CD Review: Tipsy Oxcart's 'Upside Down'

Tipsy Oxcart
Upside Down
Self-Release

Balkan music from Brooklyn? Yes, indeed. The instrumental ensemble creates dance-friendly tunes with lively percussion, trumpets, baritone/alto/tenor sax, trombone, accordion, violin, electric bass, and drums. Though, some of the songs are more contemplative and serene, a majority of the tracks are upbeat, edgy, and full of high-energy. "Homecoming" contains a Balkan-beat that is reminiscent of South American cumbia, but in a Balkan form. The frenzied "Tutti Frutti" is a rousing track with blaring horns, bubbly bass, and punchy drum beats throughout. There are eleven tracks in all. With track titles as diverse as "Fax Mission," "Honey Dripper," "Tipska," "Bone Dance," and others, Upside Down will astonish you with their uncanny rhythms and contemporary sounds in pure, Balkan music form. ~ Matthew Forss

CD Review: Ljom's 'Seterkauk'

Ljom
Seterkauk
Kirkelig Kulturverksted 

The Norwegian-based group, Ljom, releases their newest album, Seterkauk, which concentrates its energy on cow call songs from Norway's past and present. The swirling songs are steeped in romantic folk rhythms and melodies with spritely vocals and heady arrangements. The group employs a bass, guitar, cello, piano, synth, clarinet, and other instruments, but the voice is the real instrument. Kjerst Kveli is the chief vocalist with a stark ability to evoke tons of emotion packed into a single verse. There is even a sweeping piano tune, "Bennykauken," that contains a bit of a jazzy elegance. At any rate, Ljom presents us with an interesting, relaxing, and contemporary journey into the cow call songs of Norway with ever having to leave our house. Well, you might have to leave at least once to buy the album, unless you get it online. High praise for folk, jazz, and new age sounds from yet another fine release on KKV. ~ Matthew Forss

CD Review: Case On Bass' 'Bass Tones #1'

Case On Bass
Bass Tones #1
Self-Release

Case On Bass is an avant-garde group that utilizes an electric bass guitar with some pedal effects on their first release, Bass Tones #1, in this series. The album is completely instrumental without any vocalizations or additional instruments. There are twenty-six tracks on the album, which are all relatively short around one minute each. The reason behind the shorter tracks, stems from the creative process and philosophy of simplifying the tunes to reduce redundancy one commonly finds in other music. The experimental approach works with contemplative and relaxing tunes that inspire one's mind to probe deeper in bass-dom. "Sense Of Purpose" is a gritty, bass-line that reverberates with a Southern, blues-rock vein; only for a minute. "Tripping" is more fluid and bubbly in a polished, intergalactic way. "Noble Procession" is more of a distant bass sound with a primitive feel and avant-garde flair. "Nurture" is a sub-minute tune with a lullaby-like presence in a soft and subtle delivery characteristic of a type of fluid thumb piano, but in the end, it's only a bass. The last song, "Tone Poem," is the longest at nearly six minutes. The song contains pedal effects that reverberate the bass into bright echelons of musical bliss. The bass tones flutter with experimental beauty and a spacey ambiance. Anyone interested in avant-garde, instrumental, ambient, experimental, and bass guitar music should check out Bass Tones #1. 5 Stars (out of 5). ~ Matthew Forss  

CD Review: Karikatura's 'Eyes Wide'

Karikatura
Eyes Wide
Ropeadope

The New York City-based Karikatura produces a worldwide release of music inspired by many different countries and cultures. For example, there is nostalgic psych-funk inherent in "Someone," while a Balkan-Klezmer beat pervades "Brighton Beach" and a reggae beat percolates through "NYC Hustle." The band comprises of Ryan Acquaotta on lead vocals and percussion, Dima Kay on guitars, samples, back-up vocals, and glockenspeil, Eric Legaspi on bass, Morgan Greentstreet on drums, percussion, back-up vocals, and samples, Joe MF Wilson on sax and glockenspiel, and Ric Becker on trombone. Karikatura seems to capture different musical styles and make them their own. Where else could you find Zimbabwean chimurenga music and Klezmer music all on the same album? Eyes Wide is meant to open one's eyes and hearts to other musical styles and cultures. Karikatura still retains a unique voice amid all the influences and instruments. Everyone should check out Karikatura. ~ Matthew Forss

