CD Review: Various Artists' 'Ola Cabo Verde'

Various Artists
Ola Cabo Verde
Lusafrica

Lusafrica does it again with another stellar release. This one covers eighteen different artists from Cape Verde. There are nearly seventy-eight minutes of great, danceable music from some of the top artists in the country, including Neuza, Lura, Ze Luis, Tcheka, Boy Ge Mendes, Teofilo Chantre, among others. There is even a composition featuring the late-Cesaria Evora, alongside Lura on "Moda Bo." The music is highly-energetic and free-spirited. The combination of vocals, strings, guitars, percussion, and other instruments makes the album shimmer with musical satisfaction. The Afro-Caribbean sounds are somewhat Portuguese-inspired, along with other influences that are regional. The island country is known for morna music and other types. This album covers some of these styles and contemporary elements that are easy to assimilate and enjoy. Anyone with a passion for Cape Verde music will find Lusafrica's latest offering a 'must-have' without any reservations. ~ Matthew Forss

CD Review: Nancy Vieira's 'No Ama'

Nancy Vieira
No Ama
Lusafrica

The swaying melodies and rhythms of Cape Verde are showcased on this new exciting release of Afro-Creole culture. Nancy is a vocalist and shares the spotlight with the cavaquinho, Portuguese guitar, piano, bass guitar, flute, violin, and electric guitar throughout. The music of Teofilo Chantre, B. Leza, Mario Lucio, Amandio Cabral, and others. The smooth and folk melodies capture the musical culture of the islands with some Portuguese, Brazilian, and African elements. Nancy's vocals bring to mind a young Cesaria Evora. As a fourth album for Nancy, No Ama hits the web-stores and store shelves with a fresh and renewed presence. The light music is accessible for anyone interested in Cape Verde music, or the music of Brazil, Portugal, France, and Africa. Lyrics provided in the liner notes. ~ Matthew Forss

CD Review: Batida's Self-Titled Release From Portugal and Angola

Batida
Batida
Soundway

The rousing beats of electronica are composed with an Angolan and Portuguese presence, which evokes classical rhythms and dance tunes with a dash of kizomba thrown in for good fun. The ten tracks feature a variety of beatmasters and vocalists, including MCK, Ciruito Feixado, Ikonoklasta, Beat Laden, Ngongo, and others. The twisting rhythms and hyper-percussive foundation is ideal for parties and urban celebrations. There are hints of cumbia and some soukous leanings, too. Fans of Portuguese and Angolan music will love Batida's carefree and contemporary dance forms. Available in CD, LP, and digital formats. ~ Matthew Forss

CD Review: Bonga's 'Hora Kota'

Bonga
Hora Kota
Lusafrica

Angolan-born and raised, Bonga combines the sultry sounds of kizomba, semba, Portuguese folk, and contemporary pop with a gruff voice that is synonymous with Angolan society. Hora Kota, his latest release, continues the Portuguese-tinged compositions with a good dose of Latin jazz, island rhythms, and folk melodies that unite all Portuguese-speaking regions. The thirteen tracks contain the romantic accordion, guitars, percussion, dikanza, congas, bass, harmonica, shekere, double bass, ukulele, flute, bandoneon, and others. If you are a long-time fan or newbie to Angolan music, Bonga should be right at the top of any world music chart. Sample the hot rhythms and melodies shaking up Luanda and beyond. ~ Matthew Forss

CD Review: Carmen Souza + Theo Pas'cal's 'London Acoustic Set'

Carmen Souza and Theo Pas'cal
London Acoustic Set
Galileo Records

Recorded in London, England in an intimate setting with limited applause, London Acoustic Set features the musicianship of vocalist, guitarist, and percussionist, Carmen Souza from Cape Verde, as well as Portuguese-born, Theo Pas'cal on bass, double bass, udo, and percussion. The duo electrifies the soundwaves, albeit 'acoustically,' with limited instrumentation and soulful, breezy vocals. Carmen's voice takes on a jazzy, pop-standard sound, which sounds a bit different from her previously-released albums. At any rate, the interplay between Theo and Carmen is quite warm and inviting. The spacious sounds and light, African melodies make London Acoustic Set a favorite for world jazz, Cape Verde, Portuguese, and improvisational music fans. ~ Matthew Forss

