CD Review: Arun Ramamurthy Trio's 'Jazz Carnatica'

Arun Ramamurthy Trio
Jazz Carnatica
Self-Release

New York-based and South Indian-influenced, the Arun Ramamurthy Trio waste no time getting down to business bringing Indian Carnatic compositions to life that are centuries old. Arun is the violinist, while Perry Wortman plays bass and Sameer Gupta is in charge of drums. There are some guest artists on piano, violin, and mridangam to round out the instrumental ensemble. The compositions are mostly five to nine-minutes long, which allows for some great melody and rhythm expansion. Also, the tunes possess a creative quality that is innovative and refined. The organic elements are historic and accessible. In this case, it is satisfying to hear the sounds of a by-gone era. Experience historic Indian music in a contemporary setting from the Arun Ramamurthy Trio. ~ Matthew Forss

CD Review: Chlopcy Kontra Basia's 'Oj Tak!'

Chlopcy Kontra Basia
Oj Tak!
Riverboat Records/World Music Network

Anyone with an interest in Polish vocal music will love Chlopcy Kontra Basia's intelligent and interesting mix of vocal and classical elements on their latest release, Oj Tak!. The female vocals are blended with double-bass and percussion for a rather lo-fi result that is never boring. The quirky and fast vocals are a great addition to the Polish music scene. The group mixes traditional musical styles with alternative and contemporary avant-garde and pop styles for a truly world fusion experience. Of course, there are neo-classical and jazz undertones throughout, but they do a good job creating a sound that is seemingly-indescribable. In one case, "Kasia," only contains vocals without any instrumentation. Anyone familiar with Polish folk music will love the new sounds emanating from Oj Tak!. ~ Matthew Forss

CD Review: Ego Vs. Emo's Self-Titled Release

Ego Vs. Emo
Ego Vs. Emo
Egotop Rec

German electro-klezmer music? Yes, indeed. That is the only way to describe Ego Vs. Emo's latest musical offering. The album contains seven long tracks of instrumental glory littered with danceable elements, brassy and bossy klezmer sounds, and swirling melodies and rhythms that are punchy and original. The songs are full of vibrant sax, violin, drums, accordion, guitar, and electronic programming. The songs are titled in German, but consist of various numbers. There are a couple spoken, German vocals on "Hundertdrei," but the majority of music is instrumental. Balkan jazz, klezmer, big band, and psychedelic constructions define the primary theme of Ego Vs. Emo's self-titled album. If the band's name won't draw you in, then the music will. ~ Matthew Forss

CD Review: Atash's 'Everything Is Music'

Atash
Everything Is Music
Ars Mundi

Everything Is Music is titled from a poem by Rumi, a Sufi poet of the 13th century, which combines swirling, Middle Eastern rhythms with hypnotic flamenco, Indian, and Mediterranean influences. The mature vocals are not too boisterous and very akin to Cheb Khaled. The band is spearheaded by Mohammad Firoozi Dashtestani, who hails from Iran. The Farsi singer aids the help of fellow musicians, Roberto Riggio on violin; Dylan Jones on bass; Abou Sylla on balafon, djembe, and conga; Jose Manuel Tejeda on acoustic guitar; Jason McKenzie on drums and tabla; John Moon on violin; and Indrajit Banerjee on sitar. The nine tracks are a global goldmine of infectious sounds and world rhythms. The Austin, Texas-based band finds no trouble getting their music across to the local crowds, as well as an international audience. The music cuts through borders and beliefs by creating organic, yet accessible, music tunes. Rumi would be proud! ~ Matthew Forss

CD Review: Ali Bello's Venezuela Tunings On 'Connection Caracas-New York'

Ali Bello
Connection Caracas-New York
Zoho

Venezuelan-born and New York-based, Ali Bello is a talented violinist with youthful vigor and jazzy undertones. The Latin-themed recording is rich with jazz elements and Latin American percussion. The violin displays are on par with Ruben Blades' Panamanian ensembles. The mix of classical, folk, jazz, roots, and Latin genres are very compelling and enthralling. However, vocals are not present on this album. The nine tracks contain piano, guitars, violins, sax, bass, drums, maracas, percussion, and other instruments, which make the album shine with Latin delight. One need not venture too far from Afro-Caribbean and Afro-Venezuelan roots here. Anyone with an interest in violin music with added percussion and world fusion elements will find a connection with Ali Bello's latest release from Zoho Music. ~ Matthew Forss

