. However, a few instruments pop up from time to time. Notably, drums, konnakol, ghatam, kanjira, and other percussion. Some of the singers include Amy Fradon, Kirsti Gholson, Baird Hersey, Julie Last, Julian Lines, Julie Parisi, Joe Veillette, Peter Buettner, and Bruce Milner. The trance-inducing vocal melodies are fairly angelic and spiritual with extended vocal-lines and various pitches that flow seamlessly throughout. As a bonus, Krishna Das is featured on the final track, "My Foolish Heart." Fans of world chants, tantric music, Central Asian music, kirtan, yoga, meditation, and spiritual music will find Sadhana divine beyond belief. ~ Matthew Forss    

Thursday, December 13, 2012

CD Review: Urna's 'Portrait: The Magical Voice From Mongolia'

Urna
Portrait: The Magical Voice of Mongolia
Network

Urna is an Inner Asian songstress from the great, vast expanse of Mongolia. With ties to China and Western Europe, Urna employs a range of instrumentation that represents Inner Asian genres. The violin, zither, sheng, cello, zarb, udo, viola, accordion, morin huur, sax, guitar, and assorted percussion make up the instrumental repertoire on many of the songs. The spacious acoustics and free-flowing vocals are not particularly throat-singing examples. This is classic, Mongolian vocal and instrumental music that is calm, reserved, and contemplative. It is not rigid, boring, or plain. The music is similar in tone to contemporary examples coming out of Nepal and Tibet. Yungchen Lhamo is a similar comparison. At any rate, the thirteen tracks and one hour of music are a joy for fans of Inner Asian folk music. Liner notes are in German, English, and French. ~ Matthew Forss

Thursday, May 3, 2012

CD Review: Various Artists' 'The Mountain Music Project: A Musical Odyssey from Appalachia to Himalaya'

Various Artists
The Mountain Music Project: A Musical Odyssey from Appalachia to Himalaya
Self-Release

The Mountain Music Project... successfully attempts to bridge two distinct cultures--Appalachia and Himalaya--together, despite the seemingly distinct cultural attributes of both cultures. The folk and string traditions of Appalachia are not particularly different from that of the Himalayas. The Appalachian side is represented by Grammy Award-winning Tim O'Brien and Curtis Burch. In addition, Tara Linhardt, Tony Trischka, Abigail Washburn, Mark Schatz, Riley Baugus, Aaron Olwell, Matthew Olwell, and Paul Brown round out the Appalachian repertoire. On the Himalayan side, Buddhiman Gandharba, Manjo Gandharba, Jagat B. Gandharba, Ganesh Gandhari represent folk musicians proficient on the madal, sarangi, arbaj, and bansuri flute. Some of the Nepalese instruments are joined with the guitar, banjo, mandolin, mandola, and Irish flute. ~ Matthew Forss 

Thursday, December 8, 2011

CD Review: Lawson Rollins' 'Elevation'

Lawson Rollins
Elevation
Infinita Records

Innovative guitarist and keyboardist, Lawson Rollins, returns with another astounding album of world fusion and avant-garde jazz on Elevation. Rollins reaches new musical heights that are engaging, warm, and cozy. The album was recorded in Nepal, the U.S., and Iran, which represents some of the ethnic elements inherent in Rollins' work. The slightly jazzy "Daybreak," resembles the laid-back and smooth-jazz tunes popular on The Weather Channel's Local-On-The-8s. Though, Rollins is not a vocalist; Elevation still retains a worldly, vocal base with sparse vocals representing the Middle East and South Asia. Nearly two-dozen musicians are featured alongside Rollins. The result is a New Age-tinged musical journey with elements of jazz, Latin American, and Indian connotations. Some of the songs are inspired by Middle Eastern poetry, while others find inspiration in the sounds of the world. Rollins definitely rises to the occasion with Elevation leading the wave of musical change across the global landscape--transforming everything and everyone in its path. ~ Matthew Forss

Wednesday, September 28, 2011

CD Review: Deva Premal's 'Password'

Deva Premal
Password
Sounds True

Deva is an incredible kirtan vocalist with a pop-music side that is still steeped in the yogic traditions that made her popular years ago. Together with Manose, a Nepalese bansuri flute master and her partner, Miten, who is a vocalist and guitarist, Deva knows how to create inspirational and meditative music that is quite pleasing. The music contains a variety of instruments, including slide guitar, bass, piano, cello, keyboards, drums, congas, bata, and various guitars. The backing vocals on “Sri Nanda-Nandanastakam” are especially inviting. At any rate, fans of Deva’s previous work on Dakshina in 2005 may notice a bit of a departure. Still, the music may not be completely traditional kirtan, but its contemporary feel is what makes Password shine. ~ Matthew Forss  

Sunday, January 16, 2011

CD Review: The Gyuto Monks of Tibet and Deva Premal


Deva Premal & The Gyuto Monks of Tibet
Tibetan Mantras for Turbulent Times

Born in Germany, Deva Premal has become a preeminent vocalist of relaxation and meditative music. The addition of The Gyuto Monks of Tibet add beautiful chants of spiritual richness and vivid colours seemingly from beyond this Earth. The opening invocation by The Gyuto Monks of Tibet leads into "Compassion", which includes Deva's repeated recitation of the mantra 'Om Mani Padme Hum'. "Purification" opens with chanting in tune with throat-singing. However, the chanting fades as Deva repeats 'Om Bena Satto Hung' throughout. "Buddha" is another fine song that incoporates a flute. The absence of drums and guitars provides a stripped-down album of earthy chants with simplistic instrumentation that does not detract from the spiritual significance of each track. In order to keep things lively, the addition of keyboards, cello, Bansuri and Native American flutes accompany the compositions. The rather New Age connotations and world chanting allow for a very mesmerizing production that is sure to fill the soul with solitude and gratitude. 10 tracks in all. Praise Deva and The Gyuto Monks of Tibet for their work. All sales benefit the Gyuto Monastery, Phowa Project, and Veggiyana. ~ Matthew Forss