Showing posts with label hindi. Show all posts
Showing posts with label hindi. Show all posts

Tuesday, July 21, 2015

CD Review: Donna De Lory's 'Universal Light'

Donna De Lory
Universal Light
Self-Release

The contemporary kirtan and dance princess, Donna De Lory, brings life to songs inspired from the heavens above on Universal Light. This album contains a dozen songs with remixes from some of the hottest DJ's and maestros around, including Carmen Rizzo, Atom Smith, Drumspyder, Willie Lewis, David Starfire, Freq Nasty, and Dub Kirtan Allstars. "Gayatri Mantra," "The Offering," "Praying For Love," "Jai Mata Kali," "Om Namah Shivayah," and "Luciana" are more dance-centered tracks. There is a trip-hop-infused version of the Christian classic, "Amazing Grace," while "Om Tare Tuttare," "Amma," and "By Your Grace" are more down-tempo and kirtan-influenced with lighter melodies and rhythms. Donna's vocals are bright, clear, and most of all--universal! ~ Matthew Forss

Saturday, January 24, 2015

CD Review: Marti Nikko & DJ Drez's 'Dreaming In Sanskrit'

Marti Nikko & DJ Drez
Dreaming In Sanskrit
Black Swan Records

Blissful, electronic, and yoga-inspired, Dreaming In Sanskrit is the debut work of husband and wife duo, Marti Nikko and DJ Drez. The thirteen tracks are soaked with lush dub melodies, sitar-sizzling riffs, and down-tempo beats that cannot be ignored. Marti and DJ Drez are accompanied by Bansuri flute, cello, bass, sax, chinese flute, piano, flute, and tabla. The repeated Sanskrit mantras are very soothing and rhythmic, while backed by symphonic sounds and ambulating beats. There are even Arabic sounds on a few tracks, but the most prevalent influence is modern mantra and yoga-inspired music with lengthy melodies and electronic wizardry that is not too overt. Fans of yoga, meditation, down-tempo, groove-laden, and world fusion music will love. ~ Matthew Forss

Monday, August 18, 2014

CD Review: Bombay Rickey's 'Cinefonia'

Bombay Rickey
Cinefonia
Cowboys & Indian

The seven-piece ensemble, Bombay Rickey, includes Kamala Sankaram on vocals and accordion; Drew Fleming on guitars and vocals; Jeff Hudgins on reeds, vocals, and keyboards; Gil Smuskowitz on contrabass; Timothy Quigley and Brian Adler on percussion; and Sam Merrick on drums. Cinefonia boasts a world fusion of sorts that incorporates a bit of gypsy, psych, funk, Hindi, and folk melodies with modern keyboards and guitars. The surfadelic, Pondicherry Surf Goddess, is a psychedelic, surf gem with reverberating guitars, pulsating keys, and flowing vocals amidst a punchy bass-line and melody. The instrumental sections blend Latin, Indian, and North American percussion styles into one, indelible concoction of music. If you are interested in contemporary fusion, South Asian-inspired music, and music with great beats and vocals; you will absolutely love Bombay Rickey. ~ Matthew Forss

Thursday, August 14, 2014

CD Review: Prem Joshua & Chintan's 'Kashi'

Prem Joshua & Chintan
Kashi
White Swan Records

Prem Joshua & Chintan bring us some tantric and Sanskrit-infused compositions from India's inner soul on their latest collaboration, Kashi. There are nine hit tracks with a little Indian psych funk, contemporary yoga rock, and electronic elements infused with a good dose of percussion, vocalizations, and new age/jazz connotations that are ripe with world music elements. The transcendental songs are majestic, euphoric, and meditative. Of course, the tabla, harmonium, and sitar are a part of the mix, but the electronic and contemporary elements are a bit more prevalent. The result is a global fusion that covers dub on "Tumhaari Maya;" dance on "Gayatri Ghetto;" and modern embellishments on "All Roads Lead To Om," "Ya Devi Sarva," and "Lingashtakam." The devotional tunes are rather lengthy between five and ten minutes long, which allows for some expressive and thought-provoking results. There is nothing really comparable to Kashi, but the apparently-defunct group, Nuklearte, from Italy, is relatively close. If you love the South Asian-inspired modern grooves of yoga, Hindi, and mantra-style music, then Kashi will satisfy your soul. Best enjoyed with your favorite cereal : ) ~ Matthew Forss

