CD Review: Srikalogy's 'New Paradigm'

Srikalogy
New Paradigm
Black Swan Sounds

Srikalogy is a New York-based DJ, MC, producer, and percussionist with a connection to the West Indies, Caribbean, and a NYC Ashram. These life experiences were perfect for poetic storytelling through carefully-selected beats in the world music, electronica, and hip hop worlds. There is a South Asian vein that extends to kirtan or yoga-based stylings. The trumpet, mrdanga, keyboard, guitar, kalimba, and didgeridoo sets the tone for the urban and contemporary beats. Srikalogy's vocals are hip-hop based and a great delivery vehicle for his message. The electronic drones, punchy percussion, Enigma-like compositions are something worth listening to. Anyone with an interest in urban yoga music will love the compositions on New Paradigm. ~ Matthew Forss

CD Review: Turiya Nada's 'Arakara: Ecstacy Of The Awake'

Turiya Nada
Arakara: Ecstacy Of The Awake
White Swan Records

Hypnotic, sensual, and mesmerizing tunes, beats, and arrangements are at the forefront of yogi Turiya Nada's latest release. The album is rich with yogic melodies and spiritual leanings that combine repetitive chants with instrumental greatness for a truly satisfying musical journey. There are eleven long tracks tied to Sanskrit chants and liturgies. Turiya Nada is the chief vocalist, but Winston Raval plays keyboards, Rob Kholer plays electric bass, EdWing Sankey plays electric guitar, zither, and butterfly harp, Jeronimo Sexton is on cello, Ena Vie is a backing vocalist, and Howard Lipp is a programmer, synth player, and flutist. A variety of earthy arrangements create a wonderful world of musical sound that is as spiritually transcendent and evocative as anything from Tulku or Enigma. However, the music tends to be more primitive, ancient, and yogic without modern beats or urban grooves. Nevertheless, Turiya Nada knows how to meld these seemingly opposite worlds together without venturing too far into the modern world. Overall, Arakara... is a contemplative and trance-inducing album with loads of yogic charm and spiritual tendencies. ~ Matthew Forss

CD Review: AOMUSIC's 'Hokulea'

AOMUSIC
Hokulea
Arcturian Gate

AOMUSIC is a collective of musicians from around the world, but the group was created by Richard Gannaway, Miriam Stockley, and Jay Oliver. These unifying tunes are cinematic, catchy, majestic, and memorable. There are a variety of languages used throughout the album, but the rhythms and melodies are diverse and lush. There are nine tracks in all that represent a truly world music and fusion example that is tough to beat. The glorious vocals and numerous instruments make everything come together with ease. The contemporary arrangements are somewhat new age, but genre classifications are tough to explain this music. At any rate, the music is akin to Celtic Woman, Enigma, Te Vaka, Hevia, and Ronan Hardiman. Fans of world fusion, world vocals, and soaring melodies with a purpose, then Hokulea is necessary. Additionally, the profits from album sales go directly to children in need world-wide. You can donate at: www.aofi.org. ~ Matthew Forss

CD Review: ArHai's 'Eastern Roads'

ArHai
Eastern Roads
Balkanworlds Records

ArHai began with Jovana Backovic, a vocalist, keyboardist, and programmer from Serbia. Her bandmate, Adrian Lever, is a tambura player, guitarist, pianist, and double bass player on the album. The duo enlist the help of additional instrumentalists, including tabla, percussion, electric bass, and vocals. The music is folktronic with a good amount of world fusion ranging from South Asian to Scandinavian influences, but Middle Eastern and Mediterranean regions are not too distant either. The background vocals on some tracks are reminiscent of Enigma-type tracks. However, this is not a dance album. Still, there are some 'danceable' tracks that are very moving. If contemporary folk music is what you are after, then ArHai serves it up deliciously. ~ Matthew Forss

CD Review: Elisa Brown's 'New World'