CD Review: Jyotsna Srikanth's 'Call Of Bangalore'

Jyotsna Srikanth
Call Of Bangalore
World Music Network

Jyotsna Srikanth plays Carnatic or South-Indian classical music on violin, but it is accompanied by a mridangam (two-sided drum) and khanjira (frame drum). There are six long tracks that run over seventy-eight-minutes long. Some of the compositions are rather peaceful and classical, while others are upbeat and very moving. The violin still retains a somber tone that is rather organic and earthy, but the addition of the mridangam thuds and khanjira slaps fills in the melody with such precision and pleasantness. "Brovabarama" is the longest tune at nearly forty-minutes. It is especially spacious and somber...almost meditative. The violin is akin to L. Subramaniam's work. At any rate, Jyotsna will enrich the lives of all who listen to the mesmerizing and Carnatic tracks on Call Of Bangalore. ~ Matthew Forss 

CD Review: Roswitha's 'Destiny'

Roswitha
Destiny
Self-Release

Austrian-born and New York-based, Roswitha dazzles crowds with genre-bending compositions with mixed rock, funk, classical, new age, world fusion, and experimental-folk explosions of sonic beauty. Roswitha's vocals are similar in tone to the UK's Katie Melua, but the compositions are more punchy and diverse. "Destiny" opens with a punchy guitar line that is slightly Spanish--almost Mediterranean--with a light folk-pop presence. "My Life" is a speed-folk composition with electronic vocals, symphonic accompaniment, and grungy guitar sounds. "Just Near To Me" is a piano ballad with back-up vocals throughout. The tune is vocally congruent with Adele, Leigh Nash, and Katie Melua, but the music is relatively low-key without any percussion or guitars. "Purpose" is a classical tune with piano, violin, and avant-garde vocals. "Desire" is a multi-faceted song with lush vocals, rich instrumentation, and diverse arrangements that span the entire European continent. At any rate, Roswitha is an innovative musician that showcases fourteen unique musical concoctions that are almost indefinable. Nothing is amiss here. ~ Matthew Forss 

CD Review: Justin Ancheta's 'Plant'

Justin Ancheta
Plant
Self-Release

The reggae-funk and jazz concoctions of Justin Ancheta are pronounced on his latest release, Plant. There are some Klezmer, acoustic, and indie-rock-influenced tunes that showcase a good variety. Part of the diverse song styles stem from a diverse instrumental repertoire, which includes djembe, bass, clarinet, sax, trumpet, trombone, violin, clavinet, guitars, and various electronic accompaniment. With a background in Filipino/Spanish/English/Norwegian/American family roots, you know there has to be an ethnic bone in his body. Thankfully, all ethnicities are represented here, but jazz, folk, and funk seem to be at the top of the list. Justin Ancheta is a musician with a knack for creative songwriting that borders somewhere between Jason Mraz, Jack Johnson, and Xavier Rudd. Simply outstanding! ~ Matthew Forss 

CD Review: Syriana's 'The Road To Damascus'

Syriana
The Road To Damascus
Real World

Syriana is a group headed by Nick "Dubulah" Page with songs written by Abdullah Chhadeh, Bernard O'Neill, and Nick "Dubulah" Page. The album is not to be confused with the 2005 film Syriana. Instead, The Road To Damascus paints a colorful picture of lush Middle Eastern melodies, rhythms, and instrumentation. For example, the oud, qanun, double bass, guitars, piano, keyboards, percussion, and a few vocals round out the musical repertoire. The violins are added by the Pan Arab Strings of Damascus. The album is mostly instrumental, which allows the tracks to shine beyond borders. The thirteen tracks do contain some cinematic tendencies, but the majority of songs are steeped in roots, folk, and classical music. Fans of Middle Eastern music will love the sultry nuances of Syriana's music. ~ Matthew Forss

CD Review: Various Artists' 'Vintage France'

