CD Review: Bonga's 'Hora Kota'

Bonga
Hora Kota
Lusafrica

Angolan-born and raised, Bonga combines the sultry sounds of kizomba, semba, Portuguese folk, and contemporary pop with a gruff voice that is synonymous with Angolan society. Hora Kota, his latest release, continues the Portuguese-tinged compositions with a good dose of Latin jazz, island rhythms, and folk melodies that unite all Portuguese-speaking regions. The thirteen tracks contain the romantic accordion, guitars, percussion, dikanza, congas, bass, harmonica, shekere, double bass, ukulele, flute, bandoneon, and others. If you are a long-time fan or newbie to Angolan music, Bonga should be right at the top of any world music chart. Sample the hot rhythms and melodies shaking up Luanda and beyond. ~ Matthew Forss

CD Review: Toni Kitanovski & Cherkezi Orchestra's 'Shukar'

Toni Kitanovski & Cherkezi Orchestra
Shukar
Yellowbird

Gypsy band music has been universal ever since the popularity of Besh O Drom and others that have paved the way for global acceptance of such an incredible (and danceable) musical delight. The Macedonian-based Toni Kitanovski is joined by the Cherkezi Orchestra on his latest release, Shukar. Shukar, which means, "good," is probably an understatement if one is referring to the music. The music takes on gypsy qualities, but explores inter-related musical influences, too. For instance, "Addis Abeba" examines a little Ethiopian jazz, while "Lagrimas Negras" looks at a Cuban and Latin jazz influence. The trumpet is a powerful instrument that nicely accompanies the giddy and jazzy guitar playing. The vocals of Tehamana Skenderovska are also very appealing. The twelve tracks contain vocals, trumpet, tapan drum, tarabuka, bass, melodica, french horn, organ, and guitars, which round out the musical experiences. Toni & Cherkezi Orchestra touches on Latin, jazz, gypsy, and experimental music that is sure to elicit happiness in one's heart. ~ Matthew Forss

CD Review: Eyvind Kang's 'The Narrow Garden'

Eyvind Kang
The Narrow Garden
Ipecac

The Northwest, USA-based composer, performer, and musician extraordinaire, Eyvind Kang, celebrates classical, Middle Eastern, and avant-garde/jazz rhythms and melodies with his latest release, The Narrow Garden. Eyvind is also an accomplished erhu player, violinist, and tuba player. Neo-classical upbringing aside, Eyvind creates beautiful palettes of aural color that emanate from the album with ease and grace. In fact, an angelic undertone is featured on "Pure Nothing," which contains female choral sounds and neo-classical and new age leanings not completely unlike the music of Enya. On "Forest Sama'i," Eyvind tackles Middle Eastern and Persian musicalities, which seem right at home on this album. The quirky, avant-garde masterpiece, "Usnea," showcases Eyvind's knack for creating intricate, unusual, and diverse compositions. In this case, the song wanders dangerously close to experimental realms with strings, flutes, and metallic embellishments without electronic accompaniment. The operatic vocals of "Mineralia" and the cinematic, neo-classical/ambient nature of "The Narrow Garden," evokes the works of Steve Roach, Brian Eno, Enya, Vangelis, and others to be named in the future. The Narrow Garden seems right at home straddling the musical worlds of neo-classical, Middle Eastern, spiritual, avant-garde, experimental, and new age. ~ Matthew Forss 

CD Review: Black Bazar's 'Black Bazar'

Black Bazar
Black Bazar
Mabanckou

Modogo & Sam are Modogo Abarambwa and Sam Tshintu, respectively. As purveyors in the Congolese music scene, they attempt to bridge the gap between Cuban and Latin rhythms with the soukous sounds of Congo with their band, Black Bazar. The result is a musical project that sheds the drum machines and techno trance of contemporary society with a raw and spirited selection of songs with bass, piano, percussion, and guitars leading the way. Black Bazar shines with the rumba sounds of Havana and the sparkling, rhythm guitars of Kinshasha. Despite the album artwork looking like something from the TV show Mad Men, Black Bazar livens up any situation with vibrant colors of love and dance. The ten tracks represent nearly an hour of listening pleasure. Anyone with an interest in Cuban rhythms and central African music will cherish the vocal harmonies and bright instrumentation. This is a timeless recording. ~ Matthew Forss 

CD Review: Mounira Mitchala's 'Chili Houritki'

Mounira Mitchala
Chili Houritki
Lusafrica

As a follow-up to Talou Lena (Marabi, 2008), Chili Houritki, which means, "independence," is an album that builds upon the traditional roots and rhythms of Chad's great musical resources. "Choukrane" is a Sai tune, while the title track is composed in the Bilala ethnic style that celebrates African female independence. A host of other tracks highlight various beats and styles, including n'gandja, guissesse, kidi kotoko, meund, kidi gourane, klaguu, nielim, gourna toupouri, mbong, toumtoum, and gourna. The overall sound is upbeat, contemporary Afro-pop that is rarely heard beyond Chadian borders. The music incorporates guitars, bass, shakers, calabash, kora, udu drum, and assorted percussion throughout the twelve tracks. Pleasant melodies, backup vocals, and sparkling instrumentation driven by historical traditions even contain some ululations and hand-clapping. At any rate, Chili Houritki is a long-awaited sophomore release from Chad's Mounira Mitchala. ~ Matthew Forss

CD Review: Maria Misgeld's 'Romans i moll'

Maria Misgeld
Romans i moll
Misgeld Music

Romans i moll (Romance in B minor) is the latest release by Sweden's Maria Misgeld. The angelic voice is beautiful and entrancing no matter what key it is in. This album contains limited instrumentation, but that does not detract from the musical qualities of the compositions. Maria's vocals are accompanied by Olle Lindvall on nylon acoustic guitar; Olof Misgeld on fiddle and viola; and Arne Forsen on harmonium. The traditional songs reflect a truly, Scandinavian presence without the addition of drums, rock tunes, or dance music. The mostly Swedish tunes are also on the same album with Finnish and Norwegian tunes. Inspired by historical places throughout Sweden, Maria sings sweet melodies and tunes with the exuberance of fellow countrywomen, Emma Hardelin and Jenny Wilhelms. Steeped in folk traditions, Romans i moll sets the new standard for Swedish folk music today. You will love it! ~ Matthew Forss

CD Review: Lassine Kouyate (Adam Klein) and 'Dugu Wolo'

Lassine Kouyate (Adam Klein)
Dugu Wolo
Cowboy Angel Music

Athens, Georgia has produced a number of chart-topping musicians that don't sound like they're from the South, including R.E.M., B-52's, Indigo Girls, Matthew Sweet, Neutral Milk Hotel, and others. Never before has a world music act entered the musical community in Athens. Maybe not a chart-topper yet, Dugu Wolo is slowly gaining ground. Created by Lassine Kouyate (aka Adam Klein) after a trip to Mali, Africa, Dugu Wolo contains guitar songs with kora, ngoni, calabash, tama, djembe, njarka, and karagnan instrumental accompaniment. Lassine writes songs in the Bambara language for the most part, but English is also present. The entire album was recorded in Bamako, Mali in February 2010. Guest musicians include Solo Tounkara, Djelimady Tounkara, Adama Dembele, Drissa Diabate, and Zoumana Tereta. Anyone interested in the guitar and blues sounds of Boubacar Traore, Lobi Traore, Ali Farka Toure, Salif Keita, and Toumani Diabate, among others, will find joy and solace in this amazing collection of songs written by American singer/songwriter, Lassine Kouyate. Twelve tracks in total. Liner notes included. ~ Matthew Forss