CD Review: Helge Lien Trio's 'Badgers And Other Beings'

Helge Lien Trio
Badgers And Other Beings
Ozella Music

The Helge Lien Trio hails from Norway and brings us a perfect blend of soothing jazz music that is created by drums, piano, and bass. The rather simplistic instrumental repertoire showcases a wide diversity with punchy drums, flowing and sweeping piano rhythms, and poignant bass-lines that make hearts smile. Helge Lien is the piano maestro, while Frode Berg is the bassist and Per Oddvar Johansen is the drummer. Running a few minutes under an hour, the album transcends time and space with beautiful melodies and rhythms that contain a level of classicism and pizzazz that are unforgettable. This is an ideal album for lounging or relaxing. It is very reflective and soothing. Notably, the entire album is void of vocals, so you can let the instrumental medley sweep you away and believe me; it will. ~ Matthew Forss

CD Review: Volga's 'Kumushki Pjut'

Volga
Kumushki Pjut
Asphalt Tango Records

Led by Armenian, Anzhelika Manukyan, Volga reinvents the traditional music of Russia using delicate house, dance, trance, and dub sounds that effervesce with soothing melodies and punchy rhythms. The Russian group resurrects ancient texts and performs them in modern contexts. The group comprises of Grammy Winner, Uri Balashov on zvukosuk and Tibetan cup, Alexey Ostashev on bass guitar, Sergei Klevensky on jaleika and bagpipe, and Roman Lebedev on guitar and electronic arrangements. Anzhelika is the lead vocalist. The poignant rhythms and electronic overtones are carefully selected and executed for a great result that is never too over-the-top. The mix of historical roots, modern rhythms, and various instruments make for a great album. The lilting melodies of "Kaverzi" appropriately demonstrates Anzhelika's emotive vocals and the sauntering guitar arrangements in a laid-back setting. "Postylyi Muzh" contains a pulsating rock guitar beat as an opener with recurring beats throughout. "Mala Nochka" possesses a cheery rhythm with rollicking bass, guitar, and percussion that eloquently accents the subtle electronic touches. Overall, Volga is one of the best groups to come out of Russia in recent memory. Enjoy it for yourself! ~ Matthew Forss

CD Review: Alex Garcia's Afromantra's 'This Side Of Mestizaje'

Alex Garcia's Afromantra
This Side Of Mestizaje
Afromantra Records

Alex Garcia is Chilean-born, influenced by Cuban and Peruvian melodies, and now based in New York, where he has mastered Latin jazz, percussion, and world fusion with his latest release, This Side Of Metizaje. The title of the album connotes mixed ancestry of the Spanish variety, which is quite evident throughout the tracks. The tracks are wholly instrumental without any vocal accompaniment. The music is steeped in jazz and jam session overtones with punchy percussion and horns eloquently frolicking along-side the fluid bass, piano, and keys. The music is relatively laid-back with some poignant melodies and rhythms that get the heart racing and the feet moving. Alex, a prodigy on drums, enlists the help of soprano sax-man, Ole Mathisen, Fender Rhodes maestro, Mick Eckroth, and electric bass connoisseur, Ariel De La Portilla. The entire group forms a cohesive unit of musical deliciousness that never gets old. Discover it today! ~ Matthew Forss

CD Review: C.S. Crew's 'Funky Pack'

C.S. Crew
Funky Pack
Cultures of Soul

Funky Pack is a reissued album from the late 1970's group, C.S. Crew, which are based in Nigeria. There are nine tracks in all featuring some of the funkiest funk to ever come out of Nigeria. "Bread Power" is littered with funky beats and raw sounds that get the body moving. The growling vocals are mostly throaty, but some of the vocals are a little lighter. The music is produced from drums, gonga, bass, guitar, alto sax, tenor sax, trombone, trumpet, moog, and string synth. "Doin' The Good Thing" continues in the funky vein with throaty vocals and fluid bass-lines for a truly aural fixation. The ballad-esque, "Living Together," cements the group's reputation for creating reflective tunes with funk, rock, and blues all rolled into one, satisfying concoction. Afro-funk fans will love C.S. Crew's reissue, but anyone with an interest in Nigerian music will love it. African music rules! ~ Matthew Forss