Friday, May 30, 2014

CD Review: Deva Premal & Miten with Manose's 'Mantras For Life'

Deva Premal & Miten with Manose
Mantras For Life
White Swan Records

The soothing sounds of Sanskrit mantras are eloquently and meditatively-captured throughout Mantras For Life. Deva Premal is the lead vocalist and tanpura player. However, Miten is also a vocalist and guitarist. Manose adds vocals and Bansuri flute to the mix for a truly thought-provoking and calming production. There are additional instruments, including cello, keyboards, santoor, harmonium, tabla, drums, bass, wurlitzer, fender rhodes, and other vocals. The hypnotic and swirling melodies and rhythms encapsulates the human spirit in an accessible and serene manner that is unsurpassed in most of today's music. There are a dozen tracks, which are mostly mantras. The repetitive nature of the songs ingrains a spiritual presence throughout the deliveries. The liner notes include Sanskrit and English descriptions. Anyone interested in kirtan, yoga, chant music, and hypnotic, trance-inducing compositions will love the music of Deva Premal, Miten, and Manose. ~ Matthew Forss

Friday, February 1, 2013

CD Review: David Newman & Krishna Venkatesh's 'Re-Bliss: Stars Revisited'

David Newman & Krishna Venkatesh
Re-Bliss: Stars Revisited
White Swan Records

David Newman, also known as Durga Das, is a talented kirtan chant artist from Philadelphia. Krishna Venkatesh is a New York-based composer, producer, yoga teacher, and former electronic band member for Think Tree. Relying on a mix of funk, jazz, and eclectic electronic music that is driven by the soul and an inner bliss, Krishna adds a variety of groovy textures to the new album. David adds vocals, guitars, keyboards, and percussion. The eight long tracks are inspirational, relaxing, and meditative with a steady melody and trip-hop/jazz-inspired embellishments. The contemporary compositions combine a bit of dance grooves, electronic music, and blissful adventures that are catchy and void of faults. The duo showcase what really can be done when two blissful hearts come together and play music with a deeply meditative groove. Now is the time to bliss yourself. ~ Matthew Forss




Friday, December 21, 2012

CD Review: Aykanna's 'Mantra Mala'

Aykanna
Mantra Mala
Self-Release

Aykanna creates moving meditative pieces of music with light instrumentation and percussion with Sanskrit vocals and yoga spirit that is refreshing and serene. The nine tracks contain male and female vocals that are repeated and chanted in parts, but the instruments have a voice of their own. There is guitar, dun dun, bass, rhodes, steel guitar, cello, sarangi, keyboard, sitara, dombek, raf, riq, and congas that add some texture to the melodies. There is a Middle Eastern presence, which is probably due to the instruments. However, yoga music is at the heart of the recording with soulful and blissful rhythms that will awaken and then calm the human spirit. Mantra Mala is an engaging release for fans of yoga music, kirtan, and relaxing music with pop, new age, and jazz styles. ~ Matthew Forss

CD Review: Wah!'s 'Opening To Bliss'

Wah!
Opening To Bliss
Sounds True

The music of Wah! is rich with bliss and steeped in meditative qualities inherent in yoga practices and kirtan performances. However, Wah! tones it down a bit and reflects on mostly previously-released material from Saravasana, Saravasana 2, and Saravasana 3 albums. The music is highly-meditative and soaring with glistening whistles, assorted percussion, string drones, and electronic keyboards. Anyone familiar with Wah! will notice her vocal inflections right away. Her previous release, Maa (2010), was a more upbeat yoga pop collection, which is not what Opening To Bliss tries to be. This is meditative music with some throat-singing and an eclectic mix of peaceful instrumentation that is sure to astound everyone who listens to it. There are eleven total tracks that run nearly one hour and ten minutes long. Most of the music is in Sanskrit. Don't miss the bliss with Wah! ~ Matthew Forss

