Elisa Brown
New World
Self-Release
Soprano
singer, Elisa Brown, produces a diverse array of classically-inspired songs
with various jazz, rock, folk, Celtic, and new age elements in a world beat
stew. The international vocal arrangements
reflect Scandinavian, Middle Eastern, Asian, and Indian cultural subtexts with
varied vocals from various international sources. The varied instrumentation and classical music
base is characteristic throughout. Eleven
songs reflect a world music presence that is encompassing, engaging, and full
of rich sonic textures. “Invocation”
opens with blissful trickles of crystalline and metallic sounds and Elisa’s
spoken word lines. Mid-song, a single
vocal line is repeated, but in different languages, including French, Arabic,
Chinese, Spanish, Russian, Korean, Hindi, Hebrew, and English. There are very little instrumental additions. The entire song is rather dreamy, inspirational,
and thought-provoking, but the power of poetry is most evident. “Cullins
of Rhum” begins with a scintillating, Scottish guitar line, weeping violin, and
sweeping electronic accompaniment that creates a full sound throughout. The melody is also Celtic-driven with soaring
vocals indicative of a mature Orla Fallon. There are even bird sounds to lighten the
melody and mood mid-song. The song is
rather sweeping with giddy guitar work and sparkling vocals throughout. Fans of Scottish, Celtic, or Euro-folk will
find this track most fitting. “We
Are So Much More” opens with a keyboard wash and a few guitar strums with
narrated spoken words and an upbeat percussion set. Elisa’s clear, soprano vocals create a
beautiful Celtic Woman or Ronan Hardiman result, while the keyboard washes and
dance beat suggests similarities with the instrumental efforts of Enigma. The mix of Elisa’s clear vocals, narrated
portions, and vibraphone sound effects create a magnificent result that is
majestic, ear-pleasing, and memorable. The chorus is symphonic, danceable, and rich
with fluid and sonic textures. One of the last few choruses features the sound
of a younger voice, which represents a wide vocal spectrum throughout the song.
This is one of the best contemporary
world music tracks ever produced…bar none. “Theme
for Music for Life NYC” features a jazzy, Latin-tinged percussion section, and
an effervescent vocal line that is operatic in its delivery, but warm in its
reception. The sweeping violin and fiery
acoustic guitar work showcase Elisa’s varied song textures and styles
incorporating a more world beat sound. The
flamenco-type song is full of danceable flavors and Spanish lingo. There is even a few electric guitar squeals
near the end of the song for a slight rock presence. Fans of Latin, Spanish, and world jazz will
love this one. “Namaste Fever”
is brimming with eerie violin, percussive drums, additional sound effects, and
an almost continual chant of the song title throughout. The violin picks up some speed and sound
intensity, while the percussion delves into a more upbeat tempo with jingly
tins, metal, and cymbals. The sounds are
interrupted with a little didgeridoo, B3, and trilling electronica. The song contains a little Celtic ambiance
with a traditionally Hindu phrase in Sanskrit. This is ideal for the world fusion fan with a
hankering for Celtically-inspired yoga dance. “Ave
Maria: Mother of the Light” begins with a meandering, upbeat melody with
Elisa’s operatic vocals leading the charge on the traditional song. The Latin lyrics are sung throughout, but not
for the last line. The music is
supercharged with heavenly light and bliss with sonic sounds of beauty from
strings, percussion, and keyboards. The
cascade of vocal melodies and arrangements produces an orchestral and operatic
affect that is very enthralling. Overall, Elisa Brown’s new work, New World, is a
marked achievement in the world music, new age, and world beat genres. Elisa’s ability to change from operatic to pop
vocal patterns creates a versatile recording. The eleven songs represent a wide range of
vocal and instrumental styles that should appeal to a diverse listening
audience. The help of Grammy
Award-winning producer, Barry Goldstein, adds another dimension to the album
that only increases its desirability. Ultimately,
the music is what will keep listeners coming back for more. The new world has arrived and Elisa Brown is
leading the musical revolution. ~ Matthew Forss
Friday, November 16, 2012
CD Review: Elisa Brown's 'New World'
Labels:
barry goldstein,
elisa brown,
enigma,
european,
forss,
irish,
jazz,
new world,
orla fallon,
reviewyou,
ronan,
violin,
world beat,
world music
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