CD Review: Earl Mobile Orquestra's 'Mosaiq'

Earl Mobile Orquestra
Mosaiq
Out - O - Space Records

The Germany-based group, Earl Mobile Orquestra, incorporates swinging, Balkan, jazz, and Latin-infused elements throughout the ten tracks for a truly world fusion release of danceable music on Mosaiq. The jazzy sounds are upbeat, very moving, and top-notch. The tracks are wholly instrumental and the band is named after the general manager. The group's repertoire includes a pianist, bassist, drummer, violinist, guitarist, and trumpeter. The punchy sounds are worthy of repeated listens, as each listen brings out something new. The jaunty piano, punchy brass, and swirling melodies are something reminiscent of Balkan jazz, gypsy rhythms, and folk music. This is some of the best music to come out of Germany--especially with a Balkan twist. Get it today! ~ Matthew Forss

CD Review: Kevin Connor Swingtet's 'Guitar And Tres'

Kevin Connor Swingtet
Guitar And Tres
Self-Release

The Kevin Connor Swingtet brings to life Cuban son and jazz with lush song structures and tropical rhythms performed on guitar, tres, coro, clarinet, bass, drums, percussion, and vocals. The music is upbeat and danceable with a bouncy medley of jazz, gypsy rhythms, and Latin flavors that ignite soulful passion in listeners everywhere. The eleven tracks are varied, but the result is the same: a perfect concoction of vibrant, soul-stirring, Cuban jazz and swing that is anything but boring. Besides Kevin Connor, the Swingtet also incorporates the musicianship of Craig Flory, Jeff Norwood, Joseph Mascorella, Pedro Vargas, and Carlos Cascante. The talented cast shine through with various instruments and compositions. Nothing is amiss here. Fans of Cuban jazz, Cuban son, swing, Latin, and tropical music will find it deeply satisfying. ~ Matthew Forss

CD Review: Habib Koite's 'Soo'

Habib Koite
Soo
Contre-Jour

Mali's Habib Koite releases a stunning album, Soo, which means "home,"  that brings to life the music of North Africa and Mali in particular. Habib is the lead vocalist and guitarist on the album, but he is joined by other instruments, including bass, keyboards, calabash, kora, n'goni, doun doun, djembe, banjo, and others. The eleven-track release traverses the Saharan spectrum of musical ingeniousness. The rhythmic tunes combine with Habib's soulful vocals in Bambara, Dogon, Malinke, and Khassonke, to provide a fascinating listening experience overall. The poignant and catchy "L.A." is an excellent example of trans-cultural musical exchange with the banjo taking center stage with Afro-Latin percussive elements to boot. The sounds emanate in a beautiful delivery without fault. Anyone familiar with Habib Koite's previous works will love this new, adventurous release. Fans of Malian contemporary music will be pleased, too. ~ Matthew Forss

CD Review: Nistha Raj's 'Exit 1'

Nistha Raj
Exit 1
Self-Release

A distinguished performer of Hindustani Classical and Western Classical violin in the Washington, DC-area, by way of Texas, Nistha Raj connects with her Indian roots, but includes a twist: vocal beatboxing, upright bass, piano, and drums. The edgy, innovative, and clearly awe-inspiring tunes are Indian fusion at its best. There is a jazzy feel with the bass, piano, and violin, but the Indian connection is channeled through raga cycles, tabla, and somewhat rustic, earthy tone of the violin. The somber, "Ek Pyar Ka Nagma Hai," is an instrumental ballad with organic violin, pensive piano, and light drum accompaniment. In contrast, "The River," embodies the innovative Indian instrumental spirit with punctual violin melodies, rhythmic percussion, and luscious drones. There are upbeat and plaintive moments throughout. However, the South Asian instrumental arrangements are creative and fresh. Nistha knocks this one into another dimension and it definitely 'beats' the competition. ~ Matthew Forss