Various Artists
Vintage France
Putumayo

The new Putumayo release, Vintage France, celebrates vintage French songs and musicians. There are twelve songs in all, which include twelve different singers, such as Juliette Greco, Patrick Nugier, Daniel Roure, Jean-Claude Laudat, Philippe Gautier, Asier Etxeandia, and many others. The music is highly-addictive and extremely pleasant throughout. There are whispy violins, classical piano, upbeat jazz melodies, and French pop constructions that are charming, easy-listening, and nostalgic. The rich rhythmic and melodic structures are especially appealing, along with the male and female vocals. There is a sense of class, exquisitive taste, and cafe sounds that certainly and adequately celebrate French chanson traditions. The not-so-common musicians on this album are not especially well-known in other parts of the globe, so do not expect to find Carla Bruni, Francois Hardy, Patricia Kaas, and Edith Piaf on this one. Nevertheless, I am always impressed by the musical concoctions discovered by the folks at Putumayo. This one ranks high up there. What a surprise! ~ Matthew Forss

CD Review: Urna's 'Portrait: The Magical Voice From Mongolia'

Urna
Portrait: The Magical Voice of Mongolia
Network

Urna is an Inner Asian songstress from the great, vast expanse of Mongolia. With ties to China and Western Europe, Urna employs a range of instrumentation that represents Inner Asian genres. The violin, zither, sheng, cello, zarb, udo, viola, accordion, morin huur, sax, guitar, and assorted percussion make up the instrumental repertoire on many of the songs. The spacious acoustics and free-flowing vocals are not particularly throat-singing examples. This is classic, Mongolian vocal and instrumental music that is calm, reserved, and contemplative. It is not rigid, boring, or plain. The music is similar in tone to contemporary examples coming out of Nepal and Tibet. Yungchen Lhamo is a similar comparison. At any rate, the thirteen tracks and one hour of music are a joy for fans of Inner Asian folk music. Liner notes are in German, English, and French. ~ Matthew Forss

CD Review: Elisa Brown's 'New World'

Elisa Brown
New World
Self-Release

Soprano singer, Elisa Brown, produces a diverse array of classically-inspired songs with various jazz, rock, folk, Celtic, and new age elements in a world beat stew.  The international vocal arrangements reflect Scandinavian, Middle Eastern, Asian, and Indian cultural subtexts with varied vocals from various international sources.  The varied instrumentation and classical music base is characteristic throughout.  Eleven songs reflect a world music presence that is encompassing, engaging, and full of rich sonic textures. “Invocation” opens with blissful trickles of crystalline and metallic sounds and Elisa’s spoken word lines.  Mid-song, a single vocal line is repeated, but in different languages, including French, Arabic, Chinese, Spanish, Russian, Korean, Hindi, Hebrew, and English.  There are very little instrumental additions.  The entire song is rather dreamy, inspirational, and thought-provoking, but the power of poetry is most evident. “Cullins of Rhum” begins with a scintillating, Scottish guitar line, weeping violin, and sweeping electronic accompaniment that creates a full sound throughout.  The melody is also Celtic-driven with soaring vocals indicative of a mature Orla Fallon.  There are even bird sounds to lighten the melody and mood mid-song.  The song is rather sweeping with giddy guitar work and sparkling vocals throughout.  Fans of Scottish, Celtic, or Euro-folk will find this track most fitting. “We Are So Much More” opens with a keyboard wash and a few guitar strums with narrated spoken words and an upbeat percussion set.  Elisa’s clear, soprano vocals create a beautiful Celtic Woman or Ronan Hardiman result, while the keyboard washes and dance beat suggests similarities with the instrumental efforts of Enigma.  The mix of Elisa’s clear vocals, narrated portions, and vibraphone sound effects create a magnificent result that is majestic, ear-pleasing, and memorable.  The chorus is symphonic, danceable, and rich with fluid and sonic textures. One of the last few choruses features the sound of a younger voice, which represents a wide vocal spectrum throughout the song.  This is one of the best contemporary world music tracks ever produced…bar none. “Theme for Music for Life NYC” features a jazzy, Latin-tinged percussion section, and an effervescent vocal line that is operatic in its delivery, but warm in its reception.  The sweeping violin and fiery acoustic guitar work showcase Elisa’s varied song textures and styles incorporating a more world beat sound.  The flamenco-type song is full of danceable flavors and Spanish lingo.  There is even a few electric guitar squeals near the end of the song for a slight rock presence.  Fans of Latin, Spanish, and world jazz will love this one. “Namaste Fever” is brimming with eerie violin, percussive drums, additional sound effects, and an almost continual chant of the song title throughout.  The violin picks up some speed and sound intensity, while the percussion delves into a more upbeat tempo with jingly tins, metal, and cymbals.  The sounds are interrupted with a little didgeridoo, B3, and trilling electronica.  The song contains a little Celtic ambiance with a traditionally Hindu phrase in Sanskrit.  This is ideal for the world fusion fan with a hankering for Celtically-inspired yoga dance. “Ave Maria: Mother of the Light” begins with a meandering, upbeat melody with Elisa’s operatic vocals leading the charge on the traditional song.  The Latin lyrics are sung throughout, but not for the last line.  The music is supercharged with heavenly light and bliss with sonic sounds of beauty from strings, percussion, and keyboards.  The cascade of vocal melodies and arrangements produces an orchestral and operatic affect that is very enthralling. Overall, Elisa Brown’s new work, New World, is a marked achievement in the world music, new age, and world beat genres.  Elisa’s ability to change from operatic to pop vocal patterns creates a versatile recording.  The eleven songs represent a wide range of vocal and instrumental styles that should appeal to a diverse listening audience.  The help of Grammy Award-winning producer, Barry Goldstein, adds another dimension to the album that only increases its desirability.  Ultimately, the music is what will keep listeners coming back for more.  The new world has arrived and Elisa Brown is leading the musical revolution. ~ Matthew Forss     