Elisa Brown
New World
Self-Release

Soprano singer, Elisa Brown, produces a diverse array of classically-inspired songs with various jazz, rock, folk, Celtic, and new age elements in a world beat stew.  The international vocal arrangements reflect Scandinavian, Middle Eastern, Asian, and Indian cultural subtexts with varied vocals from various international sources.  The varied instrumentation and classical music base is characteristic throughout.  Eleven songs reflect a world music presence that is encompassing, engaging, and full of rich sonic textures. “Invocation” opens with blissful trickles of crystalline and metallic sounds and Elisa’s spoken word lines.  Mid-song, a single vocal line is repeated, but in different languages, including French, Arabic, Chinese, Spanish, Russian, Korean, Hindi, Hebrew, and English.  There are very little instrumental additions.  The entire song is rather dreamy, inspirational, and thought-provoking, but the power of poetry is most evident. “Cullins of Rhum” begins with a scintillating, Scottish guitar line, weeping violin, and sweeping electronic accompaniment that creates a full sound throughout.  The melody is also Celtic-driven with soaring vocals indicative of a mature Orla Fallon.  There are even bird sounds to lighten the melody and mood mid-song.  The song is rather sweeping with giddy guitar work and sparkling vocals throughout.  Fans of Scottish, Celtic, or Euro-folk will find this track most fitting. “We Are So Much More” opens with a keyboard wash and a few guitar strums with narrated spoken words and an upbeat percussion set.  Elisa’s clear, soprano vocals create a beautiful Celtic Woman or Ronan Hardiman result, while the keyboard washes and dance beat suggests similarities with the instrumental efforts of Enigma.  The mix of Elisa’s clear vocals, narrated portions, and vibraphone sound effects create a magnificent result that is majestic, ear-pleasing, and memorable.  The chorus is symphonic, danceable, and rich with fluid and sonic textures. One of the last few choruses features the sound of a younger voice, which represents a wide vocal spectrum throughout the song.  This is one of the best contemporary world music tracks ever produced…bar none. “Theme for Music for Life NYC” features a jazzy, Latin-tinged percussion section, and an effervescent vocal line that is operatic in its delivery, but warm in its reception.  The sweeping violin and fiery acoustic guitar work showcase Elisa’s varied song textures and styles incorporating a more world beat sound.  The flamenco-type song is full of danceable flavors and Spanish lingo.  There is even a few electric guitar squeals near the end of the song for a slight rock presence.  Fans of Latin, Spanish, and world jazz will love this one. “Namaste Fever” is brimming with eerie violin, percussive drums, additional sound effects, and an almost continual chant of the song title throughout.  The violin picks up some speed and sound intensity, while the percussion delves into a more upbeat tempo with jingly tins, metal, and cymbals.  The sounds are interrupted with a little didgeridoo, B3, and trilling electronica.  The song contains a little Celtic ambiance with a traditionally Hindu phrase in Sanskrit.  This is ideal for the world fusion fan with a hankering for Celtically-inspired yoga dance. “Ave Maria: Mother of the Light” begins with a meandering, upbeat melody with Elisa’s operatic vocals leading the charge on the traditional song.  The Latin lyrics are sung throughout, but not for the last line.  The music is supercharged with heavenly light and bliss with sonic sounds of beauty from strings, percussion, and keyboards.  The cascade of vocal melodies and arrangements produces an orchestral and operatic affect that is very enthralling. Overall, Elisa Brown’s new work, New World, is a marked achievement in the world music, new age, and world beat genres.  Elisa’s ability to change from operatic to pop vocal patterns creates a versatile recording.  The eleven songs represent a wide range of vocal and instrumental styles that should appeal to a diverse listening audience.  The help of Grammy Award-winning producer, Barry Goldstein, adds another dimension to the album that only increases its desirability.  Ultimately, the music is what will keep listeners coming back for more.  The new world has arrived and Elisa Brown is leading the musical revolution. ~ Matthew Forss     

CD Review: Various Artists' 'Desert Dwellers DownTemple Dub: Remixed'

Various Artists
Desert Dwellers DownTemple Dub Remixed
Black Swan Records

The instrumental and vocal worlds come together on the latest release from Black Swan Records, which includes dub and bass genres with contemporary yogic beats. Vocals are provided by Pandit Birju Maharaj, Yamuna Wali, and Sarah West. The South Asian-inspired grooves contain a good dose of chill, psych-trance, and luscious melodies with a definitive dance beat. The yogic mantras will create musical tantrums in the listeners, because it is very inspiring and awesome in sound. The atmospheric washes and electronic beats are not heavily showy, but the grooves do contain a nice amount of urban, contemporary leanings that are cinematic, thought-provoking, and soul-stirring. The instrumental grooves take on some characteristics of Enigma. The eleven long tracks are a must-listen for contemporary yogic music fans. ~ Matthew Forss

CD Review: Robert A. Wolf's 'Krakatoa'

Robert A. Wolf

Krakatoa

Wolfymusic

Indiana's Robert A. Wolf is a composer and producer of New Age music with a knack for the instrumental. His latest album, Krakatoa, is named after the famous Indonesian volcano as a symbol of musical creativity that is about to burst. The result is a set of tracks that sparkle with keyboard washes, pristine piano, and a light percussion base indicative of Enigma, Tangerine Dream, and Ronan Hardiman. The only vocals are angelic non-sensical sounds used intermittently throughout the album. The instrumental beat of "No Horizon" is musically boundless and aptly named as no horizon exists in this musical world. The equally enthralling "Distant Lights" is a perfect song and, by accident, a nod to the stellar piano and production work of Ronan Hardiman. "Caldera Sea" is a frothy cauldron of Mediterranean sounds with all the luscious keyboard washes one can handle. "Burnt Orchid" is a more piano-focused song than other tracks on the album. The final track, "Cracking the Mountain", incorporates all the sound effects, washes, vocal 'ahhs', and rhythmic beats inherent in any progressive New Age recording. Krakatoa should 'krak' the top 10 list of any New Age music chart. ~ Matthew Forss