CD Review: The Hip Abduction's Self-Titled Release

The Hip Abduction
The Hip Abduction
Single Fin Records

Formed in Florida and seasoned with the production credits of Easy Star Records' Michael Goldwasser, The Hip Abduction creates a groovy and reggae-infused concoction that is very catchy and memorable. The twelve tracks feature the musical talents of David New, Pat Klemawesch, Chris Powers, Matt Poynter, Paul Chlapowski, David Johnson, Kevin Clark, and Pat Hernly. The album contains your typical drums, keyboards, bass, guitars, sax, trumpet, and vocals. However, the real charm is in the rarer instruments not commonly associated with reggae albums, such as the kora, kamalengoni, kanjira, nyatiti, and kora. The vocal and instrumental catchiness starts right away with "Children Of The Sun" and "Live It Right," but "All Eyes," "Holiday," and "Walk Away." The instrumental, "La Resaca" and "Kalapani" combine a funky, reggae beat with African strings and experimental charm. While some tracks possess a reggae vibe, many other tracks contain a more rhythmic pop and world fusion presence. All in all, The Hip Abduction is hip and here to stay. ~ Matthew Forss 

CD Review: Gino Foti's 'Global Resonances'

Gino Foti
Global Resonances
Net Dot Music

The new work of Gino Foti's musical creations shines through in new age, experimental, and bass-infused melodies and rhythms on Global Resonances. Gino's strictly instrumental songs are poignant, contemplative, ambulatory, and engaging. The diverse bass guitar stylings are partly due to MIDI, but there are also loops and samples that fill in the melodies. There are fourteen different tracks in all that span over one hour. Some of the bass sounds are rather light and represent an East Asian flair. However, Gino's music is steeped in avant-garde and experimental styles with a world fusion element rarely seen in contemporary releases in new age genres. There are not only East Asian sounds and influences here, but African elements exist to some extent. The jazzy leanings are truly impressive on "Umoja." Global Resonances is aptly-titled, because it represents a worldly connection that brings together various cultural components that seem to mesh very well. Whatever inspires Gino, we can be sure he will make it his own and evoke a sense of magnificence and entrancement in all who listen. Play it today! ~ Matthew Forss

CD Review: Passafire's 'Vines'

Passafire
Vines
Easy Star

The Savannah, Georgia-based quartet, Passafire, presents a new album with surf-rock and reggae-tinged songs with chart-topping qualities and catchy characteristics. Passafire is Ted Bowne on guitar/vocals, Will Kubley on bass/vocals, Mike DeGuzman on keys/guitar, and Nick Kubley on drums. The up-beat songs are rock, pop, and reggae-based without any clear genre distinctions. The vocals take on a little reggae influences, but there is some dance, electronica, rock, and pop concoctions that help the music move in different ways. There are some extended instrumentals that are especially engaging and diverse. In addition, there seems to be a fluid transition between rock, folk, and reggae throughout. Just when you think you've put your finger on the specific genre in question, they surprise us with something seemingly indefinable. At any rate, Passafire is on fire with this catchy release. ~ Matthew Forss

CD Review: Ali Bello's Venezuela Tunings On 'Connection Caracas-New York'

Ali Bello
Connection Caracas-New York
Zoho

Venezuelan-born and New York-based, Ali Bello is a talented violinist with youthful vigor and jazzy undertones. The Latin-themed recording is rich with jazz elements and Latin American percussion. The violin displays are on par with Ruben Blades' Panamanian ensembles. The mix of classical, folk, jazz, roots, and Latin genres are very compelling and enthralling. However, vocals are not present on this album. The nine tracks contain piano, guitars, violins, sax, bass, drums, maracas, percussion, and other instruments, which make the album shine with Latin delight. One need not venture too far from Afro-Caribbean and Afro-Venezuelan roots here. Anyone with an interest in violin music with added percussion and world fusion elements will find a connection with Ali Bello's latest release from Zoho Music. ~ Matthew Forss