CD Review: International String Trio's 'Movie Night'

International String Trio
Movie Night
Self-Release

A star-studded cast of musicians present us with an array of instrumental tunes from familiar films, but the music is created with a classy repertoire of guitar, bass, and violin. Ben Powell on violin, Slava Tolstoy on guitar, and Ippei Ichimaru on bass, round out the international group of musicians on the new album. Stemming from Russia, Japan, and England, the musicians grace the songs with an international flair and cultural display of cinematic performances. The music is not exactly note for note on each filmic tune, but the basic melodies are still there. You will here music from Forrest Gump, Latcho Drom, The Umbrellas of Cherbourg, Singin' In The Rain, Chocolat, Schindler's List, Anastasia, Eyes Wide Shut, Laura, Doctor Zhivago, and Ken Burns' The Civil War. The music is very classical, jazzy, and tango-driven. The fusion-style is relatively pronounced throughout, but the classical undertones are paramount. Fans of filmic scores, instrumental tunes, and classical music will love the International String Trio. ~ Matthew Forss

CD Review: Egyptian Project's 'Ya Amar'

Egyptian Project
Ya Amar
SixDegrees Records

Produced by France’s Jerome Ettinger (who plays arghul and computer), Egyptian Project explores a balanced blend of electronic, acoustic, and contemporary Egyptian music. Jerome assembled several musicians, including Sayed Emam on vocals and kawala, Ragab Sadek on darbouka, duff, rek, sagats, and doholla, Salama Metwally on rababa and violin, Ihab Radwan on oud, Julien Bonvoisin on bass, Carlos Robles Arenas on drums, Camille Momper on cello, and Nicolas Berrivin on piano. The wide array of instrumentation creates chilling beats, rhythms, and melodies that are steeped in Egyptian musical traditions without resorting to forced electronic compositions of dance music. The music is somewhat danceable, but the primary elements are more folk, pop, and new age. Ya Amar is an ambitious effort that succeeds on all ac(chords)! ~ Matthew Forss

CD Review: Real Vocal String Quartet's 'Four Little Sisters'

Real Vocal String Quartet
Four Little Sisters
Flower Note Records

The San Francisco-area quartet finds music and beauty in jazz, pop, string, and classic traditions. RVSQ is Irene Sazer on violin and vocals, Alisa Rose on violin and vocals, Dina Maccabee on viola and vocals, and Jessica Ivry on cello and vocals. "Machine" is a Regina Spektor song with delicate vocals and writhing string melodies. "Homage To Oumou" is a plucked string tribute and vocal medley in honor of Oumou Sangare--a female diva from Mali, Africa. Though, the string arrangements represent Scandinavian traditions. There are prancing tunes of Brazilian charm ("Copo Vazio"), Cajun folk music ("Allons a Lafayette"), and a David Byrne cover ("Knotty Pine"). The diverse material on the album is easily captured on the strings and vocal melodies without leading to boredom. String fans unite with the pleasant instrumental and vocal magic of the Real Vocal String Quartet. ~ Matthew Forss

CD Review: Trio Garufa's 'El Rumor De Tus Tangos'

