CD Review: Cocek Brass Band's 'Here Comes Shlomo'

Cocek Brass Band
Here Comes Shlomo
Self-Release

The five-piece brass band, Cocek Brass Band, instills the Balkan spirit of brass and jazz on their debut release, Here Comes Shlomo. The band formed in the Northeastern U.S., but their roots extend far beyond the borders of North America--with swirling, bubbling brass melodies blurting out from two trumpets and a tuba--all highlight the band's international style and presence. The music is a mix of Roma, gypsy, klezmer, New Orleans jazz, and Dixieland orchestrations that are highly-textured and classically-significant. The sauntering tunes are completely instrumental without any vocal accompaniment, which suits the music perfectly. The album is based on Balkan cocek dance tunes. Anyone with an interest in traditional Balkan music will find the music very entertaining and upbeat. All jazz, brass, and band fans unite! ~ Matthew Forss

CD Review: Solfrid Molland's 'Musikken er mit fedreland'

Solfrid Molland
Musikken er mit fedreland
KKV

Norway's Solfrid Molland is a talented vocalist, accordionist, and pianist with an ear for European, Scandinavian, and gypsy rhythms and melodies. Solfrid's new album attempts to highlight the Roma music genre of gypsy with regards to Norway's influence. Solfrid is joined by Gheorgie Vasile, Valentin Vasile, Ion Cantaragiu Rasturnel, Gjermund Silset, Lars Tormod Jenset, and a choir. The heart-felt violin pulls at the heart-strings, but it is very fitting. The gypsy rhythms are rich and moving. The instruments come together in a whirling fashion to create a mesmerizing, instrumental interplay between vocals and heritage. The neo-classical, world fusion, balkan jazz, and gypsy melodies makes the album shine with memorable sounds. Anyone interested in gypsy music and Norwegian music will love Solfrid's Musikken er mit fedreland. ~ Matthew Forss  

CD Review: Adrian Raso and Fanfare Ciocarlia's 'Devils' Tale'

Adrian Raso and Fanfare Ciocarlia
Devil's Tale
Asphalt-Tango Records

The Balkan tunes of Fanfare Ciocarlia merge with Canada's eminent guitarist, banjo player, and electric bass aficionado, Adrian Raso. The instrumental tunes are mysterious with a saucy saunter and bellowing character that is anything but dull. The jazzy beats are quite pronounced and almost arranged in a Klezmer style. The punchy brass and uppity melodies are energetic and full of life. The musical style seems to mix old charm with new creative ideas that are refreshing and lively. Anyone with an interest in Balkan jazz, Romani music, and big brass sounds should check out Adrian Raso and Fanfare Ciocarlia. The Devil's Tale will grab you and never let you go. It's totally addictive. ~ Matthew Forss

CD Review: Boban & Marko Markovic Orchestra's 'Gipsy Manifesto'

Boban & Marko Markovic Orchestra
Gipsy Manifesto
Piranha

Boban & Marko Markovic Orchestra's music is steeped in the upbeat brass of Serbia's most popular music form. The fast vocals and musical deliveries are paramount in Balkan brass today, which is especially prominent on "Turbo Diesel" and "Caje Sukarije." There are sixteen songs, but the last one is a radio edit remix of "Sljivovica." Vocals are in English, Romani, and Serbian. Anyone familiar with the punchy, brass-laden tunes of this region will be pleasantly surprised by the intelligent lyrics and dance-heavy elements. Balkan brass is not known for being very smooth or fluid and Gipsy Manifesto is yet another good example of this. However, Balkan fans need not 'balk' at this recording. If you are seeking wild rhythms, brassy sounds, and punchy dance music from Serbia (or surrounding countries), then this one is for you. ~ Matthew Forss

CD Review: Various Artists' 'Brasslands: A Motion Picture Soundtrack'

Various Artists
Brasslands: A Motion Picture Soundtrack
Evergreene Music

Balkan Gypsy, klezmer, and jazz music is represented here with a dozen tracks by some of the world's best-loved and least-known brass bands on Brasslands..., which is a film of the same name. You will hear the instrumental prowess of Slavic Soul Party!, Demiran Cerimovic Orchestra, Zlatne Uste, Raya Brass Band, Veveritse Brass Band, and others. The album centers around a Serbian village festival in Guca, where one of the world's largest brass band competition is held. Most of the bands profiled on this recording are from Serbia with a Romani heritage, but Zlatne Uste is from The United States. However, this soundtrack features music and musicians from western and southern Serbia where different ethnic communities compose different styles of brass band music. At any rate, the music is upbeat, instrumental, and distinctly Balkan. ~ Matthew Forss  

CD Review: Veretski's Pass' 'The Klezmer Shul Live'

Veretski Pass
The Klezmer Shul Live
Golden Horn Records

The California-based, Veretski Pass, is an instrumental group that reinterprets centers of musicmaking--shuls--which were synagogues that were originally created as gathering places for craftspeople, tailors, stonecutters, and musicians. Utilizing styles and melodies from various lands of Jewish inhabitants, Veretski Pass uses classical, avant-garde, and free jazz genres from Czech Republic, Moldova, Romania, Ukraine, Hungary, and Poland. The instrumental nature of the music is vibrant, reflective, and calming throughout. The twenty-three different compositions are divided into four different poetic groups movements or groupings: Without Beginning, A Sign Upon Your Head, Remembrance, and The Wonder of Being. Cookie Segelstein plays violin, Joshua Horowitz plays button accordion and piano, and Stuart Brotman plays bass cello and the rarely heard tilinca--an end-blown flute from the border of Romania and Ukraine. Anyone with an interest in Klezmer classical music will love it. ~ Matthew Forss

CD Review: Dotschy Reinhardt's 'Pani Sindhu'

Dotschy Reinhardt
Pani Sindhu
Galileo Records

The music of the Roma and Sinti peoples bridge the social and cultural link between German and Indian/Pakistan music. Thankfully, Dotschy Reinhardt's enthusiastic release, Pani Sindhu, traverses the spectrum of musical genres, from classic Brazilian, flamenco, Portuguese, Spanish, jazz, improvisational, and traditional Indian music. The tabla and sitar make an appearance on several tracks. However, the music is mixed with equal doses of Dotschy's jazz standard vocals, piano, and lounge club percussion. Dostchy's sweet and tender vocals are in the Romanes language. The throwback to the 1960s or 70s South American jazz tunes are not particularly far-fetched on Pani Sindhu. The addition of Indian/Pakistani musical and instrumental elements makes Pani Sindhu exciting for fans of South American jazz, improvisational music, Indian music, and European notions. The result is a new form of music cleverly-defined as Rom-Indo music. ~ Matthew Forss