CD Review: Amina Alaoui's 'Arco Iris'

Amina Alaoui

Arco Iris

ECM Records

Andalusian singer, Amina Alaoui, was born in Morocco and currently based in France. Amina's Gharnati music traditions meld with a bit of fado, Ladino, and flamenco thrown in encapsulate the general tone of the album. Amina's all-star cast of musicians reflect another aspect of global music, as her band represents Brazil and Tunisia, too. The relatively sparse instrumentation adds to the meditative, mournful, and calming effect. Amina plays the daf, while her son, works on percussion. Eduardo Mirand on mandolin, Saifallah Ben Abderrazak on violin, Sofiane Negra on oud, and Jose Luis Monton on flamenco guitar round out the band's repertoire. Fans of Portuguese, Spanish, Ladino, fado, Andalusian, and North African music with a special interest in the folk and classical music traditions will find Arco Iris extremely pleasing. Amina's vocals are not as pop-oriented as Algeria's Djur, or as operatic as the fadista Mariza. ~ Matthew Forss

CD Review: Joana Amendoeira's 'Setimo Fado'

Joana Amendoeira

Setimo Fado

Nosso Fado

The long line of fadistas to grace the stages of the world in song and voice are nevertheless nostalgic, as they are entertaining. Mariza, Amalia Rodrigues, and others are sure to come to mind in any discussion of fado music. The Portuguese-native, Joana Amendoeira, is a young singer of traditional fado compositions. Seventeen tracks with a mellow, yet emotive vibe on strings, percussion, guitar, and piano round out the staple repertoire for fadistas worldwide. The unwavering vocal performances signal a remarkable set of songs that are as classy as they are stylistic. Passionate songs of longing and hope provide listeners with a great mix of vocal fun for all ages. The piano adds a jazzy element to some of the tracks. Fans of Latin, Fado, and European vocal music will find happiness in the sad songs of Joana Amendoeira. Liner notes are included in Portuguese. ~ Matthew Forss

CD Review: Ana Moura's 'Coliseu'

Ana Moura

Coliseu

World Village

The popularization of the fado musical genre from Portugal has been fostered by an intense desire to reacquaint oneself with Portuguese music from around the world and the global prevalence of past and present fadistas, including Amalia Rodrigues, Mariza, Katia Guerreiro, Ramana Vieira, and Ana Moura. A native of Portugal, Ana performs a live set of songs recorded in two of Portugal's famed venues: Coliseu dos Recreios and Coliseu do Porto. The fifteen songs were composed by Jorge Fernando, Custodio Castelo, Antonio Laranjeira, Toze Brito, and others. The mournful and serene songs are nicely accompanied by Portuguese guitar, acoustic guitar, and acoustic bass guitar and interspersed with applause. The Portuguese vocals float effortlessy through the air and dance around with class, sass, but in no way crass. The young singer's mature voice is well-trained and award-winning. A 22-page liner booklet includes Portuguese and English translations. ~ Matthew Forss

CD Review: Dancas Ocultas

Dancas Ocultas

Tarab

Numerica

A performer at this year's WOMEX festival of all things world music, Dancas Ocultas brings to life a 'hidden' talent on Tarab. The Portuguese band, which name means "Hidden Dance", is nothing that should be hidden. The music is entirely instrumental and only includes four accordions without additional musical instruments. The sounds glow with vibrant waves of energy bursting out of the bellows of the accordion beast. Sometimes eery, meditative, and adventurous, Tarab delights in the unmistakable sounds on the accordion. Fans of accordion greats Maria Kalaniemi, the late-Boris Karlov, and Daniel Thonon will love the delicately produced sounds of Tarab. The solemnitude of accordion music is as reflective as it is brooding. Tarab wins big-time! ~ Matthew Forss

CD Review: Ana Moura's Fado

Ana Moura

Leva-Me Aos Fados

World Village

Portugal's Ana Moura is now in the realm of other great fado singers, including Amalia Rodrigues and Mariza. Fado is most common in Portugal, but it can be heard in other countries, as well. It follows a mournful, lyrical style and folk-guitar tunings in a carefully structured environment. The music is sorrowful, but very engaging. In fact, the album's title is translated as "Take Me To A Fado House". Anyone with a Latin American or Mediterranean musical preference will most likely enjoy Ana Moura's fado style. This is not an over-produced, electronic album of dance music or pop. It is traditional fado with lilting rhythms, light guitar picking, and romantic vocals. Open your ears and heart today with Leva-Me Aos Fados. Take someone you love to the fado house. ~ Matthew Forss