Thursday, December 13, 2012

CD Review: Vandana Vishwas' 'Monologues'

Vandana Vishwas
Monologues
Self-Release

The Indo-Canadian roots of Vandana Vishwas are clearly evidenced on her sophomore release, Monologues. Contrary to the initial tone of the title, there are songs on the album with good vocalizations and the same songs steeped in Hindustani classical music, Persian melodies, and Urdu poetic masterpieces. The upbeat music is driven by tabla drums, but the unmistakable drone of the sitar is also present, along with sax, flute, guitar, piano, and keyboard. The floating vocals are classical and contemporary in the same vein. It seems Lata Mangeshkar comes to mind on the vocals, but in a much more contemporary way. However, the music is not Hindi pop/dance music. It is influenced by global wanderings and a rich, South Asian heritage in the musical arts. The scintillating melodies and dreamy percussion tracks are outstanding. Nothing is questionable here. ~ Matthew Forss

CD Review: Various Artists' 'Bhakti Fest' [2-CD]

Various Artists
Bhakti Fest
White Swan Records

The new double-disc recording, Bhakti Fest, highlights some of the most memorable and Om-inspired kirtan tracks from the genre's biggest stars. You will hear Jai Uttal, David Newman, Sean Johnson, Sita, C.C. White, Govindas & Radha, Prema Hara, and The Mayapuris. There are trance-inducing tracks with repetitive mantras and soul-calming melodies. The driving melodies of simiplistic percussion, harmonium, some guitars, and angelic vocals make the music come to life. There are four tracks per disc, but the release as a whole is not too short at an hour-and-a-half. The melodies and rhythms have lasting effects for sure. The glorious vocals and immersive quality of the music is without a doubt one of the best kirtan releases of the year. If you want to add a little bliss in your life; then Bhakti Fest is the key. ~ Matthew Forss

Friday, December 7, 2012

CD Review: Various Artists' 'Meditative Massage Music'

Various Artists
Meditative Massage Music
White Swan Records

The wholly instrumental release, Meditative Massage Music, is ideal for relaxing, yoga, listening, and thinking. It is reflective and blissful with a host of White Swan Records musicians, including Omkar, Gary Stroutsos, Damien Rose, Prem Joshua, Stevin McNamara, and others. The music is slow and meandering. The fluid movements of aural sound envelope the listener as the music soars to new heights. There are guitars, keyboards, Indian percussion, and Tibetan musical instruments that set the tone of great brilliance. The music is much more reduced than other contemporary releases that focus primarily on upbeat, urban, and hip-hop elements. As a whole, Meditative Massage Music is spot-on with reflective sounds and dreamy tones that awaken the spirit and encapsulate the soul. ~ Matthew Forss

CD Review: Various Artists' 'Yogabeat'

Various Artists
Yogabeat
Black Swan Records

The folks at Black Swan Records have produced one of the most prestigious recordings of yoga beats aptly-titled, Yogabeat, which traverses the inner souls of the world's people with catchy beats, chakra-rockin' grooves, and dub-tastic melodies. The thirteen-track release features the Sanskrit-inspired, globe-trekking of DJ Drez, Srikala, MC Yogi, Dum Dum Project, Desert Dwellers, Adham Shaikh, Bole 2 Harlem, Sharon Gannon, Avasa/Matty Love, David Newman, Lazy Hammock, and EarthRise SoundSystem. The urban beats are contemporary, but not too steeped in urbanism. Importantly, the soulful yoga sounds reflect a South Asian influence with Hindi appeal and a world fusion appearance that emanates from the hip-hop-type music. Some of the musicians are on other albums, but this recording is mostly original. Over one hour of music will satisfy many listeners with a yoga ear, but it is important to note this is upbeat, danceable, and dreamy music with a purpose--a purpose to inspire, delight, and love it wholeheartedly. ~ Matthew Forss