Trio Garufa
El Rumor De Tus Tangos
Garufa Records

The US-based tango troupe, Trio Garufa, explores the historical lineage of the tango as a musical form in Argentina. The Trio--with members from Argentina, Switzerland, and California--combine violin, viola, bandoneon, upright bass, cello, and flute for instrumental delicacies. The compositions are steeped in history and variety according to the types of tangos presented. The repertoire covers styles from the early-mid 1900s, modern tangos, folkloric music, original compositions, and electro-tangos. Not only tango is represented here, but milonga, electro milonga, nuevo tango, vals, chacarera, guarania, gato, and tango criollo styles and/or time signatures are also present. The instrumental melodies are moving, sensual, and enjoyable. Fans of Argentinian music, bandoneon, tango, and South American folk music will the love the instrumental sensibilities of the only US-based tango ensemble to have performed in the tango dance clubs of Buenos Aires. ~ Matthew Forss

CD Review: Didier Francois's 'Nyckelharpa Solo'

Didier Francois
Nyckelharpa Solo
Home Records

The Belgian, Didier Francois, is a noted nyckelharpa player and teacher. The nyckelharpa is a keyed harp or fiddle with keys attached to tangents that serve as frets to change the pitch of the strings. Traditionally, the nyckelharpa is a native of Sweden, but it is found in many other Scandinavian and European countries...and other parts of the world. As its name suggests, the nyckelharpa is the only instrument on this recording. Additionally, there are not any vocals. Instead, Didier plays various compositions with nyckelharpa. There are sixteen instrumental tracks, which include some original tunes, and others composed by Jamil Masud, Johann Sebastian Bach, Erik Sath, Antonio Carlos Jobim, Susanne Paul, Charlie Mariano, Jose Toral, Eugene Ysaye, and Carl Michael Von Esser. The instrumental tracks are perfect for classical, folk, or violin fans. This is a top release for nyckelharpa fans, too. ~ Matthew Forss

CD Review: Clara Ponty's 'Into The Light'

Clara Ponty
Into The Light
Eden Records

Born in Paris, France and raised in Los Angeles, California, Clara Ponty's musical roots are strengthened by her father's violin experience and exposure to multiple genres growing up. As a classically-trained pianist, Clara presents new work with a somewhat jazzy influence and pop-focused vein. The eleven tracks are vocal gems that feature Clara's intimate and sensual voice amidst her delicate piano playing style with a mix violin, bass, rhodes, drums, percussion, guitar, trumpet, cello, and flute. Some of the tracks border on contemporary new age music, while others, reflect a more upbeat, Latin-tinged classicism. At any rate, Clara knows how to delight with Into The Light. ~ Matthew Forss

CD Review: AndraLaMoussia's 'Bet'

AndraLaMoussia
Bet
Ittai Binnun

The sauntering melodies and Middle Eastern incarnations of AndraLaMoussia are lavishly produced on the 2010 release of Bet. The group is based in Jerusalem, Israel and features a variety of musical creations involving the guitar, accordion, trumpet, ney, clarinet, sax, baglama, violin, oud, melodica, and assorted percussion. The tunes are lively and mostly instrumental. There is a degree of Andalusian, Central Asian, and Balkan influence throughout. The thirteen tracks contain energetic, evocative, and classy compositions. In short, you will not be disappointed with the music of AndraLaMoussia. It is a sure 'bet.' ~ Matthew Forss

CD Review: Trio Bravo's Self-Titled Release From Germany

Trio Bravo
Trio Bravo
Ozella Music

Though a Trio, there are several musicians on this exciting recording from Germany. The instrumental album contains cross-genre music incorporating North and South American, European, and Asian influences. Some instruments utilized include violin, piano, double bass, drums, marimba, cello, kontrabass, and assorted percussion. The fluid piano playing and spritely strings combine perfectly with the other instruments. Many of the songs are easy to imagine on a soundtrack. The gitty and jazzy "Wiener Wuerstchen" is a downtempo gem with violin work and folkish melodies. The klezmer-esque tunes are appropriately-matched with the upbeat strings and Eurocentric leanings. Nineteen tracks take on many characteristics of the classical and fusion worlds. Keep in mind the music is not amped up with guitars or keyboards, which is fine for a recording of this sort. The entire album can be summed up in one word: ausgezeichnet! ~ Matthew Forss