CD Review: Best of Bonga

Bonga

Best Of Bonga

Lusafrica

Angola's Bonga has been an iconic fixture in the music of Africa since the 1970's. The result is a timely release of hits spanning some thirty years. There are songs from a selection of prior albums, including his debut release, Angola 72, along with Angola 74, Mulemba Xangola, Kaxexe, Maiorai, and previously unreleased tracks. The influence of Portuguese culture in Angola has shaped the way music is created. Though, Bonga's musical expressionism is steeped in the sounds beyond Angola, including Cape Verde, Portugal, and France. It is difficult to include all the great songs of Bonga on one album, so listeners will find the Best Of... to be an excellent place for new fans to become familiar with Bonga's music. The sultry voice of Cape Verde's Lura adds a special sound to the first track, "Mulemba Xangola". A special remix track, "Kapakiao", is included and takes on an eery trip-hop edge that is sure to elicit enjoyment for all who listen. Anyone interested in Bonga's previous works, as well as the contemporary music of Angola, Portugal, Cape Verde, or France, will find Bonga to be particularly refreshing and satisfying. ~ Matthew Forss

CD Review: Uxia's Eterno Navegar

Uxia

Eterno Navegar

World Village

Uxia (pron. 00-SHEE-a) is a heartfelt singer of fado and morna songs inspired by the Asturias region of Northern Spain, Portugal, the Azores, Cape Verde, Africa, Brazil and everywhere in-between. Eterno Navegar, which means, "Eternal Sailing", is a reflection of the musical inspiration inherent in the environment surrounding the countries and islands in the Eastern Atlantic. The entire album has a Lusophone (a.k.a. Portuguese) sound. Instrumentally, the piano, accordion, bass, trombone, cello, percussion, hurdy gurdy, and violin comprise the primary repertoire. The Cape Verdean/Portuguese guitarist and singer, Sara Tavares, lends her vocals to the mix. Overall, Eterno Navegar is an intimate and inviting journey for any listener with an interest in Lusophone music. A 56-page colored booklet in English and Portuguese includes an introduction, song titles and instrumentation, and photos. ~ Matthew Forss

CD Review: Cape Verdean Music from Portugal's Lura

Lura
Eclipse
Lusafrica

Portugal's Lura was born to Cape Verdean parents, which allowed her to study and incorporate Cape Verdean music and rhythms into her compositions for her last few recordings, including the most recent one, Eclipse. The most globally-recognizable musician to come out of Cape Verde would have to be Cesaria Evora. Though an increasing number of musicians from the islands are garnering international attention, including Lura. Lura's emotive and sultry vocals match the gritty, earthy, and jazzy rhythms of the piano, strings, guitar, and percussion. Even though Cape Verde resides offshore of Western Africa, the primary musical influences tend to incorporate Latin or Caribbean tones. Though, Lura includes the indigenous styles of Cape Verde, including morna, funana, batuque, with a little fado thrown in. Is Eclipse the album that marks the pinnacle of Lura's musical career? It is doubtful, as each album seems to contain something new with each listen. Liner notes in Cape Verdean Creole. ~ Matthew Forss

CD Review: Fado By Way of South Africa...Azores...and Lisbon

Katia Guerreiro
Fado
Sony

Fadista, Katia Guerreiro, was born in South Africa, moved to the Azores as a child, and studied medicine in Lisbon, Portugal. The latter move would ultimately allow Katia to embrace her fado beginnings. The appropriately titled album, Fado, is an excellent introspective examination of fado song structure and delivery. Yet, most listeners associate the late-Amalia Rodrigues, or the currently popular, Mariza, with fado stardom, Katia is equally deserving of such attention and fame. Every song is heartfelt and passionately performed. This is one of the lasting impressions of fado music. The rich tradition of fado follows the content of a mournful nature, often about love, or poor living. At any rate, Katia's beautiful voice is a heavenly addition to the fado world. The lyrics are provided in Portuguese. ~ Matthew Forss