Friday, November 9, 2012

CD Review: Mercedes Bahleda's ' Path To Bliss'

Mercedes Bahleda
Path To Bliss
White Swan

Based in New York, Mercedes Bahleda incorporates meditative mantras with Hindu, Sanskrit, and yoga-inspired overtones into remarkable kirtan songs. There are seven songs that run about a total length of one-hour. There are loads of heavenly vocals and instruments. For instance, the harmonium, tabla, djembe, violin, cello, guitar, tampura, kalimba, and piano make an appearance on several tracks. The upbeat tracks present the listener with soul-inspiring and soul-defining songs and harmonic textures that transport anyone who listens to the message into the outer realms of humanity. A skilled teacher of devotional music, yoga, and meditation, Mercedes is glad to perform blissful music and teach it to fellow listeners. This is an album that will be loved for all that it is...and more. ~ Matthew Forss

Thursday, November 8, 2012

CD Review: Seda Bagcan's 'Sunrise'

Seda Bagcan
Sunrise
Spirit Voyage

Turkish-born and German-based, Seda Bagcan creates moving Central Asian-tinged tunes reflecting a yogic presence and Sanskrit vocals. Yoga music lovers will appreciate the wistful and airy melodies, but the piano and some Central Asian percussion and strings take over. This is not your typical kirtan music, but then again, what is typical nowadays? At any rate, the music is mantra based and highly reflective. The soul-stirring voice of Seda is heavenly and blissful. The new album contains eight songs that are a mix of yogic, tantra-based music and Central Asian or Middle-Eastern-tinged elements. The result is a very good album that is easy to listen to for any relaxing or meditative occasion. Seda Bagcan is a talented songstress that knows how to focus on music with a purpose. Sunrise is good from sun-up to sun-down. ~ Matthew Forss

Friday, September 7, 2012

CD Review: Baba Alex's 'Chandra Shakti'

Baba Alex
Chandra Shakti
Self-Release

Based in Canada, but living part of the year in India, Baba Alex is a celebrated raga musician and kirtan singer. The music is steeped in the swirling sounds of the sitar, Bansuri flute, shenai, and tabla. The seven track release is very classical in its arrangement, but the vocals reflect a more modern presentation. There are various ragas presented here, including Bhoop Kalyan, Gunkali, and few other classical music interpretations. Baba Alex speaks Hindi, Bengali, English, and French. Married to the daughter of a Baul singer, Baba Alex solidifies his mark in the world of inventive instrumental ragas and classical singing. At about fifty-minutes, this album is in-depth enough for even the most passive raga fan. Let the spirit of the Bansuri and shenai envelope your soul today! ~ Matthew Forss

CD Review: Various Artists' 'Somali Party Southall'

Various Artists
Somali Party Southall
Keda

The UK-based Somali Party Southall release features the music of Abdulkarim Raas, Raj Kumar Lagoo, Nimco Degan, Mehboob Meghjee, Kuljit Bhamra, Al-Karim, Mohinder Kaur Bhamra, and Siciid Hussein. The UK-based musicians represent a Somali and Punjabi collective of musical styles ranging from jazz, pop, bhangra, and Bollywood playfulness. The instruments are varied and prevalent throughout the album. For instance, the bongos, tabla, dhol, oud, keyboards, violins, dholak, guitar, sax, clarinet, and flute play a large role in the instrumental arrangements. The vibrant beat and exciting vocals on "Ya Salam Ya Salam" is especially intriguing, because it contains a bit of bhangra, Bollywood, and East African influences. Nimco Degan stars as the lead singer on "Qalbigayga Lulayee." The final dance track is "Dholdrums," which features bhangra greatness on various drums and percussion without vocals. This is perfect for fans of UK bhangra or Punjabi music. Get your party started today with Somali Party Southall. ~ Matthew Forss