CD Review: 1987 Talking Drums' Reissue For 'Some Day Catch Some Day Down'

Talking Drums
Some Day Catch Some Day Down
Innova

Originally released in 1987, Talking Drums' Some Day Catch Some Day Down is a rhythmic romp into Ghana's Afro-beat legacy with lively horns, immense percussion, rippling guitars, and great vocal harmonies. About a dozen musicians comprised the 1987 group, which provided various instrumental accompaniment, including the more popularly-known congas, sax, flute, bass, keyboards, guitar, timbales, bells, flugelhorn, and trumpet. However, there are numerous Ghanaian and West African percussion instruments used throughout the recording that are too numerous to mention. At any rate, the result is Afro-beat heaven with lively vocals. There are liner notes for each song, too. In addition, this is an enhanced CD, which provides nine MP3 bonus tracks after placement in a computer. These are groovy grooves with upbeat percussion and happy vocals. ~ Matthew Forss

CD Review: Lala Njava's 'Malagasy Blues Song'

Lala Njava
Malagasy Blues Song
Riverboat/World Music Network

Anyone familiar with Malagasy music knows about the valiha (tube zither) and probably Tarika - one of the most popular bands from Madagascar. However, you need to know about another group spearheaded by blues songstress, Lala Njava. Lala creates moving, contemporary, and bluesy tunes with lush Afropop rhythms and melodies that are very accessible. Lala is the chief vocalist, but is joined by Dozzy Njava on guitars, Pata Njava on drums/percussion, and Maximin Njava on bass. There are also backing vocals in the mix, along with a banjo and accordion making an appearance on a few tracks. Lala's vocals are rather choppy and mature beyond her years, but that breaks up the backing vocals and crystalline instrumentation. Vocally, Lala is the African equivalent of Stevie Nicks. ~ Matthew Forss

CD Review: Grand Old Grizzly's Self-Titled Release

Grand Old Grizzly
Grand Old Grizzly
Self-Release

A Texas alt-country act, Grand Old Grizzly presents us with an upbeat, bluegrass, and folk-tinged tunes with clever lyrics and memorable melodies on drums, guitars, keyboards, pedal steel, and bass. Grand Old Grizzly is led by vocalist and guitarist, Will Thomas. But he is joined by Mark Riddell on bass, vocals, keyboards, and percussion; Dustin Welch on banjo; Paul Beebe on drums, vocals, and guitars; and Craig Feazel and Katie Stuckey on pedal steel. The Americana folk sounds are rousing to say the least. There is even a bit of grungy/country-rock on "Tallahassee." The vocals on most of the songs resemble a younger version of Counting Crows-frontman, Adam Duritz. There are pop-centric elements which are bright and energetic, but the vocals are never loud or indiscriminate. The simplistic "I Was Thinkin'" is a dreamy ode on guitar with light instrumental embellishments. "Pretty Little Head" contains a slew of poetic vocals and giddy guitar stylings with pure pop pleasure wrapped around a country-esque backbone. There are eleven songs in all and none of them suffer from any insufficiencies. Grand Old Grizzly is grand music with a heart and soul. ~ Matthew Forss  

CD Review: The Green's 'Hawai'i '13'

The Green
Hawai'i '13
Easy Star Records

A reggae group from Hawaii? You bet. This is the third album from Hawaii's best reggae crooners and groovers. The music is steeped in Hawaiian culture and Jamaican reggae. The opening track, "He Mele No Ku'u Hawai'i," is a traditional Hawaiian chant that begins the musical experience. The rest of the tracks contain smooth, reggae grooves and stellar vocals. The keys, guitars, drums, and bass are top-notch throughout. There is a sense of soul and funk to the mix. Anyone with a good sound system will benefit from the smooth sounds and gliding bass lines. This is contemporary reggae from an island, but it is located far from reggae's beginning in Jamaica. Hawai'i '13 is a number one album all the way around. It's that simple. Reggae fans with an adventurous edge will love The Green. Get it today! ~ Matthew Forss