Friday, May 4, 2012

CD Review: The Bombay Royale's 'You Me Bullets Love'

The Bombay Royale
You Me Bullets Love
Hopestreet Recordings

If James Bond starred in an Indian film, this would be his soundtrack. The surfadelic stylings of Bollywood psych-funk with loads of brass, rhythms, and gritty guitars is reinvented for today's generation. Building upon the classic Indian sounds of the 1960s and 70s, The Bombay Royale create amusing and reverberating rhythms that mimic the US/Cambodian group, Dengue Fever, and how they modernized surf-rock for today using songs and styles from the Khmer Rouge-era. In fact, Dengue Fever's music is quite similar to The Bombay Royale. The spacey electronics, blazing horns, and funky Hindi beats are very lively and memorable. Fans of psychedelic Indian funk will love You Me Bullets Love, especially for its release on gatefold LP, but also CD and download formats will be released. All ten tracks are monumental from this Melbourne, Australia-based band. India's Golden Age is back and The Bombay Royale are to blame. Thank you for creating this musical project. ~ Matthew Forss

Thursday, September 29, 2011

CD Review: Hariharan's 'Lahore Ke Rang, Hari Ke Sang'

Hariharan
Lahore Ke Rang, Hari Ke Sang
Sachal Music

Hariharan is a playback singer and composer of contemporary Hindi music who has won numerous awards for singing and songwriting. Born in Mumbai, Hariharan studied Carnatic music and later on, ghazals (love poems). On this release, Hariharan celebrates the music of Lahore, Pakistan. A few of the composers are included, such as Wazir Afzal, Nazar Hussain, and Qadir Shaggan. Lyricists include Amir Khusro, Bulleh Shah, Majeed Amjad, Hasrat Mohani, Mushtaq Soofi, Tajjamul, Adeen Taji, and Nasir Kazmi. The instrumentation is characteristically filmic; with symphonic strings, tabla, sitar, and floating vocals that coalesce into a wonderful musical medium. The contemporary arrangements should intrigue young and old alike. The ten tracks run almost one-hour in length. Buy it today! ~ Matthew Forss

CD Review: Ustad Fateh Ali Khan's 'Bandish: Classical Compositions Re-Interpreted'

Ustad Fateh Ali Khan
Bandish: Classical Compositions Re-Interpreted
Sachal Music

Born in Pakistan, Ustad Fateh Ali Khan showcases his classical voice for eight different ragas that are re-interpreted with The Orchestra of the Great Musicians of Lahore. The raga compositions are similar in tone to Indian ragas. The instrumentation is similar, notably the sitar, table, dholak, mrdang, violin, santur, shehnai, mandolin, sarangi, sarod, viola, assorted percussion, and more contemporary instruments, including the Spanish guitar, keyboards, and bass guitar. The rich instrumentation and Ustad Fateh’s classic voice gives the music very high marks with limited outside influence. Specifically, the music may be re-interpreted, but it still retains its Punjabi charm. Every track is great. If you are into classical Punjabi or Indian music, then Bandish… is right for you! ~ Matthew Forss

Wednesday, September 28, 2011

CD Review: Fareeha Anwar's 'Sayooeni'


Fareeha Anwar
Sayooeni
Sachal Music

Pakistan’s Fareeha Anwar is a hip, young, fresh vocalist coming out of Pakistan. Sayooeni is a two-song release of two different remixes of the song originally composed by Salim Iqbal. The original singer was Zubaida Khannum. It is characteristically Bollywood in all regards—from the tabla, sitar, Spanish guitar, sarod, bass, violin, viola, cello, and assorted percussion, to the catchy, clear Hindi vocals. The eight-minute album includes the Hindi lyrics. For a great invitation to Fareeha’s music, Sayooeni is a gem. ~ Matthew Forss